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Qualitative Inquiry at a Crossroads: Political, Performative, and Methodological Reflections (International Congress of Qualitative Inquiry Series) PDF

215 Pages·2019·1.548 MB·English
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Qualitative inQuiry at a Crossroads Qualitative Inquiry at a Crossroads critically reflects on the ever-c hanging dynamics of qualitative research in the contemporary moment. We live at a crossroads in which the spaces for critical civic discourse are narrowing, in which traditional political ideologies are now questioned: there is no utopian vision on the horizon, only fear and doubt. The moral and ethical foundations of democracy are under assault, global inequality is on the rise, facts are derided as ‘fake news’—an uncertain future stands at our door. Premised on the belief that our troubled times call for a critical inquiry that matters—a discourse committed to a politics of resistance, a politics of possibility— leading international contributors from the United States, United Kingdom, Aus- tralia, Spain, Norway, and Denmark present a range of perspectives, challenges, and opportunities for the field. In so doing, they wrestle with questions concerning the intersecting vectors of method, politics, and praxis. More specifically, contrib- utors engage with issues ranging from indigenous and decolonizing methods, arts- based research, and intersectionality to debates over the research marketplace, accountability metrics, and emergent forays into post-q ualitative inquiry. Norman K. Denzin is Distinguished Emeritus Professor of Communications, Sociology, and the Humanities at the University of Illinois, Urbana- Champaign, USA. Michael D. Giardina is Professor of Media, Politics, and Physical Culture in the Department of Sport Management at Florida State University, USA. Qualitative inQuiry at a Crossroads Political, Performative, and Methodological Reflection Edited by Norman K. Denzin and Michael D. Giardina First published 2019 by Routledge 52 Vanderbilt Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2019 Taylor & Francis The right of the Norman K. Denzin and Michael D. Giardina to be identified as the author of the editorial matter, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data A catalog record for this book has been requested ISBN: 978-0-367-17438-5 (hbk) ISBN: 978-0-367-17439-2 (pbk) ISBN: 978-0-429-05679-6 (ebk) Typeset in Bembo by Wearset Ltd, Boldon, Tyne and Wear Contents Acknowledgments vii Introduction: Qualitative Inquiry at a Crossroads 1 Norman K. Denzin and Michael D. Giardina Part i Performative reflections 17 1 Between Bodies: Queer Grief in the Anthropocene 19 Anne Harris and Stacy Holman Jones 2 “I Wanted the World to See”: Black Feminist Performance Auto/Ethnography 32 Wilson Okello 3 Canvasing the Body: A Radical Relationality of Art, Body, and Vibrant Materiality 48 Tami Spry 4 Intersectionality in Education Research: Methodology as Critical Inquiry and Praxis 52 Venus E. Evans- Winters and Jennifer Esposito vi contents Part ii Methodological inflections 65 5 Voice in the Agentic Assemblage 67 Lisa A. Mazzei and Alecia Youngblood Jackson 6 Wondering in the Dark: The Generative Power of Unknowing in the Arts and in Qualitative Inquiry 80 Liora Bresler 7 Virtuous Inquiry, Refusal, and Cynical Work 96 Aaron M. Kuntz 8 Theorizing from the Streets: De/colonizing, Contemplative, and Creative Approaches and Consideration of Quality in Arts- Based Qualitative Research 109 Kakali Bhattacharya 9 Stay Human: Can We Be Human after Posthumanism? 126 Svend Brinkmann Part iii Political interventions 139 10 Resisting the Commodified Researcher Self: Interrogating the Data Doubles We Create for Ourselves when Buying and Selling Our Research Products in the Research Marketplace 141 Julianne Cheek 11 Contesting Accountability Metrics in Troubled Times through Communicative Methodology 157 Aitor Gómez González 12 Seduction and Desire: The Power of Spectacle 171 Bronwyn Davies 13 Stitching Tattered Cloth: Reflections on Social Justice and Qualitative Inquiry in Troubled Times 186 Karen M. Staller Notes on Contributors 199 Index 204 aCknowledgments We thank Hannah Shakespeare and Matt Bickerton at Routledge for their support of this volume and the larger ICQI project. Thanks are also due Amy Thomas for expert copyediting, Wearset Ltd. for production design, and Lamont Williams for assistance in compiling the index. Many of the chapters in this book were presented as plenary or keynote addresses at the fourteenth International Congress of Qualitative Inquiry, held at the University of Illinois, Urbana- Champaign, in May 2018. We thank the Institute of Communications Research, the College of Media, and the International Institute for Qualitative Inquiry for continued support of the Congress as well as those campus units that contributed time, fund, and/or volunteers to the effort. The Congress, and by extension this book, would not have materialized without the tireless efforts of Mary Blair, Robin Price, and James Salvo (the glue who continues to hold the whole thing together). For information on future Congresses, please visit www.icqi.org. Norman K. Denzin Michael D. Giardina October 2018 introduCtion Qualitative inquiry at a crossroads Norman K. Denzin and Michael D. Giardina In October of 2018, an article titled “Academic grievance studies and the cor- ruption of scholarship” was published in Areo, a small “opinion and analysis digital magazine focused on current affairs.” Authored by Helen Pluckrose, James A. Lindsay, and Peter Boghossian (2018), the article recounted the authors’ efforts to publish ‘fake’ papers in leading journals in the humanities and social sciences—especially but not limited to those with a cultural studies, iden- tity studies, or critical theory focus.1 In their article, the authors state the intent behind the hoax: Something has gone wrong in the university—especially in certain fields within the humanities. Scholarship based less upon finding truth and more upon attending to social grievances has become firmly established, if not fully dominant, within these fields, and their scholars increasingly bully students, administrators, and other departments into adhering to their worldview. This worldview is not scientific, and it is not rigorous. For many, this problem has been growing increasingly obvious, but strong evidence has been lacking. For this reason, the three of us just spent a year working inside the scholarship we see as an intrinsic part of this problem. (para. 1) In explaining their hoax, the authors detail how they spent a year writing 20 ‘fake’ papers—with falsified (read: made- up) data or empirical material—and the process by which these papers were peer reviewed, accepted, or rejected from a variety of journals in what they pejoratively term “grievance studies,” which according to them includes “(feminist) gender studies, masculinities studies,

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