Professional and continuing education

20 Pages·1993·7.3 MB·English

by  Massachusetts College of Art

massachusetts college of art
;
continuing-education 03
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general
information
As a publicly supported professional art school, The Massachusetts College of Art is proud to provide the highest standards of Registration Begins
instruction to the broadest possible audience. Our aim in Professional & Continuing Education is to offer an environment in which When Catalog is Available
each student can realize maximum potential as a creative individual.
Phone-in
Our programs are very accessible. The schedule varies from one-day workshops fo fiffeen week day and evening classes during May 3-28, Monday thru Friday, 1-4pm With
the year and in the summer we offer a variety of scheduling options from seven-week evening classes meeting once or twice per MasterCard or Visa, call 617/556-2555.
week to one, two or three week intensive day classes. Our cost is still very affordable. After May 28, Walk-In or Mail-In your registration.
We serve a community of aspiring artisis who come from every conceivable professional and social background, and who range Students with tuition waivers, may not register by
in age from teenagers to ocfogenarians. Regardless of your medium, profession, experience, or age, we welcome you to the Mass phone.
Art community of artists. Fax
Who You may fax your registration. Include
MasterCard or Visa card number.
You We have a wide range of courses and programs for adults, college and high school students. The backgrounds, needs and Fax # [phone].
interests of our students vary greatly. There are no admission requirements (unless prerequisites are noted in a specific course Walk-in
description).
Walk in and register during regular Continuing
Faculty Our faculty are highly acclaimed professional artists and teachers. They have met the same standards for qualification as Education office hours (Monday-Thursday, 9am-
7pm & Fridays, 9am-5pm)
the full-time faculty and in fact many feach in both programs. For information about individual faculty see pages 12-13.
Classes Begin
What
Evening & Intensive Day Session 1: June 7
Courses There are more than 100 in variety. Some are for the novice, others are for the experienced. There are classes for those Intensive Day Session Il: July 6
interested in design, fine arts, art education, art history and humanities. To get an idea of what is offered or to find something Intensive Day Session Ill: July 26
specific, look at the courses listed under the particular department on pages 4-9. All Classes End by
August 29
Credit Unless designated as non-credit workshops, all courses may be taken for credit. Those classes numbered from 100 to
299 may be taken for undergraduate credit; those from 300 to 499 may be taken for either undergraduate or graduate credit; and For more information on class days and times,
see course descriptions on pages 4-9.
those from 500 to 599 for graduate credit only. Courses may also be taken on an audit/no credit basis.
Contents
When
Academic Information ..........:.ccccccceesereecees 18
AUQUSt StudiOS 2: sarees eattereeerc aceene wa e 10-11
Courses and special programs are scheduled for your convenience: evenings, days, weekends, etc. Please check our calendar on
10||=0]1 10 0] GPRSo. MGndrbicc cru e ote onb84
page 4 fo quickly review our schedule of courses.
Campus ReSoUurces ...:..aeqisemmenoajpeenetneennene 15
Course Descriptions: c.ceenectsasamteeeeeran 4-8
Where
Degree Programs:.....:.s-saeaeee rnateees reeete S)
Our campus is conveniently located near the Museum of Fine Arts, the Isabella Stuart Gardner Museum and the Longwood hospi- Facully Biographies, ces -namecsenereneeeaet 16,17
Financial (Information ren. .crcrevessacrneeeeeee 18
tals on the green line and bus route. The Tower, Kennedy, Administration, North and Gym buildings are located at the corner of
Refund’ Schedule \.2e ee:sam.:c... vee r 18
Huntington and Longwood Avenues. Our newly renovated Collins Building is located on Palace Road. For all buildings, enter
Registration FON eieeteseonee: anceeenenne 19
Huntington Avenue. See the map on page 15. Registration Information ..........cccceceeeees 3,19
PLOGIGINIS 22 eR eternneo ee r 9
How
Stud VsAbiOcad: wees Rea ae, secenee eee 14
TUITION ckes55 fe core. tear earners Siem eaan 3,18
You can register for classes as soon as the catalogue is available. Register by mail or in person at the Continuing Education office
WorkShiopsi is cReRey es. cece eee resent eee iz
on the second floor of the Tower Building, Huntington Avenue or, if you have MasterCard or Visa, by telephone at (617) 556-
Exhibitions
2555, May 3-28, Monday thru Friday, 1-4pm. Note: This summer we are offering many courses for 1.5 credits. Divide the tuition
by 2. Registration fees remain the same ($54.50). Lab Fees are listed with the course description. Artists are invited by student organizations,
departments, concentrations, individual faculty, or
Costs through the formal visiting Artists Program. Artists
are housed in the visiting artists’ apartment in the
1. Once-per-semester (registration, library, student services, |.D. fees) Smith Hall Dormitory. Availablility of this
residence has facilitated collaborations with area
2. plus tuition per course: museums and educational institutions. Recent
Arciei No Credo te ee i TO $300.00 guests have included artists from throughout the
United States, Mozambique, Poland, Czechoslo-
or vakia, Spain, Yugoslavia, Ireland, Colombia,
i. ne ee $360.00 Uruguay, lfaly, Cuba, Japan, Germany, England
Three Undergraduate Credits ---------------
and Canada.
or
sae ae $450.00
Tinie StOGUCIe CICS: =-=s--
PCE Faculty/Student Exhibition
July 19-August 6
3. plus Lab Fee:
Opening Reception, July 21
This varies with each course; it covers supplies and/or maintenance of the Huntington Gallery
studio area used by a specific course. The amount is listed with each
course description and schedule listing. The Huntington and Main Galleries are located in.
the Administration Building at 623 Huntington Ave.
4. Workshops:
See Workshop descriptions for more information about costs, page 12. Students who register for a workshop only, do not pay
$54.50 Registration Fee.
Administration: Graduate and Continuing Education: This Brochure was prepared on the basis of the Continuing Education
William O'Neil, President Faith Beysolow, Records Administrator best information available at the time of Massachusetts College of Art
Betty Buchsbaum, Senior Vice President for Andrea Brake, Office Assistant publication. Therefore, specific statements, 2nd Floor, Tower Building
Academic Affairs Jim Cole, Business Manager including fees, dates, course offerings, admis- 621 Huntington Avenue
Patricia Doran, Dean of Graduate and Susan Geller, Publications & Scheduling sions and other policies may be subject to Boston, MA 02115
Continuing Education Coordinator change without notice. Phone: [phone], ext. 443
Susan Lane, Associate Dean of Graduate and Virginia Ilfeld, Program Coordinator The College reserves the right to cancel any Fax #: [phone]
Continuing Education Mallory King, Marketing Intern course for which there is insufficient enrollment, Office Hours:
Massachusetts College of Art Peter Madden, Office Assistant to combine courses and fo restrict the registra- Monday thru Thursday, 9am-7pm
Board of Trustees: Nancy McCarthy, Bookkeeper tion in a course whenever necessary. Fridays, 9am-5pm
Liz Weinstein, Administrative Assistant
Colleen McGee-Stanton, Chair Sharon Williams, Coordinator, Summer High This catalogue is published at no expense fo the
Liz Harris, Vice Chair Commonwealth of Massachusetts.
School Program
David Bakalar Catalogue Editor: Susan Geller
Edward W. Clark, Jr. Catalogue Designer: Schafer/LaCasse Design
Eugene Ellison
Printer: Turley Publications, Inc.
Anne Jackson
Lindsay Kiang
Elma Lewis
Rob Mcintosh
Thomas J. Wong
Keith Washington
calendar
Calendar 3 Week Intensive Day Classes Art Education Studio Foundation Program
beginning July 26
Evening classes generally meet two evenings per CSA301-C1 Painting and the Cinematic AE466-C1 Introduction to Art Therapy 3cr See also Fine Arts 2D for more Drawing classes.
week from 6:30-9:30pm (critique) or 6-1 0pm Addresses the questions What is art therapy? and
Image &. SFIXX-C1 Drawing for the First Time 1.5cr
(studio). Intensive day sessions meet Monday What is therapeutic about arf? Introduces students
IL412-C1 Illustrating Children's Books ~ This very basic drawing course is designed for
thru Friday 9am-12 (critique) or 9am-1pm FA202-C2 Life Drawing to different theoretical orientations and techniques adults of all ages who have little or no drawing
(studio). of art therapy. Considerable emphasis is on
TDA205-C1_ —_ Wood Structures experience. As an introductory studio workshop,
Summer schedules vary from course to course. selected art-based activities. Discusses origins of it offers a non-intimidating, enjoyable way to
Special Schedules the field and presents art therapy as it is distinct
See Course Descriptions on pages 4-9 for specific ease into future courses in the arts. Projects are
information on course days and times. AMEo4n,6 6-WCe1d , Thurs,I ntFrroi ,f o9 aArmt- T1h2e raJpuyl y 14-30 ferqouma l atnidm/eo r tor etlhaetoerse titcoa lar ta enddu ceaxtpieorni.e ntCioaul rsweo rkg.i ve dthersoiuggnhe d drtaow hienlgp ayso uy oeux prdeesvse loypou rysoeulrf sekaislilsl.y
Mon, Wed, Thur, Fri, 9am-1pm, July 14-30
7 Week Classes Tues & Thurs, 6-10pm June 7-August 12 Karen Frostig, Lab Fee $10 Course includes an independent portfolio project.
