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Poetry for Students Staff Copyright Notice Series Editors:Mary Ruby and Ira Mark Milne. Since this page cannot legibly accommodate all copyright Managing Editor:Dwayne D. Hayes. notices, the acknowledgments constitute an extension of the copyright notice. Research: Victoria B. Cariappa, Research Team Manager. Andy Malonis and Cheryl Warnock, Research Specialist. Corrine A. Boland, Tamara C. Nott, and Tracie A. Richardson, While every effort has been made to secure permission to Research Associates. Timothy Lehnerer, Patricia Love, Re- reprint material and to ensure the reliability of the information search Assistants. presented in this publication, Gale Research neither guarantees the accuracy of the data contained herein nor assumes any re- Permissions: Maria Franklin, Permissions Manager. Kelly sponsibility for errors, omissions, or discrepancies. Gale accepts Quin, Permissions Associate. Erin Bealmear, Permissions As- no payment for listing; and inclusion in the publication of any sistant. organization, agency, institution, publication, service, or indi- vidual does not imply endorsement of the editors or publisher. Production: Mary Beth Trimper, Production Director. Evi Errors brought to the attention of the publisher and verified to Seoud, Assistant Production Manager.Stacy Melson, Produc- the satisfaction of the publisher will be corrected in future edi- tion Assistant. tions. Imaging and Multimedia Content Team:Randy Bassett, Im- age Database Supervisor.Robert Duncan and Michael Logusz, This publication is a creative work fully protected by all Imaging Specialists.Pamela A. Reed, Imaging Coordinator. applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The au- Product Design Team:Cynthia Baldwin, Product Design Man- thors and editors of this work have added value to the underly- ager.Cover Design: Michelle DiMercurio, Art Director.Page ing factual material herein through one or more of the following: Design: Pamela A. E. Galbreath, Senior Art Director. Gary unique and original selection, coordination, expression, arrange- Leach, Graphic Artist. ment, and classification of the information. All rights to this publication will be vigorously defended. Copyright © 2000 The Gale Group 27500 Drake Rd. Farmington Hills, MI 48331-3535 All rights reserved including the right of reproduction in whole or in part in any form. ISBN 0-7876-3569-3 ISSN 1094-7019 Printed in the United States of America. 10 9 8 7 6 5 4 3 2 1 i v P o e t r y f o r S t u d e n t s National Advisory Board Dale Allender: Teacher, West High School, information science, Emporia State University, Iowa City, Iowa. Kansas. Dana Gioia:Poet and critic. His books include Katherine Nyberg: English teacher. Coordi- The Gods of Winter and Can Poetry Matter? He nator of the language arts department of Farming- currently resides in Santa Rosa, CA. ton Public Schools, Farmington, Michigan. Carol Jago: Teacher, Santa Monica High Nancy Rosenberger: Former English teacher School, Santa Monica, CA. Member of the Cali- and chair of English department at Conestoga High fornia Reading and Literature Project at University School, Berwyn, Pennsylvania. of California, Los Angeles. Dorothea M. Susag: English teacher, Simms Bonnie J. Newcomer: English teacher, Be- High School, Simms, Montana. Former president loit Junior-Senior High School, Beloit, Kansas. of the Montana Association of Teachers of English Editor of KATE UpDate, for the Kansas Associ- Language Arts. Member of the National Council of ation of Teachers of English. Ph.D. candidate in Teachers of English. V o l u m e 8 v Table of Contents (cid:2)(cid:3)(cid:4)(cid:5)(cid:6)(cid:7)(cid:8)(cid:9)(cid:10)(cid:4)(cid:11)(cid:9)(cid:10)(cid:12)(cid:7) “Just a Few Lines on a Page” by