Photography Week - 11 August 2022

32 Pages·2022·32.7 MB·English

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C O N T E N T S

FIND OUT WHAT’S INSIDE THIS ISSUE
N E WS
FE AT U R E
SAMYANG ANNOUNCES
AF 85MM F1.4 FE II
New lens is an affordable portrait
option for Sony full-frame bodies
FE AT U R E
LIFE IN THE FAST LANE
A pro shares his tips for capturing
high-octane motorsports shots
P H OTO S
GALLERY
Our pick of the best reader
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I N S P I R AT I O N
SHOOTING STARS
NASA reveals the winners of its
Photographer of the Year awards
C R A S H CO U R S E
MAKE A MOBILE STUDIO
P H OTO S I N S P I R AT I O N
Use backdrops and flash to
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P H OTO S H O P
HISTORY LESSON
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C R A S H CO U R S E P H OTO S H O P
JUS T
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N E W S
W H A T ’ S H O T
THE WEEK’S TOP HEADLINES IN PHOTOGRAPHY
S A M YA N G A N N O U N C E S 8 5M M
F/ 1 . 4 F O R S O N Y E-M O U N T
New full-frame optic is less than half the price of its Sony equivalent
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amyang has announced its change the function assigned to the result in an ‘onion ring’ bokeh effect.
S
second-generation 85mm f/1.4 (cid:26)(cid:410)(cid:376)(cid:395)(cid:325)(cid:309)(cid:3)(cid:132)(cid:437)(cid:284)(cid:395)(cid:207)(cid:280)(cid:216)(cid:3)(cid:437)(cid:284)(cid:395)(cid:280)(cid:3)(cid:309)(cid:325)(cid:371)(cid:229)(cid:3)(cid:252)(cid:410)(cid:313)(cid:207)(cid:395)(cid:284)(cid:325)(cid:313)(cid:376)(cid:3)(cid:376)(cid:229)(cid:395)(cid:3) Autofocus performance is said to
autofocus optic for full-frame to be added via future firmware updates. be improved relative to the original AF
Sony E-mount cameras. The AF 85mm The FE II lens is also smaller and lighter 85mm f/1.4 lens, with special attention
F1.4 FE II, which will carry the Rokinon than the original version. paid to minimising vibration and noise
branding in the US, incorporates two Ideal for portraiture and general from the Linear Stepping Motor during
new features: a Focus Hold button and shooting, the lens incorporates four video shooting. Manual focusing should
(cid:177)(cid:420)(cid:26)(cid:410)(cid:376)(cid:395)(cid:325)(cid:309)(cid:3)(cid:132)(cid:437)(cid:284)(cid:395)(cid:207)(cid:280)(cid:355) (cid:66)(cid:284)(cid:269)(cid:280)(cid:420)(cid:127)(cid:229)(cid:252)(cid:371)(cid:177)(cid:207)(cid:395)(cid:284)(cid:436)(cid:229)(cid:3)(cid:229)(cid:300)(cid:229)(cid:309)(cid:229)(cid:313)(cid:395)(cid:376)(cid:3)(cid:177)(cid:313)(cid:218)(cid:3)(cid:325)(cid:313)(cid:229)(cid:3)(cid:41)(cid:443)(cid:395)(cid:371)(cid:177)(cid:283) also be easy and precise thanks to the
The Focus Hold button will keep the Low Dispersion element to increase micro-patterned rubber focus ring, while
lens locked to a preset focus distance, sharpness and contrast. Attractive weather seals in seven areas protect the
(cid:437)(cid:280)(cid:284)(cid:300)(cid:229)(cid:3)(cid:395)(cid:280)(cid:229)(cid:3)(cid:313)(cid:229)(cid:437)(cid:300)(cid:444)(cid:3)(cid:284)(cid:313)(cid:395)(cid:229)(cid:269)(cid:371)(cid:177)(cid:395)(cid:229)(cid:218)(cid:3)(cid:26)(cid:410)(cid:376)(cid:395)(cid:325)(cid:309)(cid:3) bokeh is promised, in part due to the lens from light rain, snow and dust.
Switch enables silent adjustment of absence of any aspherical elements in The lens is priced at £767 / $799 –
the aperture by rotating the focus ring. the construction; according to Samyang, that’s less than half the price of Sony’s
Samyang’s optional Lens Station can including an aspherical element would own FE 85mm f/1.4 GM.