SF172-C] Drawing Studio Mon-Thurs, Jun21-24 & Mon-Wed, Jun28-30,
Mon/Wed June 7-July 21 AE502-G1 Art and Developmental Theory 3cr 5:30-9:30pm, and one portfolio review day in
SF171-C Color Studio Mon-Fri, 9am-3:30pm July 26-August 6 Examines the major theories and research on September TBA in class.
FA211-Cl Abstract Painting
SF174-Cl Elements of Design developmental changes from chidhood through Trintje Jansen, Lab Fee $20
SF175-Cl Studio Foundation Photography Mon-Fri, 9am-3:30pm August 2-13 adulthood. Discusses issues relative to cognitive/
SF171 Color Studio 3cr
SF175-C2 Studio Foundation: Filmmaking GL2XX-C1 2-D Glass affective/perceptual/social development and their
Designed to be a beginning study of color, this
CSA101-C1 Foundations of Art: Origins implications for artists and educators.
Mon-Fri, 6-10pm June 7-25 course introduces color systems, illusionary
CSA3X2-C1 Islamic Art & Architecture Mon-Thurs, 9am-1pm, June 7-24
GL231-Cl Glassblowing functions, contrasts, reflective and projective
CSC3X7-C1 Creative Writing Workshop Judith Helmond, Lab Fee $10
theories and subjective concepts.
DE224-C] Conceptual Drawing Wed, 6-10pm, June 9-July 28 & Sat, 9am- AE514X-G1 Art Education for the Special Needs Section C1, Mon & Wed, 6-10pm, Jun7-Jul21
DE260-C1 Typography Spm, June 19, July 10 & 24 Child...A View From the Front Lines 3cr Paul Anderson, Lab Fee $35
DE362-C1 Desktop Publishing SC2X1-C1 Environmental Art This course will be an on sife exploration of art Section C2, Mon-Fri, 9am-1pm, Jul6-23
GD220-C1 Intro to Graphic Design
New Courses Offered for 1.5 Credits eduction as it pertains to students with special Ben Peterson, Lab Fee $35 °
GD351-C1 Production & Layout challenges, at the Cotting School, Lexington, MA.
FD256-C1 Pattern Drafting (check course descriptions for days & times) SF172-C1 Drawing Studio 3cr
Topics covered will apply to students from K
ID100X-C1 Fundamentals of Industrial SF1X1-C1 Drawing for the First Time through 12 and beyond, in both private and Introduces the multiple functions of drawing.
Design PH1XX-C1 Visualizing Literature public school settings. Topics covered are: Considers drawing as a vehicle for conveying
FA102-C1 Life Drawing MP30X-C1 Art in Boxes curriculum, creative thinking, problem solving, ideas, and includes the illusions of space and
FA200-C1 Intermediate Painting FAIXX-Cl Painting from Nature and concretizing experience, adaptations i n the form through the figure, form analysis, and
FA264-C1] Collage/Assemblage FA1X2-C1 Portrait/Figure Drawing & art room, and how to facilitate a creative response subject drawing. Consideration is given to
FM180-C1 Intro to Filmmaking Painting from the students. contemporary and historic drawing practice.
MP31X-C1 Art with a Point of View FA1X3-C1 Painting Workshop Tues & Thurs, 5-8pm, June 8-July 22 Emphasis is on the breadth of the drawing
CER201-C1 Ceramic Handbuilding PM1XX-C1] Waterbased Printmaking Jeffrey Melzack, Lab Fee $10 experience in its usefulness across disciplines.
MTL200-C1 =J ewelry Tues & Thurs, 6-10pm, Jun8-Aug 12
$C201-C1 Foundry FIB1XX-C1 Creating New Forms Using AE519-G1 Anthropological Sources for Studio Janet Monato, Lab Fee $35
Traditional Fiber Techniques Curriculum 3cr
7 Week Classes Computer Courses for 1.5 credits Designing o multi-cultural curriculum for SDeFv1e7l4o-pC 1a n Eulnedmeernsttsa ndofi nDge soifg na nd3 crb asic profi-
Tues/Thurs June 8-July 22 secondary and elementary school. A unique
DE31X-C1 Adobe Photoshop | ciency with principles of design. Students learn to
AE514X-C1 _— Art for the Disabled Child approach to art history comparing and contrast-
CSA3X1-C1 Art in Boston DE32X-C1 Adobe Photoshop II ing studies of Western and Eastern Art to create a develop ideas based on inner resources, research
DE33X-C1 Adobe Illustrator and looking and responding. This course will
CSB4XX-C1 Gender Studies & Masculinity broader aesthetic perspective. Students explore
CSC100-C1_ — Written Communication DE34X-C1 Adobe Illustrator philosophy, mythology and belief systems and involve students with various art materials and
DE35X-C1 Quark | their application. ’
CSC200-C1 _Literary Traditions make art objects inspired by ancient cultures.
DES36X-C1 Quark II Mon & Wed, 6-10pm, Jun7-Jul21
CSC4X1-C1 The End of the Twentieth Century Course goal is to provide students with a rich
DE37X-C1 Mac Course for Teachers Sarah Bapst, Lab Fee $35
DE212-C1 2-D Design inter-discplinary approach integrating art history,
GD311-C1 Graphic Design II Off-Site Offerings art making and anthropology. Cultures include: SF175-C1 Studio Foundation Photography 3cr
IL220-C1 Intro to Illustration Japan, Peru, Indonesia, India, Ancient Rome, Provides an introductory setting for learning to
July 18-24
PH100-C2 Photo | Egypt and Nigeria. aa tee make art using photography as a communication
FA220-C1 Landscape Painting in Maine
PH271-Cl Color Photography Mon-Thurs, 9am-1pm, Jul6-22 medium. Introduces language and technical pro-
FA100-C1 Intro to Painting June 14-18 Monica Veneziano, Lab Fee $30 cesses associated with photographic processes.
AD3X1-C1 Ecology of Place Part |
FA202-C1 Life Drawing Special one week Teachers Institutes at the This course is for Mass Art degree students who
FA221-C1 Renaissance Painting Tech- AD3X2-C1 JEunce o2l1-oo2f5g, P lyac e Part I! Nantucket Island School of Design and the Arts nMeoend &f o Wfeuldfi,ll 2Me-d6ipam ,A rJtsu nr7e-qJuuilr2e1me nt.
niques taught by NISDA founder and Director, Kathy Kelm.
PM25xX-C1 Printed Matter Non-Credit Workshops See Opportunities for Teachers on page 10 for Tony Loreti, Lab Fee $125
PM270-C1 Intro to Lithography (See Page 10 for days & times) 6 more information. SF175-C2 Studio Foundation: Filmmaking 3cr
CER203-C1 Ceramic Wheelworking NCO004 Recyled Paper Workshop A beginning survey of the many uses of motion
FIB223-C1 Surface Design NCO17 Representational Drawing Studio pictures from art to commerce, which includes
MTL210-C1_ —_ Beginning Metals hands-on production experience with Super-8
NC900 Art as Journalism with David Rose
$C253-C1 Welding equipment and an opportunity to analyze many
3 Week Intensive Day Classes Desktop Publishing Workshops — different types of films from the production point of
view. The use of film as a fine art medium and its
beginning June 7 NC501 Introduction to the Macintosh
relationship to the other arts is emphasized. This
AE502-G1 Art & Developmental Theory NC504 Quark XPress course is for MassArt degree students who need
CSA102-C1_ —_—_-F oundations: Modern & NC505 Advanced Quark XPress fo fulfill Media Arts requirement.
