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Photoshop Elements 7 top 100 simplified tips & tricks PDF

275 Pages·2009·45.117 MB·English
by  SheppardRob
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Preview Photoshop Elements 7 top 100 simplified tips & tricks

spine=.51 You already know Photoshop Elements is the book for you. Inside, you’ll find 7 basics. Now you’d like to go beyond clear, illustrated instructions for 100 with shortcuts, tricks, and tips that tasks that reveal cool secrets, teach let you work smarter and faster. And timesaving tricks, and explain great because you learn more easily tips guaranteed to make you more when someone shows you how, this productive with Photoshop Elements 7. PA d ho b oe ® t o s h o p ® How easy is it? E Look for these symbols marking the difficulty of each task. l e Demonstrates a new spin on a common task m 1. Minimal text and maximum illustrations Introduces a new skill or a new task 2. Task-oriented, step-by-step approach e 3. Navigational aids connect instructions to illustrations Combines multiple skills requiring in-depth knowledge n 4. Self-contained, two-page lessons 5. Uniform layout makes it easy to read less, learn more Requires extensive skill and may involve other technologies ts ISBN 978-0-470-43636-3 7 $24.99 US $29.99 CAN www.wiley.com/go/visual £16.99 UK Category: Sheppard Computer Graphics and Image Processing 0011__443366336633--ffffiirrss..iinndddd ii 33//1133//0099 77::1122::2288 PPMM by Rob Sheppard 0011__443366336633--ffffiirrss..iinndddd ii 33//1133//0099 77::1122::2288 PPMM Photoshop® Elements 7: Top 100 LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: Simplified® Tips & Tricks THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE Published by CONTENTS OF THIS WORK AND SPECIFICALLY Wiley Publishing, Inc. DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT 10475 Crosspoint Boulevard LIMITATION WARRANTIES OF FITNESS FOR A Indianapolis, IN 46256 PARTICULAR PURPOSE. NO WARRANTY MAY BE www.wiley.com CREATED OR EXTENDED BY SALES OR Published simultaneously in Canada PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE Copyright © 2009 by Wiley Publishing, Inc., Indianapolis, SUITABLE FOR EVERY SITUATION. THIS WORK IS Indiana SOLD WITH THE UNDERSTANDING THAT THE Library of Congress Control Number: 2009923967 PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. ISBN: 978-0-470-43636-3 IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE Manufactured in the United States of America SERVICES OF A COMPETENT PROFESSIONAL PERSON 10 9 8 7 6 5 4 3 2 1 SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES No part of this publication may be reproduced, stored in a ARISING HEREFROM. THE FACT THAT AN retrieval system or transmitted in any form or by any means, ORGANIZATION OR WEBSITE IS REFERRED TO IN electronic, mechanical, photocopying, recording, scanning or THIS WORK AS A CITATION AND/OR A POTENTIAL otherwise, except as permitted under Sections 107 or 108 of the SOURCE OF FURTHER INFORMATION DOES NOT 1976 United States Copyright Act, without either the prior MEAN THAT THE AUTHOR OR THE PUBLISHER written permission of the Publisher, or authorization through ENDORSES THE INFORMATION THE ORGANIZATION payment of the appropriate per-copy fee to the Copyright OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, IT MAY MAKE. FURTHER, READERS SHOULD BE 978-750-8400, fax 978-646-8600. Requests to the Publisher for AWARE THAT INTERNET WEBSITES LISTED IN THIS permission should be addressed to the Permissions Department, WORK MAY HAVE CHANGED OR DISAPPEARED John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ. 