F E A T U R E
PRO THE NEED APPRENTICE
ROB GRAY PHIL PERRY
CAMERA: CAMERA:
CANON EOS R3 & R5 CANON EOS R5
Rob started his Phil is a healthcare
FOR SPEED
photography journey relationship manager
in(cid:420)2013, picking up an with a high street bank.
entry-level Canon EOS (cid:70)(cid:313)(cid:420)(cid:280)(cid:284)(cid:376)(cid:3)(cid:376)(cid:350)(cid:177)(cid:371)(cid:229)(cid:3)(cid:395)(cid:284)(cid:309)(cid:229)(cid:216)(cid:3)(cid:280)(cid:229)(cid:3)
550D as a way to shoot loves to photograph
his hobby of motorsport motorsports, and has
events. He’s since recently upgraded to a
turned his passion into Canon EOS R5. He wants
Pro motorsports photographer
a pro career, graduating some tips to help him
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from shooting the UK (cid:269)(cid:229)(cid:395)(cid:3)(cid:395)(cid:280)(cid:229)(cid:3)(cid:309)(cid:325)(cid:376)(cid:395)(cid:3)(cid:325)(cid:410)(cid:395)(cid:420)(cid:280)(cid:284)(cid:376)(cid:3)(cid:313)(cid:229)(cid:437)(cid:3)
domestic racing scene (cid:207)(cid:177)(cid:350)(cid:395)(cid:410)(cid:371)(cid:284)(cid:313)(cid:269)(cid:3)(cid:218)(cid:371)(cid:177)(cid:309)(cid:177)(cid:395)(cid:284)(cid:207)(cid:3)(cid:376)(cid:280)(cid:325)(cid:395)(cid:376)(cid:3)(cid:325)(cid:252)(cid:3) (cid:207)(cid:177)(cid:309)(cid:229)(cid:371)(cid:177)(cid:216)(cid:3)(cid:376)(cid:325)(cid:3)(cid:437)(cid:229)(cid:420)(cid:350)(cid:177)(cid:284)(cid:371)(cid:229)(cid:218)(cid:3)(cid:280)(cid:284)(cid:309)(cid:3)
to jetting off to Moto GP up with Rob at the UK’s
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races all over the world, Donington Park Circuit
as well as running his to take some fast and
online Speed of Light furious motorbike photos.
Academy.
https://bit.ly/3cLQpMh
F E A T U R E
TECHNIQUE ASSESSMENT
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MANUAL MODE
To begin, Rob told Phil to
set his Canon EOS R5 to
Manual mode so that he
could take full control of
exposure. The first setup
was all about using fast
shutter speeds to make
sure the riders were pin-
sharp, so Rob suggested a
shutter speed of 1/500 sec
and an aperture of f/4 to let
in plenty of light. Phil also
switched on Auto ISO, so
there was one less exposure
setting to worry about,
enabled raw image quality,
and selected the fastest
burst rate.
AUTOFOCUS
Next, Rob set Phil’s EOS R5
to its Servo autofocus mode
so that the camera would
continually refocus – a must
for fast-moving subjects
such as motorbikes. He then
went into the autofocus
options by pressing the
Menu butto,n and set the
Servo AF to Case 3, which is
better suited to motorbikes
and other speedy subjects.
F E A T U R E
EXPERT INSIGHT
MAKE YOUR SPACE ACTIVE
How much space you leave around your subject, and LENS 400mm f/2.8
where, determines whether that space feels ‘active’ or EXPOSURE 1/250 sec, f/3.5, ISO100
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travelling into – composing to make sure there is a good
amount of room in front of them to move into generally
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dead space behind the rider.
HOT SHOT
#1
PHIL’S COMMENT
I met up with Rob at the Donington Park Circuit on a
motorbike track day. The weather was overcast, although
Rob explained that this was perfect for our shots as we’d
have even lighting, with the clouds acting as a large softbox
in the sky. Once we’d gone through the safety briefing and
basic camera settings, we headed trackside, and Rob lent
me his old Canon EF 400mm f/2.8L IS II USM for the day,
which I was very excited to use. For our initial setup we were
shooting the riders coming out of the Melbourne Hairpin
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to freeze the action. I love this shot because you can see
the rider’s face through the visor, and the look of intense
concentration on his face.
F E A T U R E
LENS 70-200mm f/2.8
EXPERT INSIGHT
EXPOSURE 1/80 sec, f/14, ISO100
PANNING SPEED
To achieve perfect pans, you
need to ensure that you’re
tracking your subject at
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moving. With a shutter speed
of 1/4000 sec, the rider was
frozen pin-sharp, and the
frame looks too static and
stationary. Extending the
shutter speed to 1/20 sec
captured too much motion,
and both the rider and
background came out blurry.
