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369 Pages·2003·25.649 MB·English
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Picturing Place P I C T U R I N G P L A C E Photography and the Geographical Imagination Edited by Joan M. Schwartz and James R. Ryan First Published in 2003 by I.B.Tauris Published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 605 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © selection and editorial matter Joan M. Schwartz and James R. Ryan 2003 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. cip A full record for this book is available from the British Library cip A full record for this book is available from the Library of Congress Library of Congress catalog card: available Set in Monotype Baskerville and Univers Black by Ewan Smith, London ISBN 13: 978-1-8606-4752-9 (pbk) DOI: 10.4324/9781003268260 Contents Figures vii Acknowledgements x Contributors xii Introduction: Photography and the Geographical Imagination 1 joan m. schwartz and james r. ryan 19 PART I Picturing Place 1 La Mission Héliographique: Architectural Photography, Collective Memory and the Patrimony of France, 1851 21 m. christine boyer 2 Retracing the Outlines of Rome: Intertextuality and Imaginative Geographies in Nineteenth-Century Photographs 55 maria antonella pelizzari 3 Visualizing Eternity: Photographic Constructions of the Grand Canyon 74 david e. nye 4 Family as Place: Family Photograph Albums and the Domestication of Public and Private Space 96 deborah chambers 115 PART II Framing the Nation 5 Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century 117 jens jäger 6 Capturing and Losing the ‘Lie of the Land’: Railway Photography and Colonial Nationalism in Early Twentieth-Century South Africa 141 jeremy foster vi Contents 7 Constructing the State, Managing the Corporation, Transforming the Individual: Photography, Immigration and the Canadian National Railways, 1925–30 162 brian s. osborne 193 PART III Colonial Encounters 8 Emperors of the Gaze: Photographic Practices and Productions of Space in Egypt, 1839–1914 195 derek gregory 9 Mapping a Sacred Geography: Photographic Surveys by the Royal Engineers in the Holy Land, 1864–68 226 kathleen stewart howe 10 Home and Empire: Photographs of British Families in the Lucknow Album, 1856–57 243 alison blunt 11 Negotiating Spaces: Some Photographic Incidents in the Western Pacific, 1883–84 261 elizabeth edwards 281 Epilogue 12 Wunderkammer to World Wide Web: Picturing Place in the Post-Photographic Era 283 william j. mitchell Notes 305 Index 347 Figures 1.1 Henri Le Secq, ‘View between houses to the portal of the Cathedral’, Laon, France, 1851. 23 1.2 Gustave Le Gray, ‘La Petite Pierre Couverte’, Bagneaux, France, 1851. 25 1.3 Plate from Arcisse de Caumont, Cours d’Antiquités Monumentales: Atlas (Paris: 1830–41). 26 1.4 Map from Arcisse de Caumont, Cours d’Antiquités Monumentales: Atlas. 27 1.5 Henri Le Secq, ‘Tower of Kings, Reims Cathedral’, France, 1851. 46 1.6 Édouard Baldus, ‘Cloister of Saint-Trophîme’, Arles, France, 1851. 48 1.7 Gustave Le Gray and O. Mestral, ‘Ramparts and corner tower’, Carcassonne, France, 1851. 49 1.8 Gustave Le Gray, ‘Cloister of the Abbey Church of Saint-Pierre’, Moissac, France, 1851. 