201-748-6011, fax 201-748-6008, or online at http://www. wiley.com/go/permissions. Trademark Acknowledgments FOR PURPOSES OF ILLUSTRATING THE CONCEPTS AND TECHNIQUES DESCRIBED IN THIS BOOK, THE AUTHOR HAS Wiley, the Wiley Publishing logo, Visual, the Visual logo, CREATED VARIOUS NAMES, COMPANY NAMES, MAILING, Simplified, Read Less - Learn More, and related trade dress are E-MAIL AND INTERNET ADDRESSES, PHONE AND FAX trademarks or registered trademarks of John Wiley & Sons, Inc. NUMBERS AND SIMILAR INFORMATION, ALL OF WHICH ARE and/or its affiliates. Adobe and Photoshop are registered FICTITIOUS. ANY RESEMBLANCE OF THESE FICTITIOUS trademarks of Adobe Systems, Inc. All other trademarks are the NAMES, ADDRESSES, PHONE AND FAX NUMBERS AND property of their respective owners. Wiley Publishing, Inc. is not SIMILAR INFORMATION TO ANY ACTUAL PERSON, COMPANY associated with any product or vendor mentioned in this book. AND/OR ORGANIZATION IS UNINTENTIONAL AND PURELY COINCIDENTAL. Contact Us For general information on our other products and services contact our Customer Care Department within the U.S. at 877- 762-2974, outside the U.S. at 317-572-3993, or fax 317-572- 4002. For technical support please visit www.wiley.com/techsupport. U.S. Sales Contact Wiley at (877) 762-2974 or fax (317) 572-4002. 0011__443366336633--ffffiirrss..iinndddd iiii 33//1133//0099 77::1122::3300 PPMM P V B RAISE FOR ISUAL OOKS “I have to praise you and your company on the “Like a lot of other people, I understand things fine products you turn out. I have twelve Visual best when I see them visually. Your books really books in my house. They were instrumental in make learning easy and life more fun.” helping me pass a difficult computer course. John T. Frey (Cadillac, MI) Thank you for creating books that are easy to follow. Keep turning out those quality books.” “I have quite a few of your Visual books and have Gordon Justin (Brielle, NJ) been very pleased with all of them. I love the way the lessons are presented!” “What fantastic teaching books you have Mary Jane Newman (Yorba Linda, CA) produced! Congratulations to you and your staff. You deserve the Nobel prize in Education. Thanks “Thank you, thank you, thank you...for making it for helping me understand computers.” so easy for me to break into this high-tech world.” Bruno Tonon (Melbourne, Australia) Gay O’Donnell (Calgary, Alberta,Canada) “A Picture Is Worth A Thousand Words! If your “I write to extend my thanks and appreciation for learning method is by observing or hands-on your books. They are clear, easy to follow, and training, this is the book for you!” straight to the point. Keep up the good work! I Lorri Pegan-Durastante (Wickliffe, OH) bought several of your books and they are just right! No regrets! I will always buy your books “Over time, I have bought a number of your ‘Read because they are the best.” Less - Learn More’ books. For me, they are THE Seward Kollie (Dakar, Senegal) way to learn anything easily. I learn easiest using your method of teaching.” “I would like to take this time to thank you and José A. Mazón (Cuba, NY) your company for producing great and easy-to- learn products. I bought two of your books from a “You’ve got a fan for life!! Thanks so much!!” local bookstore, and it was the best investment Kevin P. Quinn (Oakland, CA) I’ve ever made! Thank you for thinking of us ordinary people.” “I have several books from the Visual series and Jeff Eastman (West Des Moines, IA) have always found them to be valuable resources.” Stephen P. Miller (Ballston Spa, NY) “Compliments to the chef!! Your books are extraordinary! Or, simply put, extra-ordinary, “I have several of your Visual books and they are meaning way above the rest! THANKYOU the best I have ever used.” THANKYOU THANKYOU! I buy them for friends, Stanley Clark (Crawfordville, FL) family, and colleagues.” Christine J. Manfrin (Castle Rock, CO) 0011__443366336633--ffffiirrss..iinndddd iiiiii 33//1133//0099 77::1122::3300 PPMM CREDITS Sr. Acquisitions Editor Sr. Project Coordinator Jody Lefevere Kristie Rees Project Editor Layout Sarah Hellert Carrie A. Cesavice Andrea Hornberger Technical Editor Dennis R. Cohen Graphics Ana Carrillo Copy Editor Ronda David-Burroughs Scott Tullis Quality Control Technician Editorial Manager Amanda Graham Robyn Siesky Proofreader Editorial Assistant Christine Sabooni Laura Sinise Indexer Business Manager Broccoli Information Management Amy Knies Vice President and Executive Sr. Marketing Manager Group Publisher Sandy Smith Richard Swadley Vice President and