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252 Pages·2007·3.26 MB·English
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Psychedelic White This page intentionally left blank Psychedelic White Goa Trance and the Viscosity of Race Arun Saldanha University of Minnesota Press Minneapolis • London Portions of chapters 8–11 were published in ACME: An International E-Journal for Critical Geographies4, no. 2 (2005). All photographs in the book were taken by the author, with the exception of the two photographs in chapter 15, which were taken by Stijn Spittaels and used with permission. Maps in the book were created by Jonathan Schroeder, with the exception of the sketch maps, which were drawn by the author. Copyright 2007 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in aretrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Saldanha, Arun. Psychedelic white : Goa trance and the viscosity of race / Arun Saldanha. p. cm. Includes bibliographical references and index. ISBN13:978-0-8166-4993-8 (hc : alk. paper) — ISBN 13: 978-0-8166-4994-5 (pb : alk. paper) ISBN10:0-8166-4993-6 (hc : alk. paper) — ISBN 10: 0-8166-4994-4 (pb : alk. paper) 1. Cultural geography—India—Anjuna. 2. Whites—Race identity— India—Anjuna. 3. Tourists—Social networks—India—Anjuna. 4. Counterculture—India—Anjuna. 5. Hallucinogenic drugs—Social aspects—India—Anjuna. 6. Trance (Underground dance music)— Social aspects—India—Anjuna. I. Title. GP662.A35S25 2007 305.800954'78—dc22 2007007629 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. 12 11 10 09 08 07 10 9 8 7 6 5 4 3 2 1 This is no field for the faint of heart. You are venturing out (like the Portuguese sailors, like the astronauts) on the uncharted margins. But be reassured—it’s an old human custom. It’s an old living-organism custom. We’re here today because certain adventurous proteins, certain far-out experimenting cells, certain hippy amphibia, certain brave men pushed out and exposed themselves to new forms of energy. —Timothy Leary, about his Harvard LSD experiments When a number of bodies of the same or of different magnitudes are pressed together by others, so that they lie one upon the other, or if they are in motion with the same or with different degrees of speed, so that they communicate their motion to one another in a certain fixed proportion, these bodies are said to be mutually united, and taken together they are said to compose one body or individual, which is distinguished from other bodies by this union of bodies. —Spinoza This page intentionally left blank Contents Preface ix ethnography as thought 1 1. Psychedelic Whiteness 11 2. What Materialism? 21 3. Tripping on India 28 the researcher’s body 44 viscosity 49 4. Goa Freaks 53 5. Drugs and Difference 58 6. Trance, Dance, and the Trance-Dance 70 7. The Psychopathology of Travel 79 the trials of transcendence 88 8. Visual Economy 91 9. Faces of Goa 100 10. Zombie Beach 110 11. Sunlight and Judgment 123 purity as machinic effect 129 12. The Politics of Location 132 13. Cliques 144 14. Noise, Narcotics, Law and Order 153 15. Dealing with the Third World 167 when the music’s over 177 16. A Machinic Geography of Phenotype 182 17. Freaking Whiteness 193 the molecular revolution 206 Appendix: Field/Work 215 Notes 223 Index 235 Preface B odies are different. Finally, this is coming to bear on theory. Fem- inism has led the way in stressing the irrefutability of bodily differences. But for a host of reasons, the bodily differences we call race have been relegated to the discursive realm. Race is a cultural construct, full stop, with no basis in the material world of flesh, phenotype, and the physical landscape. This book tries to suggest a new ontology of race, and asks throughout: but what is race? It asks how racial difference emerges not because people think or write “such and such is white,” “so-and-so is Indian,” and neither because a dominant discourse “others” certain minori- ties. Racial difference emerges as many bodies in the real world align and comport themselves in certain ways, in certain places. Taking the embodi- ment of race seriously is not a mere addition to existing poststructuralist approaches. It calls for quite a radical shift in thinking, and I know it is tricky. Most theories of race are still very much steeped in an antirealist, psychoanalytic, dialectical framework. I’ve come to believe, however, that a shift toward materialism in the conceptualization of race is nigh, and it won’t be just this book arguing for it. Race is simply far too important a force to prevent such shifts to happen. Without the precise, dedicated, and insightful criticisms of Doreen Massey and Jenny Robinson, I would never have managed to focus my thinking. I am deeply grateful to a host of others, in no particular order: Nigel Clark and Susan J. Smith, examiners of my thesis; Jan Teurlings in Amsterdam, for our lifelong dialectical effort at escaping the dialectic; IX

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"Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade." —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the Untimely The village of Anjuna, located in the coastal Indian state of Goa, has been one of the premi
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