Table Of Content

Popular Music and Society Contents, Volume 30, 2007 (for full Editorial Board details, please visit http://www.niu.edu/popms) VOLUME 30 NUMBER 1 FEBRUARY 2007 Contents Articles “Everyone’s Given Up and Just Wants to Go Dancing”: From Punk to Rave in the Thatcher Era Neil Nehring Pow! to the People: The Make-Up’s Reorganization of Punk Rhetoric Theodore Matula The Eyes of the World Are Watching Now: The Political Effectiveness of “Biko” by Peter Gabriel Michael Drewett The Intangibility of Music in the Internet Age Maria Styven Live Hip Hop, Collective Agency, and “Acting in Concert” Michael Dowdy Discography Good Timin’: Searching for Meaning in Clock Songs B. Lee Cooper Audio Reviews This Oid Road by Kris Kristofferson George H. Lewis For All Time by Dave Brubeck Frank A. Salamone Live in Zurich 1960 by The Miles Davis Quintet Frank A. Salamone Book Reviews Ragging It: Getting Ragtime into History (And Some History into Ragtime) by H. Loring White Robert Rawlins A Rock Reader ed. and comp. Richard King Mike Boyd Virtual Music: How the Web Got Wired for Sound by William Duckworth Brett Lunceford Lost Delta Found: Rediscovering the Fisk University-Library of Congress Coahoma County Study, 1941-1942 by John W. Work, Lewis Wade Jones, and Samuel C. Adams, Jr., eds Robert Gordon and Bruce Nemerov Ulrich Adelt Popular Music Genres by Stuart Borthwick and Ron Moy Vince Prygoski Steal This Music: How Intellectual Property Law Affects Musical Creativity by Joanna Demers Steve Hamelman Noisy Island: A Short History of Irish Popular Music by Gerry Smyth Beautiful Day: Forty Years of Irish Rock by Sean Campbell and Gerry Smyth Martin Cloonan Notes on Contributors VOLUME 30 NUMBER 2-~ MAY 2007 Special Issue: Record Charts Guest Editor: Jim Sernoe Contents Introduction Jim Sernoe Articles From Independent to Corporate: A Political Economic Analysis of Rap Billboard Toppers Letrez Myer and Christine Kleck Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005 Grant C. Black, Mark A. Fox, and Paul Kochanowski Multi-Stage Markets in the Recording Industry Mark A. Fox and Paul Kochanowski “Empire”: Chart Performance of Hard Rock and Heavy Metal Groups, 1990—1992 Thomas Harrison Before the Beatles: International Influences on American Popular Recordings, 1940-63 William L. Schurk, B. Lee Cooper, and Julie A. Cooper In Memoriam: Terry Melcher (1942—2004)—Lost in the Mid-1960s Sun? George Plasketes In Memoriam: Caleb Dube and Floyd Levin Audio Reviews The Complete Jazz at Massey Hall by The Quintet Frank A. Salamone The Ditty Bops by The Ditty Bops George Plasketes Book Reviews Rip It Up and Start Again: Postpunk 1978-1984 by Simon Reynolds S. Alexander Reed Killing Yourself to Live: 85% of a True Story by Chuck Klosterman Mark Fox Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall by David V. Moskowitz David Butz Unity and Discord: Music and Politics in Contemporary Tibet Peter Dunbar-Hall Cybersounds: Essays on Virtual Music Culture ed. Michael Ayers Michael Boyd Phonographies: Grooves in Sonic Afro-Modernity by Alexander Weheliye Matthew Somoroff Blue Monday: Fats Domino and the Lost Dawn of Rock ‘n’ Roll by Rick Coleman B. Lee Cooper Music Scenes: Local, Translocal, and Virtual eds. Andy Bennett and Richard A. Peterson Thomas M. Kitts The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop by Kyra D. Gaunt Matthew Somoroff Erratum Notes on Contributors VOLUME 30 NUMBER 3 _ JULY 2007 Contents Articles Tom Ze’s Fabrication Defect and the “Esthetics of Plagiarism”: A Postmodern/Postcolonial “Cannibalist Manifesto” J. Griffith Rollefson “Secrets” and “Closed Off Areas”: The Concept of Tarab or “Enchantment” in Arab Popular Culture Anastasia Valassopoulos US and Them: American Rock’s Reconquista Tim Holmes Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy Charles Fairchild The Triffids: The Sense of a Place Jon Stratton Bibliography/Discography American Disc Jockeys, 1945-1975: A Bibliographic and Discographic Survey B. Lee Cooper