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TheAnarchistLibrary Anti-Copyright Postmodern Anarchism in the Novels of Ursula K. Le Guin Lewis Call LewisCall PostmodernAnarchismintheNovelsofUrsulaK.LeGuin 2007 RetrievedonNovember2,2010fromwww.scribd.com From“SubStance”#113,Vol.36,no.2,2007 theanarchistlibrary.org 2007 May, Todd. The Political Philosophy of Poststructuralist An- archism. University Park, PA: Pennsylvania State University Press,1994. Moylan,Tom.DemandtheImpossible:ScienceFictionandthe Contents UtopianImagination.NewYork:Methuen,1986. Mullen, R. D. and Darko Suvin. Science-Fiction Studies: Se- lectedArticlesonScienceFiction1973–1975.Boston:GreggPress, 1976. TheDebate:CriticalAwarenessofLeGuin’sAnarchism 7 Newman,Saul.FromBakunintoLacan:Anti-Authoritarianism TheNovels:LeGuin’sPostmodernAnarchism . . . 11 and the Dislocation of Power. Lanham, MD: Lexington Books, WorksCited . . . . . . . . . . . . . . . . . . . . . . 28 2001. Nietzsche, Friedrich. On the Genealogy of Morals and Ecce Homo.Ed.WalterKaufmann.NewYork:VintageBooks,1969. —. Thus Spoke Zarathustra. Trans. Walter Kaufmann. New York:PenguinBooks,1988. Rapp,JohnA.“DaoismandAnarchismReconsidered.”Anar- chistStudies6.2(October1998):123–151. Suvin,Darko.MetamorphosesofScienceFiction.NewHaven, CT:YaleUniversityPress,1979. Watts, Alan. Tao: The Watercourse Way. New York: Penguin Books,1986. Widmer, Kingsley. Counterings: Utopian Dialectics in Con- temporary Contexts. Ann Arbor, MI: UMI Research Press, 1988.   30 3 JosephD.OlanderandMartinHarryGreenberg.NewYork:Ta- plinger,1979.116–152. Call,Lewis.PostmodernAnarchism.Lanham,MD:Lexington Books,2002. Davis, Laurence and Peter Stillman, eds. The New Utopian Politics of Ursula K. Le Guin’s The Dispossessed. Lanham, MD: LexingtonBooks,2005. Freud, Sigmund. Civilization and Its Discontents. Standard Edition.Trans.andEd.JamesStrachey.NewYork:W.W.Nor- tonandCompany,1989. Heidegger, Martin. Nietzsche. Ed. David Ferrell Krell. San Francisco:HarperSanFrancisco,1991. Kropotkin, Peter. Ethics: Origin and Development. Montréal: BlackRoseBooks,1992. —.EvolutionandEnvironment.Ed.GeorgeWoodcock.Mon- tréal:BlackRoseBooks,1995. —. Mutual Aid: A Factor of Evolution. Montréal: Black Rose Books,1989. Lamb, Patricia Frazer and Diana L. Veith. “Again, The Left Hand of Darkness: Androgyny or Homophobia?” Erotic Uni- verse: Sexuality and Fantasy Literature. Ed. Donald Palumbo. NewYork:GreenwoodPress,1986. 221–231.LeGuin,UrsulaK.DancingattheEdgeoftheWorld. NewYork:GrovePress,1989. —. Lao Tzu: Tao Te Ching. A Book About the Way and the PoweroftheWay.Boston:Shambhala,1998. —.TheDispossessed.NewYork:HarperPrism,1994. —.TheLanguageoftheNight.Ed.SusanWood.NewYork:G. P.Putnam’sSons,1979. —.TheLatheofHeaven.NewYork:AvonBooks,1973. —.TheLeftHandofDarkness.NewYork:AceBooks,1987. Marcuse, Herbert. Eros and Civilization. Boston: Beacon Press,1974. Marshall, Peter. Demanding the Impossible: A History of An- archism.London:FontanaPress,1993. 29 assertionoftheanarchisticpossibilitiesthatemergewhenwe It is easy enough to locate anarchist themes in the science embracethecontradictoryaspectsofsequentialandsimultane- fiction of Ursula K. Le Guin. Her frequent critiques of state oustime. power, coupled with her rejection of capitalism and her obvi- Ursula Le Guin’s writing shows a remarkable knowledge ous fascination with alternative systems of political economy, of — and a deep respect for — the classical anarchist tradi- are sufficient to place her within the anarchist tradition. She tion.Itishardlysurprising,then,thathercriticsshouldfocus has, from time to time, explicitly embraced that tradition. Le mainlyonthewaysinwhichherworkbuildsuponthattradi- Guin is, among other things, a popularizer of anarchist ideas. tion.Yetcriticismmustdomorethanthis,forLeGuincertainly Thepoliticalphilosophyofanarchismislargelyanintellectual does. Le Guin’s novels of the late 1960s and early 1970s of- artifact of the nineteenth century, articulated in England by feranarchistpossibilitiesthatextendwellbeyondthehorizons William Godwin, in France by Pierre-Joseph Proudhon, and of the modern. In these novels, Le Guin experiments with an- in Russia by Peter Kropotkin and Mikhail Bakunin. Yet this drogyny,subvertsrationalontologies,articulatesanarchistlan- vibrant intellectual tradition remains largely invisible to ordi- guages,andproposesaradicalphilosophyoftime.Thethemes