Qmin Dedicated to my mother, Leela Qmin A fresh new approach to Indian cuisine anil ashokan photography by greg elms First published in 2008 Copyright © Anil Ashokan 2008 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: [email protected] Web: www.allenandunwin.com National Library of Australia Cataloguing-in-Publication entry: Ashokan, Anil. Qmin : a fresh new approach to Indian cuisine. Includes index. ISBN 9781741750669 (pbk.). 1. Cookery, Indian. I. Title. 641.5954 Photography by Greg Elms Food styled by Virginia Dowzer Edited by Susin Chow Indexed by Trevor Matthews Text designed and typeset by Nada Backovic Designs Printed and bound in Malaysia by Imago Our thanks to Empire 111 for the generous loan of the crockery used in the photography. 10 9 8 7 6 5 4 3 2 1 C o n t e n t s The fresh approach 1 Seafood 11 Poultry 35 Lamb 57 Other meats 81 Vegetables 99 Breads 129 Rice 145 Desserts 159 Accompaniments 177 A meal plan 192 Glossary 195 Index 196 T H E F R E S H A P P R O A C H i n d i a n c u i s i n e : t h e Q m i n p e r s p e c t i v e After love there is only cuisine. ChArL I E T r OT T Er Food is central to Indian culture. It’s an integral part of daily life and dominates much of our conversation. Like all other old-world cuisines, Indian cuisine has had an interesting evolution. What began as home cooking became different regional ‘styles’ that were then influenced to different extents by traders and invaders like the French, British, Dutch, Portuguese, Arabs, Persians and Chinese. Taste, colour and texture are determined by the available ingredients of the region, and this can vary enormously within the space of a few kilometres. Today when I am asked to describe the nature of Indian cuisine, I find it most useful to simply compare it to European cuisine: its variety as contrasting from region to region as, say, French is to German or Spanish to Italian. One of the biggest challenges in compiling a collection like this is that on the whole, traditional recipes have never been written down. Family secrets, special tricks, closely held traditions and beliefs have meant recipes and methodologies have not been precisely documented so universal standards are often vague. Fortunately there are 1 some fundamental rules to the preparation of most classical dishes. For example, the internationally famous North Indian dish ‘Butter chicken’ always has tomato and would never have creamed corn as the base. What’s more, because masters of the art avoided recording their works for fear of losing their secrets, as a cuisine it is largely misunderstood and misinterpreted outside the country. The words ‘hot’, ‘spicy’ and ‘curry’ are used the world over in relation to Indian food; the words ‘pungent’ and ‘aromatic’ less so, though they are probably more appropriate. But times are changing. For centuries cooking methods have involved a long list of ingredients and hours of intensive labour to produce a meal—both things that the modern cook lacks. My aim is to maintain the authenticity of traditional flavours without having to resort to shortcuts like boiling up curry powders. I like to promote new techniques, products and appliances to simplify the process and I always encourage exploration and experimentation with the best and freshest ingredients available. I believe that looking back at the evolution of this cuisine is intrinsic to understanding it. I also believe in furthering that evolution. Over the years I have arrived at the idea of representing certain dishes in a set style by combining a number of different interpretations, with an eye to simplifying preparation and enhancing flexibility. With this in mind I have included tips and special notes suggesting you try different flavours, using your own local produce or perhaps healthier alternative ingredients. Although a meal may comprise several recipes on one plate, I would never suggest cooking a North Indian fish and smothering it with, say, a South Indian style sauce. So please do not mistake this as ‘fusion’ food. All the recipes are based on authentic ingredients for the cuisine without introducing any foreign influences. however, I may suggest a more locally available fish, or an easier or more accessible cooking method. For me, one of the greatest pleasures in cooking is to express yourself in the dish, to find your creativity and sensuality in the choices you make and the way you prepare it. Use this book as an inspirational starting point or a step-by-step guide—it’s up to you! e v o l u t i o n o f m y a p p r o a c h Born into a working-class family in an average Bombay suburb, I had no official links with the culinary world. Yet my mother was truly one of my greatest inspirations. With limited resources she turned out the most wonderful meals on her little kerosene-fired 2
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