PODxt Live Manual - Line 6

146 Pages·2006·3 MB·English

XT
PODLIVE
PRO GUITAR TONE ON THE FLOOR
Pilot’s Handbook
An in-depth exploration of the revolutionary technologies and
pulsing tonal pleasures that lurk within PODxt Live
includes details on Version 3 features.
use free line 6 Monkey to Make sure your Podxt is uP to
date: www.line6.coM/Monkey
Electrophonic Limited Edition. Also available at www.line6.com. Revision C.
PODXT MODELS METAL SHOP AMPS COLLECTOR CLASSICS AMPS
EFFECTS MODS
PODXT, PODXT Live and PODXT Pro all include the # Amp Model # Amp Model Standard Power Pack FX Junkie
Standard and Power Pack Models plus all guitar Cab Models. 37 BOMBER UBER 55 BOMBER X-TC SINE CHORUS
See www.line6.com/modelpack to learn about adding other 38 CONOR 50 56 DEITY CRUNCH STOMPS ANALOG CHORUS
Model Pack Models. 39 DEITY LEAD 57 BLACKFACE VIBRO Standard Power Pack FX Junkie LINE 6 FLANGER
For R
Uesef efurlel snizcee d Oocnulmy e-n Dt aos NmOasTt ePr.RINT Line 6 UniHveOrsWal TROeg IiNstSraEtRioTn TRHesEearch Card GSTAUNDIARTDA & PROWE RA PAMCK APMPS M O&DELS CCAAB BMODSELS 40123 DBABNREIGTEY SJL’- SL9PI 0V-SB0EOAR NLCLN 568091 MDSGIOILBNVUTEIBO RDLNFEOEA US CEBHEXL OPBEWOASS FSCAULCACRZSIZEAS ALPIM CIF EUDRZISZT POHPATOSE TRREM JUE-TV IFBLEANGER
# Standard Power Pack # Cab Model 44 BRIT J-900 DST 62 BRIT BASS OCTAVE FUZZ BIAS TREM
0 BYPASS 0 NO CAB 45 BRIT J-2000 63 BRIT MAJOR BLUE COMP ROTARY DRUM
1 TUBE PREAMP 1 1X6 SUPER O 46 DIAMOND PLATE 64 SILVER TWELVE RED COMP +HORN
FRONT COVER: 2 LINE 6 CLEAN 2 1X8 TWEED 47 CRIMINAL 65 SUPRO ‘62 THUDERBOLT VETTA COMP ROTARY DRUM
3 LINE 6 JTS-45 3 1X10 GIBTONE 48 L6 BIG BOTTOM 66 L6 BAYOU AUTO SWELL AUTO PAN
Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover 4 LINE 6 CLASS A 4 1X10 G-BRAND 49 L6 CHUNK CHUNK 67 L6 CRUNCH AUTO WAH ANALOG SQUARE
with Red side out as shown. Build the registration card 56 LSIPNIEN A6L MPUOPOPDET 65 1X12 TLIWNEE 6D 5
501 L6 OFUCZTZONE 689 L6 PSUPARRGKELE KTUILBLER D ZRIVE SEXQPUOA RCEH COHROURSUS
PODxt Pilot’s Handbook – Print 2 Colors 7 LINE 6 CHEM X 7 1X12 BLACKFACE 52 L6 SMASH 70 L6 SUPER CLN VETTA JUICE RANDOM CHORUS
into the binding of the 8 LINE 6 INSANE 8 1X12 CLASS A 53 L6 SPARKLE CLN 71 L6 SUPERSPARK BOOST + EQ SQUARE FLANGE
FOLDING BACK COVER: 9 LINE 6 ACO 2 9 2X2 MINI T 54 L6 THROTTLE 72 L6 TWANG BLUE COMP TREB EXPO FLANGE
This file contains two versions of the same document. user manual, so that it
Pantone Coated #187c Red 110 SMALL TWEED ZEN MASTER 101 2X12 LBILNAEC K6FACE DCLINEAGNO -STRWOENEP LHUI-MTAPLYK PHASE
appears as the first "page" 12 TWEED B-MAN 12 2X12 MATCH SEISMIK SYNTH SWEEPER
13 TINY TWEED 13 2X12 JAZZ BASS AMPS & CABS DOUBLE BASS POD PURPLE X
of the book. Insure that and Pantone Coated #877c Silver Metallic 14 BLACKFACE LUX 14 2X12 CLASS A BUZZ WAVE RANDOM S/H
The first version contains live fonts and the second + 8" Fonts converted to curves. 15 DOUBLE VERB 15 4X10 LINE 6 BASS EXPANSION AMPS BASS EXPANSION CABS REZ SYNTH TAPE EATER
= the perforation, and the 16 TWO-T0NE 16 4X10 TWEED # Amp Model # Cab Model SATURN 5 RING M WARBLE-MATIC
version contains fonts converted to paths to be used explanatory text, is (silver underprints red, fully covering page) Use Pantone Coated #187c Red and overprint Black 187 PLEXI 45 PP HIWAY 100 178 4X12 GLIRNEE 6N 20’S 743 TL6U BCEL APSRSEIACM JPAZZ 265 1X12 MBOOUTTOIRQ UCEITY SYNTH FAXNALOG DELAYS
19 PLEXI LEAD 100 19 4X12 GREEN 25’S 75 L6 BRIT INVADER 27 1X15 FLIP TOP SYNTH HARMONY Standard Power Pack FX Junkie
in the event of font problems. While the converted exposed (not in binding) Inside
210 PLEXI JUMP LEAD PLEXI VARIAC 201 4X12 BRIT TV7350’S 776 L6 SFRUAPNERK ETNHSOTREIN 298 1X158 JSAEZSZS TIOONNE SYNTH SLETARDING ANALOG W/ MOD ANALOG DELAY
versions may view badly in Acrobat. They work fine 7" as shown at right, so the 223 BRIT J-800 BRIT JM PRE 223 14X152 THREUANDDPELRATE 798 L6 DEBOOPNPEYL GLUAXNGER 310 1X18 CAMALPIF 3O6R0NIA BASS OVERDRIVE TUBE ECHO MUTLI-HEAD
customer will be able to 24 MATCH CHIEF 24 2X12 WISHBOOK 80 SUB DUB 32 1X18+12 STADIUM BRONZE MASTER SWEEP ECHO
when printed. Red Side 25 MATCH D-30 81 AMP 360 33 2X10 MODERN UK SUB OCTAVES DIGITAL DELAY
approx.7.25" tear the card out at the
276 TREADPLATE DUAL CALI CRUNCH 823 JAALGCEUMERIST 354 2X15 DCAOLUIFBOLERSNHIAOW BENDER SPITNEGR EPOO NDEGLAY
perforation. Center card 28 JAZZ CLEAN 84 ROCK CLASSIC 36 2X15 CLASS A REVERBS REVERSE
29 SOLO 100 85 FLIP TOP 37 4X10 LINE 6 Standard Power Pack FX Junkie ECHO PLATTER
Use a black spiral bind (height-wise) in book 30 SUPER O 86 ADAM AND EVE 38 4X10 TWEED LUX SPRING TAPE ECHO
EFFECT MODELS CONTROLS REFERENCE 31 CLASS A-15 87 TWEED B-MAN 39 4X10 ADAM EVE STD SPRING LOW REZ
D
