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Pick Me : Breaking Into Advertising and Staying There PDF

242 Pages·2005·2.26 MB·English
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ffirs.qxd 7/7/05 11:59 AM Page iii Pick Me Breaking into Advertising and Staying There Nancy Vonk and Janet Kestin John Wiley & Sons,Inc. ffirs.qxd 7/7/05 11:59 AM Page vi ffirs.qxd 7/7/05 11:59 AM Page i Pick Me ffirs.qxd 7/7/05 11:59 AM Page ii Adweek and Brandweek Books are designed to present interesting, insightful books for the general business reader and for professionals in the worlds of media,marketing,and advertising. These are innovative, creative books that address the challenges and opportunities of these industries,written by leaders in the business.Some of our writers head their own companies,others have worked their way up to the top of their field in large multinationals.But they share a knowledge of their craft and a desire to enlighten others. We hope readers will find these books as helpful and inspiring as Adweek,Brandweek,and Mediaweekmagazines. Published Disruption: Overturning Conventions and Shaking Up the Marketplace, by Jean-Marie Dru Under the Radar:Talking to Today’s Cynical Consumer, by Jonathan Bond and Richard Kirshenbaum Truth,Lies and Advertising:The Art of Account Planning,by Jon Steel Hey, Whipple, Squeeze This: A Guide to Creating Great Ads, by Luke Sullivan Eating the Big Fish: How Challenger Brands Can Compete Against Brand Leaders,by Adam Morgan Warp-Speed Branding:The Impact of Technology on Marketing,by Agnieszka Winkler Creative Company: How St. Luke’s Became “the Ad Agency to End All Ad Agencies,”by Andy Law Another One Bites the Grass:Making Sense of International Advertising, by Simon Anholt Attention! How to Interrupt, Yell, Whisper and Touch Consumers, by Ken Sacharin The Peaceable Kingdom: Building a Company without Factionalism, Fiefdoms,Fear,and Other Staples of Modern Businessby Stan Richards and David Culp Getting the Bugs Out: The Rise, Fall, and Comeback of Volkswagen in America,by David Kiley The Do-It-Yourself Lobotomy:Open Your Mind to Greater Creative Thinking, by Tom Monahan Beyond Disruption: Changing the Rules in the Marketplace by Jean-Marie Dru And Now a Few Laughs From Our Sponsor:The Best of Fifty Years of Radio Commercials,by Larry Oakner Sixty Trends in Sixty Minutes,by Sam Hill Leap:A Revolution in Creative Business Strategy,by Bob Schmetterer Buzz: Harness the Power of Influence and Create Demand, by Marian Salzman,Ira Matathia,and Ann O’Reilly Casting For Big Ideas:A New Manifesto for Agency Managers, by Andrew Jaffe Life After the 30-Second Spot:Energize Your Brand With Bold Alternatives to Traditional Advertising,by Joseph Jaffe ffirs.qxd 7/7/05 11:59 AM Page iii Pick Me Breaking into Advertising and Staying There Nancy Vonk and Janet Kestin John Wiley & Sons,Inc. ffirs.qxd 7/7/05 11:59 AM Page iv Copyright © 2005 by Janet Kestin and Nancy Vonk.All rights reserved. Published by John Wiley & Sons,Inc.,Hoboken,New Jersey. Published simultaneously in Canada. No part of this publication may be reproduced,stored in a retrieval system,or transmitted in any form or by any means,electronic,mechanical,photocopying, recording,scanning,or otherwise,except as permitted under Section 107 or 108 of the 1976 United States Copyright Act,without either the prior written permission of the Publisher,or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center,Inc.,222 Rosewood Drive, Danvers,MA 01923,(978) 750-8400,fax (978) 646-8600,or on the web at www.copyright.com.Requests to the Publisher for permission should be addressed to the Permissions Department,John Wiley & Sons,Inc.,111 River Street,Hoboken,NJ 07030,(201) 748-6011,fax (201) 748-6008. Limit of Liability/Disclaimer of Warranty:While the publisher and author have used their best efforts in preparing this book,they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose.No warranty may be created or extended by sales representatives or written sales materials.The advice and strategies contained herein may not be suitable for your situation.The publisher is not engaged in rendering professional services,and you should consult a professional where appropriate.Neither the publisher nor author shall be liable for any loss of profit or any other commercial damages,including but not limited to special, incidental,consequential,or other damages. For general information on our other products and services please contact our Customer Care Department within the United States at (800) 762-2974,outside the United States at (317) 572-3993 or fax (317) 572-4002. Wiley also publishes its