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Presently Absent By Zachary Gottlieb 827 N. Laurel Ave. Los Angeles, CA 90046 310-880-9000 PDF

113 Pages·2010·0.21 MB·English
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Preview Presently Absent By Zachary Gottlieb 827 N. Laurel Ave. Los Angeles, CA 90046 310-880-9000

Presently Absent By Zachary Gottlieb 827 N. Laurel Ave. Los Angeles, CA 90046 310-880-9000 INT. MATHESON APARTMENT - MORNING A modest but well-furnished apartment in the Flatiron District of Manhattan. BILL (34) and SARAH MATHESON (32), a handsome couple, lie in bed together. SARAH Are you gonna make sure you get paid today? BILL I’m definitely gonna try. SARAH Good. You need to stand up for yourself, honey. Laying you off is one thing, but to keep you on and not even pay you? It makes my blood boil. BILL Right. But what if I press my point and I do get laid off? You think it would be easy to find something else? SARAH I don’t know, baby; but at least you’d be doing something. She beckons him over for a hug. SARAH Where would you be without me, huh? BILL (considers) Probably in a ditch somewhere. SARAH Exactly. Now go get ready for work, or you will be fired. INT. MATHESON APARTMENT - LATER The pair come out of their bedroom to find LYLA, their 3 year old, curly-haired gemstone, lying fast asleep under the Christmas tree. Sarah walks over and picks her up, together with her blanket. 2. SARAH Sweetie, we’ve discussed this. Santa doesn’t come with presents until the night just before Christmas, so you really mustn’t keep doing this. LYLA (rubbing her eyes) But what if he comes early this year, and I miss my chance? SARAH Santa never comes early, sweetie. He’s too busy. LYLA Is that true, Daddy? Dressed for work, Bill is rooting around in the fridge for a piece of fruit. BILL It sure is. The old man has a lot of countries to visit. LYLA But why does he always have to visit our one last? Bill and Sarah look at each other, unable to keep this up. Noticing something wrong with Lyla’s doll, Bill takes it from her hands. BILL What happened to little Maggie, sweetie? LYLA Her eye came out. She’s old. BILL She is old. Because before you, she belonged to Mommy, and before Mommy, she belonged to Mommy’s Mommy, and before Mommy’s Mommy -- SARAH Bill. Bill glances at her, sheepishly, while sitting down and pulling Lyla on to his lap. He inspects Maggie, the thread of whose button-eye has come loose. 3. BILL Anyway, poppet, I think Maggie just needs to be taken a look at by Nurse Ratched over there, who has a bunch of things to help dolls get better. Preparing her and Lyla’s breakfast, Sarah raises an eyebrow at Bill, who returns an innocent smile. LYLA Do you have any dolls, Daddy? BILL Well of course I do. What exactly is it that you think you are? Bill lifts her up with both arms and shakes her, playfully, causing her to squeal with delight. BILL My rag doll! Who could come apart at any second! Whose eyes might fall out! Whose hair could all fall out! Lyla continues to shriek even louder, as Sarah looks on, amusedly. Bill finally brings her down and hugs her tightly. He readies himself for work. BILL Well, that’s my fun gone for today. (kissing them both) You don’t need to worry about dinner tonight, honey. I’ve got handball with Lucas, so I’ll just grab pizza or something. SARAH Mm, sounds healthy. But y’know, I think Lyla and I might want something to eat ourselves, so I’ll probably just go ahead and make dinner anyway. BILL (heading out) You know what I mean. Love you guys. The door shuts. Sarah smiles to herself, basks in the moment. 4. SARAH Do we love him back? Lyla nods, earnestly. SARAH Love you back. INT. STEAMSHIP, THE ATLANTIC OCEAN - NIGHT We’re in the small hold of an antiquated steamer, panning across scores of huddled bodies and expressionless African faces, completely dead to the world, glistening with sweat. The reinforced door is swung open and two men step inside. The first is BAKWAN (41), a muscular brute of a man, who eyes the passengers with palpable contempt. KWESI (26), lanky with handsome features, walks behind, carrying a jug and cup. BAKWAN You see, Kwesi, the thing about this game is that you need to pack out these boxes. High risk, high rewards, my friend. KWESI Yes. But I don’t understand why we must keep them squashed in here for the entire journey. It’s hot. Kwesi begins handing the cup around, filling it once for each of the captives. BAKWAN Why not, my friend? You think ‘dem roaches should breathe our air? ‘Dem low quality roaches don’t deserve each other’s air. But what can one do? He emits a bellowing laugh, as Kwesi still attends to the cramped occupants. His eye catches that of AFI (18) - attractive beneath her bedraggled exterior - who stares at him, wide-eyed, while gulping from the cup. BAKWAN (noticing the exchange) I suppose you feel warm wid ‘dem, eh, Kwesi? You wan’ me leave you ‘ere? 5. KWESI No, I do not. I think it’s shameful. Bakwan slaps him across the ear, causing him to spill water over Moses (13), a lithe boy whose eyes convey a spirited defiance, despite his apparent sickliness. He lifts his arm, licks water off it. Keeps his gaze on Bakwan. BAKWAN I de lash you, boy! Dis be my boat, my roaches, my water. He smashes the jug from Kwesi’s grip. BAKWAN You no show me respect, I kill you. I go let the sea do it. Now get out of here. Kwesi bends down to pick up the jug, but Bakwan violently kicks it away from him. BAKWAN I said get out of here. Taking a last look at the roomful of zombies, he leaves. BAKWAN Now you all listen to me, kiddies. You all have debt to pay, you understand? Yo