50 2.1 Charles Scrase Spencer Dickins, ‘Church of Trinità dei Monti from the top of the Hotel Europa’, Rome, 11 November 1856. 58 2.2 Charles Scrase Spencer Dickins, ‘Upper part of the Scala di Spagna and the Villa Medici from the third floor of the Hotel Europa’, Rome, 17 December 1856. 60 2.3 Charles Scrase Spencer Dickins, ‘Panoramic view from the Pincian Hill’, Rome, 1856–57. 61 2.4 Unidentified photographer, ‘View of the Roman Forum from the Capitol Hill’, Rome, c. 1870s. 64 2.5 Unidentified photographer, ‘Claudian Aqueduct’, Rome, c. 1870–80. 66 2.6 Fratelli Alinari, ‘The Fountain of Villa Medici on the Pincian Hill’, Rome, from Transformations: or, The Romance of Monte Beni, 1868. 69 2.7 Unidentified photographer, ‘Hilda’s Tower’, Rome, from Transformations: or, The Romance of Monte Beni, 1868. 70 2.8 Robert Macpherson, ‘Hilda’s Tower’, Rome, 1871. 71 3.1 John K. Hillers, ‘The canyon from the foot of Toroweep Valley’, Grand Canyon, Arizona, 1871–74. 77 3.2 Kolb Bros, ‘Grand Canyon’, Arizona, c. 1913. 79 3.3 Detroit Photographic Co., ‘Fog effects near Hotel El Tovar’, Grand Canyon of Arizona, 1905. 82 3.4 Keystone View Company, ‘Over all broods a solemn stillness – mists rising from the primeval deeps’, Grand Canyon National Park, c. 1926. 86 3.5 Martin Parr, ‘Grand Canyon’, Arizona, 1995. 93 viii Figures 4.1 Chambers family album, East Ham, London, 1930s. 100 4.2 Popkin family album, ‘Wedding Day’, London, 1950. 102 4.3 Chambers family album, ‘Father and child and Statue of Liberty’, 1956. 102 4.4 Chambers family album, ‘1950s suburban home’, Washington, DC, 1956. 104 4.5 Chambers family album, ‘Family car in the suburbs’, Washington, DC, 1956. 104 4.6 Chambers family album, ‘Mother and child feeding ducks in the park’, Washington, 1957. 106 5.1 Benjamin Brecknell Turner, ‘Bredicot Court’, Worcestershire, April 1852–54. 127 5.2 Philip H. Delamotte and Joseph Cundall, ‘Fountains Abbey’, from A Photographic Tour Among the Abbeys of Yorkshire, 1852. 128 5.3 W. H. Nicholl, ‘Crwmlyn Viaduct’, Monmouthshire, 8 August 1854. 130 5.4 Friedrich Raps, ‘Photographisches Gedenkblatt auf das Dombaufest am 15 Oktober 1863’. 134 5.5 Hermann Krone, ‘Prebischkegel’, Elbsandsteingebirge, Saxony, 1853–54. 136 6.1 Unidentified photographer, ‘Mountain, Wood and Stream – Scene on the Groote River, near Knysna’, from SAR&H Magazine, 1924. 151 6.2 Unidentified photographer, ‘The veld’, from SAR&H Magazine, 1925. 152 6.3 M. Edward and Tromp van Diggelen, ‘Rocks, Bush and Beauty’, from SAR & H Magazine, 1920. 154 6.4 Unidentified photographer, ‘Through the “Little Karoo” known as the Aangenaam Valley’, c. 1920. 156 6.5 Unidentified photographer, ‘Snow on the Hex River Mountains Photographed from passing train’, from SAR&H Magazine, 1922. 157 6.6 Fred H. Yeo, ‘Three Johannesburg Sunsets’, from SAR&H Magazine, 1921. 158 7.1 William James Topley, ‘Germans’, Quebec City, 1911. 165 7.2 Unidentified photographer, CNR photograph-dossier: Head of Family: Stefan Waskiewicz, Alberta. 167 7.3 Canadian immigration, 1852–1982. 171 7.4 Unidentified photographer, ‘Typical garments of the youth of rural Hungary’, from Canadian Geographical Journal, 1931. 