Popular Music and Society Contents, Volume 31, 2008 (for full Editorial Board details, please visit http://www.niu.edu/popms) VOLUME 31 NUMBER 1 FEBRUARY 2008 Contents Articles In Perfect Harmony: Popular Music and Cola Advertising Bethany Klein “My Dirty Stream”: Pete Seeger, American Folk Music, and Environmental Protest David Ingram Jazz and Male Blackness: The Politics of Sociability in South Central Los Angeles loao H. Costa Vargas Alco-pop? The Use of Popular Music in Glasgow Pubs AV alsacdda tl rorse) n anede ey leartein ey geC iooPenene an Che Apolitical Irony of Generation Mash-Up: A Cultural Case Study in Popular Music ‘ Viicnael oer Ecstatic Sounds: The Influence of Pentecostalism on Rock and Roll rai? Mosher Audio Review Essay Miso Soup for the Ears: Contemporary Japanese Popular Music and its Relation to the Genres Familiar to the Anglophonic Audience Yasser Mattar Audio Reviews Never Slow Down, Never Grow Old by Peter Gammons George Plasketes Irish Catholic Boy by Seanchai & the Unity Squad Thomas M. Kitts Book Reviews Maya Achi Marimba Music in Guatemala by Sergio Navarrete Pellicer Jane L. Florine The Music Effect: Music Physiology and Clinical Applications by Daniel J. Schneck and Dorita S. Berger Kimberly M. Golden The Producer: John Hammond and the Soul of American Music by Dunstan Prial James W. Martens Beyond and Before: The Formative Years of Yes by Peter Banks and Billy James Robert G. Weiner European Film Music ed. Miguel Mera and David Burnand Jennifer Fleeger The Day John Met Paul: An Hour-by-Hour Account of How the Beatles Began by Jim O’Donnell Kenneth Womack The Resisting Muse: Popular Music and Social Protest ed. lan Peddie Martin Cloonan Notes on Contributors VOLUME 31 NUMBER 2 MAY 2008 Special Issue: New Orleans Music: Legacy and Survival Guest Editor: B. Lee Cooper Contents Introduction B. Lee Cooper Articles “Do You Know What It Means To Miss New Orleans?” Discovery, Dominance, and Decline of Crescent City Popular Music Influence, 1946-2006 B. Lee ¢ ooper Hearing the Boswell Sisters James A. Von Schilling Two Sides of Frenchmen Street and New Orleans Hy id Music: The Panorama Jazz Band and the Zydepunks Robin Roberts Seeds Scattered by Katrina: The Dynamic of Disaster and Inspiration Don McLeese Architects of the New Orleans Sound, 1946-2006: A Bio-Bibliography B. Lee Cooper Right Place, Wrong Time: Discography of a Disaster B. Lee ( ‘ooper Forum If You Ain’t Been to Heaven Gary Burns Audio Reviews One More Record Please by Various Artists B. Lee Cooper Heart of Mine: Love Songs of Bob Dylan by Maria Muldaur; Leavin’ by Natalie Cole; Build a Bridge by Audra McDonald Vincent Stephens Back to Black by Amy Winehouse David Hayes Book Reviews Music Downtown: Writings from the Village Voice by Kyle Gann Gregory A. Wilson The Incredible Band of John Philip Sousa by Paul Edmund Bierley Robert Rawlins Music & Youth Culture by Dan Laughey Lorrie Carano The New Blue Music: Changes in Rhythm & Blues, 1950-1999 by Richard J. Ripani Paul R. Kohl Tunes for Toons: Music and the Hollywood Cartoon by Daniel Goldmark Timothy E. Scheurer Healing Songs by Ted Gioia George Yancy The American Musical and the Formation of National Identity and The American Musical and the Performance of Personal Identity by Raymond Knapp Edward Green The Words and Music of Bob Marley by David Moskowitz Thomas M. Kitts Notes on Contributors VOLUME 31 NUMBER 3 JULY 2008 Contents Articles Witchcraft Themes in Popular Ghanaian Music Mensah Adinkrah Open Secrets: Individualism and Middle-Class Identity in the Songs of Rush Chris McDonald Woody Guthrie and the Columbia River: Propaganda, Art, and Irony Varoke ayP edaeel eet Oye American Country Music in Japan: Lost Piece in the Popular Music History Puzzle As P Boeeew Vitcndel | The Popular Geopolitical Wor(I)ds of Post-9/11 Country Music 4 J > ] indrew Boulton Forum Pimp My Records: the Deluxe Dilemma and Edition Condition: Bonus, Betrayal, or Download Backlash? — p, C 1H4E SATkC EtIoC S Audio Reviews Playing the Fool: 35th Anniversary Edition by Gentle Giant Dean A. Hoffman We All Love Ella: Celebrating the First