Executive Publisher Barry Pruett Composition Director Debbie Stailey ABOUT THE AUTHOR Rob Sheppard is the author/photographer of more than 25 books, a well-known speaker and workshop leader, and is editor-at-large and columnist for the prestigious Outdoor Photographer magazine. As author/photographer, Sheppard has written hundreds of articles about photography and nature, plus books ranging from guides to photography such as Digital Photography: Top 100 Simplified Tips & Tricks, 3rd edition, to books about Photoshop including Adobe Camera Raw for Digital Photographers Only and Outdoor Photographer Landscape and Nature Photography with Photoshop CS2. His Web site is at www.robsheppardphoto.com and his blog is at www.photodigitary.com. 0011__443366336633--ffffiirrss..iinndddd iivv 33//1133//0099 77::1122::3300 PPMM H T U T B OW O SE HIS OOK Photoshop® Elements 7: Top 100 Simplified® Tips & Tricks includes 100 tasks that reveal cool secrets, teach timesaving tricks, and explain great tips guaranteed to make you more productive with Elements. The easy-to-use layout lets you work through all the tasks from beginning to end or jump in at random. Who is this book for? You already know Elements basics. Now you’d like to go beyond, with shortcuts, tricks and tips that let you work smarter and faster. And because you learn more easily when someone shows you how, this is the book for you. Conventions Used In This Book 33 1Thi sS bteopoks uses step-by-step AlSowigrotr homsttinom.egm tTe.i emhsRte ieeymrsgoe eau tasrhrrd epetlh e iccmesats umap,r nhyeeyoo r mtauro e amgeayrnsaa odbkpn eehus seps wria m w shmpieyttlh iysst h tattaio hskpoe eic c adctinanuam rrehkexea otprpharop a stetoun or.e , dbfusoooesrmice niastgeu s tn sthooheirtni i syggm oil natuaoyat wtelw erair lodls rwjonku ho tswtihtc maibhtteh e a Pnuwdhtsjh ouipnetsuogntrsm ptchhoeooesnmp et am .Eyd lYouejuounmus iccte maahnrtoteiesonn sgshtei aml aspy elyr 1122 12● CLLmalLCTaaeadhllyaiiyyvjecceukeeekk risnrrl n st saOte.img hcppwK eopeaa nnenwalAe adtydatisrt jtnj.suheu dso.isnt tumsm ett heleenenc ttt 44 needs immediate correction, either making it brighter between layers, which is what layer blending modes or making it darker. do. When you first open the blending modes, you see instructions to guide you easily Pdanho otathdoijssuh isontp mi tEes lnelatm ylaeeyrn etbsrl etgoniv dyeinosug y rmo puoh daoentos ig.n rYtaeopruhe s.n teIitne gdre ttaoolol yal dtod atSw clrooe nkegen yl.i smt —od eigsn foorre p thhootsoeg rcahpohiceerss ,a Mndu lctiopnlyc eanntdra te on through each task. Numbered 33 3 Cdboyli cwdkne tf hamuee ltbn.lue,n wdihnigch m soaydse sN dorrompa-l callouts on every screen shot show 11 12 CsCaedllliijeccuckks ttAO mLdKeejv unwestltisstm..hoenutt Lmaaykeirn igc oann ya nd 44 4 TaCbhlioeck uw tS hocorneleee nfp-.shtootpo. lightens by you exactly how to perform each 22 ● Taphpe enaerws i na dthjues tLmayeenrts lpayaelert te. task, step by step. 11 2Pra cTtiicpasl tips provide insights 44 33 34 CdbTaCbhoyllii oeccwdkk uwne ttMf hhamououene llletebtn.i lpufpe-l,snhy twd.ooithpnoi.gc dh ma sroakeydsne ssN bdoyrro mpa-l CTsrpseuphraaobeeulbcsslyittelfei iit ccombua ltninesem! n ahfadonegirdlne pg gs co,w h mobahduolel tedne tnex hygspeo eoayuss r seuwrhu rneointo.hu i T lndht eoy MNuNupssaooeuroiitss asrSeel elco ycir fs ea Ow tenahepnl ewbl tl a eaiihmso yai sdana p dgisbnree!lo en.a bn B ilpdneeii mccntathgu uew rsm ehde oe baSdnrucke trey e.io ssetu n DNaYHdnooeoiyud iwht h ceaeYoeivvtnreoeh t Sreura,co rn t rlhKues ie semnoe nlotp a htnwoyheoerertr?r mast hMn tatohu nrcal totyoi pnotnhltuy reo o dhyrl oaaotv hffneffae.o tc tt. 22 not be used as a habit because brightens those dark areas, it also you can use, Opacity. With Opacity, they can only fix limitations in the often reveals noise. That is not a you can reduce the effect of Screen picture and not capture what was problem of Screen, but a fact of life or Multiply as you reduce the to save you time and trouble, originally in the scene. for digital photography. opacity. caution you about hazards to avoid, Chapter 5: Create Adjustment Layers for Nondestructive Changes and reveal how to do things in Elements that you never thought possible! 