Contemporary 3-D Workshops Mon & Wed, 1-5pm, Jun7-Jul21
DE213-C1 3-D Design Mark LaPore, Lab Fee $100
NC024 Handpainting on Fabric
DE216X-C1 _Intro to CADD
NC805 Tapestry Workshop
DE313-C1 Intro to Amiga Computer Design
PH100-C2 Photo | NC806 Principles of Neon
FA205/305/405 Painting Majors
FA260-C1 Portrait Drawing
FA359-C1 Life Drawing/Anatomy
PM280-C1 Silkscreen Printing
CER3XX-C1 Clay: Tiles, Mosaics and Reliefs
3 Week Intensive Day Classes
beginning July 6
AE519-G1 Anthropological Sources
SF171-C2 Color Studio
CSB150-C1_ = American Tht & Government
CSC3X6-C1 _ Film Studies
CSC401-C1 — Writing Children's Literature
DE362-C2 Desktop Publishing
DE313-C2 Intro to Amiga Computer Design
PH268-C1 Photo II
FA100-C2 Intro to Painting
FA369-C1 Life Painting
PM260-C1 Etching
$0251-C1 Figurative Clay
MCA
PCE
Summer
COULSeS
Critical Studies Design
CSA101-C1 Foundations of Western Art: Origins Communications Design
3cr CSC200-C1 Literary Traditions 3cr Environmental Design
An introduction to the vocabulary of visual An exploration of the sources of culture through DE212-C1 Two Dimensional Design 3cr
analysis and fo the historical succession of styles a survey of some of the literary masterpieces of Interdisciplinary assignments in basic design The Ecology of Place:
in Western Art. the past. The aim of the course is to place in involving typography, color, idea generation, and Documenting the Built Environment
Mon & Wed, 9:30am-12:30pm, Jun7-Jul21 perspective contemporary modes of thought and problem solving as it is applied to basic two- AD3X1-C1 Field Observation 1.5cr
Rosemary Sharp, Lab Fee $10 creative expression. dimensional design. The course focuses on the Mon-Fri, June 14-18 (arrive June 13, depart
Tues & Thurs, 5:30-8:30pm, Jun8-Jul22 tools, vocabulary, resources and basic skills of June19)
CSA102-C1 Foundations of Western Art: Modern
Athans Boulukos, Lab Fee $10 the designer. Prerequisite: CP174 Elements of Instructor: Paul Hajian
and Contemporary 3cr
Design.
An introduction to the vocabulary of visual CSC3X6-C1 Film Studies 3cr AD3X2-C1 Advanced Recording and Documen-
Tues & Thurs, 6:30-9:30pm, Jun8-Jul22
analysis and to the development of art in 19th Close analysis of content and composition of tation 1.5cr
Frances Hamilton, Lab Fee $20
and 20th centuries. English and Australian films. Mon-Fri, June 21-25 (arrive June 20, depart
Mon-Fri, 9am-12noon, Jun7-25 Mon-Fri, 9am-12noon, Jul6-23 DE224-C1 Conceptual Drawing 3cr June 26)
Johanna Branson, Lab Fee $10 Inga Karetnikova, Lab Fee $15 Considers how fo mentally and physically Instructor: Paul Hajian
visualize concepts. Stresses drawing and keeping (See Off-Site Programs on page 8 for more
CSA3X1-C1 Painting and the Cinematic Image CSC3X7-C1 Creative Writing Workshop 3cr
a sketchpad. Complex visual ideas are evolved information and description)
3cr This course will combine analysis of several
through creative rendering, blending, and
This course will focus on the visual language of examples of contemporary poetry and short DE213-C1 3D Design 3cr
composing of familiar objects.
painting and film and examine what they have in fiction with peer group feedback on participants’ Approaches the three-dimensional design process
Mon & Wed, 6:30-9:30pm, Jun8-Jul22
common. The topics of discussion will include work. Half the course will center around through problem solving. Objectives include
Robert Wisnewski, Lab Fee $20
composition, light, perspective, color, different elements of fiction with assignments on conflict, research, idea generation and selection/
genres and artistic movements (expressionism, point of view, scene setting, dialogue and DE260 Typography 3cr evaluation, design development and visual
surrealism, neorealism) in painting and film. monologue. The other half of the course will A study of the design and use of basic letterforms, communication with models, and related 2D
Mon-Fri, 9am-12noon, Jul26-Aug13 center around particular approaches to poetry typographic contrast, hierarchy of information, back-up. Assignments include architectural,
Inga Karetnikova, Lab Fee $15 writing such as the lyrical forms (sestinas and major type families and their characteristics and interior, landscape, industrial design, furniture, or
sonnets), narrative, persona poems, prose specifications, typographic grids and legibility. fashion issues.
CSA3X2-C1 Art in Boston 3cr
poems, poems on dream images and poetic Tues & Thurs, 6:30-9:30pm, Jun8-Jul22 Mon-Fri, 1-4pm, Jun7-25
Dr. Francine Koslow Miller, critic for the New
responses to visual art. Students will develop Tom Briggs, Lab Fee $20 Bob Coppola, Lab Fee $20
England area at Artforum, will teach this new
specific techniques to strengthen their writing,
survey of art in Boston. The focus will be on the Graphic Design Computer Design
exploring voice, diction, rhythm, relationships
art scene and artists in and around Boston from
1980 to the present. A background of Boston‘s between form and content, methods of revision GD220-C1 Introduction to Graphic Design 3cr Computer Courses & Workshops:
artistic heritage from John Singleton Copley to the and other craff-related issues. A portfolio of each An applied approach to basic design principles Which One is Right for You?
Starn Twins will be supplemented by an analysis individual’s creative work will be the final and skills for students entering the graphic design
of the various art institutions and galleries in the product of the course. major. The issue of design responsibility begins Our computer courses are designed to fulfill a
Boston area. Visits with selected artists and art Mon & Wed, 6:30-9:30pm, Jun7-Jul21 with the development of professional attitudes and variety of different goals:
dealers will complement the lectures. Deborah DeNicola, No Lab Fee approaches to problem solving while continuing Artists wishing fo explore the use of computers in
Tues & Thurs, 10am-1pm, Jun8-Jul22 CSC4X1-Cl The End of the Twentieth Century to focus on the formal elements of typography, their work should consider taking DE313 as a
Francine Koslow Miller, Lab Fee $15 (Or Moments Between Art/Analysis and color, and idea generation. Pre-requisites: DE212 first step. DE313 uses the versatile and easy-to-
Everyday Life) 3cr & DE224 or permission of instructor. learn Amiga computer; it is a good entry into
CSA3X3-C1 Islamic Art and Architecture 3cr
This course traces connections between, and Mon & Wed, 6:30-9:30pm, Jun7-Jul21 computer software techniques for illustrators,
The course surveys the art and architecture of the
bears witness fo, the cultural diversity which David Hruby, Lab Fee $20 designers, and video artists. Extensive image
Islamic worlds, from Spain to India, with special
emphasis on ceramics and files, painting, shapes the closing moments of the Twentieth GD311-C1 Graphic Design II 3cr processing software is a available for these
metalwork, textiles, and architectural styles. The Century. The core concern of this course is to Applied graphic design with emphasis on the role machines for work on scanned, computer drawn,
course goal is fo provide an understanding of an understand how popular culture and the arts of typography and the development of strong or video captured images, so tht beginning
overall framework of the evolution of Islamic art have shaped each other. Readings will include visual concepts that communicate clearly to a students can learn to develop very complex 2D
and architecture with emphasis on sources and Walter Benjamin's Charles Baudelaire: A Lyric targeted audience. A synthesis of image and work. Advanced Amiga classes are offered in
stylistic characteristics. A selection of major Poet in the Era of High Capitalism, and Griel typography is stressed. Pre-requisite: GD220 or some semesters, or can be taken as independent
monuments with architectural ornaments from Marcus's Lipstick Traces, A Secret History of the permission of instructor. study. The advanced Amiga student can work
Jerusalem (The Dome of the Rock), Damascus Twentieth Century, among others. The course Mon & Wed, 6;30-9:30pm, Jun7-Jul21 with the animation and video potential of the
(Umayyad Mosque), Cordoba (The Mosque), will explore TV dramas (The Prisoner, Star Trek, Tom Briggs, Lab Fee $10 Amiga.
