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Performing Emotions in Early Europe PDF

330 Pages·2018·2.404 MB·English
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Performing Emotions in Early Europe EARLY EUROPEAN RESEARCH Series founded by the Australian Research Council Network for Early European Research, and now directed by The University of Western Australia Centre for Medieval and Early Modern Studies. General Editors Andrew Lynch, University of Western Australia Claire McIlroy, University of Western Australia Editorial Board Tracy Adams, University of Auckland Emilia Jamroziak, University of Leeds Matthias Meyer, Universität Wien Fabrizio Ricciardelli, Kent State University Florence Center Juanita Feros Ruys, University of Sydney Jón Viðar Sigurðsson, Universitetet i Oslo Nicholas Terpstra, University of Toronto Previously published volumes in this series are listed at the back of the book Volume 11 Performing Emotions in Early Europe Edited by Philippa Maddern, Joanne McEwan, and Anne M. Scott British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2018, Brepols Publishers n.v., Turnhout, Belgium All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. D/2018/0095/144 ISBN: 978-2-503-57237-6 e-ISBN: 978-2-503-57296-3 DOI: 10.1484/M.EER-EB.5.113963 Printed on acid-free paper Contents List of Illustrations vii Acknowledgements xi Introduction: Performing Emotions in Medi eval and Early Modern Worlds PHILIPPA MADDERN, JOANNE McEWAN, and ANNE M. SCOTT xiii Part I. Emotional Performativity in Music, Literature, and the Visual Arts Emotion, Time, and Music at Cambrai Cathedral MATTHEW S. CHAMPION 3 ‘Affecting glory from vices’: Negotiating Shame in Prostitution Texts, 1660–1750 EMILY COCk 27 Pageant, Spectacle, Dread, and Love in Piers Plowman, Brueghel’s Triumph of Death, and the Good Samaritan Window of Bourges Cathedral ANNE M. SCOTT 51 Affected Bodies and Bodily Affect: Visualizing Emotion in Renaissance Plague Images LOUISE MARSHALL 73 vi Contents Part II. Social Performance The ‘Slime of Vice’ and the ‘Passions of the Mind’: Emotional Histories in the Anglo-Norman World LINDSAY DIGGELMANN 107 Courting Nassau Affections: Performing Love in Orange-Nassau Marriage Negotiations SUSAN BROOMHALL and JACqUELINE VAN GENT 133 ‘[D]id ringe at oure parish churche … for joye that the queene of Skotts … was beheaded’: Public Performances of Early Modern English Emotions DOLLY MackINNON 169 Part III. Religious Performance Emotion, Place, and Memory at the Royal Abbey of St Denis MEGAN CASSIDY-WELCH 185 Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto’s Crib at Greccio RICHARD READ 201 Discursive Affect and Emotional Prescriptiveness: On the ‘Man of Sorrows’ in Four teenth-Century Italian Painting LACHLAN TURNBULL 221 Martin Luther’s Heart SUSAN C. kARANT-NUNN 243 Part IV. Recreating Emotional Performance ‘Laughing at Death’: Emotional Excess in The Duchess of Malfi in Performance STEVE CHINNA 267 Index 287 List of Illustrations Matthew S. Champion Figure 2.1. Marian Antiphon, Sub tuum presidium. Cambrai, Médiathèque d’agglomération de Cambrai, MS 38, fol. 331r.......................... 16 Figure 2.2. Guillaume Du Fay, Kyrie (opening) from Missa ecce ancilla Domini...................................... 18 Figure 2.3. Guillaume Du Fay, Agnus dei (opening) from Missa ecce ancilla Domini...................................... 19 Anne M. Scott Figure 4.1. Pieter Brueghel the Elder (c. 1525–69), The Triumph of Death, detail of the lower right section, 1562 (oil on panel). Prado, Madrid, Spain ........................... 60 Louise Marshall Figure 5.1. Antoniazzo Romano (attrib.), Plague in Rome, detail: Plague Dead, c. 1476. Rome, San Pietro in Vincoli.............. 74 Figure 5.2. Florentine ‘Fine Manner’, St Sebastian with 11 Scenes of his Life, detail: Plague in Rome, c. 1460–70. Istanbul, Topkapi Palace Museum Library, Album H.2153 (Fatih Album), fol. 144b. ........... 76 Figure 5.3. Antoniazzo Romano (attrib.), Plague in Rome, detail: Plague Dead, c. 1476. Rome, San Pietro in Vincoli.............. 77 Figure 5.4. Francesco Traini (attrib.), Triumph of Death, 1330s. Pisa, Camposanto. ................................................ 79 viii list of iLLUSTRATIONS Figure 5.5. Anonymous Lucchese illuminator, Plague in 1348 [The Black Death], in Giovanni Sercambi, Croniche, c. 1400. Lucca, Archivio di Stato, MS 107, fol. 49v. .......................... 85 Figure 5.6. Giorgio Vasari, God Sends the Plague on Israel, 1536–37. Arezzo, Museo Diocesano. ........................................ 86 Figure 5.7. Barnaba da Modena, Plague Madonna della Misericordia, detail: Plague Dead, 1378. Genoa, Santa Maria dei Servi. ............. 87 Figure 5.8. Pietro Alemanno, Plague Madonna della Misericordia with Sts Ginesius and Vincent Ferrer, detail: Plague Dead, 1485. San Ginesio, Collegiata. ........................................... 87 Figure 5.9. Anonymous Lombard–Ligurian artist, St Nicholas of Tolentino Saving Pisa from the Plague, detail: Plague Dead. Altarpiece of Saint Nicholas of Tolentino (location unknown). ........ 89 Figure 5.10. Barnaba da Modena, Plague Madonna della Misericordia, 1378. Genoa, Santa Maria dei Servi. ............... 90 Figure 5.11. Francesco Pelosio (attrib.), Plague Madonna della Misericordia. Imola, Museo Civico. (Photo: Museo Civico.) ........... 90 Figure 5.12. Valentino Pica il Vecchio (d. 1490), Plague Madonna della Misericordia. Tuscania, Sant’Agostino. . . . . . . . . . . . . . . . . 91 Figure 5.13. Pietro Alemanno, Plague Madonna della Misericordia with Sts Ginesius and Vincent Ferrer, 1485. San Ginesio, Collegiata. ........ 91 Figure 5.14. Giovan Pietro da Cemmo, St Roch Healing Plague Victims, 1504. Berzo Inferiore, San Lorenzo, Cappella del Comune............. 94 Figure 5.15. Battista da Legnano, St Roch Healing Plague Victims, 1534. Crana, Oratorio di San Rocco................................. 94 Figure 5.16. Pascale Oddone (attrib.), St Roch Healing Plague Victims, c. 1530. Brossasco, San Rocco....................................... 95 Figure 5.17. Giovan Pietro da Cemmo, St Roch, 1492. Esine, Santa Maria Assunta......................................... 96 Figure 5.18. Bernardino Loschi, St Roch, c. 1520s (?). Carpi, San Nicolò.... 97

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