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SBMAULUREAUCLCACUDTRSZOTBSTIPOZEAE S NACSO V AS LZPC OSWIMEC CEIOF MWVTO A FEUMAMDEPMHUREVZRIPALZSZEPDLSZSTRTIEVRE MOUOALJBRAPSRDEIUNHIO-IPONVATNUATAT TESIEOFOASBL LO6RE T ACATPYRYRG HARTFN E ONLDEICGMAOMRHRENURONGMSRSEU R&S HORN DELDATMSRPAUNITWENINUGYEVBAGLEIRELSTLTE ERO AOIPEO-SLGHGOC E E DHDNWDCAEOEGHEDL/LLOA AYMYOD WAJWCTCVHEHOENESRTRLNE TOFDPAARMEU TWSFRCEYUSTA ELCOHLURSTOM REVMLSKTBDCSLRCSIAUEIHTMRAIALNECRDARVXREIADTHAGP DE KMBESLIS E RU CSL PSHBPR RN MHPLHROEAOAORAIRO ILONOTNHIUMLNOEMGLMGASBGMLELR 9 B1A0SS MID1D0LE MOD 7TR1EB0LE 20 PRE1SE0NCE 11 1 13131362340123546 LC6LA TSRSE AD-3P0L ATTBE BLCLJLV-I6I6ALIR2NTA RI0RALETSIU0U G AS6G0NXRS A AO AMBI#AD-TNO3OC2-I3 CU0OD10 TUE8FIRAQSWNTUI ECNGAIN #1 89891981690234578900 BSBDEHBCJSMHRAIATIROIGOLZWAUTLIVUHZTDI DAEFCB OTIMBYTIROLULIOROE AFERAM21 SNAS CNTJ0SCSOEOIHT0EA RNYA OBE1WA0S0S 40346125 4284X10250 GHGBSCLEIRILGWASEV SEABESNYIROI CY2NO05N’SE MCSBALREAVIDTPEEI RUP NRMLOA TOUHEMSALL KSTDLRCVLAIHIMALNCNREAHAGTGDKMAL E CLSGHBR HPHPEROEALRA AROLOPAIMLONLTMLAEBMGTEER WSVEtATaTnHAd SWaArdH JTPWCEHOHoNERNLwE OFDPARAMeEUTSFRrCEYUS T PELCOLUaRcSkTOM FXBP HJUuABnZBEkL EiEe KEOCHO
Updated manual for firmware version 2.0 specifications Crop Manual Cover pages to 8" tall x 7" wide BENDER VINTAGE PLATE
G feaures. Release Date: May 24, 2004 100# Cover (Use No. 1 Sheet or High Quality G LARGE PLATE DRIVE CHAN VOL
No. 2 Sheet) Varnish Outside Cover with a satin/flat Page 2 of 4
Page 1 of 4 texture coating. See artwork for Pantone color specs. 16 SELECT ETFWFEACKT 14
AMP MODELS
0#.BAYMPAPS SM.O.D.E.L.M(ByOpDasEsLe sB tAheS AEmDp O MNodel) #22.ABRMITP J -8M0O0.D.E.L.MAORDSHEALL LB JACSME D80 O0N 4 18 A 12
1.TUBE PREAMP ..TUBE INSTRUMENT PREAMP 23..BRIT JM PRE ..MARSHALL JMP-1 PREAMP OUTPUT REVERB
2........LINE 6 CLEAN........................LINE 6 21st CENTURY CLEAN 24......MATCH CHIEF ........................‘96 MATCHLESS CHIEFTAIN
3........LINE 6 JTS-45 .......................LINE 6 ORIGINAL 25......MATCH D-30 .........................MATCHLESS DC-30
4........LINE 6 CLASS A .....................LINE 6 ORIGINAL 26......TREADPLATE DUAL ..................2001 MESA BOOGIE DUAL RECTIFIER
5.LINE 6 MOOD.LINE 6 ORIGINAL 27.CALI CRUNCH .‘85 MESA BOOGIE MARK IC+ 15 13
6........SPINAL PUPPET......................LINE 6 ORIGINAL 28......JAZZ CLEAN...........................‘87 ROLAND JC-120
7.LINE 6 CHEM X.LINE 6 CHEMICAL X 29.SOLO 100 .SOLDANO SLO-100 HEAD AMP MODELS EFFECTS 2
8.LINE 6 INSANE .WAY TOO MANY HOURS OF SHREDDING 30.SUPER O .SUPRO S6616 PODXT PRO CONTROLS REFERENCE
9........LINE 6 ACO 2 ........................LINE 6 PIEZO ACOUSTIC 2 31......CLASS A-15 ..........................‘60 VOX AC-15
Pilot’s Handbook 10......ZEN MASTER .........................BUDDA TWINMASTER 2x12 Combo 32......CLASS A-30 TB ......................‘67 VOX AC-30 TOP BOOST
11......SMALL TWEED.......................‘53 FENDER DELUXE 33......L6 AGRO...............................LINE 6 ORIGINAL
12......TWEED B-MAN.......................‘58 FENDER BASSMAN 33......L6 LUNATIC...........................LINE 6 ORIGINAL
13......TINY TWEED..........................‘60 TWEED FENDER CHAMP 34......L6 TREADPLATE......................LINE 6 ORIGINAL NAVIGATION REFERENCE AMP MODELS DRIVE BASS MIDDLE TREBLE PRESENCE
1456..DTBWLOAUOCB-KTLF0EAN CVE. R.L.BU.X.‘G6R45E TFSECNHD E6R1 5DB6ELALUCKXFEA RCEV TEWRBIN 316021..CVALITARSIUASXS A AD-3C-30O0 UF.SA.WT.I.C.N.OLNIRONANEN 6TGO EOP RA BIDGO3ION0ASTLCT VOX® AC-30 • Wsehlecnts E pDaIgT,e Ss AVE or TUNER is lit, “SELECT” • Fwohre Cno lmit.p, Stomp, Mod, and Delay, the effect is on POWER
1
1
1
27890......PHPLIWEXAIY 4LJ UE15AM0.D.0P. .1 .L.0E..0A..D.....................H‘J‘6UIW58M APMTEATR RECSDUH SMATLOALRM J®ST H1M‘A0P-L40LL5E®XI’ S SUUPPEERR L LEEAADD 103546....BL JIRN-N2IET0 0G60A BMI NO#O 2UD1.TE8.I.RQ..NU.. E.G..A..IN... .#...1.........MDSOUALMRDSBAHLNEAO LOL LX®V®8ER8 1JDRC9RM7IV24E0X S0P0E DCSIALL • MOtehmerowriieses, “SELECT” chooses Channel • CEDDAoBIuT/b lpAea. Igp.Rere. siss alitn w ehfefenc yt obuu attroen u tsoin ggo a s ctarabi gshimt tuola ittison. SICGLNIPAL PHONES REVERB CHAN VOL OUTPUT Guitar in IS/OE L&E DCITG ULTIMATE TONE FOR GUITAR + PDXIGRT IO/O
21......PLEXI VARIAC ........................VARIAC’D MARSHALL® SUPER LEAD INNPORUMTAL LPEAVD EL
CABINET MODELS
# CAB MODEL MODEL BASED ON # CAB MODEL MODEL BASED ON # CAB MODEL MODEL BASED ON EDIT PAGES SAVE PAGES EFFECTS
0 ......NO CAB...........................N/A 8 ......1X12 CLASS A .................VOX AC-15 W/ GRAYBELLS 17 ....4X12 LINE 6 ...................LINE 6 ORIGINAL
1 ......1X6 SUPER O ..................SUPRO S6616 9 ......2X2 MINI T .....................FENDER MINI TWIN 18 ....4X12 GREEN 20’s ............MARSHALL W/ GREENBACK 20'S
2 ......1X8 TWEED...................‘60 TWEED FENDER CHAMP 10 ....2X12 LINE 6 ..................LINE 6 ORIGINAL 19 ....4X12 GREEN 25’s ...........MARSHALL W/ GREENBACK 25'S 3
3 ......1X10 GIBTONE ................GIBSON EXPLORER 11 ....2X12 BLACKFACE .............'65 FENDER BLACKFACE TWIN 20 ....4X12 BRIT T75................MARSHALL W/ GR-T75'S
4 ......1X10 G-BRAND ................GRETSCH 12 ....2X12 MATCH...................'96 MATCHLESS CHIEFTAIN 21 ....4X12 BRIT V30’S ............MARSHALL W/ VINTAGE 30'S
5 ......1X12 LINE 6 ...................LINE 6 ORIGINAL 13 ....2X12 JAZZ ......................ROLAND JC-120 22 ....4X12 TREADPLATE ............MESA W/ CUSTOM CELESTIONS Balanced: Tip = + / Ring = -
6 ......1X12 TWEED...................‘53 FENDER DELUXE REVERB 14 ....2X12 CLASS A .................VOX AC-30 TB 23 ....1X15 THUNDER ...............'62 SUPRO THUNDERBOLT TUNER PAGES ANALOG REAMPING INPUT/OUTPUT
