RENÉ GIRARD AND SECULAR MODERNITY Christ, Culture, and Crisis SCOTT COWDELL René GiRaRd and SeculaR ModeRnity René GiRaRd and SeculaR ModeRnity Christ, Culture, and Crisis Scott cowdell University of Notre Dame Press Notre Dame, Indiana Copyright © 2013 University of Notre Dame Press Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Manufactured in the United States of America Bible quotations are from the New Revised Standard Version Bible, copyright 1989, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Library of Congress Cataloging- in- Publication Data Cowdell, Scott. René Girard and secular modernity : Christ, culture, and crisis / Scott Cowdell. pages cm Includes bibliographical references and index. ISBN 978-0-268-02374-4 (pbk. : alk. paper) — ISBN 0-268-02374-3 (pbk. : alk. paper) — ISBN 978-0-268-07697-9 (e-book) 1. Girard, René, 1923– 2. Secularization. 3. Violence. 4. Civilization, Modern—20th century. 5. Philosophical theology. 6. Philosophy, French—20th century. 7. Philosophy, Modern—20th century. I. Title. B2430.G494C69 2013 194—dc23 2013000465 ∞ The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. In Memoriam Joan MeyeRS 1923–2009 Many waters cannot quench love . . . Song of Songs 8:7 contentS ix Preface 1 Introduction CHAPTER 1 17 Mimesis, Modernity, and Madness CHAPTER 2 57 Violence, the Sacred Canopy CHAPTER 3 83 Scripture and Secularization CHAPTER 4 117 Modern Institutions and Violence CHAPTER 5 143 War, Terror, Apocalypse 169 Conclusion 185 Notes 225 Bibliography 243 Index PReface I came late to René Girard, and after three false starts. In the early 1990s, when I was completing my PhD dissertation on the unique- ness and finality of Jesus, I discovered and was much influenced by Walter Wink on the New Testament “powers and principalities,” though without appreciating Girard’s influence on Wink’s trilogy. In the late 1990s I was asked to review Why Must There Be Scapegoats? by the Girardian Jesuit theologian Raymund Schwager, but I could make neither head nor tail of it. I attended a gathering of Australian Anglican theologians where Girard’s work was introduced, and again things failed to spark. What finally awakened me from my dogmatic slumbers was an invitation in 2004 to review James Alison’s book On Being Liked. The time was right, and I was hooked. Here was an intellectual vision of great simplicity and power, combined with a level of spiritual and psychological insight that has helped me greatly both personally and professionally. Reading Alison and Girard followed, then other Girardians. I advanced some way toward my own Girardian synthesis in a 2009 book, Abiding Faith: Christianity Beyond Certainty, Anxiety, and Violence, but it became clear to me that I needed to learn a lot more about Girard before pro- ceeding with my longer- term theological project. Hence this volume, which undertakes a Girardian account of secular modernity. I am grateful for a relatively new and (in Australia) rare oppor- tunity to be doing this type of work more or less uninterrupted, so I thank Charles Sturt University for a Research Fellowship in Public and Contextual Theology. Within the life of our Research Center, based in Australia’s national capital, I thank Rev. Prof. James Haire, AC, our director, for his support and encouragement, along with my colleague Wayne Hudson for valuable conversations. My thanks also | ix
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