Lady of Song by Various Artists Love, Ella: The Original Versions by Ella Fitzgerald B. Lee Co per Blue Suede Shoes: A Rockabilly Session by Carl Perkins and friends B. Lee ¢ ooper Dragonfly by Strawbs Dean A. Hoffman Book Reviews The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 by John Bush Jones Ron Briley Elvis Presley: A Biography by Kathleen Tracy Riley Maynard Sweat: The Story of the Fleshtones, America’s Garage Band by Joe Bonomo Thomas M. Kitts The First Generation of Country Music Stars: Biographies of 50 Artists Born before 1940 by David Dicaire B. Lee Cooper Queering the Pitch: The New Gay and Lesbian Musicology, 2nd edn. ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas Vickie Willis Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California by Peter La Chapelle Mario Castagnaro Notes on Contributors VOLUME 31 NUMBER 4 OCTOBER 2008 Special Issue: Popular Music as Cultural Heritage Contents Articles The Sound of the Plain White Folk? Creating Country Music’s “Social Origins” leffrey T. Manuel [rying to Find an Identity: Eric Clapton’s Changing Conception of “Blackness” lrich Adelt Aboriginal Contemporary Music as Australian Cultural Heritage: The Black Image Band’s CD, Beautiful Land and Sea Karl Neuenfeldt Che Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia Ruth Adams Rethinking the Digital Remix: Mash-ups and the Metaphysics of Sound Recording ] earvied , j. Gul29i0K e Hearing through Our Eyes: Musical Archives and Authentic Performance irco Kat Audio Reviews Raising Sand by Robert Plant and Alison Krauss Live from the Ruhr Triennale by Chip Taylor and Carrie Rodriguez WeorgeFHI Y. Goin’ Home: A Tribute to Fats Domino by Various Artists oopeN er Book Reviews A National Acoustics: Music and Mass Publicity in Weimar and Nazi Germany by Brian Currid Ulrich Adelt Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach about Life and Love by Barry A. Farber Kimberly M. Golden Madonna: A Biography by Mary Cross Matt Thomas The Words and Music of David Bowie by James E. Perone Greg Herriges Real Country: Music and Language in Working-Class Culture by Aaron A. Fox Stephanie P. Ledgin Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific by Heidi Carolyn Feldman Robert McParland Making Music and Enriching Lives: A Guide for All Music Teachers by Bonnie Blanchard with Cynthia Blanchard Acree Jennifer Fleeger Let’s Spend the Night Together: Backstage Secrets of Rock Muses and Supergroupies by Pamela Des Barres Rebekah Burchfield Notes on Contributors VOLUME 31 NUMBER 5 DECEMBER 2008 Contents Articles Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music RDoabheo rto Av7 ant-M\i er > Reggae Rhythms in Dignity’s Diaspora: Globalization, Indigenous Identity, and the Circulation of Cultural Struggle Luis Alvare Z lrope and Irony in The Simpsons’ Overture a4 , Martin Kutnowski Remembrance and Resurrection: Ry Cooder’s Chavez Ravine Will Kaufman The Feminization of Mass Culture and the Novelty of All-Girl Bands: The Case of the Ingenues Kristin McGee Discography Honky Tonks, Jukeboxes, and Wild, Wild Women: Audio Images of Blue-Collar Night Life—A Selected Discography Lee Coope(r In Memoriam Ursula Denisoff, 1944-2005 Announcement Audio Reviews Revival by John Fogerty 1eCOTVe H. Lewis 689 We Are the Pipettes by The Pipettes Randal Doane Book Reviews The Lost Women of Rock Music by Helen Reddington Lawrence Pitilli Echo and Reverb: Fabricating Space in Popular Music Recording 1900- 1960 by Peter Doyle David Montgomery Head Hunters: The Making of Jazz’s First Platinum Album by Steven F. Pond Eric James Abbey A Song for Europe: Popular Music and Politics in the Eurovision Song Contest ed. Ivan Raykoff and Robert Deam Tobin Martin Butler Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin by Theodore Gracyk Steve Hamelman Prophet Singer: The Voice and Vision of Woody Guthrie by Mark Allan Jackson Thomas M. Kitts Public Cowboy No. 1: The Life and Times of Gene Autry by Holly George-Warren Tracey E. W. Laird Masters of the Sabar: Wolof Griot Percussionists of Senegal by Patricia Tang Ronald Bishop Notes on Contributors Volume Index