Twin Peaks), cultural forms and spaces,
Cairo (Ibn Tulun and Sultan Hassan), Istanbul GD351-C1 Production & Layout 3cr Photographers and designers wanting to
(shopping malls, Disneyland, car culture and
(Suleymaniyeh, Topkapi Palace), Isfahan Preparation of mechanicals and the development manipulate digitized images with maximum clor
speed); the avant-garde and sub-cultures (Sex
(Mosques, palaces), Agra, India (Taj Mahal), etc. of layout concepts emphasizing the integration of capability will probably prefer DE312 which uses
Pistols, rock music, punk culture); as well as
will be analysed and commented. typography and visual imagery. Through class the IBM & Targa color system with commercial
focusing on the works of several artists,
Mon & Wed, 9:30am-12:30pm, Jun7-Jul21 problems, lectures, demonstrations, and field and in-house custom image processing software.
including Joseph Beuys, John Cage, Marcel
Hafez K. Chehab, Lab Fee $10 trips, students consider alternatives in the Those who wish fo do image processing on color
Broodthaers, Jeff Koons, General Idea and
CSB150-C1 American Thought & Government others. Prerequesites: Matriculated students preparation of camera-ready art, typography, use Macintosh machines should fake the Photoshop
3cr should have completed all freshmen and of illustrations and photography, copyfitting, and workshop.
A solid introduction fo the American past, sophomore requirements: CSA101, CSA102, printing processes. Architects & industrial designers can take CADD
concentrating on the development of American CSC100, CSC200 and least one CSA or CSC Mon & Wed, 6:30-9:30pm, Jun7-Jul21 workshops; those involved in producing estensive
political institutions, but without ignoring general course, or permission of instructor. Dinah Olanoff, Lab Fee $20 specifications, proposals and reports will
cultural, social, and intellectural history. Tues & Thur, 6:30-9:30pm, Jun8-Jul22 Illustration probablyfind Quark workshops useful.
Mon-Fri, 9am-12noon, Jul6-23 Tim Norris, Lab Fee $15
Sam Schlosberg, Lab Fee $10 1L220-C1 Introduction to Illustration 3cr Illustrators will find the workshops on Adobe
CSC401-C1 Writing Children’s Literature 3cr
CSB4XX-C1 Gender Studies and Masculine An exploration of the world of children’s Introduction to professional illustration with Illustrator and Photoshop to be particularly
Identity 3cr literature, combining both the theoretical and emphasis on basic ideas, technique, media, and relevant, but those involved also with typography
This course introduces students to gender studies practical aspects of the genre. skill development. the initial look at the methods should get some experience with Quark XPress.
used fo convert ideas and convey them using
and ifs application to the study of art and popular Mon-Fri, 9am-12noon, Jul6-23 For graphic designers, the most prevalent current
precise visual fools.
culture. With the subtle and complex changes Leon Steinmetz, Lab Fee $10 software in use at gencies and studios is Quark
taking place in contemporary society - some may Tues & Thurs, 6:30-9:30pm, Jun8-Jul22 XPress. DE362, Desktop Publishing, or a Quark
Carol O'Malia, Lab Fee $20
say a post-feminist society - the role of the male workshop can get you started with this popular
is central fo questions of art, politics and social 1L412-C1 Illustrating Children’s Books 3cr and powerful program. Many graphic designers
a change. In this course we look af how masculin- Deals with all aspects of illustrating children’s also want fo learn imaging software such as
(
__ ity is represented by various contemporary writers books. Students gain practical experience in the Photoshop and Illustrator.
te / and filmmakers. Masculinity will be explored various stages of book design, from initial
— through detailed analysis of writers Max Frisch, conceptualization to the finished book. Explores a Those students who are seriously interested in a
career using computers should consider taking
“\\ Robert Bly and John Ashbery, among others, as variety of media and techniques.
\» J well as several popular cultural figures, including Mon-Fri, 9am-1pm, Jul26-Aug13 several courses using different systems; it is very
a filmmakers Woody Allen, David Lynch, and Wim Leon Steinmetz, No Lab Fee helpful for the computer professional to be
Wenders. versatile on more than one system and more than
Tues & Thurs, 9:30am-12:30pm, Jun8-Jul22 one softwre package and thus able more easily to
Tim Norris, Lab Fee $15 adapt fo new developments in the field as they
ij happen.
| = CSC100-C1 Written Communication 3cr
y An emphasis on the writing of correct and effective
English. Six to eight themes are required in
addition to reading and discussion of outstanding
pieces of fiction and non-fiction. Writing
assignments range from subjective to research.
Tues & Thurs, 6:30-9:30pm, Jun8-Jul22
Chris Stribakos, Lab Fee $10
Indicatae nse w
course offering
Call 617-5to5 reg6iste-r w2ith 5Mast5erc5ard or Visa. May 3-28. Montdhrua Fryida y, 1-4pm
MOre
Media and Performing Arts
Filmmaking
New Computer Graphics Courses DE313 Introduction to Amiga Computer PH268-C1 Photography II 3cr
FM180-C1 Introduction to Filmmaking 3cr
1.5 credits Design 3cr A beginning survey of the many uses of motion Amore advanced course in the fundamentals of
Introduction to the use of Amiga computers in creative photography. Introduces principles of
The following Computer Graphics courses will be pictures from art to commerce, which includes
graphics and illustration. Topics include 2D optics, cameras, films, photographic chemistry
Offered as intensive weekend and week long hands-on production experience with basic
image making nd processing, techniques of and materials. Continuous work and advance-
courses. Weekend courses meet Friday, 6-9pm, equipment and an opportunity to analyze many
animation, and video output. ment through creative assignments in photo-
Saturday, Qam-3pm, Sunday, 9am-12noon. different types of films from the production point of
Section C1, Mon-Fri, 9am-12noon, Jun7-25 graphing, processing, printing, and criticism.
Week long courses meet Monday-Thursday, view. The use of film as a fine-art medium and its
Jim Weiner, Lab Fee $250 Mon-Fri, 9am-1pm, Jul6-23
9am-1pm. Students will be offered additional Section C2, Mon-Fri, 9am-12noon, Jul6-23 relationship fo the avant-garde of painting, poetry, Ron Morris, Lab Fee $125
computer lab access time fo work on assign- and music is emphasized.
ments. The Lab Fee for the following classes is Jim Weiner, Lab Fee $250 Mon & Wed, 6-10pm, Jun7-Jul21 PH271-C1 Introduction to Color Photography Scr
$150. For more information, please contact the DE362 Desktop Publishing 3cr Janet Callahan Gilmore, Lab Fee $100 Introduces the fundamentals of color printing and
Continuing Education office. Introduction to the Macintosh computer as a fool FM2XX-C1 16MM Film Production 6cr the use of color materials. Concentrated on
for designing and producing graphic materials of technical and compositional skills and the
&, DE31X-C1 Adobe Photoshop | 1.5cr In a systematic and intensive approach fo the
all kinds. Experience with Quark XPress and other discipline of color negative printing. Also
Friday-Sunday, July 9-11 & July 16-18 filmmaking process, students will collaborate to
"desktop" software familiarizes students with the investigates the use of color as a means of
Instructor: Jim Weiner conceive and produce a 16mm sound documen-
essential electronic technology of design. Each personal expression. Prerequisite: PH100 &
tary film from beginning to end. All preproduction,
®, DE32X-C1 Adobe Photoshop Ii 1.5cr student completes regular assignments of one PH268 or permission of instructor.
production, and post-production will take place
Monday-Thursday, 9am-1pm, July 26-29 and two week duration, as well as one large Tues & Thur, 6-10pm, Jun8-Jul22
during class time. Students will learn about and
Instructor: Jim Weiner project, which can be tailored to the student's Elizabeth Kunreuther, Lab Fee $125
use basic tools and materials of film, through
&, DE33X-C1 Adobe Illustrator! 1.5¢cr individual area of interest. Prerequisite: DE3O09 or class problems, lectures, demonstrations, and Studio for Interrelated Media
Friday-Sunday, July 23-25 & July 30-August 1 permission of instructor. field trips. Technical workshops include basic
Instructor: TBA Section C1, Mon & Wed, 6:30-9:30pm, Jun28- optics, lighting, sound recording (including synch & MP30X-C1 Art in Boxes 1.5cr
Aug11
&, DE34X-C1 Adobe Illustrator Il 1.5cr sound), editing, preparation for mixing sound This course explores the richly diverse area of box
TBA, lab Fee $250
Monday-Thursday, 9am-1pm, August 2-5 tracks and for conforming original and A and B art, investigating the conceptual as well as the
Section C2: Mon-Fri, 9am-12noon, Jul6-23
Instructor: TBA TBA, lab Fee $250 rolling. Students will rotate in performing all the structural aspects of the art form. Students will
varied film production jobs, from producer, have the opportunity to focus their individual
®, DE35X-C1 Quark 1 1.5¢r
Fashion Design camera and sound person to edifor. They will use artistic visions on the creation of projects
Friday-Sunday, August 6-8 & August 13-15
synch and non-synch camera, Nagra tape including collection boxes, boxes within boxes,
Instructor: TBA FD256-C1 Basic Pattern Drafting 3cr recorders, edit a two-frack sound film, separate peep-hole boxes, books as boxes, and more.
