Table Of Content

GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee oooooooooooooooooooooooooooooooooooooooooooooooo rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr gggggggggggggggggggggggggggggggggggggggggggggggg eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL ................................................ CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC oooooooooooooooooooooooooooooooooooooooooooooooo bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn oooooooooooooooooooooooooooooooooooooooooooooooo MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu ssssssssssssssssssssssssssssssssssssssssssssssss iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii cccccccccccccccccccccccccccccccccccccccccccccccc ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Across The Hot Sands March George L. Cobb Tempo di Marcia 1921                           Piano f                fz f          5                              mf                               9                                                 13                    f mf                              17 1. 2.                                             ff  ffz f                         Transcription by Tony Wilkinson 2016. 2 22                         ff                          28                       ffz                                      34        1.       2.      ffz                        39      o                     ri mf T 2nd time ff                                44                                                           50                                          3 56                                                             61                                                                66                            Fine                    71           f Drum and Fife                                  77                                                82            ff                                 D.S. Aggravation Rag George L. Cobb Not too fast 1910                              Piano f ff                        4                          ffz mf                          7                                              10                 ffz f                  14                                                                 Transcription by Tony Wilkinson 2015. 2 18 1. 2.                    ffz                               22                                  ff                              25                                                 28                                                               31                                    3 35  1. 2.                                           39                               mf                            43                    ffz f            47                                                                             51                        ffz                             4 55                         ffz o ri f mf T                   59 2nd time 8va.                         2nd time f                       62                                        65                                            68                                            72 1.  2.                         f ffz                            Alhambra One-Step George L. Cobb 1919                            Piano ff                 5                                          f                              10                                                  15                            ff cresc.            20 1.  2.                        ffz                             Transcription by Tony Wilkinson 2016. 2 23                       mf–ff                 27                                                  32                                                         37                                                             42                                           47                                                               52 1. 2.            f               ffz                            

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Cobb George Linus. Piano Music. 58 Scores with midi files (rags, marches, one or two-steps, novelettes, mood pieces and waltzes)58 Piano Pieces.193 pages of ragtime, marches, one or two-steps, novelettes, mood pieces and waltzes.All scores are edited and typesetted by Tony Wilkinson (see www.free.sc
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Piano Music. 58 Scores with midi files (rags, marches, one or two-steps, novelettes, mood pieces and waltzes) PDF

194 Pages·2016·3.29 MB·English
by  Cobb George Linus.
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Preview Piano Music. 58 Scores with midi files (rags, marches, one or two-steps, novelettes, mood pieces and waltzes)

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Cobb Tempo di Marcia 1921                           Piano f                fz f          5                              mf                               9                                                 13                    f mf                              17 1. 2.                                             ff  ffz f                         Transcription by Tony Wilkinson 2016. 2 22                         ff                          28                       ffz                                      34        1.       2.      ffz                        39      o                     ri mf T 2nd time ff                                44                                                           50                                          3 56                                                             61                                                                66                            Fine                    71           f Drum and Fife                                  77                                                82            ff                                 D.S. Aggravation Rag George L. Cobb Not too fast 1910                              Piano f ff                        4                          ffz mf                          7                                              10                 ffz f                  14                                                                 Transcription by Tony Wilkinson 2015. 2 18 1. 2.                    ffz                               22                                  ff                              25                                                 28                                                               31                                    3 35  1. 2.                                           39                               mf                            43                    ffz f            47                                                                             51                        ffz                             4 55                         ffz o ri f mf T                   59 2nd time 8va.                         2nd time f                       62                                        65                                            68                                            72 1.  2.                         f ffz                            Alhambra One-Step George L. Cobb 1919                            Piano ff                 5                                          f                              10                                                  15                            ff cresc.            20 1.  2.                        ffz                             Transcription by Tony Wilkinson 2016. 2 23                       mf–ff                 27                                                  32                                                         37                                                             42                                           47                                                               52 1. 2.            f               ffz                            

Description:
Cobb George Linus. Piano Music. 58 Scores with midi files (rags, marches, one or two-steps, novelettes, mood pieces and waltzes)58 Piano Pieces.193 pages of ragtime, marches, one or two-steps, novelettes, mood pieces and waltzes.All scores are edited and typesetted by Tony Wilkinson (see www.free.sc
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