READING HARRY POTTER AGAIN This page intentionally left blank READING HARRY POTTER AGAIN New Critical Essays Edited by Giselle Liza Anatol PRAEGER AnImprintofABC-CLIO,LLC (cid:2) (cid:2) SantaBarbara,California Denver,Colorado Oxford,England Copyright2009byGiselleLizaAnatol Allrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrieval system,ortransmitted,inanyformorbyanymeans,electronic,mechanical, photocopying,recording,orotherwise,exceptfortheinclusionofbriefquotationsina review,withoutpriorpermissioninwritingfromthepublisher. LibraryofCongressCataloging-in-PublicationData ReadingHarryPotteragain:newcriticalessays/editedbyGiselleLizaAnatol. p. cm. Includesbibliographicalreferencesandindex. ISBN978–0–313–36197–5(hardcopy:alk.paper)—ISBN978-0-313-36198-2 (ebook) 1.Rowling,J.K.—Criticismandinterpretation. 2.Children—Booksandreading— English-speakingcountries. 3.Children’sstories,English—Historyandcriticism. 4.Fantasyfiction,English—Historyandcriticism. 5.Rowling,J.K.—Characters— HarryPotter. I.Anatol,GiselleLiza,1970– PR6068.O93Z843 2009 823(cid:2).914—dc22 2009005773 13 12 11 10 09 1 2 3 4 5 ThisbookisalsoavailableontheWorldWideWebasaneBook. Visitwww.abc-clio.comfordetails. ABC-CLIO,LLC 130CremonaDrive,P.O.Box1911 SantaBarbara,California93116-1911 ∞∞ Thisbookisprintedonacid-freepaper ManufacturedintheUnitedStatesofAmerica Contents Acknowledgments vii Introduction ix GiselleLizaAnatol 1. HarrytheTeenager:MuggleThemesinaMagicalAdolescence 1 LisaDamour I. ReligionandMorality 2. TheLightningBoltScarasaLightningRod:J.K.Rowling’s HarryPotterSeriesandtheRhetoricoftheExtremeRight 13 RebeccaL.Stephens 3. ThePotterverseandthePulpits:BeyondApologiaandBannings 31 PeggyLinDuthie 4. Causation,PropheticVisions,andtheFreeWillQuestion inHarryPotter 47 PatriciaDonaherandJamesM.Okapal 5. HarryPotterandNarrativesofDestiny 63 LisaHopkins 6. TheGood,theBad,andtheUgly:LiesinHarryPotter 77 ChantelM.Lavoie vi Contents II. ThePoliticsofHarryPotter:IssuesofGender,Race,andClass 7. HappilyEverAfter:HarryPotterandtheQuestfor theDomestic 91 XimenaGallardoC.andC.JasonSmith 8. TheReplicationofVictorianRacialIdeologyinHarryPotter 109 GiselleLizaAnatol 9. AMarxistInquiryintoJ.K.Rowling’sHarryPotterSeries 127 ShamaRangwala 10. SecretDominationorCivicDuty:TheSourceandPurpose ofMagicalPowerinHarryPotter 143 MargaretJ.Oakes III. TheSocio-CulturalImpactoftheHarryPotterSeries 11. HermioneandtheHouse-ElvesRevisited:J.K.Rowling, AntislaveryCampaigning,andthePoliticsofPotter 159 BrycchanCarey 12. (Dis)OrderandthePhoenix:LoveandPoliticalResistance inHarryPotter 175 TracyL.Bealer 13. MilitantLiteracy:HermioneGranger,RitaSkeeter,Dolores Umbridge,andthe(Mis)useofText 191 LesleeFriedman 14. Doubling,Transfiguration,andHaunting:TheArtofAdapting HarryPotterforFilm 207 MichaelK.Johnson SelectedBibliography 223 Index 229 AbouttheEditorandContributors 235 Acknowledgments I offer profuse thanks to my editor, Suzanne Staszak-Silva, and to the con- tributors for their time and efforts; I’m especially grateful for those who had thepatiencetoenduremeaseditoronceagain.Iamindebtedtothemembers oftheDepartmentofEnglishattheUniversityofKansas,particularlyDorice Elliottforhergeneroussupportoftheproject,theparticipantsofSAGE’sAca- demicsAnonymous,andAdamLong,withoutwhomInevercouldhavemetmy deadlines.MuchappreciationgoestoTamaraFalicov,AnnRowland,andKim Warren,themembersofmyKansasCitywritinggroup,whoseencouragement, enthusiasm,andintellectualrigorconsistentlyhelpsmetofocusmymindand energies.DeeHurtdeservesthegreatestpraiseforassistingmewithpassages thatweresuretoruinthesurprisesofthenovelsforher,andforalwayshelp- ing me to balance work and play. I thank Miles Hurt whose continued belief in magic inspires me to continue writing about it. And last, but certainly not least,IthankMylishaJoiHurtforcontinuingtoasktheimportantquestions thatkeepmeonmytoes,andshowingmethatgreatthinkerscancomeinall sizes. This page intentionally left blank Introduction WhenmyfirstcollectionofscholarshiponJ.K.Rowling’sHarryPotterseries— Reading Harry Potter: Critical Essays (2003)—was published, many readers hadbeenfinishedwithbookIV,HarryPotterandtheGobletofFire,formonths, andwereeagerlyanticipatingthenextinstallmentintheseven-booksequence. HarryPotterandtheOrderofthePhoenixwasreleasedinsummer2003tothe usualeye-poppingfanfareandearth-shatteringsales;itwasfollowedbyHarry Potter and the Half-Blood Prince in 2005 and Harry Potter and the Deathly Hallowsin2007.AstheyfinishedthelastpageofHallows,Isuspectthatmany fans of Rowling’s series reacted as I did: with a start of panic at the thought, “WhatamIsupposedtodonow?” Manyreadersconfessedtobesufferingfromwithdrawaluntilsummer2008, when—on Harry’s and Rowling’s July 31 birthday—it was announced that The Tales of Beedle the Bard would be published on December 4. The title comesfromHarryPotterandtheDeathlyHallows,whereAlbusDumbledore leavesHermioneGrangeracopyofthecollectionofchildren’stalesinhiswill. Rowlingcraftedsevenduplicatesofthehandwrittenillustratedwork,givingsix tofriendsandsupporters;theseventhwasauctionedatSotheby’sinLondonfor arecord-breaking£1,950,000(US$4million),tobedonatedtoChildren’sHigh LevelGroup,theEuropeanchildren’scharitycofoundedbyRowlingin2005.1 The successful buyer at the auction, Amazon.com, allowed readers to access the work through its website, and produced a collector’s edition resembling theoriginal;HarryPotterpublishersBloomsburyandScholasticwillreleasea cheapereditionofthetales,“translatedfromtheoriginalrunesbyHermione Granger”andfeaturinganintroductionandillustrationsbyRowling. BesidesnotingHermione’sparticipationintheprojectinaJuly2008state- ment, the Potter author claimed that the new text would include “notes by