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Princes and Princely Culture, 1450-1650 (Brill's Studies in Intellectual History) PDF

380 Pages·2005·3.13 MB·English
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PRINCES AND PRINCELY CULTURE 1450–1650 VOLUME TWO BRILL’S STUDIES IN INTELLECTUAL HISTORY General Editor A.J.Vanderjagt, University of Groningen Editorial Board M. Colish, Oberlin College J.I. Israel, Institute for Advanced Study, Princeton J.D. North, University of Groningen W. Otten, Utrecht University R.H. Popkin, Washington University, St. Louis-UCLA VOLUME118/2 PRINCES AND PRINCELY CULTURE 1450–1650 VOLUME TWO EDITED BY MARTIN GOSMAN ALASDAIR MACDONALD ARJO VANDERJAGT BRILL LEIDEN BOSTON • 2005 Illustration on the cover: Porte Saint Denis, with Pepin and Charlemagne. Bref et Sommaire recueil, Q4r. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Princes and princely culture, 1450-1650 / edited by Martin Gosman, Alasdair MacDonald, Arjo Vanderjagt. p. cm. – (Brill’s studies in intellectual history, 0920-8607 ; v. 118) Includes bibliographical references and index. ISBN 90-04-13572-3 (v. 1); ISBN 90-04-13690-8 (v. 2) 1. Europe—History—15th century. 2. Europe—History—1492-1648. 3. Princes— Europe—History. 4. Europe—Court and courtiers. 5. Europe—Kings and rulers. 6. Art patronage—Europe—History. 7. Politics and culture—Europe—History. I. Gosman, Martin. II. MacDonald, A. Andrew (Alasdair Andrew), 1954- . III. Vanderjagt, Arie Johan. IV. Series. D203 .P75 2003 305.5’22’09409031-dc22 2003061017 ISSN 0920-8607 ISBN 90 04 13690 8 © Copyright 2005 by Koninklijke Brill NV, Leiden, The Netherlands Koninklijke Brill NV incorporates the imprints Brill Academic Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA01923, USA. Fees are subject to change. printed in the netherlands CONTENTS Preface .................................................................................................. vii Contributors .......................................................................................... ix ListofPlates ......................................................................................... xi PopePiusIIandtheIdeaoftheAppropriateThematisationoftheSelf ZwedervonMartels ....................................................................... 1 PrincesandCultureintheFifteenth-CenturyItalianPoValleyCourts RinaldoRinaldi.............................................................................. 23 TheMotivationforthePatronageofPopeJuliusII ChristineShaw............................................................................... 43 PrincesandPatriotism:TheSelf-Representationof FlorentinePatriciansintheLateRenaissance HenkvanVeen ............................................................................... 63 CultureandPowerinNaplesfrom1450to1650 DavideCanfora ............................................................................. 79 PoliticsandtheOccultattheCourtofEdwardIV JonathanHughes ........................................................................... 97 HenryVIIandHenryVIII D’ArcyJonathanDacreBoulton ................................................... 129 TheCourtCultureofEnglandunderElizabethI JaneStevenson............................................................................... 191 TheMarriageofMatthiasCorvinustoBeatriceofAragón (1476)inUrbanandCourtHistoriography VolkerHonemann .......................................................................... 213 vi CONTENTS CharlesV JoséMartínezMillán ..................................................................... 227 ‘OfficialHistory’attheCourtofPhilipIIofSpain RichardL.Kagan .......................................................................... 249 TheSunandAurora:PhilipIVofSpainandhisQueen-Consort inRoyalFestivalandSpectacle RinaWalthaus................................................................................ 277 Bibliography ......................................................................................... 309 Index ..................................................................................................... 345 PREFACE The present book is the second of two volumes devoted to princes and princely culture in Europe between 1450 and 1650. The first, published in 2003, contains essays on European courts north of the Alps and the Pyrenees; it also has introductory essays to the entire project by Martin Gosman and Olaf Mörke. This second contribution to court culture discussesselectedcourtsofEnglandandofsouthernEurope. The discussions and analyses presented in the ensuing chapters are variously surveys of the self-image of rulers (Von Martels on Pope Pius II and Van Veen on Florentine patricians), of culture and the arts at princely courts(Rinaldionthefifteenth-centurycourtsofthePoValley,Shawonthe patronage of Pope Julius II, and Stevenson on the English court culture of Elizabeth I), the relation between culture, politics and power (Canfora on Naples between 1450 and 1650, Hughes on the heady mixture of politics andtheoccultunderEdwardIV,BoultononthefirsttwoTudorsovereigns, andMillánonEmperorCharlesV),ofcourtfestivals,ceremoniesandspec- tacles (Honemann on the marriage of Matthias Corvinus and Beatrice of Aragón,andWalthausonPhilipIVofSpainandhisQueen-Consort),and of theconstructionof‘official’historyatcourt(KaganonthecourtofPhilipII of Spain). As in the earlier volume, the articles are essentially multi- disciplinary in focus, and in order to enhance their specific considerations they all include material from other areas and disciplines than strictly their own. The editors wish to thank the contributors to this and the earlier book for their forbearance and their willingness to quickly answer our queries, and for their painstaking correction of the proofs. It is hoped that this volume meetstheirexpectationsandthose,too,ofitsreaders.Thanksgoas well to Gorus van Oordt who patiently did much of the word-processing. We are pleased that Brill Academic Publishers (Leiden, Boston) is publishing these two volumes in Brill’s Studies in Intellectual History; we aregratefultoIrenevanRossumofBrillforhersympatheticunderstanding ofunforeseendelays. CONTRIBUTORS D’Arcy Jonathan Dacre Boulton is Fellow of the Medieval Institute and ConcurrentAssociateProfessorofHistory,UniversityofNotreDame. DavideCanforaisProfessorinItalianPhilology,UniversityofBari. Volker Honemann is Professor of Medieval German Literature, Westfälische Wilhelms-Universität,Münster. JonathanHughesisanindependentscholar. Richard L. Kagan is Chair of the Department of History, Johns Hopkins University,Baltimore. José Martinez Millán is Professor of Modern History, Universidad Autónoma,Madrid. ZwedervonMartelsisLecturerinLatin,UniversityofGroningen. ChristineShawisanindependentscholar. HenkvanVeenisProfessoroftheHistoryofArt,UniversityofGroningen. RinaldoRinaldiisProfessorofItalianLiterature,UniversityofParma. JaneStevensonisReaderinLateLatinandRenaissanceStudies,University ofAberdeen. RinaWalthausisLecturerinOlderSpanishLiterature,UniversityofGroningen.

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Many products of medieval and renaissance culture – literature, music, political ideology, social and governmental structures, the fine arts, forms of devotional piety, and also the social, political and literary self-representation of rulers – found their best expression in the context of the c
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