®3, DE36X-C1 Quark Il 1.5cr Fundamental understanding of principles and and mix the tracks. Class will include a sound Elements such as text, lighting, sound, and
Friday-Sunday, August 20-22 & August 27-29 procedures in the development and use of the flat mix demonstrations at a professional sound moving parts may be incorporated in the
Instructor: TBA pattern. Introduces basic master block construc- studio. All film costs-purchasing and raw stock presentation of work.
tion from which design changes are made. and processing are included in the course lab Thursdays, 6-10pm, Jun10-Jul22
Mac Course for Teachers
Mon & Wed, 6:30-9:30pm, Jun7-Jul21 fee. Open fo all levels from beginners to more Maureen Cosgrove Metzger, Lab Fee $20
&S, DE37X-C1 Intensive Mac Course for Pamela Sebor-Cable, Lab Fee $20 advanced students.
MP31X-C1 Art with a Point of View 3cr
Teachers K-12 1.5cr Saturdays & Sundays, 9am-6pm, Jul] 0-Aug29
industrial Design This course will provide a forum in which
Monday-Friday, 9am-1:30pm, June 28-July 2 Debbie Ungar, Lab Fee $100
students can learn to express their opinions,
Instructor: TBA ID100X-C1 Fundamentals of Industrial Design 3cr Photography attitudes and personal vision through the
DE216X-C1 Introduction to CADD 3cr This course will explore the phases of typical organization of mixed media visual elements.
The primary goal of this course is for students to design projects from problem definition and &, PH1XX-C1 Visualizing Literature 1.5cr Classes will focus on dialoques around projects
become literate users of computer-aided design analysis through conceptual sketching and It is not unusual to photographers and writers both in and out of class, slides, presentations,
software. Students will use the computer for rendering fo preliminary layout drawings, working collaboratively. Whether a mutual effort and demonstrations and critiques. There will be
conceptual design and design development. We fabrication possibilities and presentation. (Evans and Agee, Lef Us Now Praise Famous some outside assignments and students are
will be using DataCad software made possible by Problems will be directed to product design and Men) or a single-handed collaboraiton expected to read a daily newspaper and fo recycle
a grant from CADKEY for eight work stations. The interiors. (Eggleston, Faulkner's Mississippi) it is rare to as much ephemera through the class as possible.
teaching methodology will concentrate on the Mon & Wed, 6:30-9:30pm, Jun7-Jul21 see a photography book without text accompany- Mon & Wed, 6-10pm, Jun7-Jul21
learning process in order to enable students fo Jaskiel & Maurer, Lab Fee $20 ing it. This class is designed to allow students to A.E. Ryan, Lab Fee $30
learn how to use other CADD software for different create work inspired by literature. Students will be
applications. Projects are designed fo allow assigned a relatively short piece of prose fo read
students to learn and apply the fundamental and to produce work in response fo the writing
principles of CADD software. Students will begin assigned. Students will also choose a longer
with 2D projects that emphasize basic com- work of literture and work on a visual project to
mands and processes. If is important fo avoid accompany it. At the end of the course, the class
forming bad habits that are difficult to break and will talk about the prose they chose as well as
require added time to clean up drawing files for present their final work fo the class. Various
plotting. File organization, path names, using techniques specifically dealing with the incorpora-
snap mode are a few of the many basics that tion of text with photographys will also be covered
must be mastered. Students will learn the basic in class. Suggested readings include work by
skills required to use CADD efficiently while such authors as: Toni Morrison, John Berger, Leo
combining 2D planning with 3D modelling. Tolstoy, Jane Smiley, Deborah Bright, Sigmund
Mon-Fri, 9am-12noon, Jun7-25 Freud, Oscar Wilde and Sandra Cisneros.
Bob Coppola, Lab Fee $250 Wednesdays, 6-1'0pm, Jun9-Jul21
Elizabeth Kunreuther, Lab Fee $125
PH100 Photography | 3cr
A beginning course for students with an interest in
creative work and study in black and white
photography. Exposure controls, camera
operation, and rudimentary film development and
printing are explored.
Section C1, Tues & Thurs, 6-10pm, Jun8-Jul22
Henry Cataldo, Lab Fee $125
Section C2, Mon-Fri, 9am-1pm, Jun7-25
Tony Loreti, Lab Fee $125
Section 3, Tues & Thurs, 6-10pm, Jun8-Jul22
Laura McPhee, Lab Fee $125
=
ot hee Sue etR acy’
EP-a2_=d S o
ULSesS
Fine Arts 2D
Painting
FA221-C1 Renaissance Painting Techniques 3cr FA201-C1 Drawing 3cr PM25X-C1 Printed Matter 3cr
® FA1XX-C1 Painting from Nature 1.5cr A study of the process of making luminous This intermediate class reviews and expands This course explores the book from three
Various painting techniques, materials and painting in the style of the Flemish masters. upon previous drawing experience. Emphasis is perspectives, that of the printmaker, the
methods explored in workshop/demonstration Students learn underpainting on a gesso ground placed on the continuum between abstraction letterpress printer, and the bookbinder. The end
format. Still life, botanical, zoological, landscape and Renaissance methods of applying layers of and representation. The students are expected to products will be a unique educational opportu-
and figure/portrait subject matter will be covered. egg tempera and oil glazes. complete an in-class body of work which nity of participating in all phases of making a
Pedagogy is based on a traditional representa- Tues & Thurs, 6-10pm, Jun8-Jul22 explores the formal construction of a drawing book by hand, from the idea to the finished
tional approach, but all levels are welcome. No David Small, No Lab Fee using observation (still life, model, landscape). edition of books, and an edition of prints, with
prior experience is necessary. Field trips and Students are required to complete a series of letterpress-printed text, encased in a handmade
FA369-C1 Life Painting 3cr
model sessions included. Media demonstrated to drawings based on a personal idea. The series box covered with specially made decorated
Painting in oils and acrylics from the figure
include watercolor, acrylic and oil painting. A will attempt to link formal structure and technical papers. Students will be encouraged to develop
emphasizing the use of spatial strategies, color
thorough discussion of each medium/technique ability with personal point of view and intuitive individual creative expression and become more
mixing, qualities of light, and paint application
before and after demonstrations, as well as response, in order fo form a strong image. Of aware of image making thorugh methods of
techniques. Both representational and abstract
during scheduled breaks. primary interest is the development of an impression. Initially, the course will cover the
interpretations of the figure will be studied, as well
Wednesdays, 9:30-1:30pm, Jun9-Jul21 individual point of view as well as a more field of creative printmaking. The full intensity
as historical precedents for life painting.
Donna Keegan, Lab Fee $20 sophisticated understanding of the formal and development of the printed image will be
Mon-Fri, 9am-1pm, Jul6-23
construction of drawing. focussed around etching, collagraph, and
& FA1X2-C1 Painting Workshop 1.5cr Amold Trachtman, Lab Fee $35
Mon-Fri, 9am-1pm, Jul6-23 monotype. The development of the individual
An introduction to painting in oil and acrylics.