nary people in the early twenty-first century. By describing of postmodern anarchism are clearly present in her work. So anarchist ideas in a way that is simultaneously faithful to the far these themes have remained largely hidden, but it is time anarchist tradition and accessible to contemporary audiences, tobringthemtothesurface.Modernanarchistsneednotfear Le Guin performs a very valuable service. She rescues anar- thiscriticalproject,forthepostmodernelementsofLeGuin’s chismfromtheculturalghettotowhichithasbeenconsigned. anarchism do not oppose that philosophy’s modern elements. She introduces the anarchist vision to an audience of science Rather,themodernandpostmodernaspectsofLeGuin’sanar- fictionreaderswhomightneverpickupavolumeofKropotkin. chismarepartofapermanent,ongoing,open-endeddialogue Shemovesanarchism(eversoslightly)intothemainstreamof about the possibilities of anarchist thinking in the contempo- intellectualdiscourse. raryera.Suchadialoguecanonlyenrichanarchisttheory. YetLeGuin,likemanywhoseanarchistviewsdevelopedin the late 1960s and early 1970s, also seems to recognize that California Polytechnic State University, San Luis thisisnotenough.LikeclassicalMarxism,modernanarchism Obispo developed within the specific political, economic and intellec- tualenvironmentofthenineteenthcentury.Inthatcontext,it Works Cited madeperfectsenseforanarchiststofocustheircriticalpowers upon the twin sources of oppressive power in the age of the Barr, Marleen S. Lost in Space: Probing Feminist Science Fic- IndustrialRevolution:capitalandthestate.Bythelatetwenti- tionandBeyond.ChapelHill:TheUniversityofNorthCarolina eth century, however, this traditional anarchism had become Press,1993. dangerouslyoutdated.Duringthe1960sinparticular,political Bittner,James.ApproachestotheFictionofUrsulaK.LeGuin. activiststhroughoutthewesternworldaddedcritiquesofeth- AnnArbor,MI:UMIResearchPress,1984. nicpowerandgenderpowertothelistofanarchistconcerns.In Brennan, John P. and Michael C. Downs. “Anarchism and theintellectualworld,MichelFoucaultidentifiedandcriticized Utopian Tradition in The Dispossessed.” Ursula K. Le Guin. Ed. thedisciplinarypowerthatemergesinschools,hospitals,mili- 28 5 tarybarracks,psychiatricclinicsandfamilies,whileJeanBau- those‘binaryoppositions,’suchasthatbetweenthenotionof drillard articulated a radical symbolic critique of the semiotic ‘Being’andthenotionof‘Becoming,’whichhavebeencentral system that dominates the contemporary world. Meanwhile, totheWesternphilosophicaltraditionfromthetimeofthean- Guy Debord and others argued that citizens of the late twen- cient Greeks, and which are rejected by Nietzsche, postmod- tieth century lived in a world dominated by the spectacular ernism,andthe‘academicleft’”(201).Burnsattemptstorelate massmedia,aworldinwhichconsumerismhasfounditsway Shevek’stheorytotheHegelianphilosophicalmethod,toshow into every aspect of people’s lives, a world in which the tra- thatTheDispossessedisa“modern”ratherthana“postmodern” ditional forms of political action (and perhaps even the politi- work, and that Shevek’s views on science “fall firmly within calsubjectswhomightperformsuchaction)havebecomedan- theclassicalanarchisttradition” (203).Thereareserious prob- gerously fragmented. In such a world, the anarchist critique lemswiththisapproach.Firstandforemost,thereisnodialec- cannotaffordtoremaintrappedwithinthemodern,industrial tical reconciliation of Sequency and Simultaneity in The Dis- modeofthinking.Anarchismmustbecomemoreflexible,more possessed. Shevek develops the ability to think both thoughts fluid, more adaptable. In a word, it must become postmodern. together,butnotinasyntheticway.Thetwothoughtsremain Along with Todd May and Saul Newman, I have tried to de- separateanddistinct.Ratherthanasyntheticreconciliationof scribe the approximate contours of such a postmodern anar- thesis and antithesis, Shevek’s theory represents the perpet- chism (see May, Political Philosophy of Poststructuralist Anar- ualembraceoftwotheoriesthatareandremaincontradictory. chism;Newman,FromBakunintoLacan;andCall,Postmodern Shevek’s experience of time is thus an experience of perma- Anarchism). nent cognitive dissonance. He is prepared to experience time An analysis of Le Guin’s science fiction will be helpful to asbothlinearandcyclicalateverymomentofhislife,andhe