7 ......1X12 BLACKFACE .............‘65 FENDER DELUXE REVERB 15 ....4X10 LINE 6 ...................LINE 6 ORIGINAL 24 ....2X12 WISHBOOK.............'67 SILVERTONE TWIN TWELVE POWER REQUIREMENTS
16 ....4X10 TWEED...................'58 FENDER BASSMAN LinIen pLuetvel UGnupirtoacre Ossuetd
SET MODES & LEVELS VIA I/O & DIG SELECT BUTTON
A
solll ea mpupr,p coasbe aonf did efnfteicfyt ipnrgo dthuec ts npaecmifeics parroed turactdse tmhaatr kws eorfe tshteuidr iereds pdeucrtinivge Loinwen e6r’s, swouhnicdh maroed ienl dnoev welaoyp masesnotc.iated or affiliated with Line 6. These product names and descriptions are provided for the SERIES/PARALLEL VIA I
U/nbOal a&nc eDd IG SELECT BUTTON LSITVUED: IFOE:E DR ETCOO ORDNINSTGA GOEU ATPMUPT BALANCED ANALOG OUT PEDAL USB AES/EBU S/PDIFIN
GROUND OUT
LEFT/MONO RIGHT LEFT/MONO RIGHT L/MONO R/MONO LEF
STTUDIO: +4 dRBIuGHT GROUND LIFT FBV Class Foot Controler only IN OUT IN OUT/THRU
LIVE: -10 dBV (not compatible with Floor Board or FB4)
Cut at crop marks. Cover should measure 8x7 inches when cut. 6.875"
7"
Pantone 187 should bleed on all edges when cut. 6.75"
NAVIGATION REFERENCE
• For Comp, Stomp, Mod, and Delay, the effect is on when lit.
• When EDIT, SAVE or TUNER is lit, “SELECT” selects pages
• CAB/A.I.R. is lit when you are using a cab simulation.
• Otherwise, “SELECT” chooses Channel Memories
• Double press an effect button to go straight to its EDIT page.
Score and fold here EDIT PAGES SAVE PAGES
See diagram for details.
Page 3 of 4
Outside TUNER PAGES
FBV SERIES REFERENCE SIGNAL FLOW & EFFECTS ROUTING OPTIONS
13
FBV SHORTBOARD
FX LOOP
PODXT CONTROLS REFERENCE
8 9 47 7
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP MODULATION
10 10
1
HOLD FOR TUNER 10 MIDDLE TREBLE 10
BASS PRESENCE
20
9 MOD 11
DRIVE CHAN VOL
COMP REVERB LOOP
(PODXT Pro only)
16 SELECT ETFWFEACKT 14
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details)
4 12
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2 STUDIO : DIRECT LIVE : 4x12 LIVE : 2x12 18
OUTPUT REVERB
Be sure to use TRS cables when
you want to get +4dBu levels to
the balanced inputs of a recorder, LEFT OUTPUT
mixer or power amp. 15 13
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO AMP MODELS EFFECTS 2
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
Use your A.I.R. settings to get the right mic sound
FACTORY/USER y
MoICu ’1r.e.. .l.o...o..k..i.n..g.. .f.o...r.!. . ..C..h..o..o..s..e.. .f.r..o..m...:.........57 ON AXIS LUisvee tsheet uVpIB. EE xpaperarmimeetenrt two iathd juasllt the sooputniodn fso, r syinocuer pdaifrfteicruelnatr
MIC 2 .......................................................57 OFF AXIS amp/cab combinations can give very different results, and you
MIC 3 .....................................................421 DYNAMIC may get the best sound with an unusual combination of settings.
MIC 4 ...................................................67 CONDENSER
All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
Page 4 of 4
FBV SERIES REFERENCE
13
FBV SHORTBOARD
FX LOOP
8 9 47
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP
HOLD FOR TUNER
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
FACTORY/USER
SIGNAL FLOW & EFFECTS ROUTING OPTIONS
POD LIVE CONTROLS & NAVIGATION REFERENCE
MODULATION
COMP REVERB LOOP
(PODXT Pro only)
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details)
STUDIO : DIRECT LIVE : 4x12 LIVE : 2x12
Be sure to use TRS cables when
you want to get +4dBu levels to
the balanced inputs of a recorder, LEFT OUTPUT
mixer or power amp.
Use your A.I.R. settings to get the right mic sound
you’re looking for! Choose from: Use the VIBE parameter to adjust the sound for your particular
MIC 1.........................................................57 ON AXIS Live setup. Experiment with all the options, since different
MIC 2 .......................................................57 OFF AXIS amp/cab combinations can give very different results, and you
MIC 3 .....................................................421 DYNAMIC may get the best sound with an unusual combination of settings.
MIC 4 ...................................................67 CONDENSER
All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
PODXT MODELS
EFFECTS
PODXT, PODXT Live and PODXT Pro all include the
Standard and Power Pack Models plus all guitar Cab Models.
See www.line6.com/modelpack to learn about adding other
Model Pack Models.
HOW TO INSERT THE
For Reference Only - Do NOT PRINT
GUITAR AMPS & CABS
Line 6 Universal Registration Research Card
Use full size document as master.
FRONT COVER:
Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover
with Red side out as shown. Build the registration card
PODxt Pilot’s Handbook – Print 2 Colors
into the binding of the
FOLDING BACK COVER:
This file contains two versions of the same document. user manual, so that it
Pantone Coated #187c Red
appears as the first "page"
BASS AMPS & CABS
of the book. Insure that and Pantone Coated #877c Silver Metallic
The first version contains live fonts and the second + 8" Fonts converted to curves.