Announcement Audio Reviews Songs for Parents Who Enjoy Drugs by Hamell on Trial Randal Doane Incubation by Tony Purrone Trio Frank A. Salamone Live from Austin TX by Delbert McClinton B. Lee Cooper Back at the Whisky by Johnny Rivers Reinvention Highway by Johnny Rivers B. Lee Cooper Book Reviews Digital Music Wars: Ownership and Control of the Celestial Jukebox by Patrick Burkart and Tom McCourt Mary Kay Duggan Changing Tunes: The Use of Pre-existing Music in Film, eds Phil Powrie and Robyn Stilwell Frank Brady Staring at Sound: The True Story of Oklahoma’s Fabulous Flaming Lips by Jim DeRogatis Zachary Browne Group Harmony: The Black Urban Roots of Rhythm and Blues by Stuart L. Goosman B. Lee Cooper Chicago Blues: Portraits and Stories by David Whiteis Caleb Dube Performance and Popular Music: History, Place and Time, ed. lan Inglis Thomas M. Kitts Notes on Contributors VOLUME 30 NUMBER 4 OCTOBER 2007 Special Issue: Hate Rock Guest Editors: Art Jipson Contents Introduction to the Special Issue: Influence of Hate Rock Art Jipson Articles National Socialism with Fler? German Hip Hop from the Right Michael T. Putnam and John T. Littlejohn Kreuzberg Activists: Musical Performance as Social Vehicle Fabian Holt Johnny Rebel and the Cajun Roots of Right-Wing Rock Michael Wade The Hardest Hate: A Sociological Analysis of Country Hate Music Beth A. Messner, Art Jipson, Paul J. Becker and Bryan Byers General Article “Apa Salah Baliku?’ (“What Did My Bali Do Wrong?”): Popular _ Music and the 2002 Bali Bombings Peter Dunbar-Hall Obituaries A Man of Wealth and Taste: Ahmet Ertegun Tom McCourt James Joseph Brown (1933-2006) Nabeel Zuberi Announcement Audio Reviews The Hard Stuff by George Thorogood and the Destroyers B. Lee Cooper The Lady and Mr. Johnson by Rory Block B. Lee Cooper Back to Basics by Christina Aguilera Vincent Stephens Love Has Got Me, Gypsy Symphony, Wendy Waldman, The Main Refrain, and Strange Company by Wendy Waldman Vincent Stephens Blues with a Vengeance by John Lee Hooker, Jr. Blues Band Cold as Ice by John Lee Hooker, Jr. B. Lee Cooper Last Man Standing by Jerry Lee Lewis and Others Overnight Sensational by Sam Moore and Others B. Lee Cooper Book Reviews The Bill Monroe Reader ed. Tom Ewing Thomas M. Kitts Skylark: The Life and Times of Johnny Mercer by Philip Furia Portrait of Johnny: the Life and Times of John Herndon Mercer by Gene Lees Barbara Phillips-Farley Too Much Too Young: Popular Music, Age and Gender by Sheila Whiteley Carey Fleiner Notes on Contributors VOLUME 30 NUMBER 5 DECEMBER 2007 Contents Articles Young People and Community Radio in the Northern Region of Adelaide, South Australia Sarah Baker “Sex and Drugs and Rock‘n’Roll”: Urban Legends and Popular Music Ian Inglis Remodeling Britney Spears: Matters of Intoxication and Mediation Stan Hawkins and John Richardson Forum Whirled Music While U Wait Marco Katz The Making of Four Decades of Folk Rock: Anatomy of a Box Set Ted Myers Discography From the Bunny Hop to the Funky Chicken: An American Dance Song Discography, 1945-1975 B. Lee Cooper Obituary Arthur Lee, 1945-2006 Gary Burns Audio Reviews Face the Promise by Bob Seger B. Lee Cooper Legends of American Music: Jerry Lee Lewis—A Half Century of Hits by Jerry Lee Lewis B. Lee Cooper Bring It On Home...The Soul Classics by Aaron Neville B. Lee Cooper Book Reviews Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four ed. Kenneth Womack and Todd F. Davis Steve Hamelman Empire of Dirt: The Aesthetics and Rituals of British Indie Music by Wendy Fonarow James W. Martens Millennium Folk: American Folk Music since the Sixties by Thomas R. Grunning Ronald D. Cohen Classical Music, Why Bother? By Joshua Fineberg Richard Floeckher Noise Orders: Jazz, Improvisation, and Architecture by David P. Brown Eric James Abbey Listening Awry: Music and Alterity in German Culture by David Schwarz Ulrich Adelt Nobody Knows Where the Blues Come From: Lyrics and History ed. Robert Springer Zachary J. Lechner Notes on Contributors Volume Index