books in a variety of electronic formats.Some content that appears in print may not be available in electronic books.For more information about Wiley products,visit our web site at www.Wiley.com. ISBN 13-978-0-471-71557-3 ISBN 10-0-471-71557-3 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ffirs.qxd 7/7/05 11:59 AM Page v To Lily and Devin,who keep it all in perspective ffirs.qxd 7/7/05 11:59 AM Page vi ftoc.qxd 7/7/05 11:57 AM Page vii Contents Foreword:Rick Boyko xiii Preface xv Acknowledgments xvii Who Wrote This Book:Bob Barrie,Rick Boyko,David Droga, Mark Fenske,Neil French,Sally Hogshead,Mike Hughes, Shane Hutton,Janet Kestin,Brian Millar,Tom Monahan, Chuck Porter,Bob Scarpelli,Chris Staples,Lorraine Tao, Nancy Vonk xix Introduction:The View from Down Here:Ignacio Oreamuno 1 PARTI Breaking into Advertising 1 Was I Really Put on This Earth to Do Ads? 5 If you can’t get an internship until after school,how can you know? / I really enjoy it,but sometimes I want to shoot myself. What do I do? / Am I talented enough for this industry? 2 School Daze 9 A CD told me my school is a waste of money.Why go to school at all? / What are great copywriting schools? / Do I need a pricey portfolio school for “polished”ads? Or would you hire me based on good,unpolished pieces? Mark Fenske: It’s all about the osmosis, baby. 3 What’s a Good Ad, Anyway? 15 Is reactionary advertising a good thing? Smart? Stupid? Evil? / Why do some award-winning ads not really say anything? / Do ads have to be hilarious to be effective? / Should ads be mostly in good taste or closer to the edge? / Shouldn’t ads portray good examples to kids and promote a healthy environment? / What do you think about sex in advertising? Brian Millar: How to do great creative work without being clever or talented. 4 Portfolio Preparation: Like Giving Birth, Only More Painful 28 I’m the star in most of my ads.Is this a bad thing? / As a writer, do I need tight comps in my book? / What’s the right number of ads to have in my book? / What are some products you like seeing ftoc.qxd 7/7/05 11:57 AM Page viii viii @ Contents in student books? / How do you feel about “leave-behinds”? / How do you know when your book’s ready? / How do you make your portfolio wow an audience? / After two years as an AD,how much of my book can still be spec? / How many media should I show in my book? / Do you have to understand an ad right away? / Is it best to show all campaigns? / Different CDs like different ads.Who do I listen to? Sally Hogshead: Don’t send a fake foot to “get your foot in the door,” and other things to consider when putting your portfolio together. 5 Getting a Job in This Lifetime: It Can Be Done 38 Every CD says,“Keep in touch.”Isn’t that BS? / Are Web portfolios as effective as sending your actual book? / Should you drop off your book completely unannounced? / How do you look for a job without your current employer finding out? / What chance does a junior have at a job in such tough times? / Is it plausible for a junior team to make a move together? / What are the best cities for cutting-edge advertising? / Should I hold out for good job out of school or take anything that moves? / How far is too far when trying to get a CD’s attention? How I Got My First Job, by Bob Barrie, Bob Scarpelli, Lorraine Tao, Nancy Vonk, Shane Hutton, Chris Staples, Janet Kestin, Mike Hughes, Rick Boyko, and Tom Monahan. 6 Internships: Purgatory, Rip-Off, or Free Education? 59 How do you make the most of an internship? / If I do too many internships,do I get labeled the cheap labor guy? / Where do you put internships on your resume? / As an intern,how can I set up real job interviews when I work all day? Shane Hutton: How can I exploit thee? Let me count the ways. 7 What Place Is Right for Me? 68 How can I find a nurturing environment instead of a backstabbing one? / Does your first job determine your career path? David Droga: My two Australian/Singaporean/English/ American cents/pence. PARTII You’re the Chosen One. Now What? 8 Money—Not That You Care about That 75 What’s the average salary for a creative director? / When do I ask for a raise—and how? / Do you think the big CD salaries are jus- tified? / Does a lack of TV experience affect your value? Chuck Porter: Money. How much? How soon?

Description:
Advertising is a fantastic industry, but actually getting a job (or even your foot in the door) can seem next to impossible. Whether you're a student or a young professional loaded with questions, this one-of-a-kind guide shows you how to land a job and how to thrive once you're in and the pressure
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.