= the perforation, and the
version contains fonts converted to paths to be used explanatory text, is (silver underprints red, fully covering page) Use Pantone Coated #187c Red and overprint Black
in the event of font problems. While the converted exposed (not in binding) Inside
versions may view badly in Acrobat. They work fine 7" as shown at right, so the
customer will be able to
when printed. Red Side
approx.7.25" tear the card out at the
perforation. Center card
Use a black spiral bind (height-wise) in book
EFFECT MODELS CONTROLS REFERENCE
when binding. STOMPS MODULATIONS DELAYS WAHS REVERBS
FACIAL FUZZ SINE CHORUS ANALOG DELAY VETTA WAH LUX SPRING 7
FUZZ PI ANALOG CHORUS ANALOG W/ MOD JEN FASSEL STD SPRING
SCREAMER LINE 6 FLANGER TUBE ECHO WEEPER KING SPRING
CLASSIC DIST JET FLANGER MULTI-HEAD CHROME SMALL ROOM
OCTAVE FUZZ PHASER SWEEP ECHO CHROME CUSTOM TILED ROOM
Revisions Line 6 BLUE COMP U-VIBE DIGITAL DELAY THROATY BRITE ROOM
D PmOecDhxatn Picraol iIlDlu scthratnigones u. pdated to reflect voice (821989)0 15 7A5g-3o7u3ra3 R o a fda x • ( 8A1g8o) u5r7a5 H-3il6l0s,1 C A 9p1ar3t0sp1e c• s @USliAne6.com RVAUEDTTO AC OSCWMOPMELPL OBRIOPATSOA R TYR EDEMRUM & HORN PSRITENEVGRE ERPOSO EDNEGLAY CONLODRUFCUTLOR DMLAERDGKIEU H MHAA LHLLALL 10 MID1D0LE TR1EB0LE 10 1
Release Date: 3/18/03 AUTO WAH ROTARY DRUM RICH CHAMBER
E cPhOaDngxet dP.r o R Leolegaos ea dDdaetde :t o3 f/2ro6n/0t.3 Some text Parertp Naraemd eb/yNumber JPaOsoDn xLty nPnilot’s Handbook 40-00-0170 Revision B
SARUSOBS NO ZOCEVT AMEVRAEDSRTIEVRE AUTO PAN CSCHALAVAPEM RPBNLEAORTUES 9 BASS MOD 20 PRESENCE 11
Updated manual for firmware version 2.0 specifications Crop Manual Cover pages to 8" tall x 7" wide BENDER VINTAGE PLATE
G feaures. Release Date: May 24, 2004 100# Cover (Use No. 1 Sheet or High Quality G LARGE PLATE DRIVE CHAN VOL
No. 2 Sheet) Varnish Outside Cover with a satin/flat Page 2 of 4
Page 1 of 4 texture coating. See artwork for Pantone color specs. 16 SELECT ETFWFEACKT 14
AMP MODELS
#
0.BAYMPAPS SM.O.D.E.L.(MByOpDasEsLe sB tAheS AEmDp O MNodel) #22.ABRMITP J -8M0O0.D.E.L.MAORSDHEALL LB JACSME D80 O0N 4 18 A 12
1.TUBE PREAMP ..TUBE INSTRUMENT PREAMP 23..BRIT JM PRE ..MARSHALL JMP-1 PREAMP OUTPUT REVERB
2........LINE 6 CLEAN........................LINE 6 21st CENTURY CLEAN 24......MATCH CHIEF ........................‘96 MATCHLESS CHIEFTAIN
3........LINE 6 JTS-45 .......................LINE 6 ORIGINAL 25......MATCH D-30 .........................MATCHLESS DC-30
4........LINE 6 CLASS A .....................LINE 6 ORIGINAL 26......TREADPLATE DUAL ..................2001 MESA BOOGIE DUAL RECTIFIER
5.LINE 6 MOOD.LINE 6 ORIGINAL 27.CALI CRUNCH .‘85 MESA BOOGIE MARK IC+ 15 13
6........SPINAL PUPPET......................LINE 6 ORIGINAL 28......JAZZ CLEAN...........................‘87 ROLAND JC-120
7.LINE 6 CHEM X.LINE 6 CHEMICAL X 29.SOLO 100 .SOLDANO SLO-100 HEAD AMP MODELS EFFECTS 2
8.LINE 6 INSANE .WAY TOO MANY HOURS OF SHREDDING 30.SUPER O .SUPRO S6616 PODXT PRO CONTROLS REFERENCE
9........LINE 6 ACO 2 ........................LINE 6 PIEZO ACOUSTIC 2 31......CLASS A-15 ..........................‘60 VOX AC-15
Pilot’s Handbook 10......ZEN MASTER .........................BUDDA TWINMASTER 2x12 Combo 32......CLASS A-30 TB ......................‘67 VOX AC-30 TOP BOOST
11......SMALL TWEED.......................‘53 FENDER DELUXE 33......L6 AGRO...............................LINE 6 ORIGINAL
12......TWEED B-MAN.......................‘58 FENDER BASSMAN 33......L6 LUNATIC...........................LINE 6 ORIGINAL
13......TINY TWEED..........................‘60 TWEED FENDER CHAMP 34......L6 TREADPLATE......................LINE 6 ORIGINAL NAVIGATION REFERENCE
1
1546......DBTWOLAUOCB-KTLF0EAN CVEE. RL..BU..X.......................‘G6R45E TFSECNHD E6R1 5BD6ELALCUKXFEA RCEV TEWRBIN 1310612......VCAILTARRSIUASXS A AD-3C-30O0 UF.SA..WT.I.C.N...................OLNIRONANEN 6TGO EOP RA BIDGO3INO0SATLCT VOX® AC-30 • Wsehleecnts E pDaITg,e Ss AVE or TUNER is lit, “SELECT” • Fwohre Cno lmit.p, Stomp, Mod, and Delay, the effect is on
17......HIWAY 100...........................HIWATT CUSTOM 100 103....BRIT GAIN 18........................MARSHALL® 1974X • Otherwise, “SELECT” chooses Channel • CAB/A.I.R. is lit when you are using a cab simulation.
18......PLEXI 45 ..............................‘65 MARSHALL JTM-45 104.... J-2000 #2...........................MARSHALL® JCM2000 DSL Memories • Double press an effect button to go straight to its AMP MODELS DRIVE BASS MIDDLE TREBLE PRESENCE
19......PLEXI LEAD 100 ....................‘68 MARSHALL ®‘PLEXI’ SUPER LEAD 105....LINE 6 BOUTIQUE ..................DUMBLE OVERDRIVE SPECIAL EDIT page.