175 7.5 John Woodruff, ‘Pure Russian, Jew, German’, 1908. 180 7.6 Unidentified photographer, ‘Some Types of the New-Comers’, from Canadian Courier, 1910. 181 7.7 Unidentified photographer, ‘CNR Community Progress Competition Judges’, c. 1930. 187 7.8 Unidentified photographer, CNR photograph-dossier: Head of Family: Jan Klopot- Makarczuk: Sergiej Klopot-Makarczuk, Saskatchewan. 188 7.9 Unidentified photographer, CNR photograph-dossier: Head of Family: Ignaty Zadorozny, Saskatchewan. 190 8.1 Maxime Du Camp, ‘Cour des Bubastites et entrée principale de la salle hypostyle, palais de Karnak, Thèbes’, from Égypte, Nubie, Palestine et Syrie, 1852. 203 8.2 Donald Sladen, ‘The Sûk-en-Nahassin, the most beautiful, romantic and medieval street in Cairo’, from Oriental Cairo, 1911. 221 Figures ix 9.1 James McDonald, ‘Members of the Sinai Survey’, 1868. 227 9.2 James McDonald, ‘Ecce Homo Arch’, 1864. 233 9.3 Title page from Ordnance Survey of the Peninsula of Sinai, 1869. 235 9.4 James McDonald, ‘Entering the Desert by Ayún Músa (Wells of Moses)’, 1868. 236 9.5 James McDonald, ‘View from Wady Ed-Deir’, 1868. 237 9.6 James McDonald, ‘Camp in Wady Ed-Deir’, 1868. 238 9.7 Unidentified photographer, stereoscopic view of model of Jebal Musa, 1869. 240 10.1 Ahmad Ali Khan, ‘Lieutenant and Mrs Lewin’, Lucknow, 1856–57. 247 10.2 Ahmad Ali Khan, ‘The Ommanney family, Mrs Kirk, and Miss White’, Lucknow, 1856–57. 248 10.3 Ahmad Ali Khan, ‘Mrs Kirk and her three daughters’, Lucknow, 1856–57. 249 10.4 Ahmad Ali Khan, ‘Postmortem portrait of the daughter of Captain and Mrs Hayes’, Lucknow, 1856–57. 253 10.5 Ahmad Ali Khan, ‘Hoosainabad Imambara’, Lucknow, 1856–57. 259 11.1 Captain W. A. D. Acland, ‘Fernwood figures’, Ambrym, New Hebrides, 1884? 267 11.2 Captain W. A. D. Acland, ‘Beach scene’, at Malakula, New Hebrides, 1884? 268 11.3 Captain W. A. D. Acland, ‘Beach scene’, at Malakula, New Hebrides’, 1884? 269 11.4 Captain W. A. D. Acland, ‘Tableau vivant’, Ravenga, Efate, New Hebrides, 1884? 271 11.5 Captain W. A. D. Acland, ‘Mauga Manuma and supporters on the quarterdeck of HMS Miranda’, off Pago Pago, Tutuila, Samoa, 18 November 1883. 274 11.6 Captain W. A. D. Acland, ‘Mauga Lei and supporters on the quarterdeck of HMS Miranda’, off Pago Pago, Tutuila, Samoa, 18 November 1883. 275 12.1 Image by Takehiko Nagakura and Haldane Liew, computer-synthesized interior view of Giuseppe Terragni’s unbuilt design for the Danteum. 292 12.2 Image by Shinsuke Baba and Takehiko Nagakura, produced by Takehiko Nagakura, computer-synthesized view of Le Corbusier’s unrealized project for the Palace of the Soviets. 294 12.3 Image by Franco Vairani, Xun Chen, Takehiko Nagakura and Hsu-Yuan Kuo, produced by Takehiko Nagakura, computer-synthesized view of the interior of Le Corbusier’s unfinished church at Firminy. 295 12.4 Image by Andrej Zarzycki, Takehiko Nagakura, Dan Brick and Mark Sich, produced by Takehiko Nagakura, computer-synthesized image of Vladimir Tatlin’s unrealized St Petersburg tower project (Monument to the Third International) digitally inserted into a photographic image of the present-day city. 296 table 7.1 Families settled by the CNR under the Railways Agreement 184

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