Table Of Content

to QUALITATIVE INQUIRY Volume 11 Number 1 (February 2005) pp. 1-140 Number 2 (April 2005) pp. 141-320 Number 3 (June 2005) pp. 321-480 Number 4 (August 2005) pp. 481-660 Number 5 (October 2005) pp. 661-808 Number 6 (December 2005) pp. 809-956 Authors: ATHENS, LONNIE, “Romantic Product Salesmen: A Bygone Occupation,” 880 ATHENS, LONNIE, “The Amorous Salesman Pays a Call: (‘Be Patient Please, Floyd Pumice Aims To Please’),” 886 BIRD, CINDY M., “How [Stopped Dreading and Learned to Love Transcription,” 226. BOSWORTH, MARY, DEBI CAMPBELL, BONITA DEMBY, SETH M. FERRANTI, and MICHAEL SANTOS, “Doing Prison Research: Views From Inside,” 249 BREKHUS, WAYNE H., JOHN F. GALLIHER, and JABER F. GUBRIUM, “The Need for Thin Description,” 861 BUCHBINDER, ELI, see Enosh, G CAIN, REBECCA, see Kohn, N CAMPBELL, DEBI, see Bosworth, M CHAPMAN, THANDEKA K., “Expressions of ‘Voice’ in Portraiture,” 27 CHAPMAN, THANDEKA K., see Dixson, A. D CHO, GRACE M., and HOSU KIM, “Dreaming in Tongues,” 445 CLARKE, JUANNE, ANGELA FEBBRARO, MARIA HATZIPANTELIS, and GEOFFREY NELSON, “Poetry and Prose: Telling the Storieso f Formerly Homeless Mentally Ill People,” 913 DAVIS, CHRISTINE S., “Home,” 392 E KOCK, DOROTHEA M., see Rogan, A. | DEMBY, BONITA, see Bosworth, M DENTON, DIANA, “Toward a Sacred Discourse: Reconceptualizing the Heart Through Metaphor,” 752 DIXSON, ADRIENNE D., “Extending the Metaphor: Notions of Jazz in Portraiture, 106 Qualitative Inquiry, Volume 11 Number 6, 2005 951-956 2005 Sage Publications NQOUIRY / December DIXSON, ADRIENNE D., THANDEKA K IAPMAN, and DJANNA A. HILI Aesthetic Process: Ext ain I ortraiture Methodology 16 ADAM JOAOl IN Nar te 1 With the Ghosts of Zeitgeist rr ons ymily With C ontend Reading « INDEX 953 KENDALL, MARILYN, and SCOTT A. MURRAY, “Taolfe tshe UnexpI ected: Patients Poetic Accountso f the Journey to a Diagnosiso f Lung Cancer \ Prospective Serial Qualitative Interview Study,” 733 KIEN, GRANT, “Beard Stories: Significatiofo n Facial Hair In and Out of South Korea 158 KIM, HOSU, see Cho, G. M KINCHELOE, JOE | On to the Next Level: Continuinthge Conceptualizationo f the Bricolage,” 323 KIND, SYLVIA WILSON, se¢ Springgay, S KOHN, NATHANIEL, and REBECCA CAIN, “Baring Witness: Community, Perfor mance, and the UncommIon nan d Arothue nVirdgin ia Theatre in ¢ hampaign, Illi nois.” 351] KORO-LJUNGBERG, MIRKA, see Gubrium, I KORSMO, JOHN, see Krueger, M KRIEGER, SUSAN, “LosingMy Vision,” 145 KRUEGER, MARK, AMY EVANS, JOHN KORSMO, JOSEPH STANLEY, and QUINN WILDER, “A Youth Work Inquiry,” 369 LAWRENCE-LIGHTFOOT, SARA, “Reflections on Portraiture: A Dialogue Between Art and Science,” 3 KAREN \ Joseph Santini: Divided I Stand,” 650 KAREN V., “Neuroticism: End of a Doctoral Dissertation KAREN \ Spoiled in Academia,” 939 JEGATHEESAN, BRINDA INDIA, “I See the Stars: An Autoethnographer Speaks on Fieldwork and Flashback KS 66 LEWIS, PATRICK J., and KAREN WALLACE, “Willow’s Way,” 4 MALAGRECA, MIGUEL A., “I Want Justice: A Performance About Impunity in Argen MARKHAM, ANNETTEN Go Ugly Early’: Fragmented Narrative and Bricolage as Interpretive Method,” 813 MURRAY, SCOTT A., see Kendal NELSON, GEOFFREY, see Clarke NEWTON, ROBERTA M., “Learning to Teach in tl hadows of 9/11: A Portraito f Two \ American Pr »T IZ, STEVEN M Th th oT Nn ’rocofe Gsensde r Man gement Doing the Masculinity With Wives « ) sional Athletes AMY, “Ethics, Ag 1d Des n Two Strip ¢ des of the Gaze VGRUBER, BONNIE HARDSON, LAUREI Classism 185 ANN 1 DOROTHEA M QUALITATIVE INQUIRY / December 2005 STANLEY, JOSEPH, see Krueger, M WALLACE, KAREN, see Lewis,P. ] WARR, DEBORAH J It Was Fun but We Don’t Usually Talk About These Things Analyzing Sociable Interaction in Focus Groups,” 200 WEEMS, MARY | Blues Clues,” 198 WEEMS, MARY | The Difference Between a Pair of Manicure Scissors and Free jom,” 466 WILDER, QUINN, see Krueger, M WYATT, JONATHAN, “A Gentle Going? An Autoethnographic Short Story,” 724 Articles: \ /r/tography as Living Inquiry Through Art and Text,” Springgay et al., 897 The Amorous Salesman Pays a Call: (‘Be Patient Please, Floyd Pumice Aims To Athens, 886 otheory: An Autoethnographic Readingo f Foucault,” Kaufmann, 576 r Witness: Community, Performance, and the Uncommon In and Around the heatre in Champaign, Illinois,” Kohn and Cain, 351 Signification