20......PLEXI JUMP LEAD...................JUMPERED MARSHALL® SUPER LEAD 106....LINE 6 MODERN GAIN #1........SOLDANO X88R
21..PLEXI VARIAC ..VARIAC’D MARSHALL® SUPER LEAD POWER
CABINET MODELS CLIP IS/OE L&E DCITG
#
10 ......NC1OXA6 BC AS MBU.PO.E..RD.. .OE..L..................NSMU/OPARDOE SL 6B6A16SED ON 8#9 ......1C2XA12B 2M MCINLOAI SDTS.E .A.L..................VFMEONOXD DAECER-L 1M 5BI NAWI S/TEW GDIRN AOYNBELLS #178 ....C4XA1B2 MLGIRNOEEED 6NE .L2..0..’.s.............MLINAOER DS6HE OALLR LBIG WAINS/AE LGDR EOENBACK 20'S EDIT PAGES SAVE PAGES SIGNAL PHONES REVERB CHAN VOL OUTPUT Guitar inINNPORUMTAL LPEAVD EL ULTIMATE TONE FO R GUITAR + PXDIGRT I/OO
2 ......1X8 TWEED.....................‘60 TWEED FENDER CHAMP 10 ....2X12 LINE 6 ...................LINE 6 ORIGINAL 19 ....4X12 GREEN 25’s ............MARSHALL W/ GREENBACK 25'S
3 ......1X10 GIBTONE ................GIBSON EXPLORER 11 ....2X12 BLACKFACE .............'65 FENDER BLACKFACE TWIN 20 ....4X12 BRIT T75................MARSHALL W/ GR-T75'S
4 ......1X10 G-BRAND ................GRETSCH 12 ....2X12 MATCH...................'96 MATCHLESS CHIEFTAIN 21 ....4X12 BRIT V30’S ............MARSHALL W/ VINTAGE 30'S EFFECTS
5 ......1X12 LINE 6 ...................LINE 6 ORIGINAL 13 ....2X12 JAZZ ......................ROLAND JC-120 22 ....4X12 TREADPLATE ............MESA W/ CUSTOM CELESTIONS
6 ......1X12 TWEED...................‘53 FENDER DELUXE REVERB 14 ....2X12 CLASS A .................VOX AC-30 TB 23 ....1X15 THUNDER ...............'62 SUPRO THUNDERBOLT TUNER PAGES
7 ......1X12 BLACKFACE ............‘65 FENDER DELUXE REVERB 15 ....4X10 LINE 6 ..................LINE 6 ORIGINAL 24 ....2X12 WISHBOOK............'67 SILVERTONE TWIN TWELVE 3
16 ....4X10 TWEED...................'58 FENDER BASSMAN
All amp, cab and effect product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the
sole purpose of identifying the specific products that were studied during Line 6’s sound model development.
Cut at crop marks. Cover should measure 8x7 inches when cut. 6.875"
7"
Pantone 187 should bleed on all edges when cut. 6.75"
Balanced: Tip = + / Ring = -
ANALOG REAMPING INPUT/OUTPUT
POWER REQUIREMENTS
Line Level Unprocessed
Input Guitar Out SET MODES & LEVELS VIA I/O & DIG SELECT BUTTON
SERIES/PARALLEL VIA I/O & DIG SELECT BUTTON BALANCED ANALOG OUT AES/EBU S/PDIF
Unbalanced LSITVUED: IFOE:E DR ETCOO ORDNINSTGA GOEU TAPMUPT PEDAL USB IN
GROUND OUT
Score and fold here LEFT/MONO RIGHT LEFT/MONO RIGHT L/MONO R/MONO LEF
STTUDIO: +4 dRBuIGHT GROUND LIFT FBV Class Foot Controler only IN OUT IN OUT/THRU
See diagram for details. LIVE: -10 dBV (not compatible with Floor Board or FB4)
Page 3 of 4
Outside
FBV SERIES REFERENCE SIGNAL FLOW & EFFECTS ROUTING OPTIONS
13
FBV SHORTBOARD
FX LOOP
PODXT CONTROLS REFERENCE
8 9 47
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP MODULATION
HOLD FOR TUNER
COMP REVERB LOOP
(PODXT Pro only)
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details)
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2 STUDIO : DIRECT LIVE : 4x12 LIVE : 2x12
Be sure to use TRS cables when
you want to get +4dBu levels to
the balanced inputs of a recorder, LEFT OUTPUT
mixer or power amp.
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
Use your A.I.R. settings to get the right mic sound
FACTORY/USER
MyoICu 1’r.e.. .l.o...o..k..i.n..g.. .f..o..r.!. . ..C..h..o..o..s..e.. .f..r.o..m...:.........57 ON AXIS LUisvee tsheet uVpIB. EE xpaperarmimeetenrt two iathd juasllt the sooputniodn fso, r syinocuer pdaifrfteicruelnatr
MIC 2 .......................................................57 OFF AXIS amp/cab combinations can give very different results, and you
MIC 3 .....................................................421 DYNAMIC may get the best sound with an unusual combination of settings.
MIC 4 ...................................................67 CONDENSER
All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
Page 4 of 4
FBV SERIES REFERENCE
13
FBV SHORTBOARD
FX LOOP
8 9 47
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP
HOLD FOR TUNER
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
FACTORY/USER
SIGNAL FLOW & EFFECTS ROUTING OPTIONS
PODXT LIVE CONTROLS & NAVIGATION REFERENCE
MODULATION
CONTROLS REFERENCE NAVIGATION REFERENCE
COMP REVERB
(PODLXOT POroP only) • OsWethlheecrntws E ifsDreoI,Tm ,“ SthEALVeE EpC aTo”gr eTcshU olNiosEtseRed si s Cb helitalo,n w“nSelE MLEeCmT”ories
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details) 1 2 3 4 5 6 7 8 9
POWER USB VARIAX OUT/THRU MIDI IN PHONES RIGHT OUTPUT L/MONO LEVEL AUX INPUT INPUT PAD PEDAL 2
STUDIO :
BDeI RsuErCe Tto use TRS cables when LIVE : 4x12 LIVE : 2x12 10 11 12 DRIVE 13BASSAMP TONME ICDONTROLTSREBLE PRESENCE CHA1N4 VOL PCruos tMomod Teolneed V i nRteacgoer d&i nMgo dOeurtnpu FtXs EDITE DPIATGES • A.mI.pR .BS Seytepttaitnsigns sgSsettings
y
thoeu bwalaanntc teod ginept u+ts4 odfB au rlevcoerlsd etor, LEFT OUTPUT PPRO GUIOTAR TONED ON THEL XFILVOTOER • CESQtoom Smpeprt etSsinesgloesrc ta anndd G Saettet iSnegtstings
mixer or power amp. • Stomp Settings (page 2 for some models)
SAVE EDIT OSMUYOTSTPDEUEMT •
• MDeoladyul aSteiloenc tS aentletdci ntSg eastn t(dipn Saggestet i2n)gs
15 16 17 18 • DRevlaeyr bS eStetliencgts a (npda gSe t2ti)ngs
BANK AMP STOMP MOD DELAY • RWeavhe rSbe tSteinttgisngs (page 2)
• Volume Settings
Use your A.I.R. settings to get the right mic sound • Switch Pedal, Effect Tweak and Tempo Settings
you’re looking for! Choose from: Use the VIBE parameter to adjust the sound for your particular
MIC 1.........................................................57 ON AXIS Live setup. Experiment with all the op tions, since d ifferent
M
MIC 23 .....................................................4..2517 DOYFNF AAMXISC ammayp /gceat bth ceo mbebsitn saotuionnds wcaitnh gainv eu nvuesruya dl icffoemrebnint aretisounl tos,f saentdti nygosu. 23 SAVSEA PVAEGES • SCausvteo Smo Suandv et oA Cmhpa nMnoedl eMl emory
MIC 4 ...................................................67 CONDENSER 20
21 19 22 • MIDI Dump
tAhlle p srpoedcuicfitc n parmodeusc atsr et htraatd wemeraer kstsu odfi etdh ediru riensgp eLcintiev e6 o’sw snoeurns,d wmhoicdhe la dree vine lnoop mweanyt .associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying BANK A B C D HOTLDA/TPUNER O
SMUYOTSTPDEUEMT • Tuner
TUNER PAGES • What are you connecting to?
• Display contrast
• MIDI/Variax
• PODXT Live Software Version
PODXT MODELS
EFFECTS
PODXT, PODXT Live and PODXT Pro all include the
Standard and Power Pack Models plus all guitar Cab Models.
See www.line6.com/modelpack to learn about adding other
Model Pack Models.