3 Task Numbers Task numbers from 1 to 100 indicate which lesson you are working on. 4 Difficulty Levels For quick reference, the symbols Demonstrates a new spin on a below mark the difficulty level of common task each task. Introduces a new skill or a new task Combines multiple skills requiring in-depth knowledge Requires extensive skill and may involve other technologies 0011__443366336633--ffffiirrss..iinndddd vv 33//1133//0099 77::1122::3300 PPMM Table of Contents 1 Organize and Prepare Photos for Processing #1 Develop a Workflow 4 #2 Import Your Images 6 #3 Sort the Good Pictures from the Bad 10 #4 Create Albums to Group Your Pictures 12 #5 Use Keywords to Tag Your Images 14 #6 Change the Organizer Interface As Needed 18 #7 Set Preferences to Make Organizer Work for You 20 #8 Back Up Your Pictures to Protect Them 22 2 Start Adjusting Your Images in Photoshop Elements #9 Open Pictures and Use Save As 26 #10 Make the Editor Interface Your Own 28 #11 Set Preferences to Make Editor Work for You 30 #12 Experiment to Learn More about Controls 32 #13 You Cannot Hurt Your Pictures 34 #14 Crop Your Photos for Tighter Shots 36 #15 Fix and Rotate Crooked Pictures 38 #16 Use Guided Edit to Help You Learn the Program 40 #17 Set Blacks and Whites with Levels 42 #18 Adjust Your Midtones with Levels 44 #19 Adjust Your Midtones with Color Curves 46 #20 Quickly Adjust Dark Shadows and Bright Highlights 48 #21 Correct Color to Remove Color Casts 50 #22 Enhance Color with Hue/Saturation 52 #23 Use Quick Edit to Work Fast 54 vi 0022__443366336633--ffttoocc..iinndddd SSeecc22::vvii 33//1133//0099 77::1133::4444 PPMM 3 Work with RAW Photos in Photoshop Elements #24 Change Images Nondestructively 58 #25 Crop Your Photos to Start Your Processing 60 #26 Adjust Blacks and Whites to Give a Photo Strength 62 #27 Adjust Midtones to Make Tonalities Light or Dark 64 #28 Correct Color to Clean Up Color Casts 66 #29 Use Vibrance and Clarity to Intensify Images 68 #30 Sharpen Photos with Precision 70 #31 Control Noise in Your Photo 72 #32 Apply Adjustments to Multiple Photos 74 #33 Move Your Picture to Photoshop Elements 76 4 Choose Local Control Features #34 Create and Use a Selection 80 #35 Use Marquee Tools for Specific Shapes 82 #36 Use Lasso Tools to Follow Picture Elements 84 #37 Use Automated Tools for Easy Selections 86 #38 Expand or Contract Your Selection 88 #39 Select What Is Easy and Invert 90 #40 Blend Edges by Feathering 92 #41 Use Selections for Traditional Edge Darkening 94 #42 Use the Smart Brush for Specific Area Fixes 96 vii 0022__443366336633--ffttoocc..iinndddd SSeecc22::vviiii 33//1133//0099 77::1133::4466 PPMM Table of Contents 5 Create Adjustment Layers for Nondestructive Changes #43 Understand How Layers Work 100 #44 Understand How Adjustment Layers Work 102 #45 Work Blacks and Whites with a Levels Adjustment Layer 106 #46 Work Midtones with a Levels Adjustment Layer 108 #47 Correct Color with an Adjustment Layer 110 #48 Enhance Color with an Adjustment Layer 112 #49 Fix Problem Exposures with Layer Blending Modes 114 #50 Understand How Layer Masks Work 116 #51 Remove Adjustments with Black 118 #52 Add Adjustments Using Black and Then White 120 #53 Combine Layer Masks with Selections 124 #54 Balance Colors and Tones in a Picture 126 #55 Bring Out Shadow Detail in Specific Areas 128 #56 Darken Highlight Detail in Specific Areas 130 #57 Add a Graduated Filter Effect 132 #58 Flatten Layers When Done 134 6 Solve Photo Problems #59 Clone Out Problems 138 #60 Remove People from a Scene with Photomerge 142 #61 Fix Problems Due to Lens Distortion 144 #62 Fix Perspective Problems with Building Photographs 146 #63 Make an Out-of-Focus Background 148 #64 Remove Distracting Colors 150 #65 Improve Blank Skies 152 #66 Concentrate Attention with Gaussian Blur 156 #67 Add a New Background for Your Subject 158 viii 0022__443366336633--ffttoocc..iinndddd SSeecc22::vviiiiii 33//1133//0099 77::1133::4488 PPMM

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