ebook img

Physics in the Arts PDF

327 Pages·2008·5.533 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Physics in the Arts

Physics in the Arts WHAT IS THE COMPLEMENTARY SCIENCE SERIES? Wehopeyouenjoythisbook.Ifyouwouldliketoreadotherqualityscience books with a similar orientation see the order form and reproductions of the frontandbackcoversofotherbooksintheseriesattheendofthisbook. TheComplementaryScienceSeriesisanintroductory,interdisciplinary,and relativelyinexpensiveseriesofpaperbacksforscienceenthusiasts.Theseries covers core subjects in chemistry, physics, and biological sciences but often from an interdisciplinary perspective. They are deliberately unburdened by excessivepedagogy,whichisdistractingtomanyreaders,andavoidtheoften ploddingtreatmentinmanytextbooks. These titles cover topics that are particularly appropriate for self-study although they are often used as complementary texts to supplement stan- dard discussion in textbooks. Many are available as examination copies to professorsteachingappropriatecourses. Theserieswasconceivedtofillthegapsintheliteraturebetweenconventional textbooks and monographs by providing real science at an accessible level, withminimalprerequisitessothatstudentsatallstagescanhaveexpertinsight intoimportantandfoundationalaspectsofcurrentscientificthinking. Manyofthesetitleshavestronginterdisciplinaryappealandallhaveaplace onthebookshelvesofliteratelaypersons. Physics in the Arts P.U.P.A. Gilbert University of Wisconsin-Madison and W. Haeberli University of Wisconsin-Madison AMSTERDAM•BOSTON•HEIDELBERG•LONDON NEWYORK•OXFORD•PARIS•SANDIEGO SANFRANCISCO•SYDNEY•TOKYO ACADEMIC PRESS AcademicPressisanimprintofElsevier Thecoverimage,byPupaGilbert,capturesallthemainthemesofthisbook:light,color,color generatingmechanisms,photography,music,soundandwaves.Whitelightilluminating thesurfaceofacompactdiscisseparatedintothecolorsofthespectrum,andphotographed. MusicisrepresentedbytheCDitself,acommonmusicmedium,andasoundwave.This oscillationiscomputer-generated,andsimilartoasoundwavedetectedbyamicrophoneand displayedonthescreenofanoscilloscope. DevelopmentEditor:AnitaKoch AcquisitionEditor:JeanneLawson ProjectManager:ChristieJozwiak MarketingManager,US:LeahAckerson MarketingManager,UK:TimMoore CoverDesigner:DennisSchaefer ElsevierAcademicPress 30CorporateDrive,Suite400,Burlington,MA01803,USA 525BStreet,Suite1900,SanDiego,California92101-4495,USA 84Theobald’sRoad,LondonWC1X8RR,UK Thisbookisprintedonacid-freepaper. (cid:3)∞ Copyright(cid:3)c 2008,ElsevierInc.Allrightsreserved. Nopartofthispublicationmaybereproducedortransmittedinanyformorbyanymeans, electronicormechanical,includingphotocopy,recording,oranyinformationstorageand retrievalsystem,withoutpermissioninwritingfromthepublisher. PermissionsmaybesoughtdirectlyfromElsevier’sScience&TechnologyRights DepartmentinOxford,UK:phone:(+44)1865843830,fax:(+44)1865853333, E-mail:[email protected] viatheElsevierhomepage(http://elsevier.com),byselecting“CustomerSupport” andthen“ObtainingPermissions.” LibraryofCongressCataloging-in-PublicationData APPLICATIONSUBMITTED BritishLibraryCataloguinginPublicationData AcataloguerecordforthisbookisavailablefromtheBritishLibrary ISBN: 978-0-12-374150-9 ForallinformationonallElsevierAcademicPresspublications visitourWebsiteatwww.books.elsevier.com PrintedinCanada 08 09 10 9 8 7 6 5 4 3 2 1 (cid:2) Physics in the Arts P.U.P.A. Gilbert and Willy Haeberli University of Wisconsin-Madison Contents Introduction xi LightandSound.................................................. xi 1 Light and Light Waves 01 1.1 SpeedofLight.......................................... 05 1.2 ElectromagneticSpectrum............................... 06 1.3 Polarization............................................ 07 2 Reflection and Refraction 10 2.1 SpecularReflectionofLight............................. 10 2.2 RefractionofLight...................................... 14 2.3 TotalInternalReflection................................. 17 2.4 ReflectionandRefractioninDiamonds ................... 21 2.5 TheRainbow........................................... 25 2.6 Questions.............................................. 27 v vi Contents 3 Lenses 30 3.1 ThePrism.............................................. 30 3.2 ConvergingandDivergingLenses........................ 31 3.3 FocalLength........................................... 33 3.4 Images—RealandVirtual............................... 36 3.5 ThreeEasyRays........................................ 39 3.6 TheLensFormula...................................... 41 3.6.1 NoteonMagnification ............................ 45 3.7 LensAberrations....................................... 47 3.7.1 ChromaticAberrations............................ 48 3.7.2 SphericalAberration.............................. 49 3.8 Questions.............................................. 52 4 The Eye 56 4.1 Accommodation........................................ 58 4.2 Eyeglasses............................................. 60 4.3 NearsightedEye........................................ 61 4.4 FarsightedEye ......................................... 62 4.5 AstigmaticEye......................................... 62 5 Photography 63 5.1 TheCamera............................................ 63 5.2 FocusingtheCamera.................................... 64 5.3 ChoosingtheExposureTime............................. 67 5.4 ChoosingtheAperture.................................. 68 5.5 DepthofField.......................................... 69 5.5.1 WhythefNumber?............................... 70 5.6 TheFilm............................................... 71 5.7 DigitalPhotography..................................... 75 5.8 PuttingitAllTogether:TakingaPhotograph............... 76 5.9 Questions.............................................. 80 6 Color and Color Vision 82 6.1 Color.................................................. 