HOW TO INSERT THE
For Reference Only - Do NOT PRINT
GUITAR AMPS & CABS
Line 6 Universal Registration Research Card
Use full size document as master.
FRONT COVER:
Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover
with Red side out as shown. Build the registration card
PODxt Pilot’s Handbook – Print 2 Colors
into the binding of the
FOLDING BACK COVER:
This file contains two versions of the same document. user manual, so that it
Pantone Coated #187c Red
appears as the first "page"
BASS AMPS & CABS
of the book. Insure that and Pantone Coated #877c Silver Metallic
The first version contains live fonts and the second + 8" Fonts converted to curves.
= the perforation, and the
version contains fonts converted to paths to be used explanatory text, is (silver underprints red, fully covering page) Use Pantone Coated #187c Red and overprint Black
in the event of font problems. While the converted exposed (not in binding) Inside
versions may view badly in Acrobat. They work fine 7" as shown at right, so the
customer will be able to
when printed. Red Side
approx.7.25" tear the card out at the
perforation. Center card
Use a black spiral bind (height-wise) in book
EFFECT MODELS CONTROLS REFERENCE
when binding. STOMPS MODULATIONS DELAYS WAHS REVERBS
FACIAL FUZZ SINE CHORUS ANALOG DELAY VETTA WAH LUX SPRING 7
FUZZ PI ANALOG CHORUS ANALOG W/ MOD JEN FASSEL STD SPRING
SCREAMER LINE 6 FLANGER TUBE ECHO WEEPER KING SPRING
CLASSIC DIST JET FLANGER MULTI-HEAD CHROME SMALL ROOM
OCTAVE FUZZ PHASER SWEEP ECHO CHROME CUSTOM TILED ROOM
Revisions Line 6 BLUE COMP U-VIBE DIGITAL DELAY THROATY BRITE ROOM
D PmOecDhxatn Picraol iIlDlu scthratniognes u. pdated to reflect voice (821989)0 15 7A5g-3o7u3ra3 R o a fda x • ( 8A1g8o) u5r7a5 H-3il6l0s,1 C A 9p1ar3t0sp1e c• s @USliAne6.com RVAUEDTTO AC OSCMWOPMELPL OBROIPATSAO RT TYR EDEMRUM & HORN SRPITENEVGRE ERPOSO EDNEGLAY CONLODRUFCUTLOR LDMAERDGKIEU H MHAA LHLLALL 10 MID1D0LE TR1EB0LE 10 1
Release Date: 3/18/03 AUTO WAH ROTARY DRUM RICH CHAMBER
E PchOaDngxet dP.r o R Leolegaos ea dDdaetde :t o3 f/2ro6n/0t.3 Some text Parertp Naraemd eb/yNumber PJaOsoDn xLty nPnilot’s Handbook 40-00-0170 Revision B
SRUASOBS NO ZOCEVT AMEVRAEDSRTIEVRE AUTO PAN CSHALAVAPEM RPBNLEOARTUES 9 BASS MOD 20 PRESENCE 11
Updated manual for firmware version 2.0 specifications Crop Manual Cover pages to 8" tall x 7" wide BENDER VINTAGE PLATE
G feaures. Release Date: May 24, 2004 100# Cover (Use No. 1 Sheet or High Quality G LARGE PLATE DRIVE CHAN VOL
No. 2 Sheet) Varnish Outside Cover with a satin/flat Page 2 of 4
Page 1 of 4 texture coating. See artwork for Pantone color specs. 16 SELECT ETFWFEACKT 14
AMP MODELS
#
0.BAYMPAPS SM.O.D.E.L.(MByOpDasEsLe sB thAeS AEmDp O MNodel) 2#2.BARMITP J -8M0O0.D.E.L.MAORDSHEALL LB JACSME D80 O0N 4 18 A 12
1.TUBE PREAMP ..TUBE INSTRUMENT PREAMP 23..BRIT JM PRE ..MARSHALL JMP-1 PREAMP OUTPUT REVERB
2........LINE 6 CLEAN........................LINE 6 21st CENTURY CLEAN 24......MATCH CHIEF ........................‘96 MATCHLESS CHIEFTAIN
3........LINE 6 JTS-45 .......................LINE 6 ORIGINAL 25......MATCH D-30 .........................MATCHLESS DC-30
4........LINE 6 CLASS A .....................LINE 6 ORIGINAL 26......TREADPLATE DUAL ..................2001 MESA BOOGIE DUAL RECTIFIER
5.LINE 6 MOOD.LINE 6 ORIGINAL 27.CALI CRUNCH .‘85 MESA BOOGIE MARK IC+ 15 13
6........SPINAL PUPPET......................LINE 6 ORIGINAL 28......JAZZ CLEAN...........................‘87 ROLAND JC-120
7.LINE 6 CHEM X.LINE 6 CHEMICAL X 29.SOLO 100 .SOLDANO SLO-100 HEAD AMP MODELS EFFECTS 2
8.LINE 6 INSANE .WAY TOO MANY HOURS OF SHREDDING 30.SUPER O .SUPRO S6616 PODXT PRO CONTROLS REFERENCE
9........LINE 6 ACO 2 ........................LINE 6 PIEZO ACOUSTIC 2 31......CLASS A-15 ..........................‘60 VOX AC-15
Pilot’s Handbook 10......ZEN MASTER .........................BUDDA TWINMASTER 2x12 Combo 32......CLASS A-30 TB ......................‘67 VOX AC-30 TOP BOOST
11......SMALL TWEED.......................‘53 FENDER DELUXE 33......L6 AGRO...............................LINE 6 ORIGINAL
12......TWEED B-MAN.......................‘58 FENDER BASSMAN 33......L6 LUNATIC...........................LINE 6 ORIGINAL
13......TINY TWEED..........................‘60 TWEED FENDER CHAMP 34......L6 TREADPLATE......................LINE 6 ORIGINAL NAVIGATION REFERENCE AMP MODELS DRIVE BASS MIDDLE TREBLE PRESENCE
1
1
1654..TBDWOLAUOCB-KTLF0EAN CVE .RL.BU.X.‘G6R45E TFSECNHD E6R1 5BD6LEALUCKXFEA RCEV TEWRBIN 1306021..CVALITARSIUASXS A DA-3C-30O0 UF.SA.WT.I.C.N.OLNIRONANEN 6TGO EOP RA BIDGO3INO0ASTLCT VOX® AC-30 • sWehlecnts E pDaIgT,e Ss AVE or TUNER is lit, “SELECT” • wFohre Cno lmit.p, Stomp, Mod, and Delay, the effect is on POWER
1
27890......HPLIWEXAIY 4JL UE15AM0.D0.P. .1 .L.0E..0A..D.....................H‘J‘6UIW85M APMTETAR RCESDUH SMATLOALRM J®ST H1M‘A0P-L40LLE5®XI’ SSUUPPEERR L LEEAADD 105463.... LBLJIRN-2IET0 06G0A BMI NO#O U2D1.T8E.I.RQ..NU.. E.G..A..I..N... ..#...1.........MDSOUALMRDSBAHLNEAO LO LX®V8ER8 1JDRC9RM7IV24E0X 0SP0E DCSIALL • MOtehmerowriieses, “SELECT” chooses Channel • CDEDAoBIuT/b lpAea. Igp.Rree. siss alitn w ehfefenc yt obuu tatroen u tsoin ggo a s ctarabi gshimt utola ittison. SICGLNIPAL PHONES REVERB CHAN VOL OUTPUT Guitar in IS/OE L&E DCITG ULTIMATE TONE FOR GUITAR + PDXIGRT IO/O
21......PLEXI VARIAC ........................VARIAC’D MARSHALL® SUPER LEAD INNPORUMTAL LPEAVD EL
CABINET MODELS
# CAB MODEL MODEL BASED ON # CAB MODEL MODEL BASED ON # CAB MODEL MODEL BASED ON EDIT PAGES SAVE PAGES EFFECTS
0 ......NO CAB...........................N/A 8 ......1X12 CLASS A .................VOX AC-15 W/ GRAYBELLS 17 ....4X12 LINE 6 ...................LINE 6 ORIGINAL
