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OXFORJ WORLD'S ^LA§SICS Blaise Pascal Pensees AND OTHER WRITINGS AnewtranslationbyHonorLevi j^5^^,'^ ^'w^ OXFORD world's CLASSICS PENSEES AND OTHER WRITINGS Blaise Pascal (1623-62), sickly as a youth and in poor health throughout his life, was precociously gifted as a mathematician andscientist, but isnowchieflyremembered forhiscommitmentto the religious group associated with the monastery of Port-Royal, generallyifinappropriatelyreferredtoas'Jansenist'.Heneverwrote a book, but did compose a brilliant seriesofsatirical and polemical flysheets, subsequently known as the Lettres provinctales, against therelaxationofstrictand immutablemoral norms,andleftaseries of abandoned texts, of which the most important were post- humously published after heavyediting by his family and admirers for purposes of religious edification. They have ever since been known after their modish seventeenth-century title as the Pensees. Someofthetextswerenotesproducedinthecontextofpreparinga religiousapologetic. Pascal mixed in the upper bourgeois society of his time, was on friendly terms with important scientists, administrators, legal officials, and some ofthe higher nobility. In the expression ofhis religiousviews,PascalbroughtFrenchprosewritingtonewpeaksof lyrical, satirical, and polemical brilliance. Although he failed to resolve the religious problems which confronted him, he was the most brilliantreligiousphilosopherofhiscenturyandtheauthorof thefinestsatiricalworkwritteninseventeenth-centuryFrance. Anthony Levi took premature retirementas Buchanan Professor of French Language and Literature in the University of Saint Andrews in order to undertake full-time research. His books in- clude atwo-volume Guide to French Literature, 1992 and 1994, and anannotatededitionofErasmus'PraiseofFolly. HonorLevireadFrenchatWarwick,discoveredandpublishedfor her Edinburgh Ph.D. the legal inventory ofRichelieu's possessions at death, and reconstituted the original layout ofwhat is now the Palais-Royal in Paris. Shetaught French, published papers given in France at historical symposia, wrote on French art history and literature,and publishedaseriesofencyclopediaarticleson historic Frenchtowns. OXFORD WORLD'S CLASSICS BLAISE PASCAL Pensees and Other Writings Translatedby HONOR LEVI Editedwithan IntroductionandNotesby ANTHONY LEVI OXPORD UNIVERSITY PRESS OXPORD VTNIVERSITYPRESS GreatClarendonStreet,Oxford0x26dp OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity'sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwidein Oxford NewYork Athens Auckland Bangkok Bogota BuenosAires CapeTown Chennai DaresSalaam Delhi Florence HongKong Istanbul Karachi Kolkata KualaLumpur Madrid Melbourne MexicoCity Mumbai Nairobi Paris SaoPaulo Shanghai Singapore Taipei Tokyo Toronto Warsaw withassociatedcompaniesin Berlin Ibadan OxfordisaregisteredtrademarkofOxfordUniversityPress intheUKandincertainothercountries PublishedintheUnitedStates byOxfordUniversityPressInc.,NewYork Translation©HonorLevi1995 Editorialmaterial©AnthonyLevi1995 Themoralrightsoftheauthorhavebeenasserted DatabaserightOxfordUniversityPress(maker) FirstpublishedasaWorld'sClassicspaperback1995 ReissuedasanOxfordWorld'sClassicspaperback1999 Allrightsreserved.Nopartofthispublicationmaybereproduced, storedinaretrievalsystem,ortransmitted,inanyformorbyan)means, withoutthepriorpermissioninwritingofOxfordUniversityPress, orasexpresslypermittedbylaw,orundertermsagreedwiththeappropriate reprographicsrightsorganizations.Enquiriesconcerningreproduction outsidethescopeoftheaboveshouldbesenttotheRightsDepartment, OxfordUniversityPress,attheaddressabove Youmustnotcirculatethisbookinanyotherbindingorcover andyoumustimposethissameconditiononanyacquirer BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressCataloginginPublicationData Pascal,Blaise,1623-1662. [Pensees.English] Penseesandotherwritings/BlaisePascal;translatedbyHonor Levi;withanintr—oductionandnotesbyAnthonyLevi. p. cm. (Oxfordworld'sclassics) Chieflyatranslationof:Pensees. Includesbibliographicalr—eferencesandindex. I.Apologetics. 