David J. Kelly . . . . . . . . . . . . . . . . . . . .x (cid:13)(cid:14)(cid:6)(cid:10)(cid:9)(cid:12)(cid:3)(cid:15)(cid:6)(cid:16)(cid:9)(cid:14) . . . . . . . . . . . . . . . . . . . . . . . .xii (cid:17)(cid:16)(cid:6)(cid:4)(cid:10)(cid:18)(cid:10)(cid:19)(cid:7)(cid:20)(cid:21)(cid:10)(cid:9)(cid:14)(cid:9)(cid:22)(cid:9)(cid:23)(cid:19) . . . . . . . . . . . . . . . . . . .xv (cid:24)(cid:15)(cid:25)(cid:14)(cid:9)(cid:11)(cid:22)(cid:4)(cid:12)(cid:23)(cid:26)(cid:4)(cid:14)(cid:6)(cid:5) . . . . . . . . . . . . . . . . . . . .xix (cid:20)(cid:9)(cid:14)(cid:6)(cid:10)(cid:16)(cid:27)(cid:3)(cid:6)(cid:9)(cid:10)(cid:5) . . . . . . . . . . . . . . . . . . . . . . . .xxi (cid:24)(cid:6)(cid:7)(cid:6)(cid:21)(cid:4)(cid:7)(cid:28)(cid:9)(cid:26)(cid:27)(cid:7)(cid:29)(cid:4)(cid:5)(cid:6)(cid:16)(cid:14)(cid:23)(cid:7)(cid:30)(cid:16)(cid:6)(cid:4)(cid:7) (by William Stafford) . . . . . . . . . . . . . . . . . . .1 Author Biography . . . . . . . . . . . . . . . . . . . . . .2 Poem Text . . . . . . . . . . . . . . . . . . . . . . . . .2 Poem Summary . . . . . . . . . . . . . . . . . . . . .3 Themes . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Historical Context . . . . . . . . . . . . . . . . . . . .7 Critical Overview . . . . . . . . . . . . . . . . . . . .8 Criticism . . . . . . . . . . . . . . . . . . . . . . . . . .9 (cid:24)(cid:3)(cid:6)(cid:3)(cid:26)(cid:14)(cid:7)(cid:28)(cid:4)(cid:23)(cid:16)(cid:14)(cid:5)(cid:7)(cid:16)(cid:14)(cid:7)(cid:31)(cid:18)(cid:10)(cid:6)(cid:16)(cid:14)(cid:5)(cid:7)(cid:8)(cid:4)(cid:10)(cid:10)(cid:19) (cid:7)!(cid:21)(cid:16)(cid:9)(cid:7) (by James Wright) . . . . . . . . . . . . . . . . . . . . .16 Author Biography . . . . . . . . . . . . . . . . . . .17 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .17 Poem Summary . . . . . . . . . . . . . . . . . . . .18 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .19 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Historical Context . . . . . . . . . . . . . . . . . . .21 Critical Overview . . . . . . . . . . . . . . . . . . .23 Criticism . . . . . . . . . . . . . . . . . . . . . . . . .23 V o l u m e 8 v i i T a b l e o f C o n t e n t s (cid:28)(cid:4)(cid:12)(cid:6)(cid:16)(cid:26)(cid:4)(cid:7)(cid:30)(cid:6)(cid:9)(cid:10)(cid:19)(cid:7)(by George MacBeth) . . . . . . .31 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .90 Author Biography . . . . . . . . . . . . . . . . . . .32 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .91 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .32 Historical Context . . . . . . . . . . . . . . . . . . .92 Poem Summary . . . . . . . . . . . . . . . . . . . .33 Critical Overview . . . . . . . . . . . . . . . . . . .94 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .34 Criticism . . . . . . . . . . . . . . . . . . . . . . . . .94 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 (cid:29)(cid:21)(cid:4)(cid:7)(cid:8)(cid:9)(cid:10)(cid:15)(cid:4)(cid:7)(cid:29)(cid:21)(cid:18)(cid:6)(cid:7)(cid:29)(cid:21)(cid:10)(cid:9)(cid:3)(cid:23)(cid:21)(cid:7)(cid:6)(cid:21)(cid:4)(cid:7)(cid:2)(cid:10)(cid:4)(cid:4)(cid:14)(cid:7)(cid:8)(cid:3)(cid:5)(cid:4)(cid:7) Historical Context . . . . . . . . . . . . . . . . . . .35 $(cid:10)(cid:16)((cid:4)(cid:5)(cid:7)(cid:6)(cid:21)(cid:4)(cid:7)(cid:8)(cid:22)(cid:9)(cid:11)(cid:4)(cid:10)(cid:7) Critical Overview . . . . . . . . . . . . . . . . . . .37 (by Dylan Thomas) . . . . .99 Criticism . . . . . . . . . . . . . . . . . . . . . . . . .37 Author Biography . . . . . . . . . . . . . . . . . .100 Poem Text . . . . . . . . . . . . . . . . . . . . . . .101 (cid:28)(cid:4)(cid:11)(cid:18)(cid:10)(cid:4)(cid:7)(cid:9)"(cid:7)#(cid:3)(cid:16)(cid:14)(cid:5)(cid:7)(by A. D. Hope) . . . . . . . . .41 Poem Summary . . . . . . . . . . . . . . . . . . .101 