82 6.2 ColorSensitivityoftheEye.............................. 84 6.3 PhysicalandPsychologicalColor ........................ 89 Contents vii 6.4 Color:Hue,Saturation,andBrightness.................... 90 6.5 LightInteractionwithotherObjects ...................... 92 6.6 ScatteringorDiffuseReflection.......................... 92 6.7 Questions.............................................. 98 7 Additive Color Mixing 99 7.1 PrimaryColors......................................... 99 7.2 AddingPrimaryColors.................................. 100 7.3 TheColorTriangle...................................... 103 7.4 Low-IntensityColors.................................... 107 7.5 SpectralColors......................................... 107 7.6 Non-SpectralColors.................................... 112 7.7 Summary.............................................. 113 7.8 AdditiveColorMixinginPainting........................ 114 7.9 Questions.............................................. 117 8 Subtractive Color Mixing 118 8.1 Filters................................................. 118 8.2 SubtractivePrimaryColors.............................. 120 8.2.1 Subtractiveprimaries.............................. 122 8.3 ColorPhotography...................................... 124 8.4 Pigments............................................... 125 8.5 ChangeinSaturation.................................... 128 8.6 WhyDoBlueandYellowMakeGreen?................... 130 8.7 ChangeinHue ......................................... 131 8.8 Questions.............................................. 134 9 Color-Generating Mechanisms 136 9.1 IlluminatingLight...................................... 136 9.2 Pigments............................................... 136 9.3 StructuralColor:Iridescence............................. 137 9.4 MoreColor-GeneratingMechanismsDuetoIridescence.... 139 9.5 ColorinGemstones..................................... 142 9.6 MineralColorDuetoChargeTransfer.................... 144 9.7 MineralColorDuetoColorCenters...................... 144 9.8 ColorinGemsDuetoBandGapAbsorptionofLight....... 145 viii Contents 10 Periodic Oscillations 148 10.1 DisplacementGraph:PositionxChangeswithTimet ...... 151 10.2 ThePeriodTandtheFrequencyf ........................ 153 10.3 LargeandSmallNumbers............................... 154 10.4 SpeedofMotion........................................ 154 10.5 Questions.............................................. 156 11 Simple Harmonic Motion 158 11.1 TheSpringConstant.................................... 160 11.2 OscillationFrequencyforSimpleHarmonicMotion(SHM). 161 11.3 WaveShapeofSimpleHarmonicMotion.................. 163 11.4 PhaseAngle............................................ 165 11.5 Questions.............................................. 166 12 Damped Oscillations and Resonance 168 12.1 DampedOscillations—TheConceptof“DampingTime”... 168 12.2 Resonance............................................. 170 12.3 Build-upDecayofMusicalTones........................ 175 12.4 ApplicationsinMusic................................... 175 12.4.1 ResonatorsinMusicalInstruments .................. 175 12.5 Questions.............................................. 177 13 Adding Sound Sources: Beats and Harmony 179 13.1 PrincipleofSuperposition............................... 179 13.2 ThreeSpecialCases..................................... 180 13.2.1 TwoPureTonesoftheSameFrequency.............. 180 13.3 Beats.................................................. 182 13.4 Harmony............................................... 184 13.5 FortheFunofIt:LissajousFigures....................... 185 13.6 Questions.............................................. 188 14 Sound Waves 190 14.1 PropagationofaPulse................................... 190 14.2 LongitudinalandTransverseWaves....................... 192 14.3 SoundWavesinAirAreLongitudinalWaves.............. 193 14.4 SpeedofSoundinAir................................... 195 Contents ix 14.5 WavelengthandFrequency .............................. 196 14.5.1 RelevancetoSizeofInstrumentsorLoudspeakers...... 197 14.6 SoundPropagation...................................... 198 14.7 InterferenceofSoundWaves............................. 199 14.8 ConcertHallAcoustics.................................. 201 14.9 Questions.............................................. 205 15 Sound Perception: Pitch, Loudness, and Timbre 206 15.1 LoudnessandAmplitude................................ 207 15.2 LoudnessandFrequency ................................ 210 15.3 PitchDiscrimination.................................... 213 16 The Ear 214 16.1 ThePartsoftheEar..................................... 214 16.2 PlaceTheoryofPitchPerception......................... 216 16.3 WhatDotheAuditoryNervesTelltheBrain?.............. 217 17 Vibration of Strings 220 17.1 SingleModes........................................... 220 17.2 HigherModes.......................................... 222 17.3 TravelingVersusStandingWaves......................... 223 17.4 TheVoicingFormula.................................... 225 17.5 HowDoModesRelatetoMusic?......................... 226 17.6 DampingofHigherPartials.............................. 227 17.7 PluckedStrings:MissingPartials......................... 227 17.8 PlayingHarmonics...................................... 228 17.9 RealStringsHaveSomeStiffness ........................ 228 17.10 Questions.............................................. 229 18 Pipes 231 18.1 PressurePulseinaPipe................................. 231 18.2 ReflectionsinOpenandClosedPipes..................... 232 18.2.1 BoundaryConditions ............................. 233 18.3 StandingWavesinOpenPipes........................... 233 18.4 FundamentalFrequencyofOpenPipe..................... 234 18.5 HigherModesofOpenPipe ............................. 235 18.6 FundamentalModeofClosedPipe ....................... 237

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.