Emphasis is on engaging the student in an Watercolor Jennifer Moses, Lab Fee, $35 effort toward collaboration will contribute to a
unified concept. Affer participating in the
exploration of painting techniques that will help FA202 Life Drawing 3cr
FA103-C1 Watercolor 3cr production of limited edition printmaking and
each student develop his/her own approach and Further study of figure drawing, the figure in
Fundamental techniques of transparent watercolor typographic production of title and colophon
potential. Painting from the model is included. space, and relational drawing of the figure.
media such as: wet in wet, drybrush, glazing and pages, the student will be taught options for the
Fridays, 9am-1pm, Jun] 1-Jul23 Section C1, Tues & Thurs, 6-10pm, Jun8-Jul22
knowledge of painting fools. Emphasis on color presentation of their finished work. Concepts of
Francisco Mendez-Diez, Lab Fee $20 Paul Rahilly, Lab Fee $35
vocabulary development, exploring composition, appropriate presentation supported by
Section C2, Mon-Fri, 9am-1pm, Jul26-Aug13
FA100 Introduction to Painting 3cr and the history of watercolor painting. profesisonal working methods in the hand
Paul Anderson, Lab Fee $35
An introduction fo painting using oils and acrylics Mon-Fri, 9am-1pm, Jun7-25 bookbindery will be introduced.
as basic media with an emphasis on traditional Kofi Kayiga, Lab Fee $35 FA359-C1 Life Drawing/Anatomy 3cr Tues & Thurs, 6-10pm, Jun8-Jul22
methods and familiarization with materials A study of anatomy incorporating analysis of the Mario Laplante, Lab Fee $50
Drawing
through lectures and demonstration. Occasional skeletal and muscular systems using skeleton, PM260-C1 Beginning Etching 3cr
use of the model included. - See also Studio Foundation Program for more casts, slides and models. A presentation of basic intaglio skills: drypoint,
Section C1, Mon & Wed, 6-10pm, Jun8-Jul22 Drawing classes. Mon-Fri, 9am-1pm, Jun7-25 hard and soft ground etching, and aquatint.
Alvin Ouellet, Lab Fee $35 Larry Collins, Lab Fee $35 Emphasis will be on using the craft and the
Section C2, 9am-1pm, Jul6-23 & FA1X1-C1 Figure/Portrait Drawing & process of printmaking fo explore the more
Chris Chippendale, Lab Fee $35 Painting 1.5cr Collage familiar ideas of line, value, and form.
FA200-C1 Intermediate Painting 3cr This course will be devoted to drawing and/or FA264-C1 Collage/Assemblage 3cr Mon-Fri, 9am-1pm, Jul6-23
A course designed to accommodate all levels of painting from a model. The four-hour poses will This mixed media course will expand our Tomas Vu Daniel, Lab Fee $50
allow time for a complete work to be executed
painting ability from beginning fo very experienced. understanding of collage and assemblage as we PM270-C1 Beginning Lithography 3cr
every session. Each class the instructor will
Structured classes introduce styles and fechniques consider and discuss the work and ideas of An introduction to the drawing and printing of
demonstrate a different medium in a representa-
from the 20th century, as well as traditional artists such Joseph Beuys, Hannelore Baron, stone and metal plate lithography. This course
tional style, including: graphite on paper (pencil,
painting skills. Cubism, abstraction, landscape, Betye Saar, and Kurt Schwitfers (among others). emphasizes the development of visual ideas
stick, powder, used with and without solvents,
still life and painting from the model are featured, Assignments are designed to encourage through the materials, tools, and chemistry of
etc.); charcoal on paper (classical techniques);
with independent study for personal goals. exploration and implementations of the poetic the lithographic process.
colored sticks/colored pencils on paper (a pastel-
Mon & Wed, 6-10pm, Jun7-Jul21 juxtapositions and transformations possible in Tues & Thurs, 9am-1pm, Jun8-Jul22
like technique without toxic dust); watercolor on
David Tandy, Lab Fee $35 the collage/assemblage process. Ify ou are a Alvin Ouellet, Lab Fee $50
paper (classical, transparent use of the medium);
FA205/305/405 Painting 6cr acrylic painting on canvas. There will be a collector—of images, objects, fragments—seeking PM280-C1 Silkscreen Printing 3cr
This course fills major studio requirements for thorough discussion of painting with acrylics, a way to generate a visual dialogue incorporat- An introduction to various processes in screen
students admitted to the B.F.A. program. If is also from choosing streterbars to varnishing the final ing elements from your collection, this course is printing. Study of color, design, and drawing
available to Continuing Education students who painting. Each of the five media presented will be for you. using techniques from handcut through
have completed FA100 Introduction to Painting. discussed in depth. Mon & Wed, 6-10pm, Jun7-Jul21 photographic stencil making.
Students in FA205/305/405 will meet for Tuesdays, 9:30am-1:30pm, Jun8-Jul20 Betty Kohlberg, Lab Fee $35 Mon-Fri, 9am-1pm, Jun7-25
painting, discussion, lectures and critiques. Donna Keegan, Lab Fee $20 Printmaking Keith Washington, Lab Fee $50
Students will have access to painting studio
FA102-C1 Life Drawing 3cr
outside of regularly scheduled class hours. A study of fundamentals as applied to the figure. Renovations to the Printmaking Studio in Gym C
SMohna-rForni , Du9nanm,- 6Lpamb, FeJeu n$e3 57 -25 Mon & Wed, 6-10pm, Jun7-Jul21 are nearly complete. Join us this summer for
Mohsen Saberi, Lab Fee $35 our full array of printmaking courses in
FA211-C1 Abstract Painting 3cr beautifully renovated space.
An exploration of techniques and formal issues in FA260-C1 Portrait Drawing 3cr &, PM1XX-C1 Waterbased Printmaking:
The study of drawing from the head and figure in
abstract image-making with an emphasis on Expanding the Possibilities 1.5cr
locating sources for abstract imagery. a variety of both modern and traditional This one week intensive course will explore a
Mon-Fri, 9am-3:30pm, Jul26-Aug 6 techniques. variety of waterbased media which can be used
John McNamara, No Lab Fee Mon-Fri, 9am-1pm, Jun7-25 in printmaking, from unique monotype images
Ed McCluney, Lab Fee $35
to intaglio and collograph multiples. Emphasis
FA220-C1 Landscape Painting in Maine 3cr
See Off-Site Offerings for description, page 8. will be on the twin goals of extending the
Sunday-Saturday, July 18-24 applications of waterbased media currently on
Jeremy Foss, Lab Fee $15 the market, and using them to develop personal
imagery. Demonstrations and exchange of
information will provide a familiarity with a full
range of technical possibilities. Individual and
group critiques will offer aesthetic response and
encourage visual growth.
Mon-Fri, 9am-12noon & 1-4pm, Jun28-Jul2
Catherine Kernan, Lab Fee $25
Indicatae nse w
course Offering .
Call 617-5to5 reg6iste-r w2ith 5Mas5terc5ard or Visa. May 3-28. Montdhrau Fyrida y, 1-4pm
& more
Fine Arts 3D
Ceramics Glass Sculpture Off-Site Offerings
CER201-C1 Ceramics: Handbuilding - Vessels GL231-C1 Glassblowing 3cr $C2X1-C1 Environmental Art in an Urban The Massachusetts College of Art brings the
and Narrative Sculpture 3cr A course in basic glassblowing techniques. Landscape 3cr studio beyond Boston. These off-campus
Exploration and instruction involving technical, Includes demonstrations and progressively more Break down the barriers between art and life. Classes are designed fo bring students to new
aesthetic and skill development in ceramic difficult assignments. Group glassblowing Make the world your sketchbook. This course environments which offer a refreshing and
handbuilding processes. Consideration is given "clinics" encourage team work. Slide lectures will survey developments in environmental art inspiring look at American landscape, tradition,
to both sculpture and vessel making. Concentra- which briefly cover glass history and survey from the work of Christo fo the lesser known, yet and/or history.
tion and exploration will include the narrative, contemporary glass art in depth are included. highly provocative work of the situationists. The
allegorical and metaphorical approaches to Mon-Fri, 6-10pm, Jun7-25 emphasis is on developing your own environ-
ceramic sculpture making. This course is Bernie D'Onofrio, Lab Fee $100 mental works and getting them out there! Full
designed for all levels, beginner through technical assistance and access to sculpture
GL2XX-C1 2-D Glass: New Approaches 3cr
advanced. In this course we will search for new and department shops. Painting in Maine =e
Mon & Wed, 6-10pm, Jun7-Jul21 Wednesdays, 6-10pm, Jun9-Jul28 & Satur-
innovative ways of exploring the expressive
K Rhynus, Lab Fee $90 potential of glass. Using both traditional days, 9am-5pm, June 19, July 10 & 24 FA220-C1 Landscape Painting in Maine 3cr —
CER203-C1 Ceramic Wheelworking 3cr materials (such as stained glass), as well as Reid Drum, Lab Fee $90 An inspiring involvement with ocean and
Introduces students to ceramic media with non-traditional materials and techniques, we will $C200-C1 Sculpture Studio 3cr landscape in southern Maine is the focus of this
primary focus on using the potters wheel. move into uncharted ferritory. The pre-requisites This course is open fo beginning and continu- painting class. There will be group critiques
Functional and non-functional formats are for this course is an open and inquiring mind, a ing students. Traditional and contemporary every day as well as slide talks and discus-
explored as are glazing and kiln-firing. boldness of approach and a need for personal sculptural techniques, ideas, and issues will be sions. Students may commute to class
Tues & Thur, 6-10pm, Jun7-Jul21 expression. The only limits are that glass is the presented through slide presentations, class - (approximately 75 miles from Boston) or
Ben Ryterband, Lab Fee $90 primary material and work will be in 2- discussions, demonstrations and generated arrange accommodations with the help of a
CER3X1-C1 Clay: Tiles, Mosaics and dimensions. The medium is light, the material is through the creation of personal works. Maierials comprehensive list provided by the instructor.