2.CatholicChurch .Apologeticworks. 3.Grace (Theology). 4.Predestination. I.Levi,Honor. II.Levi,Anthony III.Pascal,Blaise,1623-1662. Selection. English. IV.Title. V.Series. B1901.P4I3 1995 230.2—dc20 94-33572 ISBN0-19-283655-2 3579 10 864 PrintedinGreatBritainby Cox&WymanLtd. Reading,Berkshire CONTENTS Introduction vii Note on the Text xxxviii Select Bibliography xlii A Chronology ofBlaise Pascal xliv PENSEES I DISCUSSION WITH MONSIEUR DE SACY 182 THE ART OF PERSUASION I93 WRITINGS ON GRACE 205 Letter on the Possibility ofthe Commandments Treatise concerning Predestination Explanatory Notes 227 Thematic Index 249 viii Introduction genres for a longer work, as well as different orders in which material could betreated, but he stopped shortbeforeundertak- ing the process of selecting what material might be used, and which genre, and either eliminating or incorporating the other possibilities. The best known ofthe longer fragments, numbered 680 and often known as 'the wager', was written on four sides ofa single folded sheetofpaperand contains paragraphscrammed intothe text, others written vertically up the margins, and even upside- downatthetopofthepage. Thereisnocertaintythattheadded passages were ever intended to belong together, and some of themareatbesteithertangentialtotheoriginalargument, which must have been that written in normal horizontal fashion, or they contradict it, and some are incompatible with others. No matter how the constitutive pieces are arranged, the four sides ofmanuscript cannot be made to yield a single coherent linear text, even ifwe take into account that what they contained was at least partly a dialogue in which a Christian behever confronts a doubter fibout im.tnortalir3^ ^rnei Arcni We are left with a jumble of notes whose envisaged form clearly changed before the piojected book was abandoned. We do not know in what order Pascal wrote them, although it has been speculativelyconjectured thateach oftheliassesorbundles into which Pascal arranged the fragments was compiled in such awayasto leavetheearliestfragmentitcontains on thebottom, so that the last fragment to have been composed was placed on top and now comes first. Ifthat were thecase, then the order in which the fragments of any given liasse appear is the reverse ofthe order ofcomposition. The real fascination ofthe text as Pascal left it, however, lies not in the impossible intellectual conundrum ofreconstituting the order in which the fragments were composed, but in the frequency with which Pascal's ima- ginationreturnstocertainrecurringcardinalpoints,mostlycon- cerning the religious difficulties occasioned by his theological views, and what must have been the progressively deepening analysis of human motivation and behaviour which supports them. If, as has been repeatedly suggested, the text as left by Pascal does have a structure, no demonstration ofwhat it was among http://www.archive.org/details/pensesotherwriOOpasc Introduction ix thedozenorso whichhavebeen closelyarguedoverthelast fifty years has yet commanded anything approaching general con- sent. We know too little about the dates at which many ofthe various fragments were written to get beyond an educated guess at the way in which Pascal's mind moved. There are indications from the biography, but they are uncertain. It now seems clear that the project to write an apologetic was not abandoned for reasons of health, as is still often assumed, and even that, on Pascal'sown premisses, theintendedapologeticcouldhaveserved no purpose, but we havenoclearindication from his penofwhy he gave up. Pascalmakesintenseimaginativeeffortsandachievesdisturb- ingly perceptive psychological penetration in his attempts to resolve his dilemmas. He may be thought in the end not to have succeeded, and even to have been aware that this was the case, but the interest ofhis text resides in the power which he brings to defining the dilemmas and in the extraordinary intellectual insights into the human condition he brings to their resolution. He was, after all, dealing with what was for him the ultimate question: how do we explain to which ofthe two alternative but eternally unalterable fates each rational human soul is destined after death.