Author Biography . . . . . . . . . . . . . . . . . . .41 Themes . . . . . . . . . . . . . . . . . . . . . . . . .104 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .43 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .105 Poem Summary . . . . . . . . . . . . . . . . . . . .43 Historical Context . . . . . . . . . . . . . . . . . .105 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .44 Critical Overview . . . . . . . . . . . . . . . . . .107 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Criticism . . . . . . . . . . . . . . . . . . . . . . . .107 Historical Context . . . . . . . . . . . . . . . . . . .45 (cid:31)(cid:3)(cid:5)(cid:16)(cid:15)(cid:7)(cid:17)(cid:4)(cid:5)(cid:5)(cid:9)(cid:14)(cid:5)(cid:7) Critical Overview . . . . . . . . . . . . . . . . . . .47 (by Mary Oliver) . . . . . . . . .116 Criticism . . . . . . . . . . . . . . . . . . . . . . . . .47 Author Biography . . . . . . . . . . . . . . . . . .117 Poem Text . . . . . . . . . . . . . . . . . . . . . . .117 (cid:29)(cid:21)(cid:4)(cid:7)(cid:20)(cid:9)(cid:14)(cid:5)(cid:6)(cid:4)(cid:22)(cid:22)(cid:18)(cid:6)(cid:16)(cid:9)(cid:14)(cid:7)!(cid:10)(cid:16)(cid:9)(cid:14)(cid:7) (by Ted Kooser) . . .52 Poem Summary . . . . . . . . . . . . . . . . . . .117 Author Biography . . . . . . . . . . . . . . . . . . .53 Themes . . . . . . . . . . . . . . . . . . . . . . . . .118 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .53 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .119 Poem Summary . . . . . . . . . . . . . . . . . . . .53 Historical Context . . . . . . . . . . . . . . . . . .120 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .55 Critical Overview . . . . . . . . . . . . . . . . . .122 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .56 Criticism . . . . . . . . . . . . . . . . . . . . . . . .122 Historical Context . . . . . . . . . . . . . . . . . . .56 (cid:31)(cid:19)(cid:7)(cid:17)(cid:16)"(cid:4)(cid:7)(cid:20)(cid:22)(cid:9)(cid:5)(cid:4)(cid:12)(cid:7)(cid:29)(cid:11)(cid:16)(cid:15)(cid:4)(cid:7)(cid:28)(cid:4)"(cid:9)(cid:10)(cid:4)(cid:7)(cid:13)(cid:6)(cid:5)(cid:7)(cid:20)(cid:22)(cid:9)(cid:5)(cid:4)(cid:7) Critical Overview . . . . . . . . . . . . . . . . . . .56 Criticism . . . . . . . . . . . . . . . . . . . . . . . . .57 (by Emily Dickinson) . . . . . . . . . . . . . . . . .126 Author Biography . . . . . . . . . . . . . . . . . .127 (cid:24)(cid:7)$(cid:10)(cid:16)(cid:14)(cid:25)(cid:7)(cid:9)"(cid:7)%(cid:18)(cid:6)(cid:4)(cid:10)(cid:7) (by Seamus Heaney) . . . .65 Poem Text . . . . . . . . . . . . . . . . . . . . . . .127 Author Biography . . . . . . . . . . . . . . . . . . .65 Poem Summary . . . . . . . . . . . . . . . . . . .127 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .66 Themes . . . . . . . . . . . . . . . . . . . . . . . . .129 Poem Summary . . . . . . . . . . . . . . . . . . . .66 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .129 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .68 Historical Context . . . . . . . . . . . . . . . . . .130 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .69 Critical Overview . . . . . . . . . . . . . . . . . .132 Historical Context . . . . . . . . . . . . . . . . . . .69 Criticism . . . . . . . . . . . . . . . . . . . . . . . .132 Critical Overview . . . . . . . . . . . . . . . . . . .70 )(cid:18)(cid:26)(cid:4)(cid:5)(cid:7)(cid:9)"(cid:7)*(cid:9)(cid:10)(cid:5)(cid:4)(cid:5)(cid:7) Criticism . . . . . . . . . . . . . . . . . . . . . . . . .71 (by Donald Hall) . . . . . . .140 Author Biography . . . . . . . . . . . . . . . . . .141 $(cid:10)(cid:9)(cid:3)(cid:23)(cid:21)(cid:6)(cid:7)&(cid:4)(cid:18)(cid:10)(cid:7) (by Judith Wright) . . . . . . . . .77 Poem Text . . . . . . . . . . . . . . . . . . . . . . .141 Author