thisproject.Yes,LeGuindreamsofutopianworldsandmoons, must never allow this experience to solidify into a stagnant freeoftheinequalitiesofcapitalismandtheinjusticesofstate synthesis. power (just as Kropotkin did before her). More importantly, Shevek’s views on time must remain tentative, provisional, however, Le Guin develops new forms of anarchist thinking, unresolved—inshort,postmodern.Hemustabandonthefalse formsthatareurgentlyneededintheUnitedStatesandother certainties of reason. His rewards for doing so are substan- post-industrial societies. The crucial foundation for this new tial. The major practical benefit of Shevek’s theory is that it postmodernanarchismistobefoundinthreeremarkablenov- will permit the creation of the ansible, a device that will al- elsthatLeGuinwroteinafive-yearperiodbetween1969and low instantaneous interstellar communication. Thus Shevek’s 1974. This period — which marks the culmination of both the theory creates the opportunity for an infinite proliferation of radical social movements of the 1960s and the poststructural- discourse without resolution: a truly postmodern possibility. ist and postmodernist movements in the intellectual world — Indeed, this is more than a mere possibility. For the universe represents a vitally important historical moment in the anar- thatShevekmadeistheuniverseofGenlyAi’sEkumen:acom- chist tradition. This is the moment when anarchism took its munityofworldslinkedtogetherinradicallyegalitarian,non- “postmodern turn.” And Le Guin was instrumental in bring- hierarchicalfashionbytheansible.ThustheconclusionofThe ing about this remarkable transformation in anarchist think- Dispossessed pointsbacktoTheLeftHandofDarkness.Thisisa ing. In The Left Hand of Darkness (1969), Le Guin subverted beautiful statement of time’s circle, and a powerful structural 6 27 To a remarkable extent, Le Guin’s Shevek completes the the traditional binary concept of gender identity, to promote projectoutlinedinZarathustra.Shevekembracestheprinciple an anarchy of gender. In The Lathe of Heaven (1971), she told of eternal return embodied in the theory of Simultaneity. the story of a psychiatric patient whose dreams literally re- Remarkably, he is also able to continue thinking of time in designedtheworld,thuscreatingthepossibilityofanontolog- linearorSequentialtermsaswell.Hecandothisonlybecause, icalanarchy.Andinher1974masterpieceTheDispossessed,Le asHeideggerhasargued,“theovermanistheexpresslywilled Guinmadetwomajorcontributionstothephilosophyofpost- negation of the previous essence of man. Within metaphysics modern anarchism. She created a fictional anarchist language man is experienced as the rational animal” (III 217). Shevek calledPravic,whichunderscorestheimportanceoflinguistics is a scientist, but he is not a rationalist. A purely rational foranycontemporaryanarchistproject.Andshedevelopedan sciencecouldnotproducehistemporaltheory.Toachievethis equally radical concept of time, creating the possibility of a theory, Shevek must give up a great deal. He must abandon chronosophic anarchy. The existence of an explicitly anarchist a restrictive rationalism, and with it the humanism that societyonthemoonofAnarreshasledmanycriticsofTheDis- dominatedtheintellectualhistoryoftheWestuntilNietzsche possessed to focus only on the traditional anarchist themes of (Heidegger’s “previous essence of man”). In short, to achieve thisnovel.Yetthetrulyradicallegacyofthisnovel(andofLe his goals in physics, Shevek must take a postmodern turn. Guin’sothermajorworksfromthelate1960sandearly1970s) ThusAndrewReynoldsisrighttoargue(albeitinasomewhat is that these works transgress the boundaries of conventional differentcontext)that“TheDispossessed isequallytheproduct anarchist thinking to create new forms of anarchism that are of anarchism and Nietzschean postmodernism” (Davis and entirely relevant to life in the postmodern condition. Le Guin Stillman 88). As an Odonian, Shevek has already internalized updatestheconventionalanarchistprojectandpositionsanar- the basic principles of modern anarchism. When he moves chismtomoveintothethirdmillennium. beyond rationalism and humanism to grasp a radically new concept of time, he takes his anarchism a step further. Ellen The Debate: Critical Awareness of Le Rigsby is quite correct to note that by embracing the cyclical Guin’s Anarchism concept of time, Shevek