Reliefs 3cr glass, the method is exploration. include wood, wire, plaster, clay, cardboard, The course is one week long.
This course is geared towards the production Mon-Fri, 9am-3:30pm, Aug2-13 fabrics, and found objects. Sunday, July 18-Saturday, July 24(arrive Sun-
and use of tiles, mosaics and reliefs. Instruction Linda Lichtman, Lab Fee $90 Mon-Fri, 9am-1pm, Jul6-23 day at 3pm)
Anna Poor, Lab Fee $90 Jeremy Foss, Lab Fee $15
will cover studio processes, design consider-
Metals
ations and installation techniques. Molds and $C201-C1 Foundry Process in Sculpture 3cr Art Education
die processes will be incorporated into the MTL200-C1 Jewelry 3cr Bronze and aluminum castings are made using
content of the course. Students will work from Introduces basic issues and techniques that are processes of greensand and lost-wax invest- AE514X-G1 Art Education for the Special
drawings and design individul projects. These unique to jewelry making as a creative and ment casting. Course covers moldmaking, Needs Child...A View From the Front Lines 3cr
projects will explore both flat and dimensional expressive medium. Treditional and contempo- casting and chastirig. See courses on page 4 for description.
applications of tiles, mosaics and low relief rary attitudes toward body adornment are Mon & Wed, 6-10pm, Jun7-Jul21 Tues & Thurs, 5-8pm, June 8-July 22
ceramic paintings. Previous experience in discussed. Techniques covered are basic John Wolfrum, Lab Fee $90 Jeffrey Melzack, Lab Fee $10
ceramics is helpful, but not necessary. fabrication (cold-joining, sawing, soldering, $C251-C1 Figurative Clay 3cr Architectural Design
Mon-Fri, 9am-1pm, Jun7-25 finishing), lost-wax casting, and stone setting.
A study of the construction of portrait and figure
Janna Longacre, Lab Fee $20 Precious metals as well as common materials The Ecology of Place: Documenting the Built
executed from life in clay. The course introduces
Fibers are used in projects. the use of plaster as a casting medium. Environment
Mon & Wed, 6-10pm, Jun7-Jul21 Hosted by the Nantucket Island School of Design
Mon-Fri, 9am-1pm, Jul6-23
&S, FIB1XX-C1 Creating New forms Using Deborah Krupenia, Lab Fee $90 Charles Stigliano, Lab Fee $90 and the Arts
Traditional Fiber Techniques 1.5cr MTL210-C1 Beginning Metals 3cr & AD3X1-C1 Part | Field Observation 1.5 cr
This one-week course will focus on off-loom Beginning and continuing elective covering $C253-C1 Welding 3cr
A beginning course in the construction of steel &, AD3X2-C1 Part tl Advanced Recording and
fiber techniques and combinations of them metal, enamel and mixed media approaches to
sculpture produced through oxy-gas and arc Documentation 1.5cr
worked into two and three dimensional forms. jewelry making. This course is also designed to
Class in coiling, twining and knotting highlighted accommodate the needs of more advanced welding. The course introduces forging and Ecology is defined as the science of the
and the individual expression of each student students. machine shop practices. relationship between organisms and their
encouraged. There will be discussions on Tues & Thurs, 6-10pm, Jun8-Jul22 Tues & Thurs, 6-10pm, Jun8-Jul22 environments: i.e., people and places. This
John Wolfrum, Lab Fee $90 workshop proposes fo use the town of
aesthetics and individual critiques of work. All Michael Mastranardi, Lab Fee $90
Sciasconset in Nantucket, MA as its architectural
levels from beginners to advanced are invited to
Three-Dimensional Arts context. This place exhibits a clear reading of its
attend.
pattern of development, and still functions
Mon-Fri, 9am-12 & 1-4pm, Jul26-30 TDA205-C1 Wood Structures 3cr
without losing sight of those qualities of
Ferne Jacobs, Lab Fee $25 The proper use and application of basic
community, human scale, continuity of material,
woodworking equipment, materials, and
FIB223-C1 Surface Design on Fabric and and common sense.
concepts.
Fibers 3cr
Mon-Fri, 9am-1pm, Jul26-Aug13 Part |
An introduction to fabric dyes and procesures
Richard Brown, Lab Fee $90 Part | will begin with a careful recording of the
and to resist processes. Japanese, African and
orientation and dimensions of the streets and
Indonesian techniues for tie-dye, batik and paste
pedestrian paths, public walks, heights of
resist and handpainting on fabric are studies.
buildings, public and private transitions, the use
Emphasis is on development of personal
of material, openings, landscape, and views.
expression as well as fechnical proficiency.
Workshops and slide presentations are included. Part Il :
Tues & Thurs, 6-10pm, Jun8-Jul22 Part Il will focus on an analysis that generates a
Erica Licea-Kane, Lab Fee $90 useful set of design guidelines fo assist in
understanding the complex nature of place.
Part | is open to designers and artists of different
media interested in the study of environment.
Emphasis is on freehand sketches, measured
drawings, field observations, documentation,
and includes readings, lectures, and reviews of
work. Part Il is open to those who participated in
Part | or by permisison of instructor.
Registration Deadline: May 22, 1993
Instructor: Paul Hajian
Dates: Part!, June 14-18,
Part Il, June 21-25
Informational Session with Paul Hajian
Thursday, May 13 at 6pm
Lab Fee $100 (per session)
Indicatae nse w
course offering
Call 617-5to r5egis6ter w-ith2 Mas5terc5ard 5or V isa. May 3-28. Montdhrau Fyrida y, 1-4pm
PLOg
Ons
Certificate Programs Cooperating Institutions
‘
The Massachusetts College of Art offers Certificate Art Education Master of Science and Art Education Through special arrangements, a number of
programs in Graphic Design and Art Education. The Master of Science in Art Education is a 36 courses Offered at arts institutions in the Greater
Both programs are 36 credits with a specific Teacher Certification Program credit program intended for mature individuals Boston area can be taken for MassArt credit.
