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Read My Desire: Lacan against the Historicists (October Books) PDF

283 Pages·1994·5.42 MB·English
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Preview Read My Desire: Lacan against the Historicists (October Books)

ReadMy Desire Lacaagnia ntshtHe i stcoirsits JoaCno pjec OCTOBEBRo ok An TheM IT Press CambridgMea,s sachusetts LondonE,n gland © 1994M assachusIentsttsi toufTt eec hnology Allr ihgtsr eservNeod .p arotf t hibso okm ayb er eproducienad n yf ormb y any electroniocrm echanicmaela ns( includpihnogt ocopyirnegc,o rdionrgi ,n formation storaeg andr etriewviatlh)o upte rmissiinow nr itifnrgo mt hep ublisher. Thisbo okw ass eti nB embob yD EKR Corporatainodnw asp rinteadn db oundi nt he UniteSdt atoefsA merica. Librya orfC ongreCsast aloging-in-PuDbaltiac ation CopjeJco,a n. Readm y desi:r Leacaang ainstth eh istoriIcJ iosatnCs o pjec. p. cm. "Manyo ft he chapitnte hrisbs o oka ppeariende arliveerr sioanss essaiynsv arious joaunrdnb aolosk s"-T.vpe.r so. "AnO ctobebro ok." Includbeisb liograprheifcearle nacnedis n dex. ISBN0 -262-03219-8 1.P sychoanalaynsdci usl rteu. 2.D esrie.3 .Hi storici4s.mL .a canJ,a cque1s9,0 1- 5.F oucauMlitc,h elI..T itle. BFI754..C84C66 1994 1501.9'5-dc20 94-383 CIP Manyo ft hec hapteirnts h ibso oka ppeariende arliveerrs ioanses s saiynsv ariojuosu rnals andb ooks. Cha2p,t4 e,ar nsd 5 werep ublishienOd c tob4er9 ( Summe1r9 89)Oc;t ob5e0r (Fa1l9l8 9a)n; dO ctob5e6r, a speciiasls uoen "RenderitnhgeR eal,e"d itbeydP arveen Adams( Spri1n9g9 1)r,e spectiCvhealpyt.e3 r w asp ublishienBd e tweeFne miniasnmd P sy­ choalnysaise,d itebdyT eresBar enna(nL ondoann dN ew YorkR:o utled1g9e8,9 C)h.a pter 6 appearienda speciiasls uoefN ew Foramtio(nSsu mme1r9 91)",O n Democracye,d"i ted byE ricCaa rtearn dR enatSaa lecClh.a pte7r wasa ne ssaiynS hadeosfN oirA: Reader (Londoann dN ew YorkV:e rso1,9 9)3,w hichIe dited. Tom ym otheArn,n , antdh mee moroyfm yf taheJro,hC no pjec Contents ACKNOWLEDGMENTS ix 1. Introduction:S tructureDso n'tM arch inth e Streets 2. The OrthopsychiScu bjecFtilm: Theory and the Receptioonf L acan 15 TheS creeansM irror Orthopsychism TheM irroars S creen 3. Cutting Up 39 TheD eathD riveF:r euadn dB ergson CauseL:a caann dA ristotle Achillanedst heT ortoise Causaen dt heL aw 4. The SartorialS uperego 65 Coloniaensd C olonnades Guiltvye rsuUss efuPll easures Beyontdh eG oodN eighboPrr inciple Fantaasnyd F etish 5. Vampires, Breast-Feedianngd, A nxiety 117 TheD ryinUgp oft heB reast Breast-FeeadnidFn rge edom 6. The U,ender OtherH:y steriaan d Democracy in America 141 TheT eflonT otem TheM odernF ormso fP ower 7. LockedR oomlLonelyR oom: PrivatSep acein FilmN oir 163 TheA ctuarialO rigionfsD etectiFviec tion TheL ocked-RooPma radoaxn dt heG roup Contents vii Detoutrh rougthh eD rive TheV oicaen dt heV oice Over LockedR oom/LoneRloyo m LethJaolu issaanncdet heF emmeF atale 8. Sexa nd the Euthano£asRieaaso n 201 TheP hallFiucn ction TheF emalSei deM:a thematical Failure TheM aleS ideD:y namicFaali leu r SexuaDli fferenacnedt heS uperego NOTES 237 INDEX 261 Aclmowledgments Oner aesownr itiissn odg i fficiusl tot nhfeaee tl wsh,i dloei intg, com pletaelloyYn eeit.tf h wiesr e wtrriuteai,nn tdgh inkwionuglb dei m possiTbhel eO.bt ihgae sri (ddIe o na'ftt,ae lrkl n,o hwi osrh enra em). iits ant uo mberot hoetfrh saIh t a vaed edsrsemdy sleifn w rtiintgh is booakn wdh oh avmea dietl ,i teproaislbsllye,. Myd ebwtesr ien cuirnrw eadv etsw,oo f t heTmh.er uswta s thpee ribogedi,n niintn hgme i dtoI ate 1w9h7e0Snsc .ra enemdnl wfe re publitshheiginrrgo d u-nbreatkeixwnthgse .Sn c rreeean dmeerest'i ngs. thFei lmm'aCsko e-roipnL ondtohnMe,i lwacuoknefee rweenrsceie tse s ofi nntsedee batthemasat r kmeedf ogro oIdo .f treeng reIth atvnheoa tt seetnh eliirk e sitnhcreei ,ga ontredh x acti tetmheaenu tr,au rogfe ncy, commitmaenncdto ,m munitthyas utr routnhdeesmde, e lma rgteobl ey abnstef ormm orceo ntempeoxrcahra.yn oglweesa g redaeta lt hteo peowplheos taagnepdda rticiintp haeetsaeerd dl eibearat needss e.pc ially toaf efwir enwdhso mIa ssioasctteif orlv la,r iroeouanssws i,t thhv ea lues therye presaenntdth ieemd p toartnhte orpertjoiecctathlseb ye gaPnar: veeAnd amHso,m iB habEhlai,z aCboewtihMe a.r Ayn nD oanaen,d SanFdlyi mtatnewLrie.s Thes ecownadv ceo incwiidtethdh pe e riwohde Inb egatno defimnyeo wnw ornko atc cortdoti hnoegjb etoc fm ys utdy, nor even asb roatdhleyo rebtuitc,ea clis,fip caasLl alcya,.n A itat nhmiosm enIt begtaoni ncduerb ttoSs l ajZv iozewkh,o has meht eosl epee dt thhea t distbaentcweea ebns ttrhaecoatrn ycd o ncarnelatyesc iabsn e c erateilvy birdgeadn,dw ithloousttso t hreyot;oJ ulMiaectC anannedRl eln ata Slaecwlh,oh avbee come iantl hlpeir eosjo efbc rti ngLiaancnga nd fmeinitsot snt ehgeio atttianbgtl oJe a;c quesMiAlllaweihnroi , n h is Acknowledgments x seminaanrds c ionn vteiroosnpa enuepdf or m ea polirteiacdaoilfn g Lacatnh amtan y oitnhteerr phraeadtl emroessn tt iorbeuslrcye d. Toe acohft helsises tmIu satd das ingle thnaaotmfJ e ol,e Finaenmw,h osdeea dtihm siehndib otht heorweotrilbcdyaas sl g i nificant sum. Mye fforattws r itwienrge alsob yts wudosi teffariepnnreteod sf ­ sinoaclo ntse.Txh tefi rswta so,fc ourtshjeeu,o r nOaclbte ,orw hermey coietdoDrosu,lg aCsri mpR,o salind anKdAr nanuesMtsit,ce h e,l son supplmeiw eidt ahm pslpea acneed nc ouragteomd eenvtet lhoaepr gu mentosft heea rclhipaetreo rfts h bioso Tkh.e seictso hEnend g lainsdh CompaatriLviet errea tduepaarttt hmUeen nitvse orsfBi uftflayoa nmdy manyc olletahgeu.re hesIe t saitien tchaistseos inngalme eosu ftor sepcimaeln tfiorof nae rt hlei wsotu lgdr ow ltoonIogd .oh avteot hank separhatoewvleeyrt,,h s et udeinnm tyss eminwahrohs a,v teh,r ough theeiarg erinnetsgesel,nl caien,d initnesrpemisertI.e,w d o uladl sloi ke tot ahnBki Flils cfhorea rr ranfgorim netg oh avlee avet opt uittmh ee finalc hteoosnut hbeo oMky.c olleaattg huCeee sn tfeortr h Seut dyo f PsycahnoalaynsCdiu sl taulrsdeeo s esreavprea mteen tfioogrni vipnsgy choaniassl uycashs olhiodm en,o otn ldyu ritnhgge o otdi mewsh,e n psycnhaolaywsaitssh " eh odti"s cobuurdtsur ei,nt ghb ea tdi maesws e ll. Thantkosot,,oJ onaC ipperfmohare nyr e aorfss u stasienrivtniogc et he Center. Iw antto tRhoagnCekor n ovaettr h MeI TP refsorsa lhlih se ,l p epseciaatol nlcey r ucmioamle wnhte hni esd iitaiolnr tervpernotvieodn decisJievneyW.ae inrweabsa speetdhyo,r oaungdvh e,r pyl easant copyedoiftt hofiern atxle tI;t hahnekfr or h ecra re. FinaIlt lhya,mn ykh usbaMnidc,h Saoerlk fiorns ,om uchi,n cludtihnfecag tt hhaetw oulpdre ertf hIan to dte lmayyb ooakn lyo nger whiIlt ert yofi gueor uhto wt oa cknogwehl iepmdr opeWrilsbyee.;c ause hek nowtsh tath iastl, e aissnt o,pt o ssible. ReadMy Desire

Description:
In Read My Desire, Joan Copjec stages a confrontation between the theories of Jacques Lacan and Michel Foucault, protagonists of two powerful modern discourses - psychoanalysis and historicism. Ordinarily, these discourses only cross paths long enough for historicists to charge psychoanalysis with a
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