challenges the entire mainstream intellectualtraditionofEurope;thus“Shevek’sthoughtsmove Le Guin’s masterpiece The Dispossessed drew a tremendous into an explicitly anarchist form” (Davis and Stillman 173). amount of critical attention after it appeared in 1974, but the Moreprecisely,byacceptingSimultaneityaswellasSequency, critical reception of Le Guin’s work remained remarkably or- Shevekbecomesapostmodernanarchist. thodox during the late 1970s and 1980s. Critics of this period I must therefore challenge the extensive body of literature didacknowledgethatLeGuin’sworkwasstronglyinfluenced that characterizes Shevek’s reconciliation of Sequency and Si- byanarchism,buttheypersistedinreadingthatanarchismin multaneity as an example of Le Guin’s “dialectical thinking” purelymodernterms.ThusDavidL.Porterarguedthatbythe (see, for example, Bittner 121). Most recently, Tony Burns has mid-1970sLeGuinhad“movedtoamuchrichersocialcritique arguedthatShevek“likehiscreatorisathoroughgoing‘dialec- and explicit anarchist commitment” (Mullen and Suvin 273), tical’thinker”(DavisandStillman199)whoseattitudetowards while John P. Brennan and Michael C. Downs read The Dis- time “demonstrates a tendency for him to think in terms of 26 7 possessed “as a penetrating critique of all utopian experience, does involve ethics. Because our sense of time involves our eventhatofanarchism”(117).Atthistimecriticismgenerally abilitytoseparatecauseandeffect,meansandend”(225).Thus, failed to recognize the postmodern aspects of Le Guin’s writ- Shevek’s attempt to articulate a General Temporal Theory is ing. A notable exception was Fredric Jameson, apostle of the also, fundamentally, an attempt to create a viable and vibrant postmodern. In 1975, Jameson noted in passing that the Gen- ethicaltheory. eral Theory of Time described in The Dispossessed employs a Shevek’s objective is to bring together two apparently con- “vocabulary of a subversive reason, which has therefore had tradictoryfieldsofphysics,knownasSequencyandSimultane- first to pass through the false, nonreasonable and by them- ity.Sequencydealswiththelinearconceptoftime,whichhas selves non-cognitive expressions of parareason” (Mullen and dominated the perception of history in the West. Simultane- Suvin266).Jamesonwasoneofthefirsttorecognizethetruly ityacknowledgesandendorsesthenonlinear,includinginpar- transgressive nature of Le Guin’s fiction, namely its ability to ticular those philosophies that see time as cyclical or recur- call into question the forms of scientific, technical and instru- sive.Shevekdescribesthetwoconceptsoftime:“Sothentime mental reason that have come to dominate the modern West. has two aspects. There is the arrow, the running river, with- ButcriticismwasslowtoadoptJameson’sposition.Aslateas outwhichthereisnochange,noprogress,ordirection,orcre- 1986, Tom Moylan was arguing that the utopia of The Dispos- ation.Andthereisthecircleorthecycle,withoutwhichthere sessed waslockedintoaseriesofbinaryoppositions,andthat is chaos, meaningless succession of instants, a world without the text thus “expresses the continued closure of the current clocks or seasons or promises” (223). Shevek’s invocation of social formation” (114). Remarkably, Moylan found Le Guin’s promises is interesting, for it recalls Nietzsche’s definition of worktobeinsufficientlypostmodern. thehumanbeingasananimalwiththerighttomakepromises It was only in the 1990s that some feminist critics began (Genealogy of Morals, second essay, section 2). Shevek even to embrace the postmodern reading of Le Guin. In 1993, Mar- makes the Nietzschean element of his thinking explicit: “And leen Barr argued that “reading Le Guin… sometimes involves so,whenthemysticmakesthereconnectionofhisreasonand encountering an alliance between humanism and antihuman- hisunconscious,heseesallbecomingasonebeing,andunder- ism,”whichresemblesChristopherButler’sversionoftheLaca- stands the eternal return” (Le Guin, The Dispossessed 222). In nianposition(155).HereBarrhasidentifiedtheanarchyofthe thisremarkablepassage,Shevekacknowledgesthattheproject subject thatissuchacrucialpartofthepostmodernanarchist heispursuinginthephysicalsciencesisparalleltotheproject project. Subjectivity, for the postmodern anarchist, cannot be Nietzscheundertookinphilosophy.InThusSpokeZarathustra, understoodsolelyinthecoherent,rationaltermsoftheEnlight- Nietzschefamouslydescribedhisworld-shakingvisionofeter- enment. Instead, subjectivity