Biography . . . . . . . . . . . . . . . . . . .78 Poem Summary . . . . . . . . . . . . . . . . . . .142 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .78 Themes . . . . . . . . . . . . . . . . . . . . . . . . .144 Poem Summary . . . . . . . . . . . . . . . . . . . .78 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .145 Themes . . . . . . . . . . . . . . . . . . . . . . . . . .79 Historical Context . . . . . . . . . . . . . . . . . .146 Style . . . . . . . . . . . . . . . . . . . . . . . . . . . .80 Critical Overview . . . . . . . . . . . . . . . . . .147 Historical Context . . . . . . . . . . . . . . . . . . .81 Criticism . . . . . . . . . . . . . . . . . . . . . . . .147 Critical Overview . . . . . . . . . . . . . . . . . . .82 (cid:24)(cid:7)#(cid:4)(cid:12) (cid:7)#(cid:4)(cid:12)(cid:7)#(cid:9)(cid:5)(cid:4)(cid:7) Criticism . . . . . . . . . . . . . . . . . . . . . . . . .82 (by Robert Burns) . . . . . .151 Author Biography . . . . . . . . . . . . . . . . . .152 ’(cid:6)(cid:21)(cid:16)(cid:15)(cid:5)(cid:7) (by Linda Pastan) . . . . . . . . . . . . . . . .86 Poem Text . . . . . . . . . . . . . . . . . . . . . . .152 Author Biography . . . . . . . . . . . . . . . . . . .87 Poem Summary . . . . . . . . . . . . . . . . . . .152 Poem Text . . . . . . . . . . . . . . . . . . . . . . . .88 Themes . . . . . . . . . . . . . . . . . . . . . . . . .154 Poem Summary . . . . . . . . . . . . . . . . . . . .88 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .155 v i i i P o e t r y f o r S t u d e n t s T a b l e o f C o n t e n t s Historical Context . . . . . . . . . . . . . . . . . .155 (cid:29)(cid:9)(cid:7)(cid:18)(cid:7)(cid:30)(cid:18)(cid:12)(cid:7)$(cid:18)(cid:3)(cid:23)(cid:21)(cid:6)(cid:4)(cid:10)(cid:7) Critical Overview . . . . . . . . . . . . . . . . . .157 (by Michael Ondaatje) . . . . . . . . . . . . . . . . .229 Criticism . . . . . . . . . . . . . . . . . . . . . . . .157 Author Biography . . . . . . . . . . . . . . . . . .230 Poem Text . . . . . . . . . . . . . . . . . . . . . . .230 (cid:29)(cid:21)(cid:4)(cid:7)#(cid:16)((cid:4)(cid:10)+(cid:31)(cid:4)(cid:10)(cid:15)(cid:21)(cid:18)(cid:14)(cid:6),(cid:5)(cid:7)%(cid:16)"(cid:4)-(cid:7)(cid:24)(cid:7)(cid:17)(cid:4)(cid:6)(cid:6)(cid:4)(cid:10)(cid:7) Poem Summary . . . . . . . . . . . . . . . . . . .231 (by Pound Ezra) . . . . . . . . . . . . . . . . . . . . .163 Themes . . . . . . . . . . . . . . . . . . . . . . . . .233 Author Biography . . . . . . . . . . . . . . . . . .164 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .235 Poem Text . . . . . . . . . . . . . . . . . . . . . . .164 Historical Context . . . . . . . . . . . . . . . . . .235 Poem Summary . . . . . . . . . . . . . . . . . . .165 Critical Overview . . . . . . . . . . . . . . . . . .237 Themes . . . . . . . . . . . . . . . . . . . . . . . . .166 Criticism . . . . . . . . . . . . . . . . . . . . . . . .237 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .167 Historical Context . . . . . . . . . . . . . . . . . .168 0(cid:18)(cid:14)(cid:15)(cid:9)(cid:3)((cid:4)(cid:10)(cid:7)(cid:17)(cid:16)(cid:23)(cid:21)(cid:6)(cid:5)(cid:7)(by Earle Birney) . . . . . .244 Critical Overview . . . . . . . . . . . . . . . . . .170 Author Biography . . . . . . . . . . . . . . . . . .245 Criticism . . . . . . . . . . . . . . . . . . . . . . . .170 Poem Text . . . . . . . . . . . . . . . . . . . . . . .245 Poem Summary . . . . . . . . . . . . . . . . . . .246 (cid:29)(cid:21)(cid:4)(cid:7)(cid:30)(cid:4)(cid:18)"(cid:18)(cid:10)(cid:4)(cid:10)(cid:7) (by Anonymous) . . . . . . . . . . .176 Themes . . . . . . . . . . . . . . . . . . . . . . . . .247 Poem Text . . . . . . . . . . . . . . . . . . . . . . .177 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .248 Poem Summary . . . . . . . . . . . . . . . . . . .178 