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p hotographs london 21 may 2015 UK_PHOTO_MAY15_COVER.indd 6 23/04/15 14.14 UK_PHOTO_MAY15_IFC+IBC.indd 2 23/04/15 14.15 UK_PHOTO_MAY15_IFC+IBC.indd 1 23/04/15 08.49 UK_PHOTO_MAY15_2-59_BL.indd 2 23/04/15 08.43 PHOTOGRAPHS Sale information LOndOn 21 MAY 2015 4PM AuctiOn & Viewing LOcAtiOn phOtOgrAphS DepArtment 30 Berkeley Square, London W1J 6EX +44 20 7318 4092 AuctiOn heAD OF phOtOgrAphS, LOnDOn 21 May at 4pm Lou Proud [email protected] Viewing 15 – 21 May SeniOr DirectOr AnD wOrLDwiDe heAD Monday – Saturday 10am - 6pm Vanessa Hallett Sunday 12pm - 6pm [email protected] SALe DeSignAtiOn SpeciALiStS When sending in written bids or making enquiries Yuka Yamaji please refer to this sale as UK040115 or Photographs. [email protected] ABSentee AnD teLephOne BiDS Alexandra Bibby tel +44 20 7318 4045 fax +44 20 7318 4035 [email protected] [email protected] ADminiStrAtOr Sophie Busby [email protected] Front cover Pieter Hugo, Mallam Mantari Lamal with Mainasara, Nigeria from The Hyena and Other Men, 2005, lot 41 (detail) Back cover Ori Gersht, Wildflowers from Flowers, 2004, lot 37 (detail) Opposite Herb Ritts, Versace Dress, Back View, El Mirage, 1990, lot 23 (detail) UK_PHOTO_MAY15_2-59_BL.indd 3 23/04/15 08.43 1 2 Miles Aldridge b. 1964 MArio TesTino b. 1954 A Dazzling Beauty #4, 2008 Kate Moss, for British Vogue, October, 2008 Chromogenic print. Archival pigment print from The Kate Moss Portfolio, printed 2010. 66 x 100 cm (25 7/8 x 39 3/8 in.) 66.8 x 49.9 cm (26 1/4 x 19 5/8 in.) Signed in ink, printed title, date and number 10/10 on an artist’s label Signed and numbered 9/30 in ink on the verso. afxed to the reverse of the fush-mount. Estimate £12,000-18,000 $17,900-26,900 €16,600-24,900 ♠ Estimate £4,000-6,000 $6,000-9,000 €5,500-8,300 ♠ provenance provenance Danziger Gallery, New York Private Collection, London literature literature British Vogue, October 2008, ‘Hope & Glory’, p. 320 Miles Aldridge: I Only Want You to Love Me, New York: Rizzoli, Kate Moss by Mario Testino, Cologne: Taschen, 2010, n.p. 2013, pp. 50-51 UK_PHOTO_MAY15_2-59_BL.indd 4 23/04/15 08.43 UK_PHOTO_MAY15_2-59_BL.indd 5 23/04/15 08.55 3 4 Helmut NewtoN 1920-2004 SaNte D’orazio b. 1956 Sylvia in my studio, Paris, 1981 Christy Turlington, Panoramic View Hotel, Montauk, 1993 Gelatin silver print. Gelatin silver print, mounted. 23.5 x 22.7 cm (9 1/4 x 8 7/8 in.) 89.8 x 122.9 cm (35 3/8 x 48 3/8 in.) Signed by the artist, titled, dated in an unidentifed hand, all in ink and Estimate £7,000-9,000 $10,500-13,500 €9,700-12,400 ‡ ‘Paris, France’ copyright credit reproduction limitation stamp on the verso. provenance Estimate £7,000-9,000 $10,500-13,500 €9,700-12,400 ‡ Acquired directly from the artist provenance literature Private Collection, New York Sante D’Orazio: Private View, New York: Penguin Studio, 1998, pp. 32-33 literature Z. Felix, ed., The Best of Helmut Newton, New York: Thunder’s Mouth Press, 1996, pl. 63 M. Heiting, ed., Helmut Newton: Work, Cologne: Taschen, 2000, p. 206 Helmut Newton: Private Property, Munich: Schirmer/Mosel, 2003, pl. 31 Helmut Newton: Big Nudes, Munich: Schirmer/Mosel, 2004, cover (detail) UK_PHOTO_MAY15_2-59_BL.indd 6 23/04/15 08.43 4 5 5 Helmut NewtoN 1920-2004 Untitled, Paris, U.S. Vogue, (Two pairs of legs), 1995 Polaroid print. Overall 12 x 13 cm (4 3/4 x 5 1/8 in.) Signed in pencil in the margin; signed, titled and dated in pencil on the verso. Estimate £3,000-5,000 $4,500-7,500 €4,100-6,900 ‡ provenance Hamiltons Gallery, London UK_PHOTO_MAY15_2-59_BL.indd 7 23/04/15 08.43 6 RichaRd avedon 1923-2004 Nastassja Kinski and the Serpent, Los Angeles, California, June 14, 1981 Gelatin silver print. 73.7 x 109.8 cm (29 x 43 1/4 in.) Signed, numbered 41/200 in pencil on the mount and overmat; copyright credit reproduction limitation, title, date and edition stamps on reverse of the mount. Estimate £40,000-60,000 $59,800-89,700 €55,300-82,900 ‡ provenance Sotheby’s, New York, 8 October 1997, lot 404 literature K. Fraser, On the Edge: Images from 100 Years of Vogue, New York: Random House, 1992, pp. 232–233 Richard Avedon: Evidence 1944–1994, New York: Random House, 1994, p. 163 for a variant Richard Avedon Photographs: 1944-2004, Humlebæk: Louisiana Museum of Modern Art, 2007, p. 23 for a variant “ The snake wound up her body very slowly. Nobody was telling it what to do. I could hardly believe what I was seeing. When the snake got to her ear, he kissed her and put out his tongue. Then the shoot was over and I was crying.” POLLY MELLEN, FASHION EDITOR, VOGUE UK_PHOTO_MAY15_2-59_BL.indd 8 23/04/15 15.11
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