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Relative Intimacy: Fathers, Adolescent Daughters, and Postwar American Culture (Gender and American Culture) PDF

270 Pages·2005·1.93 MB·English
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Preview Relative Intimacy: Fathers, Adolescent Daughters, and Postwar American Culture (Gender and American Culture)

Intimac(cid:1)  &  Coeditors EditorialAdvisoryBoard ThadiousM.Davis NancyCott LindaK.Kerber CathyN.Davidson JaneSherronDeHart SaraEvans MaryKelley AnnetteKolodny WendyMartin NellIrvinPainter JaniceRadway BarbaraSicherman Intimac(cid:1)  ,  ,     Rache(cid:2) Dev(cid:2)in TheUniversityofNorthCarolinaPress ChapelHillandLondon © TheUniversityofNorthCarolinaPress Allrightsreserved ManufacturedintheUnitedStatesofAmerica SetinArnhemandBickhamtypes byTsengInformationSystems,Inc. Thepaperinthisbookmeetstheguidelinesfor permanenceanddurabilityoftheCommitteeon ProductionGuidelinesforBookLongevityofthe CouncilonLibraryResources. LibraryofCongressCataloging-in-PublicationData Devlin,Rachel. Relativeintimacy:fathers,adolescentdaughters,and postwarAmericanculture/RachelDevlin. p.cm.—(GenderandAmericanculture) Includesbibliographicalreferencesandindex. ---(cloth:alk.paper)— ---(pbk.:alk.paper) .Teenagegirls—Familyrelationships. .Fathersand daughters. .Fathersanddaughtersinliterature. I.Title. II.Series. .  .'—dc  cloth           paper            Acknowledgments vii Introduction   TheOedipalAge: PostwarPsychoanalysisReinterpretsthe AdolescentGirl   DelinquentGirlsandtheCrisisof PaternalAuthorityinthePostwarUnitedStates   AdolescentAuthorities: TeenageGirls,Consumerism,andtheCultural TransformationofFatherhood   Coming-of-Age: APaternalRiteofPassage,–   Affection,Identification,Skepticism: SituatingMeninRelationtoAdolescentDaughters  Epilogue  Notes  Bibliography  Index   ALifemagazinephotograph  AParents’Magazinephotograph  PublicitystillfromJuniorMiss(play),  IllustrationfromLifewithTeena,  IllustrationfromFatheroftheBride,  Illustrationfrom‘‘Mr.Banks’OtherDaughter,’’ GoodHousekeeping,  CoverofthebookJuniorMiss,  AadvertisementforChanelperfumefrom Seventeenmagazine  CoverofaissueofEbonymagazine  CoverofaissueofJetmagazine  PublicitystillfromKissandTell(play),  AdvertisementforKissandTell(film),  PhotographsofF.HughHerbertfromtheNewYorkPost,   Weallwritewithanaudienceinmind,andthisprojectbene- fitedenormouslyinitsearlystagesfromthefactthatNancyF.Cottand Jean-ChristopheAgnewweremine.NancyF.Cottadvisedthedisserta- tiononwhichthisbookisbasedatYaleUniversity.Herquickeyeand succinctquestionsgalvanizedbothresearchandargument,whileher ownscholarshiphasbeenaconstantsourceofinspiration.Theidea fortheprojectgrewoutofapaperforJean-ChristopheAgnew’smemo- rableseminartitled‘‘TheAmericanCentury.’’Hisapproachtocultural historyanimatesmythinkingthroughoutthebook;hisintellectual generosityandenthusiasmhelpedmeseeitthroughtocompletion. SupportfromtheMrs.GilesWhitingFoundationandaMellonFel- lowshipforResearchallowedmetocompleteresearchonthedisser- tationonwhichthisbookisbased.GrantsfromtheSexualityResearch ProgramoftheSocialScienceResearchCouncil,theLarryHackman ResearchProgramoftheNewYorkStateArchives,andtheTulaneUni- versityCommitteeonResearch,allowedmetodoadditionalresearch andtotaketimeofftofinishthewriting. Muchoftheresearchforthisbookwasconductedatvariousarms oftheNewYorkPublicLibrary,includingtheSchomburgCenterfor Research on Black Culture; the Science, Industry, and Business Li- brary;andtheLibraryforthePerformingArts.ArchivistsattheBilly RoseTheatreCollectionhelpedmewendmywaythroughmidcentury drama—afieldthat,withoutthiscollection,mightnothavemadeit intomyhistoricalimagination.JimHoltsattheNewYorkStateAr- chivesinAlbanydidagreatdealtohelp,evenwhensearchesproved