-* Pascal believed that without Christian belief and practice the individual's fate was certainly eternal damnation, but, ifsalvation was God's gratuitous gift to a minority ofcho- sen human souls, howcould any moral act, and in particularany freely chosen commitment of belief or behaviour, affect the individual's eternal destiny.-" The alternatives were only hell or heaven, the never-ending and never-altering experience of either ecstasy or torment. It is essential not to regard Pascal's fragments as ifthey con- stituted a sequential text which can meaningfully be read from beginning to end. Any reader attempting to find a meaning in the fragments simply by reading through them will almost cer- tainly be foiled by Pascal's arrangement ofnearly halfthe frag- ments into the liasses based at best on only the loosest internal unity ofsubject-matter. Indeed, the reader approaching Pascal forthe first time may well find it easier to identify the individual problems to which the fragments explore possible avenues of resolution by starting with the Dtscusston with Monsieur de Sacy xii Introduction relianceon theheartas theorganofaspiritualknowledge which was also virtuous, so circumventing the firm scholastic distinc- tionbetweenactsofthewill, directedtowardsthegood,andacts of the intellect, directed towards the true. The two ways of knowingtwosortsoftruthinPascal'sArtofPersuasionmustalso derivefromSaint-Cyran,perhapsthroughthe'Liberprooemalis' ofthe second volume ofthe Augustinus, based on a text which Saint-Cyran had sentJansen in 1623. Saint-Cyran was probably also to be the proximate source for the interpretation of the term amour-propre as absolutely opposed to the love of God, and incapable of coexisting with justifying grace in the soul. Augustine had used the Latin amor sui in this way, but only rhetorically, in The City ofGod, and Jansen had followed him, interpreting literally what Augustine hadsaidmetaphorically. AwholeseriesofFrenchauthors,includ- ingSenault(1601-72),Nicole(1625-95),^^^LaRochefoucauld (1613-80), as well as Pascal, was to exploit the theologically pejorative overtones acquired by the word amour-propre in the mid-seventeenth century. In 1647Pascalreturned with hissisterJacquelinetoParis. He had foraperiod been paralysed from thewaist, was irritableand impatient, and could take only very warm liquid nourishment, administered drop by drop. His doctors tried to diminish the damagingnervous intensity, but he continued with his scientific experiments, and wascalled onbyDescartes, whoseconclusions he opposed but whose ideas he used, although he did not ac- knowledge their provenance. He began to frequent Port-Royal, rather aggressively taking the monastery's side in the bitter de- batedevelopingaboutJansen'stheology,asdefendedbyArnauld. The touch ofarrogance in his partisanship was quickly noticed by the senior solitaires, the males who lived solitary lives of prayer and study, first in the enclave ofthe Paris convent, occa- sionallycoachingchildren offriends ofthemonastery, and from 1638 expelled to Port-Royal-des-Champs, a dependency ofthe Paris houseabout ten kilometres south-west ofVersailles. Their activities as teachers grew into the ecoles de Port-Royal, but the 'schools' were what would today be known as classes, not sep- arate educational establishments. Pascal'sfathertookJacquelineandPascalhimselftoClermont- Introduction xiii Ferrand to escape the 1649 Fronde civil war in which the parlement opposed the court essentially over taxation, and re- turned to Paris in 1650, to die less than a year later on 24 September 1651. Jacqueline's desire to become a nun at Port- Royal had been opposed by her father, and was now opposed by Pascal himself, who had previously supported her, probably on account ofthe size ofthe dowry Jacqueline wanted. The elder sister, Gilberte, had come to Paris in December 1651 to help settle her father's estate, and arranged for Jacqueline to slip away to the convent before dawn on 