of Facial Hair In and Out of South Korea,” Kien, 458 Weems, 198 Research Ethics: Ethical Dilemm n Follow-Up Studies of Marginal Grou] elgeland, 549 Chronicles From the Classroom: Making Sense of the Methodology and Methodso f Analysis,” Rogan and de Kock, 628 \ Portrait of a Successful White Urban Teacher,” Harding, 52 he Cleaning Lady: An Exploratioonf Class and Gender in a Rural Wyoming Family,” Halley, 191 ontemplating Stuffed Animals and Chocola it a Seminar,” Jia, 663 ontending With Border Making in the Social Constructionist Interview,” Gubrium ind Koro-Liungberg, 689 reating Indigenous Discourse: History, Power, and Imperialism in Academia, Pales tinian Case,” Habashi, 771 Cultural Hauntings: Girlhood Fictions From Working-Poor America,” Hicks, 170 The Difference Between a Pair of Manicure Scissors and Freedom,” Weems, 466 Doing Prison Research: Views From Inside,” Bosworth et al., 249 Dreaming in Tongues,” Cho and Kim, 445 ind Desire in Two Strip Clubs: A View From Both Sideso f the Gaze The Ethnographic Process of Gender Management: Doing the ‘Right’ Masculinity With Wives of Professional Athletes,” Ortiz, 265 Expressionso f ‘Voice’ in Portraiture,” Chapmat Extending the Metaphor: Notionso f Jazz in Portraiture,” Dixson, 106 Che Genealogy of Daisy Bates, Version 8.0,” Gatson, 291 \ Gentle Going? An Autoethnographic Short Story,” Wyatt, 724 Getting Personal: Reflexivity and Autoethnographic Vignettes,” Humphreys, 840 Go Ugly Early’: Fragmented Narrative and Bricolage as Interpretive Method, Markham, 813 . The Heartland Chronicles Revisited: The Casino simp ict on Settlement Life,” Foley, 296 INDEX “Home,” Davis, 392 How | Stopped Dreading and Learned to Love Transcription,” Bird, 226 “I See the Stars: An Autoethnographer Speaks on Fieldwork and Flashbacks,” Jegatheesan, 667 Want Justice: A Performance About Impunity in Argentina,” Malagreca, 570 “The Interactive Construction of Narrative Styles in Sensitive Interviews: The Case of Domestic Violence Research,” Enosh and Buchbinder, 588 Interpreting India, Identity, and Media From the Field: Exploring the Communicative Nature of the Exotic Other,” Gaines, 518 ‘It Was Fun but We Don’t Usually Talk About These Things’: Analyzing Sociable Inter- action in Focus Groups,” Warr, 200 Joseph Santini: Divided I Stand,” Lee, 650 Learning to Teach in the Shadows of 9/11: A Portrait of Two Arab American Preservice Teachers,” Newton, 81 Losing My Vision,” Krieger, 145 Method: Six Poems,” Faulkner, 941 ‘Narrative Inheritance: A Nuclear Family With Toxic Secrets,” Goodall, 492 ‘The Need for Thin Description,” Brekhus et al., 861 Neuroticism: End of a Doctoral Dissertation,” Lee, 933 On to the Next Level: Continuing the Conceptualization of the Bricolage,” Kincheloe, 323 Performance Text for Chicago Women I Love or ‘Hey, Girlfriend’,” Smith, 152 “Poems From a Practice Setting,” Raingruber, 618 Poetry and Prose: Telling the Stories of Formerly Homeless Mentally Ill People, Clarke et al., 913 The Poetry in Portraiture: Seeing Subjects, Hearing Voices, and Feeling Contexts, Hill, 95 Ranch style: A history told in carpets,” Halley, 514 The Reconstruction of a Political Icon: Shi Lu’s Painting Fighting in Northern Shaanxi, Jia 53 Reflections on Portraiture: A Dialogue Between Art and Science,” Lawrence- Lightfoot, 3 ‘Research as an Aesthetic Process: Extending the Portraiture Methodology,” Dixson et al., 16 Researching the Images of Evil Events: An Arts-Based Methodology in Liminal Space,” Herman, 468 ‘Romantic Product Salesmen: A Bygone Occupation,” Athens, 880 Spoiled in Academia,” Lee, 939 Sticks and Stones: An Exploration of the Embodiment of Social Classism,” Richard- son, 485 fales of the Unexpected: Patients’ Poetic Accounts of the Journey to a Diagnosis of Lung Cancer: A Prospective Serial Qualitative Interview Study,” Kendall and Murray, 733 ‘Toward a Sacred Discourse: Reconceptualizing the Heart Through Metaphor,” Denton, 75 5 ‘Training Movement,” Gambs, 157 “The Tumbler’: Writing An/Other in Fiction and Performance Ethnography,” Gannon, 622 956 QUALITATIVE INQUIRY / December 2005 War: To Be United With the Ghosts of Zeitgeist,” Drake, 390 Willow’s Way,” Lewis and Wallace, 410 Wouldn't It Be Nice: Performing the Mediated Self,” Sawrey, 789 \ Youth Work Inquiry,” Krueger et al., 369