dreams, yo hopes; yo parents’ hopes, yo parents dreams’ - - De gone now. All of aam, as far away as Nigeria. You belong to me now. Until yo debt be paid. Most of the bodies remain motionless; their expressions, empty. Afi, however, is greatly distressed by these words, and shoots Bakwan a look of total revulsion. He picks up on it. BAKWAN (approaching her) You got something a say, roach? Maybe you wanna begin workin’ off some a that debt already, eh? He squishes her cheeks between his fleshy fingers, puts his face right up to hers. 6. BAKWAN I tell you this now, bitch. My world is not a pretty one. And pretty things do not last long in it. Moses, sitting next to Afi, struggles to his feet. MOSES Leave my sister alone. Leave her alone this second, or I’ll make you pay. BAKWAN Ha! Little runt wanna make me pay. Moses stumbles forward, swings at Bakwan with all of his might. Bakwan absorbs the hit, and with his free arm, grabs Moses' throat, tightly, while maintaining focus on Afi. Afi’s look of resignation swiftly turns to one of terror as she listens, helplessly, to her brother’s gargling. She writhes to get out of Bakwan’s grip, but he’s too strong. BAKWAN Tush, tush, my friends. Mek we play a game to get us in a better mood, eh? Why don’t we call it, “Happy Families.” Afi gives up thrashing. A moment of silence, punctuated by sounds of straining from her brother. Staring pure hatred, Afi spits directly into Bakwan’s face. He erupts in anger, pulling Moses towards him and then thrusting him back into a mass of tangled limbs. He snatches a handful of Afi’s hair, and begins dragging her over to the door of the hold. AFI (screaming) Let me go! Let go of me! Help me, someone, please! Moses! BAKWAN I told you, didn’t I, roach? Didn’t I tell you? Moses gets to his feet and heaves himself as quickly as possible towards his sister. 7. BAKWAN Now we de play a different game -- She continues to howl in agony, but Afi is unable to break free. Moses reaches her as she is halfway through the door, wrapping himself around one of her legs. Bakwan lugs them through the threshold, then removes Moses from his sister by squeezing his skull with his bare hands. Once he has let go, Bakwan shoves Moses back into the hold. The door slams shut, and Moses collapses against it, sobbing. INT. DIGBY’S TOY STORE, MANHATTAN - DAY A toy store in the same neighborhood as Bill’s apartment, with few customers for the time of year. Bright neon sale signs draw attention only to the lack of patronage in a typically bustling district. Bill, the store manager, disappears into the stockroom, emerging again with a bullhorn. He vaults on to the store counter and addresses the few children and parents present. BILL Friends, Romans and customers, lend me your ears! I will give them back to you, this I promise. To celebrate the thriving economic upswing that we’re currently experiencing, I’m about to take measures to increase even further this flurry of consumer spending that has caused our wallets and purses to fly open at the scantest whiff of a deal. Starting now, you can take another 20% off our already bargain-cellar prices. HAROLD CAMPBELL (51), the store owner, has been listening to this speech from the corner. He now approaches the counter. HAROLD (under his breath) Bill -- BILL And 50% on all dolls and stuffed animals. He notices Harold and steps down to the floor. 8. BILL Oh, hey, Harold. I’m glad you’re in; I’d been meaning to speak to you. Do you mind if we talk in your office for a minute? HAROLD (stern) That’s fine. BILL Great. HAROLD’S OFFICE HAROLD Are you out of your freakin’ mind? BILL What do you mean? HAROLD What the hell makes you think you have the authority to cut prices in my store? BILL Nothing makes me think I have the authority, Harold; but whatever this is of yours, it sure ain’t a store right now. The only thing we’re selling in this place is warm air to bums. HAROLD Look, Bill; I know you probably came in here to ask me why you haven’t been paid recently. BILL I did. HAROLD Well, so I’m gonna give it to you, no frills. You’ll certainly get what you’re owed, but otherwise... I’m sorry, pal, but I don’t think I can afford to keep you on any longer. Bill takes a moment to absorb this. 9. BILL I’ve run this store for you for the past 5 years. You’re a disgustingly wealthy entrepreneur. What do you mean you can’t afford to keep me on? HAROLD (defensive) What do you know about my financial situation? Alright, fine. Times are tough, but maybe I could still pay you. The thing is, Bill, I just don’t want to. Besides, you pull stunts like -- BILL You know what, Harold? Save it for the next guy. You’re such an ass. Bill strides out of the office, into the main store area. Harold calls out from behind him. HAROLD You said it yourself, Bill: we’re not selling anything! He snatches a stuffed animal and heads towards the exit. BILL (under his breath) Damn right. Ignoring the clerk’s attempt to get his attention, Bill leaves the store. INT. STEAMSHIP, 180 MILES OFF THE COAST - DAY We’re in the bridge of the dilapidated vessel, where several crew members are idling, smoking marijuana, and talking nonsense. Bakwan is currently holding court. BAKWAN ...Den I smack ee on the batty, push ee on the wall, and riiide that poon poon till I thump finish. The crew members all roll around laughing at this. One of them accidentally pushes his blazing joint into Bakwan’s leg.

Description:
over Moses (13), a lithe boy whose eyes convey a spirited defiance, despite .. something. -- CU on the finished product: A black-and-white photo of a.
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.