4January 1652. Pascal was himselflater generous in the matter ofthe dowry and attended Jacqueline's profession as a nun on 5 June 1653, but seems for a period to have been short ofmoney. His religious enthusiasm may also have waned. Biographers have speculated that he may have been emotionally attached to the young Mile de Roannez, daughter ofthe devout and intran- sigent due de Roannez (1627-96), Pascal's intimate friend and governor ofPoitou. Pascal spent some time in the company of the chevalier de Mere (1610-84), a self-styled arbiter ofman- ners and occasional author, and ofDamien Mitton (f.1618—90), financier, financial administrator, and gambler, both of whom mayhavestimulatedPascal's interestin probabilitytheory,about which Pascal corresponded with the mathematician Pierre de Fermat (1601-65). Mitton, like Pascal, was an occasional guest of Roannez. Pascal spent the autumn of 1653 in Poitou with Roannez and Mere, and during the following year his intellec- tual life was at its most intense, althoughJacqueline tells us that he was overcome by the shallowness ofhis pursuits. He moved his lodgings on i October, and on 23 November underwent the famous spiritual experience noted in the Memorial (p. 178), which for the rest ofhis life he kept on his person, sewn into his jacket. It was a not unusual way of treating treasured written documents. The experience of23 November no doubt released a spiritual tension which had been building up over months or years. By early December Pascal had put himself into the hands of the most distinguished spiritual director of Port-Royal's solitaires, Antoine Singlin (1607-64), and in January 1655, after con- fiding in Roannez, Pascal went to make a fortnight's retreat at xiv Introduction Port-Royal-des-Champs, where the community, including Jacquehne, had been since 15 January 1653. It must have been during his fortnight's stay, partly with the solitaires on the hill known as Les Granges overlooking the monastery, thaj the meetings with Sacy (1613-84) took place which are recorded in the Discussion with Monsieur de Sacy, drawn up much later by Sacy's secretaryand firstpublished in 1728 (pp. 182-92). Pascal visited the Paris house ofthe monasterybefore returninghome. Jacqueline found Pascal a shade too pleased with himselffor a true penitent. Later that year Roannez renounced for religious reasons the marriage his family had hoped he would make. The bull Cum occasione condemning five Jansenist proposi- tions had been signed in Rome on 31 May 1653, and it was followed by the further decree of 23 April 1654 implying that Jansen had in fact held them. Mazarin, the first minister ofthe still adolescent Louis XIV (1638-1715), had needed Rome's acquiescence in what he regarded as the politically necessary resignation ofRetz from the See ofParis, and was not going to jeopardizeRome'smoderate goodwillbyopposingthenecessary formal reception ofthe bull. He had letters patent accepting it signedon4July 1653, ^^^^decreeormandementwas drawnup, slipping in the words 'extracted from Jansen's book', which Rome had carefully avoided putting into the bull. Procedural delays and Mazarin's policies prevented the imposition of a revised mandementand attached 'formulary' or declaration from beingimposed until thepresidingcouncil ofthe assembly ofthe clergy was called to the Louvre on 13 December 1660, appar- ently a simple formahty. However, Louis XIV made an an- nouncement, and Mazarin explained the decision in a discourse which lasted an hour and a quarter. The assembly agreed on I February i66i toimposetheformulary,andtheConseild'Etat ratified the measure on 13 April. Meanwhile, on i February 1655, one ofPort-Royal's grander sympathizers, RogerduPlessis, marquis deLiancourt, duedela Rocheguyon(1599-1674),wasrefusedabsolutionatSaint-Sulpice ontheinstructionsoftheparishpriest,Jean-JacquesOlier(1608- 57). On 24 February Arnauld published his Lettre d'un Docteur deSorbonne a unepersonnede condition. A pamphlet war ensued, during which Arnauld wrote his Seconde lettre a un due etpair.

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