A shutter speed of 1/100
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speed at which these riders
were travelling, creating a
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background while keeping
the rider pin-sharp.
TOO SLOW
TOO FAST
PRO TIP
INCLUDE YOUR
ENVIRONMENT HOT SHOT
Safety barriers will inevitably #2
SPOT ON!
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some point, but Rob says
you can use this as a positive,
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PHIL’S COMMENT
a way to incorporate them
into your frame. For this shot Rob was keen to show me how to pan, which is where you
of the riders coming around
follow the bike through the viewfinder at the same speed at
the hairpin, the barrier
which it’s travelling, using a slower shutter speed, to capture
adds some colourful blue
shots where the bike is sharp and the background is blurred.
foreground interest, which
adds depth and has been (cid:70)(cid:3)(cid:376)(cid:437)(cid:284)(cid:395)(cid:207)(cid:280)(cid:229)(cid:218)(cid:3)(cid:325)(cid:436)(cid:229)(cid:371)(cid:3)(cid:395)(cid:325)(cid:3)(cid:177)(cid:3)(cid:384)(cid:456)(cid:283)(cid:406)(cid:456)(cid:456)(cid:309)(cid:309)(cid:3)(cid:300)(cid:229)(cid:313)(cid:376)(cid:3)(cid:177)(cid:313)(cid:218)(cid:3)(cid:252)(cid:284)(cid:443)(cid:229)(cid:218)(cid:3)(cid:395)(cid:280)(cid:229)(cid:420)(cid:70)(cid:132)(cid:107)(cid:3)(cid:395)(cid:325)(cid:3)
nicely blurred with a wide 100, then increased the aperture to f/14 to give me a shutter
aperture.
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panning blur. It took a while to get used to tracking at the
same speed as the bikes but, with practice, I was able to get
this shot. I wanted to get one rider on their own for a simple
uncluttered composition, and this red bike really pops out
of the frame. Using a monopod helped keep me to keep my
camera steady while panning.
F E A T U R E
LENS 400mm f/2.8
EXPERT INSIGHT
EXPOSURE(cid:3)(cid:334)(cid:120)(cid:334)(cid:389)(cid:456)(cid:456)(cid:3)(cid:376)(cid:229)(cid:207)(cid:216)(cid:3)(cid:252)(cid:120)(cid:400)(cid:355)(cid:406)(cid:216)(cid:3)(cid:70)(cid:132)(cid:107)(cid:265)(cid:456)(cid:456)
VEHICLE TRACKING
Rob’s Canon EOS R3 has a new
vehicle subject-tracking AF mode,
which makes autofocusing on fast
motorbikes an absolute breeze. It’s
been programmed to recognise racing
cars and bikes, and locks on to riders’
helmets where possible to make sure
these are totally sharp. This feature is
also now available for Phil’s EOS R5, so
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able to make use of it too.
PRO TIP
LEAD-IN LINES
For wider contextual shots, the same rules apply as
for(cid:420)conventional landscapes, such as using the rule of
HOT SHOT
thirds or lead-in lines. Get creative, and use the vibrant
rumble strips, track markings or horizon as strong lines
to guide the viewer’s eye towards your subject, and try
#3
to(cid:420)capture one single rider on their own for an obvious
focal point the viewer can lock on to.
ROB’S COMMENT
We headed over to the Dunlop Straight going into the
Fogarty Esses, where the riders can build up a lot of speed
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(cid:376)(cid:350)(cid:325)(cid:395)(cid:216)(cid:3)(cid:198)(cid:229)(cid:207)(cid:177)(cid:410)(cid:376)(cid:229)(cid:3)(cid:444)(cid:325)(cid:410)(cid:3)(cid:207)(cid:177)(cid:313)(cid:3)(cid:325)(cid:252)(cid:395)(cid:229)(cid:313)(cid:3)(cid:207)(cid:177)(cid:395)(cid:207)(cid:280)(cid:3)(cid:395)(cid:280)(cid:229)(cid:420)(cid:371)(cid:284)(cid:218)(cid:229)(cid:371)(cid:376)(cid:3)(cid:269)(cid:229)(cid:395)(cid:395)(cid:284)(cid:313)(cid:269)(cid:3)
up to speed and pulling a wheelie, which makes for an
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subject movement, to make sure everything was pin-sharp,
which meant boosting the ISO to 400. The East Midlands
Airport is also in the background, and I was super-lucky to
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they’re racing each other!