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Pound’s Cantos Declassified PDF

164 Pages·1984·12.91 MB·English
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Pound's Cantos Dechsijied This page intentionally left blank. POUND'S CANTOS Philip Furia THE PENNSYLVANIA STATE UNIVERSITY PRESS UNIVERSITY PARK AND LONDON Library of Congress Cataloging in Publication Data Furia, Philip, 1943- Pound's Cantos declassified. Includes index. 1. Pound, Ezra, 1885-1972. Cantos. I. Title. PS3531. 82C2853 1984 81 11.52 83-43227 ISBN 0-271-00373-1 Copyright O 1984 The Pennsylvania State Universiq All rights reserved For Karen This page intentionally left blank. Contents Preface I Lines of Transmission 11 Malatesta's Post-Bag I11 The Printing House of Hell IV Civic Accounts V Presidential Correspondence VI Sienese Bank Charters VII Chinese Mirrors VlIl The Adams Papers IX The Pisan Black-out X A Memorial to Archivists and Librarians XI Final Documents: Coke and Rock Notes and References Index This page intentionally left blank. Preface I hope this book will be helpful to readers who already know The Cantos as well as to those approaching Pound's epic for the first time. Unlike most other studies of The Cantos, which treat the poem's beautiful lyrical passages, Pound's Cantos Declassified concentrates on those vast stretches composed, not of Pound's own poetry, nor of poetry at all in the usual sense, but of that most unpoetic of forms, the document. For Pound, such documents contain the "luminous details" of history that "give one a sudden insight" into "the intelligence of a period." Although they are "hard to find," such luminous details are "swift and easy of transmission" and "govern knowledge as the switchboard governs an electric circuit."' I have tried to show how Pound brought out of these documents both their poetic power and their historical significance, but I always remind myself, and encourage the new reader of Pound to recognize, that The Cantos are first and foremost a poem. If I refrain from adding my own observations on the lyrical brilliance of that poem, it is only because it has been so aptly illuminated by other critics. For illuminating and encouraging criticism of my book I wish to thank my friends Michael Hancher and George T. Wright, who took time from their books to give mine such careful readings. I would also like to thank John Espey for catching my errors in the manuscript and for the comforting word that books on Pound are almost doomed to have misprints, as if in tribute to Pound's own texts. Lawrence Mitchell and Kent Bales helped this book along as only the chairmen of one's department can. Parker Johnson introduced me to computers, Ron Akehurst helped me with programming and Provenfal, and Nan Knowlton took over on the computer to prepare the manuscript for the printer. Pauline Yu and Ted Huters lived next door long enough to help me through Pound's Chinese; I hope my many questions over the back fence were not a factor in their decision to buy a new house. Special thanks to Anthony

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By using his Cantos for storing, 'making new,' and transmitting historical documents, Pound was returning the epic to its ancient function as a tribal archive for the 'luminous details' of history that define a culture's past and shape its future. So argues this book, which does not overlook the poe
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