1 ......1X6 SUPER O ..................SUPRO S6616 9 ......2X2 MINI T .....................FENDER MINI TWIN 18 ....4X12 GREEN 20’s ............MARSHALL W/ GREENBACK 20'S
2 ......1X8 TWEED...................‘60 TWEED FENDER CHAMP 10 ....2X12 LINE 6 ..................LINE 6 ORIGINAL 19 ....4X12 GREEN 25’s ...........MARSHALL W/ GREENBACK 25'S 3
3 ......1X10 GIBTONE ................GIBSON EXPLORER 11 ....2X12 BLACKFACE .............'65 FENDER BLACKFACE TWIN 20 ....4X12 BRIT T75................MARSHALL W/ GR-T75'S
4 ......1X10 G-BRAND ................GRETSCH 12 ....2X12 MATCH...................'96 MATCHLESS CHIEFTAIN 21 ....4X12 BRIT V30’S ............MARSHALL W/ VINTAGE 30'S
5 ......1X12 LINE 6 ...................LINE 6 ORIGINAL 13 ....2X12 JAZZ ......................ROLAND JC-120 22 ....4X12 TREADPLATE ............MESA W/ CUSTOM CELESTIONS Balanced: Tip = + / Ring = -
6 ......1X12 TWEED...................‘53 FENDER DELUXE REVERB 14 ....2X12 CLASS A .................VOX AC-30 TB 23 ....1X15 THUNDER ...............'62 SUPRO THUNDERBOLT TUNER PAGES ANALOG REAMPING INPUT/OUTPUT
7 ......1X12 BLACKFACE .............‘65 FENDER DELUXE REVERB 15 ....4X10 LINE 6 ...................LINE 6 ORIGINAL 24 ....2X12 WISHBOOK.............'67 SILVERTONE TWIN TWELVE POWER REQUIREMENTS
16 ....4X10 TWEED...................'58 FENDER BASSMAN LinIen pLuetvel UGnupirtoacre Ossuetd
SET MODES & LEVELS VIA I/O & DIG SELECT BUTTON
A
solll ea mpupr,p coasbe aonf did efnfteicfyt ipnrgo dthuec ts npeacmifeics parroed turcatdse tmhaatr kws eorfe tshteuidr ireeds pdeucrtinivge Loinwen e6r’s, swouhnicdh maroed ienl dnoev welaoyp masesnotc.iated or affiliated with Line 6. These product names and descriptions are provided for the SERIES/PARALLEL VIA I
U/nbOal a&nc eDd IG SELECT BUTTON SLITVUED: IFOE:E DR ETCOO ORDNINSTGA GOEU ATPMUPT BALANCED ANALOG OUT PEDAL USB AES/EBU S/PDIFIN
GROUND OUT
LEFT/MONO RIGHT LEFT/MONO RIGHT L/MONO R/MONO LEF
STTUDIO: +4 dRBIuGHT GROUND LIFT FBV Class Foot Controler only IN OUT IN OUT/THRU
LIVE: -10 dBV (not compatible with Floor Board or FB4)
Cut at crop marks. Cover should measure 8x7 inches when cut. 6.875"
7"
Pantone 187 should bleed on all edges when cut. 6.75"
NAVIGATION REFERENCE
• For Comp, Stomp, Mod, and Delay, the effect is on when lit.
• When EDIT, SAVE or TUNER is lit, “SELECT” selects pages
• CAB/A.I.R. is lit when you are using a cab simulation.
• Otherwise, “SELECT” chooses Channel Memories
• Double press an effect button to go straight to its EDIT page.
Score and fold here EDIT PAGES SAVE PAGES
See diagram for details.
Page 3 of 4
Outside TUNER PAGES
FBV SERIES REFERENCE SIGNAL FLOW & EFFECTS ROUTING OPTIONS
13
FBV SHORTBOARD
FX LOOP
PODXT CONTROLS REFERENCE
8 9 47 7
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP MODULATION
10 10
1
HOLD FOR TUNER 10 MIDDLE TREBLE 10
BASS PRESENCE
20
9 MOD 11
DRIVE CHAN VOL
COMP REVERB LOOP
(PODXT Pro only)
16 SELECT ETFWFEACKT 14
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details)
4 12
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2 STUDIO : DIRECT LIVE : 4x12 LIVE : 2x12 18
OUTPUT REVERB
Be sure to use TRS cables when
you want to get +4dBu levels to
the balanced inputs of a recorder, LEFT OUTPUT
mixer or power amp. 15 13
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO AMP MODELS EFFECTS 2
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
Use your A.I.R. settings to get the right mic sound
FACTORY/USER y
MoICu ’1r.e.. .l.o...o..k..i.n..g.. .f.o...r.!. .. .C..h..o..o..s..e.. .f.r..o..m...:.........57 ON AXIS ULisvee tsheet uVpIB. EE xpaperarmimeetenrt two iathd juasllt the sooputniodn fso, r syinocuer pdaifrfteicruelnatr
MIC 2 .......................................................57 OFF AXIS amp/cab combinations can give very different results, and you
MIC 3 .....................................................421 DYNAMIC may get the best sound with an unusual combination of settings.
MIC 4 ...................................................67 CONDENSER
All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
Page 4 of 4
FBV SERIES REFERENCE
13
FBV SHORTBOARD
FX LOOP
8 9 47
STOMP MODULATION DELAY REVERB
12
CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP
HOLD FOR TUNER
FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 WAH PEDAL 1 VOLUME PEDAL 2
10
AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO
HOLD FOR TUNER
BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL
FACTORY/USER
SIGNAL FLOW & EFFECTS ROUTING OPTIONS
GATE
POD LIVE CONTROLS & NAVIGATION REFERENCE
VOLUME WAH STOMP MODULATION DELAY AMP/CAB + A.I.R. II
COMP EQ VOLUME MODULATION DELAY REVERB LOOP
(PODXT Pro only)
THE "WHAT ARE YOU CONNECTED TO?" EDIT PAGE (see text pages for PODXT Pro details)
STUDIO : DIRECT LIVE : 4x12 LIVE : 2x12
Be sure to use TRS cables when
you want to get +4dBu levels to
the balanced inputs of a recorder, LEFT OUTPUT
mixer or power amp.
Use your A.I.R. settings to get the right mic sound
you’re looking for! Choose from: Use the VIBE parameter to adjust the sound for your particular
MIC 1.........................................................57 ON AXIS Live setup. Experiment with all the options, since different
MIC 2 .......................................................57 OFF AXIS amp/cab combinations can give very different results, and you
MIC 3 .....................................................421 DYNAMIC may get the best sound with an unusual combination of settings.