frustrating. Two Medievalists, Bonnie Wheeler and Caroline Walker Bynum, wereearlymodelsofintellectualreachandprecision;bothgaveme much-needed encouragement early on. Robert Griswold answered questions at the beginning of this project and generously shared sources.ReginaKunzelhelpedmesituatesomeofmythinkingasI setouttoturnthedissertationintoabook.JeannieRheehelpedme thinkthroughlegalhistoryandSherrieInnesspromptedmetomake itmorereadable. CatherineStimpsonreadtheentiremanuscriptandposedimpor- tantquestionsatacriticaljuncture.AtatimewhenIneededanaudi- ence, Martha Hodes arranged for me to give a presentation at the ProgramintheHistoryofWomenandGenderatNewYorkUniver- sity.JamesBoydenandLindaPollockgenerouslyreadchapterswhen Iaskedthemtoandofferedusefulsuggestions. This book rests on the shoulders of those who transformed the historyofyouthandtheirdoingsintotherecognizedandrichlyre- searched topic that it is today. I very much appreciate that Paula S. FassandBethL.Bailey,twosuchpioneers,readandcommentedex- tensivelyonalatedraftofthemanuscript. InNewOrleans,thefriendshipofLarryPowell,LauraWatts,Rich- ardWatts,AlisaPlant,KateHaulman,NatalieRing,DanielHurewitz, Peggy Simon, Randy Sparks, and Justin Wolfe has helped see me throughtheday-to-dayworkofteachingandwriting.SylviaFreyhas been a steadfast intellectual ally, and the simple knowledge of her presencewasoftenreassuring.BethWillinger,attheCenterforRe- search on Women, and Cynthia Lowenthal, dean of Newcomb Col- lege,havehelpedmakethiscityahospitablehomeforthinkingabout women and gender. I have counted on Pamela Smith and Donna Deneenfortheirhelpwiththeoffice-basedworkofwritingandtravel. In New York, Kio Stark read various chapters and offered help- fuladvice.SabrinaBanesandTeneaJohnsonassistedwiththeoften drearybusinessoftrackingdownsourcesonmicrofilm.JoshuaBeck- manhelpedwiththearcanaofphotoediting. Genuine thanks to my editor at the University of North Carolina Press,SianHunter,forgivingmethe‘‘rigorousreviewprocess’’she promised and for her thoughtful advice. Thanks also to Mary Cavi- ness,DavidHines,andallattheUniversityofNorthCarolinaPress whohavehelpedwiththeproductionofthisbook. I thank Debby Applegate, Elizabeth Barnes, Virginia Blaisedale, PamelaHaag,AmyKesselman,TripMcCrossin,andSusieSteinbach for their friendship and provocative conversation during the years spentonthedissertationandafter.IamgratefultoCynthiaGooen Lesser and Deborah Rieders more than they know for making me laughsomuchforsomanyyearsandfortheirpatiencewiththisbook. viii  BernardDevlinlookedupcitationsformeatthepubliclibrarywhen IcouldnotbeinNewYork,andJamesE.Devlinhelpedonthefinan- cialend.IamindebtedtoTonyLacavaroforvariousliterarytips. ThefriendshipofRosanneMarionAdderleyhasbeenamostun- expectedgift,andithassustainedmeduringthetimeithastakento finishthisproject.AthenaDevlinhasreadeverypageofthebooksev- eraltimesover;herinsighthasbeeninvaluable.Idonotknowhow tothankherenough.Aroomofone’sownisonething,butintheage ofDr.Searsitisquiteanothertogiveoneselfpermissiontogothere. IamdeeplygratefultoStephenSollinsforhisendlessconversations onallsidesofthisquestion,hisgeneroushelp,andhisunwavering faithinthisproject.ThankstoJonahSollinsDevlinformakinglife outsideofthatroomsorich,interesting,musical.  ix

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Celebrated as new consumers and condemned for their growing delinquencies, teenage girls emerged as one of the most visible segments of American society during and after World War II. Contrary to the generally accepted view that teenagers grew more alienated from adults during this period, Rachel De
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