must be viewed as perpetually nalreturn:“everythinggoes,everythingcomesback;eternally provisional, deeply contextual, and powerfully psychological. rollsthewheelofbeing.Everythingdies,everythingblossoms This is certainly the type of subjectivity found in Le Guin’s again; eternally runs the year of being” (217). In Zarathustra, work,particularlyTheLatheofHeaven.Thistypeofsubjectivity Nietzsche dreamed of a being who could not only accept the recognizes that the subject of Enlightenment discourse is im- terrifyingthoughtofeternalrecurrencebutcouldactivelyem- plicitly statist, and acknowledges that a meaningful anarchist braceit,cherishit,celebrateit.HecalledthisbeingOverman. 8 25 and“Farigvdidn’tprovideanyswearwordswhenheinvented politics will require a radical reconceptualization of that sub- the language, or if he did his computers didn’t understand ject. the necessity” (234). Here one is reminded of Dr. Haber, who The recently published collection of essays on The New proceededfromthebesthumanistintentions,butwasdoomed UtopianPoliticsofUrsulaK.LeGuin’sTheDispossessedfeatures to failure by his rejection of the irrational. Language cannot three essays that deal specifically with Le Guin’s anarchist be purely rational, for the humans who speak it certainly politics. Dan Sabia correctly notes that the inspiration for are not. Language must be able to express not only logical Le Guin’s Anarres is the “anarchist communism” of Peter concepts but also emotions, even those that might be seen Kropotkin(DavisandStillman112–113),withitsemphasison as undesirable from the perspective of social engineering. mutual aid (114) and decentralization (120). However, Sabia When Shevek needs to swear, he must switch to Iotic: “‘Hell!’ alsoarguesthat“notevenanarchistcommunismcanreconcile he said aloud. Pravic was not a good swearing language. It completely the ideals of individualism and community” (125). is hard to swear when sex is not dirty and blasphemy does For Sabia, then, Le Guin remains trapped within the basic not exist” (258). Ironically, the success of Odonianism sets dilemma that has haunted political theory at least since the stage for its failures. Pravic is a fair language and a just Rousseau: the problem of reconciling the specific needs of one. It encourages egalitarian thinking and actively works the individual with the broader social needs of the commu- against the establishment of hierarchy. Yet it remains dry nity. This is, however, a specifically modern political problem, andsterile.Thisbringsusbacktothemessageofpostmodern whichcanberesolvedthroughtheattainmentofapostmodern anarchism:theworldcannotbesavedthroughthearticulation perspective. In the same volume, Mark Tunick interprets Le ofarationalrevolutionaryphilosophy,evenifthatphilosophy Guin’sprojectasHegelian(129).Tunickthusjoinsalongline doescontainadmirableelements. of critics who have identified the form of Le Guin’s thinking Fortunately,TheDispossessed doescontainoneelementthat as dialectical (see, for example, Donald F. Theall’s argument is truly revolutionary in the postmodern sense, and that is in Mullen and Suvin 286–294; see also Widmer 44ff). I find Shevek’s General Temporal Theory. Shevek is a theoretical the dialectical interpretation of Le Guin difficult to sustain, physicist; his term for his field of study is chronosophy. This and the specifically Hegelian form of that interpretation even gives us an important clue as to the nature and significance moreso.CertainlyanyattempttodescribeLeGuin’sthinking of his theories. What Shevek is working on is a philosophy of as Hegelian must address the disturbingly statist nature of time. Le Guin’s text makes it quite clear that this philosophy Hegel’s political philosophy; more urgently, the attempt to has radical political implications. The Urrasti physicist Oiie describe Le Guin as a dialectical thinker must find a way observes that “The politician and the physicist both deal with to account for the sustained assault on binary thinking that thingsastheyare,withrealforces,thebasiclawsoftheworld” is such a fundamental feature of her work. Finally, Winter (203). Naturally, Shevek rejects Oiie’s statist formulation. Elliot approaches The Dispossessed from the perspective of And yet Shevek does accept Oiie’s basic insight: that there individualist anarchism. For Elliot, an authentic anarchism is a politics of physics, and a physics of politics. Of course, mustalwaysbeaninteriorpersonalanarchism(suchasthatof for an anarchist like Shevek, politics and ethics are virtually Shevek, the novel’s protagonist). By advocating individualist coterminous. Thus Shevek acknowledges that “chronosophy anarchism in this way, Elliot is certainly going against what 24 9 we might describe (with appropriate irony) as the “main- sis;idiomavoidedthem.Littlechildrenmightsay‘mymother,’ stream”anarchisttradition—i.e.thetraditionthatemphasizes butverysoontheylearnedtosay‘themother’”(58).Similarly, theimportanceofcommunityandcollectivesocialaction.Yet Pravic has no way to speak about property. When Anarresti by emphasizing the autonomy of the unique individual, Elliot wish to speak of the “propertied class,” the must use the Iotic shows that she has this much in common with mainstream language of Urras to do so, for Pravic has no equivalent term anarchism:sheremainstrappedwithinthemodern. (42). This means that ideas regarding the accumulation of pri- This,then,isthecurrentstateofscholarshiponthesubjectof vate wealth or class divisions based upon such accumulation LeGuin’spoliticalphilosophy.Withafewnotableexceptions, are quite literally unthinkable in Pravic. The implications are critics tend to read Le Guin’s narratives in dialectical and/or profound.TheAnarresticannotbecapitalist,becausetheylack utopian terms. They understand her anarchism primarily as a thevocabularyofcapitalism. conventionalchallengetostatepowerandcapitalism.Inshort, Pravic problematizes the easy distinctions that English thesereadingsofLeGuinremainrelentlesslymodern.Itispar- speakers make between “work” and “play” — and rightly ticularly striking that these modernist readings of Le Guin’s so, from an anarchist viewpoint. The idea that “work” is anarchism remain so prevalent today, some 35 years after Le something exploitative and alienating, done from strict ne- Guininitiatedamajorpostmodernmoveinhersciencefiction. cessity and redeemed only by leisure time, is fundamental Clearly, the modern does not give up without a fight. Yet it to the capitalist mode of social organization. Pravic, on the is imperative for today’s critics to move beyond their fascina- other hand, uses the same word for “work” and “play” (92). tion with modernism, particularly if they wish to understand A separate word, the eminently descriptive kleggich, is used the depth and significance of Le Guin’s anarchism. That anar- to describe drudgery (Ibid.). Again, one is reminded of Eros chism cannot simply be understood as an updated version of and Civilization (see Marcuse 214ff). Andrew Reynolds is Kropotkin’sutopiandreams.Rather,LeGuin’spostmodernan- thus quite right to suggest that the Odonians have tried “to archismisasustainedchallengetoconventionalmodesofrad- rehabilitate work in Marcusian fashion” (Davis and Stillman ical thinking. This is an anarchism that rejects teleologies, ex- 87).Theargumentisclear:onAnarres,meaningful,authentic, plodestraditionalconceptsofsubjectivityingeneral(andcon- creative work is indistinguishable from play. Such work may cepts of gender identity in particular), proposes radical new bedoneforitsownsake,andneednot(mustnot!)beinscribed cosmologies, and embraces the anarchistic possibilities inher- withinthealienatingframeworkofamarketeconomy. ent in the creation of new languages. It is, in short, an anar- Pravic clearly has much to recommend it. The Terran chism for the twenty-first century, and it is time for criticism ambassador Keng speaks admiringly of the tongue: “I don’t torecognizethis. knowyourlanguage.Iamtoldthatit’samostinterestingone, the only rationally invented language that has become the tongue of a great people” (339). Yet here is Pravic’s fatal flaw. Though it is light years beyond American English in terms of its social consciousness, its ethics, its sense of equality and justice, Pravic is still limited by the horizons of human rationality. Pravic was invented by an Odonian called Farigv, 10 23

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The Left Hand of Darkness. New York: Ace Books, 1987. Marcuse, Herbert. Eros and Civilization. Boston: Beacon. Press, 1974. Marshall, Peter. Demanding the
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