MIC 4 ...................................................67 CONDENSER
All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
The serial number can be found on the underside of your PODxt Live,. It’s the number that
begins with “(21)”. Please note it here for future reference:
SERIAL NO:
WARNING: To reduce the risk of fre or electric CAUTION: To reduce the risk of fre or electric shock, do not
shock, do not expose this appliance to rain or moisture. remove screws. No user-serviceable parts inside. Refer servicing to
qualifed service personnel.
CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part
15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
The lightning symbol within a triangle means The exclamation point within a
“electrical caution!” It indicates the presence triangle means “caution!” Please
of information about operating voltage and read the information next to all
potential risks of electrical shock. caution signs.
You should read these Important Safety Instructions
Keep these instructions in a safe place
Before using your PODxt Live, carefully read the applicable items of these operating instructions and safety suggestions:
1. Obey all warnings on the PODxt Live and in this Pilot’s Handbook.
2. Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat.
3. Guard against objects or liquids entering the enclosure.
4. PODxt Live: Connect only to AC power outlets rated 100-120V or 230V 47-63Hz (depending on the voltage
range of the included power supply).
5. Do not step on power cords. Do not place items on top of power cords so that they are pinched or leaned on. Pay
particular attention to the cord at the plug end and the point where it connects to the PODxt Live.
6. Unplug your PODxt Live when not in use for extended periods of time.
7. Do not perform service operations beyond those described in the PODxt Live Pilot’s Handbook. In the following
circumstances, repairs should be performed only by qualifed service personnel:
• liquid is spilled into the unit
• an object falls into the unit
• the unit does not operate normally or changes in performance in a signifcant way
• the unit is dropped or the enclosure is damaged
8. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to
practice “safe listening.”
PODxt Live Pilot’s Handbook © 2006, Line 6, Inc.
Please Note:
Line 6, POD, Podxt liVe, Podxt Pro, Vetta, FBV, FBV
Shortboard, FBV4, Amp Farm, Line 6 Edit and Custom
Tone are trademarks of Line 6, Inc. All other product
names, trademarks, and artists’ names are the property
of their respective owners, which are in no way associat-
ed or affliated with Line 6. Product names, images, and
artists’ names are used solely to identify the products
whose tones and sounds were studied during Line 6’s
sound model development for this product. The use of
these products, trademarks, images, and artists’ names
does not imply any cooperation or endorsement.
contents
Quick Start Guide 1•1
“Manual? I don’t need no stinking manual!”. . . . . . . . 1•1
Register now! . . . . . . . . . . . . . . . . . . 1•2
Go on-line and get more stuff! . . . . . . . . . . . . 1•2
Introduction . . . . . . . . . . . . . . . . . . . 1•3
Welcome To PODxt Live... . . . . . . . . . . . . . . 1•3
Who is Line 6? . . . . . . . . . . . . . . . . . 1•3
Modeling. . . . . . . . . . . . . . . . . . . . 1•4
Amp, Cab and Effect Models . . . . . . . . . . . . 1•5
And Away We Go.... . . . . . . . . . . . . . . . . 1•7
Controls & Connections 2•1
Getting Set Up 3•1
All Purpose Basics . . . . . . . . . . . . . . . . . 3•1
Variax . . . . . . . . . . . . . . . . . . . . . 3•2
On Stage . . . . . . . . . . . . . . . . . . . . 3•3
What are you connecting to? . . . . . . . . . . . . 3•3
Getting The Right Tone With An Amp. . . . . . . . . . 3•4
External Stomp Boxes and PODxt Live 3•6
What are you connecting to? . . . . . . . . . . . . 3•7
The Ins and Outs of Great Tone . . . . . . . . . . . 3•7
Setting Levels . . . . . . . . . . . . . . . . . . 3•8
Radiation Alert . . . . . . . . . . . . . . . . . 3•8
MIDI Mania . . . . . . . . . . . . . . . . . . 3•9
Re-Amping . . . . . . . . . . . . . . . . . . . 3•9
What is Re-Amping? . . . . . . . . . . . . . . . 3•9
Re-Amping via USB . . . . . . . . . . . . . . . . 3•9
Creating & Storing Sounds 4•1
Recalling Channel Memories . . . . . . . . . . . . . 4•1
Editing Basics . . . . . . . . . . . . . . . . . . 4•1
Double Press for Easy Access . . . . . . . . . . . . 4•2
Inside the Edit Menu . . . . . . . . . . . . . . . . 4•2
Amp knob settings . . . . . . . . . . . . . . . . 4•2
Amp Bypass Channel Volume . . . . . . . . . . . . 4•3
Cabinet and Mic settings (There’s magic in the A.I.R.!) . . . 4•3
Comp/Gate settings. . . . . . . . . . . . . . . . 4•4
EQ settings . . . . . . . . . . . . . . . . . . . 4•4
Stomp settings . . . . . . . . . . . . . . . . . 4•5
Mod and Delay settings . . . . . . . . . . . . . . 4•6
Confg . . . . . . . . . . . . . . . . . . . . . 4•6
Setting your Tone to Tempo . . . . . . . . . . . . . . 4•7
Reverb settings . . . . . . . . . . . . . . . . . . 4•8
Wah Settings . . . . . . . . . . . . . . . . . . 4•8
Volume Settings . . . . . . . . . . . . . . . . . 4•8
Saving Yourself . . . . . . . . . . . . . . . . . . 4•13
Saving a Channel Memory . . . . . . . . . . . . . 4•13
Custom Saving Amp Models . . . . . . . . . . . . . 4•14
MIDI Dumps . . . . . . . . . . . . . . . . . . 4•15
Modeled Amps & Cabs 5•1
Which Amps and Cabs Are Modeled? . . . . . . . . . . 5•1
Cabinet Models . . . . . . . . . . . . . . . . . . 5•34
Effect Model Details 6•1
Comp . . . . . . . . . . . . . . . . . . . . . 6•1
Gate . . . . . . . . . . . . . . . . . . . . . 6•2
The Stomp Effects: Fuzz, Distortion, Overdrive . . . . . . . 6•3
Stomp Effects: Compressors . . . . . . . . . . . . . 6•9
. . . . . . . . . . . . . . . . . . . . . . . 6•14
The Stomp Effects: Synths and Filters . . . . . . . . . . 6•15
The Wah Pedals . . . . . . . . . . . . . . . . . 6•18
The Modulation Effects . . . . . . . . . . . . . . . 6•20
The Delay Effects . . . . . . . . . . . . . . . . . 6•30
Reverb . . . . . . . . . . . . . . . . . . . . . 6•39
MIDI 7•1
MIDI Basics . . . . . . . . . . . . . . . . . . . 7•1
What’s MIDI? . . . . . . . . . . . . . . . . . . 7•1
In/Out . . . . . . . . . . . . . . . . . . . . . 7•1
MIDI Channel . . . . . . . . . . . . . . . . . . 7•2
MIDI Messages . . . . . . . . . . . . . . . . . 7•3
Backing Up PODxt Live PrOgrams to Other Devices . . . . . 7•4
Other Things You Can Do with MIDI . . . . . . . . . . 7•6
Changing PODxt Live Channels with MIDI Program Changes . 7•6
Tweaking PODxt Live Tones with MIDI Controllers . . . . . 7•6
Full MIDI Automation of PODxt Live 7•6
MIDI Setup Trouble-shooting . . . . . . . . . . . . . 7•7
Appendix A: Amp Models 8•1
Appendix B: MIDI Program Changes 8•3
Appendix C: PODxt MIDI Controls 8•4
Appendix D: Note Value Controller Values 8•7
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