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Rednecks, Queers, and Country Music PDF

241 Pages·2014·1.362 MB·English
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Rednecks, Queers, and Country Music nadine hubbs University of California Press berkeley los angeles london Rednecks, Queers, and Country Music The publisher gratefully acknowledges the support of the Manfred Bukofzer Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. Rednecks, Queers, and Country Music nadine hubbs University of California Press berkeley los angeles london University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2014 by The Regents of the University of California An earlier version of chapter 3 appeared in Southern Cultures 17, no. 4 (2011): 44–70, under the title “ ‘Redneck Woman’ and the Gendered Poetics of Class Rebellion.” Library of Congress Cataloging-in-Publication Data Rednecks, queers, and country music / Nadine Hubbs. pages cm Includes bibliographical references and index. isbn 978-0-520-28065-6 (cloth : alk. paper) isbn 978-0-520-28066-3 (pbk. : alk. paper) 1. Country music—History and criticism. 2. Country music—Social aspects—United States. 3. Homosexuality and popular music—United States I. Title. ml3524.h78 2014 781.642086′640973—dc23 2013049681 Manufactured in the United States of America 23 22 21 20 19 18 17 16 15 14 10 9 8 7 6 5 4 3 2 1 In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Natures Natural, a fiber that contains 30% post-consumer waste and meets the minimum requirements of ansi/niso z39.48–1992 (r 1997) (Permanence of Paper). For the Krebs twins, Jerrie and Janet, and in memory of Jack Hubbs and Mike Cavanaugh Contents List of Illustrations ix Acknowledgments xi Intro 1 part i. rednecks and country music 1. Anything but Country 23 2. Sounding the Working-Class Subject 51 part ii. rednecks, country music, and the queer 3. Gender Deviance and Class Rebellion in “Redneck Woman” 107 4. “Fuck Aneta Briant” and the Queer Politics of Being Political 131 Outro 159 Notes 163 References 195 Subject Index 209 Song Index 223 Illustrations 1. Buck Owens and Don Rich in Japan, 1967 9 2. The Beverly Hillbillies’ Jed Clampett 26 3. From Foo Fighters’ 2011 video “Keep It Clean (Hot Buns)” 27 4. Country fan Janice King at a Bush campaign stop in Ohio, 2004 38 5. Loretta Lynn circa 2004 55 6. Merle Haggard circa early 1970s 66 7. Tina Turner album cover, Tina Turns the Country On!, 1974 71 8. Hank Williams circa 1950 77 9. Gretchen Wilson, country music’s Redneck Woman, 2006 108 10. Calamity Jane circa 1901 123 11. David Allan Coe album cover, Nothing Sacred, 1978 132 12. David Allan Coe in the 1970s 135 ix

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