sequence of courses. Admission to these The Teacher Certification Program is a post- who seek to explore questions in the field of Registration for these courses is held at the
programs is based on portfolio review and baccalaureate program. It is designed for mature visual arts education. The program is small, respective institutions. For more information
academic/professional background. For students with a BFA or a strong background in affording individualized attention and direction. It contact:
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offers essential knowledge that is also applicable written thesis which focuses on a practicum, 425 Washington Street
Graphic Design Certificate Program to work in museums, social service agencies or curriculum, or research study. Students may Brighton, MA 02135
The Certificate Program in Graphic Design is a any of the settings in which art education takes enroll on a full or part-time basis. Stephanie Adelman, Director
series of professional courses leading to a career place. The program requires 36 credits of Master of Fine Arts [phone]
In the graphic design field. The program consists teaching methods, observation, art education, The Master of Fine Arts Program is designed for
of 12 courses (36 credits) to be taken in a history, aesthetics, materials and a semester of concentrated study as a fine artist. Students DeCordova Museum School
sequence over a period of no more than three student teaching. Students may enroll on a full or should regard this as a period of experimenta- Sandy Pond Road Lincoln,
years. No more than 6 credits may be transferred part-time basis but should plan to be full-time tion and research in their chosen area of MA 01773
at the time of acceptance into the Certificate during the semester of student teaching. concentration: 2-D Fine Arts, 3-D Fine Arts, Ms. Eleanor Lazarus, Schoo! Director
Program with the approval of the Program Media and Performing Arts, and Design. |In [phone]
Director. To be eligible, applicants must have addition to the studio concentration, studies in
completed a minimum of 60 undergraduate Degree Programs Art History and, for some students, Art Education Fuller Museum of Art
credits, , The Massachusetts College of Art offers programs are carefully designed to support the particular 455 Oak Street
that lead to the following degrees: B.F.A. aims and goals of each student. Students also Brockton, MA 02401
Semester 1 (Bachelor of Fine Arts), M.S.A.E. (Master of take 2 or 3 semesters of Graduate Seminar Ms. Linda Keating, Museum Schoo! Coordinator
DE212 2D Design Science in Art Education), and M.F.A. (Master of which focuses on critical dialogue about [phone]
DE224 Conceptual Drawing
Fine Arts). Students interested in degree programs contemporary issues in the arts and brings in
Semester 2 must apply through the Admissions Office, open numerous visiting artists. The MFA Program Nantucket Island School of Design and the Arts
DE260 Typography 9Yam-5pm, Mon-Fri, 617-232-1555, ext. 235. requires full-time study. It is generally completed P.O. Box 1848
GD220 Introduction to Graphic Design Below are brief descriptions of degree programs. in two academic years. Completion of this Nantucket, MA 02554
Semester 3 Bachelor of Fine Arts degree qualifies a student to teach at the college Ms. Kathy Kelm, Director
GD351 Production and Layout Students earn a B.F.A. degree by completing a level. [phone]
GD370 Intermediate Graphic Design Portfolio minimum of 132 semester credits distributed
South Shore Art Center
(Fall only) (Limited to Certificate Students) among courses in freshman core major concen-
119 Ripley Road Cohasset,
tration, critical studies (liberal arts) and electives.
Semester 4 MA 02025
Degrees are earned in Fine Arts 2-Dimensional,
GD311 Graphic Design II Ms. Lanci Valentine, Executive Director
Fine Arts 3-Dimensional, Media and Performing
“Elective [phone]
Arts, Design (Communications and Environmen-
Semester 5 tal), Art Education, and Art History.
GD321 Graphic Design III Stone Carving Studio
*Elective Marble Street -
P.O. Box 495
Semester 6
West Rutland, Vermont 05777
GD420 Graphic Design Portfolio (Spring only)
Ms. Bernadette D’Amore, Director
(Limited to Certificate Students) [phone]
_DE459 Marketing (Spring only)
*Suggested Electives Worcester Center for Crafts
DE2XX Photography for Designers 25 Sagamore Road
DE3X1 Book Design Worcester, MA 01605
DE312 Introduction to Computer Design/TARGA Mr. Cyrus Lipsitt, Executive Director
DE361 Typography II [phone]
DE362 Electronic Publishing and Typography
1L220 Introduction to Illustration
GD414 Advertising Design
Other electives with advisors approval
Summer 1993 Residency Options oO te ees ees ee ee ee ee ee ees ee eee ee ee ee ee ee ee ee es ee
I Summer 1993 Residency Options I
Smith Hall, Massachusetts College of Art's only
dorm, is conveniently located on Huntington I © Yes, | would like additional information regarding 1993 Summer Residency Options. i
Avenue in Boston. Not only is the residence hall I To request rates and information on housing and meal pian options please complete the I
located 2 blocks from the Museum of Fine Arts 4 following: !
and the Isabella Stewart Gardner Museum, but it
is direectly accross the street from the Longwood : I
1am interested in housing for the following dates.
/Hospitals stop on the green line on the T, and fi I
the Metro bus that stops directly in front of the I (Note: Housing is available any combination of weeks from June 6—-August 27,1993. Rooms i
building. may be rented on a weekly basis. Minimum Stay is one week.)
i I
Newly renovated in 1988, the residence hall is Please send me information on (check all that apply):
equipped to house 116 residents. The living t © single room © double room © suites (accommodates 4 with kitchen) }
arrangements consist of rooms that are organ- I] 9 weekday meal plan © weekday/weekend meal plan :
ized on a floor in suite style. Each suite has 2 I Send information to: i
double rooms, or in some cases, | single and 1
double room, and each suite has it's own I 1
bathroom. All room in Smith Hall have new, I
hardwood furniture. In addition, each room has iI Name I
its own air conditioning unit. A few of the suites
i
are equipped with kitchen facilities, although
Mass Art's dining hall is open during the Ii Street I
summer, and meal plans are available
I
weekdays and weekends for those who are
intersted. City State Zip Code !
Each of the four living floors includes a quiet 1 I
room and a non-toxic studio space. Smith Hall i Phone: Day Evening I
is also handicapped accessible, and there is 24
9
hour security coverage. =
The ground floor and lobby area are also well
provided. There is a large TV/VCR lounge,
telephones, vending machines, laundry facilities
and a kitchen. There is also gallery space in the
lobby and TV area.
opportun
teachers
Opportunfoirt Tieaechser s
Summer Session '93
Study on Nantucket Island
Special one week Teachers Institutes at the
Nantucket Island School of Design and the Arts
taught by NISDA Founder and Director, Kathy
Kelm, Kellogg National Fellow. NISDA's multi-
cultural programs designed and implemented in
the Nantucket Public Schools have received
national recognition. Courses take place in the
landscape and at Sea View Farm Barn Studios;
accomodations at the NISDA Artists Residency
cottages in historic Nantucket town.
Multi-cultural and Inter-disciplinary Curriculum
Seminar
July 18-24, 1993
Realizing the capacity to create and problem
solve is an important human resource for our
children as they move towards challenging
futures. This program is designed to empower
and expand classroom horizons and engage
students in arts and crafts, music and lore of
global peoples. It is integrated into the scope and
sequence of existing curriculum. We plan this
energetic experience for artists, teachers and
concerned adults to prepare for multi-cultural
understanding while celebrating and respecting
our own environment and cultural base. This
multi-faceted seminar provides an opportunity for
dialogue and learning about multi-cultural
program models, viewing documentation and
finally developing projects tailored to participants’
specific classroom or community needs. 1.5
credits
Designing Your Classroom
August 15-21, 1993
This course will explore the opportunity for
creating a stimulating inter-disciplinary and visual
Classroom environment that supports individual,
team and whole class learning linked to the
school system and local community. Plans for
leaming stations, functional, movable room
dividers and inter-discplinary curriculum projects
that are designed to reveal the inter-relationship of
art, math, science, history and languages.
Personal hands-on projects in the arts, crafts,
music, performance and lore will be developed.
1.5 credits.
Faculty
Kathy Kelm is one of 43 selected for a Kellogg
National Leadership Fellow Group VI. The Founder
and Executive Director of the Nantucket Island
School of Design and the Arts (affiliated with
Mass Art), graduate and former faculty of Rhode
Island School of Design. She has been a textile
Master of Science in Art Education Teacher Certification Program
designer, costume designer, and multi-media
performer. The multi-cultural program initiated
The Art Education Department offers a Master of The Teacher Certification Program is a post-
and implemented in the public school system on
Science in Art Education (MSAE) with two distinct baccalaureate program. It is designed for mature
Nantucket has been awarded national recognition
tracks: students with a BFA or a strong background in
for its inter-disciplinary integration into the
visual art. It leads to state certification (levels K-
curriculum and the sense of spirit, innovation and MSAE Track | Research Specialization 36 credits
9 or 5-12) for teaching in the public schools in
community involvement. Designed for students who wish to explore in
Massachusetts and 32 other states. The
depth an issue in the area of curriculum
Please call Nantucket Island School of Design program offers essential knowledge that is also
development, museum studies, art therapy or arts
(NISDA) for program information and questions management. applicable to work in museums, social service
regarding accomodations. [phone] or agencies or any of the settings in which art
write P.O. Box 958, Nantucket, MA 02554. MSAE Track Il The Artist/Teacher Specialization 36 education takes place. The program requires 36
credits credits of teaching methods, observation, art
Intensive Mac Course for Teachers K-12 Focuses on connections between the classroom education, history, aesthetics, materials and a
June 28-July 2, 1.5 credits and the studio by combining a studio concentra- semester of student teaching. Students may
Contact the Continuing Education office for more
tion with graduate level art education courses. enroll on a full or part-time basis but should
information.
Track Il is a new option designed to provide plan to be full-time during the semester of
increased flexibility for students and current student teaching. For further information, contact
teachers to comply with new certification Mass College of Art, Office of Admissions
regulations. [phone], ext. 235.
For more information, call the Admissions Office
at [phone], ext. 236.