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Professional Wrestling: Sport and Spectacle PDF

206 Pages·1998·11.446 MB·English
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PPRROOFFEESSSSIIOONNAALL WWRREESSTTLLIINNGG PERFORMANCE STUDIES Expressive Behavior in Culture Sally Harrison-Pepper, General Editor PROFESSIONAL WRESTLING Sport and Spectacle Sharon Mazer UNIVERSITY PRESS OF MISSISSIPPI Jackson Photographs by Sharon Mazer unless otherwise noted. Copyright © 1998 by University Press of Mississippi All rights reserved Manufactured in the United States of America 01 oo 99 43 The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Mazer, Sharon. Professional wrestling : sport and spectacle / Sharon Mazer. p. cm. — (Performance studies) Includes bibliographical references (p. ) and index. ISBN 1-57806-020-6 (cloth : alk. paper). — ISBN 1-57806-021-4 (pbk.: alk. paper) i. Wrestling—Social aspects—United States. 2. Wrestling—United States. I. Title. II. Series: Performance studies (Jackson, Miss.) GVH96.4.S63M39 1998 796.8i2;0973—dc2i 97-42266 CIP British Library Cataloging-in-Publication data available Contents Illustrations vii Acknowledgments ix 1. "REAL" WRESTLING i 2. WHAT THE WORLD Is WATCHING 14 3. LEARNING THE GAME 50 4. REAL MEN DON'T WEAR SHIRTS 93 5. FROM BEEFCAKE TO CHEESECAKE 117 6. "REAL" LIFE 149 Postscript 172 Notes 175 Sources 179 Index 187 This page intentionally left blank Illustrations Macho Man Randy Savage at Madison Square Garden 29 Fan dressed as Macho Man Randy Savage 30 Macho Man Randy Savage entering the arena at the WWF's Monday Night RAW 31 Referee preventing Bam Bam Bigelow from attacking Virgil 34 WWF card 38 Gleason's Arena card 39 The Captain leading Rhino Power #i and #2 into the ring at Gleason's Arena 41 Little White Wolf greeting fans as he makes his entrance at Gleason's Arena 42 The Blue Blazer drop-kicking Greg "the Hammer" Valentine in Madison Square Garden 44 "You wanna wrestle, or you wanna fight?" Larry challenges Tommy and Chris 51 Johnny Rodz watching a workout from ringside 54 Johnny demonstrating a hip toss with Mohammed 56, 57 Tommy stepping in to offer advice to new wrestlers with Mohammed and Chris 60 Rubio pinning Frankie as they practice Lucha Libre 67 Rubio wearing mask 69 Tommy demonstrates falling backward for a new wrestler 72 Johnny teaching the hip toss to a new wrestler with Mohammed's help 77, 78 Mohammed takes over the lesson 79-81 viii Illustrations Larry with Tommy selling the move to the "audience" 86 Larry with Chris: "What should I do?" 87 Chris begging for help from the "audience" as Larry puts on the pressure 88 Rubio and Frankie's workout showing the sensuality of Lucha Libre 108 "ROCK HARD STRONG AND SEXY" (Advertisement from Village Voice, 5 July 1994) 119 "Grab the Scoop!" (Advertisement from Wrestling World, March 1990) 120 Sky Magic getting a lesson in Lucha Libre from Rubio and Frankie 125,126 Linda Dallas choking Misty Blue in ropes 129 Misty Blue: publicity photo 130 Ring girl with placard at Monday Night RAW 132 Longtime fan with placard at Monday Night RAW 132 "FIGHTING FEMMES" (Advertisement from Wrestling Eye, August 1991) 143 Deb and Sarah trying some wrestling moves while boxers watch 146 Deb choking Sarah while the boxers watch 147 Rubio and Frankie working out 150 Rubio and Frankie working together to create a new sequence of moves 151 Larry hits Chris, or does he? 155 Chris attempting to regain his composure 156 Tommy stepping into 157 A new wrestler bodyslamming Mohammed 168 Mohammed being 169 Mohammed in pain, or is he? 170 Acknowledgments More than seven years ago I took a much-needed break from my inten- sive reading in Middle English drama and, as was my custom, climbed on the exercycle in my kitchen, switched on the television, and began pedaling furiously. What I saw on the screen made me stop short and laugh. There was Ravishing Rick Rude entering to "The Stripper," in- sulting the men in the audience, dropping his sequined robe to reveal lycra trunks painted front and back with a cartoon image of the Ultimate Warrior, and cheating his way to a victory, which he then rudely cele- brated by swiveling his hips over the Warrior's prone body and kissing a woman from the audience. The WWF broadcast that day immediately and irrevocably brought my readings in Middle English drama to life. Here was the play of vice and virtue, not as a historical remnant—a few texts of cycle, moral and saint plays, some town records, and a couple of illustrations—but as a part of my own theatrical and social present. In that moment I decided that I would find a way to write about profes- sional wrestling. And while writing about wrestling has made my initial appreciation of its theatricality and values more complex and, I hope, more profound, I am grateful most of all for the pleasures of watching the sport and spectacle that is professional wrestling. First I must thank the wrestlers themselves, especially Johnny Rodz, who first welcomed me into Gleason's Arena in 1989. Not only did he share his own stories and ideas about wrestling with me, he created an atmosphere in which the other wrestlers felt free to work in front of and talk with me. Of the many wrestlers who have spoken with me at length, I want to thank by name Larry, Chris, Vito, Rubio, Frankie, Sky, and

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