Historical Context . . . . . . . . . . . . . . . . . .249 Themes . . . . . . . . . . . . . . . . . . . . . . . . .180 Critical Overview . . . . . . . . . . . . . . . . . .250 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .182 Criticism . . . . . . . . . . . . . . . . . . . . . . . .251 Historical Context . . . . . . . . . . . . . . . . . .182 Critical Overview . . . . . . . . . . . . . . . . . .189 %(cid:21)(cid:19)(cid:7)(cid:13)(cid:7)(cid:24)(cid:26)(cid:7))(cid:9)(cid:6)(cid:7)(cid:18)(cid:7)1(cid:18)(cid:16)(cid:14)(cid:6)(cid:4)(cid:10)(cid:7) Criticism . . . . . . . . . . . . . . . . . . . . . . . .189 (by Frank O’Hara) . . . . . . . . . . . . . . . . . . . .257 Author Biography . . . . . . . . . . . . . . . . . .258 (cid:30)(cid:9)(cid:14)(cid:14)(cid:4)(cid:6)(cid:7)./(cid:7) (by William Shakespeare) . . . . . .197 Poem Text . . . . . . . . . . . . . . . . . . . . . . .258 Author Biography . . . . . . . . . . . . . . . . . .197 Poem Summary . . . . . . . . . . . . . . . . . . .259 Poem Text . . . . . . . . . . . . . . . . . . . . . . .198 Themes . . . . . . . . . . . . . . . . . . . . . . . . .261 Poem Summary . . . . . . . . . . . . . . . . . . .198 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .262 Themes . . . . . . . . . . . . . . . . . . . . . . . . .200 Historical Context . . . . . . . . . . . . . . . . . .263 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .201 Critical Overview . . . . . . . . . . . . . . . . . .264 Historical Context . . . . . . . . . . . . . . . . . .202 Criticism . . . . . . . . . . . . . . . . . . . . . . . .264 Critical Overview . . . . . . . . . . . . . . . . . .203 Criticism . . . . . . . . . . . . . . . . . . . . . . . .204 (cid:2)(cid:22)(cid:9)(cid:5)(cid:5)(cid:18)(cid:10)(cid:19)(cid:7)(cid:9)"(cid:7)(cid:17)(cid:16)(cid:6)(cid:4)(cid:10)(cid:18)(cid:10)(cid:19)(cid:7)(cid:29)(cid:4)(cid:10)(cid:26)(cid:5) . . . . . . . . . . . . .273 (cid:30)(cid:6)(cid:18)(cid:10)(cid:22)(cid:16)(cid:23)(cid:21)(cid:6)(cid:7) (by Philip Levine) . . . . . . . . . . . . .212 (cid:20)(cid:3)(cid:26)(cid:3)(cid:22)(cid:18)(cid:6)(cid:16)((cid:4)(cid:7)(cid:24)(cid:3)(cid:6)(cid:21)(cid:9)(cid:10)2(cid:29)(cid:16)(cid:6)(cid:22)(cid:4)(cid:7)(cid:13)(cid:14)(cid:12)(cid:4)3 . . . . . . . . .293 Author Biography . . . . . . . . . . . . . . . . . .213 Poem Text . . . . . . . . . . . . . . . . . . . . . . .213 (cid:20)(cid:3)(cid:26)(cid:3)(cid:22)(cid:18)(cid:6)(cid:16)((cid:4)(cid:7))(cid:18)(cid:6)(cid:16)(cid:9)(cid:14)(cid:18)(cid:22)(cid:16)(cid:6)(cid:19)2’(cid:6)(cid:21)(cid:14)(cid:16)(cid:15)(cid:16)(cid:6)(cid:19) Poem Summary . . . . . . . . . . . . . . . . . . .213 (cid:13)(cid:14)(cid:12)(cid:4)3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .297 Themes . . . . . . . . . . . . . . . . . . . . . . . . .215 Style . . . . . . . . . . . . . . . . . . . . . . . . . . .216 (cid:30)(cid:3)(cid:27)4(cid:4)(cid:15)(cid:6)2(cid:29)(cid:21)(cid:4)(cid:26)(cid:4)(cid:7)(cid:13)(cid:14)(cid:12)(cid:4)3 . . . . . . . . . . . . . . . . .301 Historical Context . . . . . . . . . . . . . . . . . .216 Critical Overview . . . . . . . . . . . . . . . . . .217 Criticism . . . . . . . . . . . . . . . . . . . . . . . .218 V o l u m e 8 i x Just a Few Lines on a Page I have often thought that poets have the easi- tually travel to different times and different cul- est job in the world. A poem, after all, is just a few tures, but the poems get into our minds, they find lines on a page, usually not even extending margin what little we know about the places they are talk- to margin—how long would that take to write, ing about, and then they make that little bit blos- about five minutes? Maybe ten at the most, if you som into a bouquet of someone else’s life. Poets wanted it to rhyme or have a repeating meter. Why, make us think we are following simple, specific I could start in the morning and produce a book of events, but then they leave ideas in our heads that poetry by dinnertime. But we all know that it isn’t cannot be found on the printed page. Abracadabra. that easy. Anyone can come up with enough words, Sometimes when you finish a poem it doesn’t but the poet’s job is about writing the right ones. feel as if it has left any supernatural effect on you, The right words will change lives, making people like it did not have any more to say beyond the ac- see the world somewhat differently than they saw tual words that it used. This happens to everybody, it just a few minutes earlier. The right words can but most often to inexperienced readers: regardless make a reader who relies on the dictionary for of what is often said about young people’s infinite meanings take a greater responsibility for his or her capacity to be amazed, you have to understand what own personal understanding. A poem that is put on usually does happen, and what could have hap- the page correctly can bear any amount of analy- pened instead, if you are going to be moved by sis, probing, defining, explaining, and interrogat- what someone has accomplished. In those cases in ing, and something about it will still feel new the which you finish a poem with a “So what?” atti- next time you read it. tude, the information provided in Poetry for Stu- It would be fine with me if I could talk about dentscomes in handy. Readers can feel assured that poetry without using the word “magical,” because the poems included here actually are potent magic, that word is overused these days to imply “a really not just because a few (or a hundred or ten thou- good time,” often with a certain sweetness about it, sand) professors of literature say they are: they’re and a lot of poetry is neither of these. But if you significant because they can withstand close in- stop and think about magic—whether it brings to spection and still amaze the very same people who mind sorcery, witchcraft, or bunnies pulled from have just finished taking them apart and seeing how top hats—it always seems to involve stretching re- they work. Turn them inside out, and they will still ality to produce a result greater than the sum of its be able to come alive, again and again. Poetry for parts and pulling unexpected results out of thin air. Students gives readers of any age good practice in This book provides ample cases where a few sim- feeling the ways poems relate to both the reality of ple words conjure up whole worlds. We do not ac- the time and place the poet lived in and the reality x P o e t r y f o r S t u d e n t s F o r e w o r d of our emotions. Practice is just another word for with one hand, while the other hand pulls some sort being a student. The information given here helps of trick that most of us will never fully understand. you understand the way to read poetry; what to look I can’t even pack all that I need for a weekend into for, what to expect. one suitcase, so what would be my chances of stuff- With all of this in mind, I really don’t think I ing so much life into a few lines? With all that Po- would actually like to have a poet’s job at all. There etry for Students tells us about each poem, I am are too many skills involved, including precision, impressed that any poet can finish three or four honesty, taste, courage, linguistics, passion, com- poems a year. Read the inside stories of these passion, and the ability to keep all sorts of people poems, and you won’t be able to approach any entertained at once. And that is just what they do poem in the same way you did before. David J. Kelly College of Lake County V o l u m e 8 x i

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