Table Of Content

SSFFAA11..IInntteerriioorr..rr55..iinndddd 11 2288//77//1166 34::5172 ppmm ((NNHHYY))PPaaggee:: 11 11 of of oo rr PP SSFFAA11..IInntteerriioorr..rr55..iinndddd 11 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 11 Quarto is the authority on a wide range of topics. Quarto educates, entertains, and enriches the lives of our readers— enthusiasts and lovers of hands-on living. www.quartoknows.com © 2016 Quarto Publishing Group USA Inc. Published by Walter Foster Publishing, 4 a division of Quarto Publishing Group USA Inc. All rights reserved. Walter Foster is a registered trademark. Artwork on cover and pages 14–61 © Desarae Lee Artwork on pages 4–13, 144 © Ian Thomas Miller Artwork on pages 62–97, 144 © M. Ramos Artwork on pages 98–135 © Samuel Silva Artwork on pages 136–143 © Loui Jover Page 100 © Shutterstock Design by Andrea Miller All rights reserved. No part of this book may be reproduced in any form without written permission of the copyright owners. All images in this book have been reproduced with the knowledge and prior consent of the artists concerned, and no responsibility is accepted by producer, publisher, or printer for any infringement of copyright or otherwise, arising from the contents of this publication. Every effort has been made to ensure that credits accurately comply with information supplied. We apologize for any inaccuracies that may have occurred and will resolve inaccurate or missing information in a subsequent reprinting of the book. 6 Orchard Road, Suite 100 Lake Forest, CA 92630 quartoknows.com Visit our blogs at quartoknows.com This book has been produced to aid the aspiring artist. Reproduction of work for study or finished art is permissible. Any art produced or photomechanically reproduced from this publication for commercial purposes is forbidden without written consent from the publisher, Walter Foster Publishing. of 1of 1 1 3P r5i n 7t e 9d i1n0 C 8h i 6n a 4 2 oo rr PP SSFFAA11..IInntteerriioorr..rr55..iinndddd 22 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 22 Table of Contents Introduction by Ian Thomas Miller 4 Tools & Materials 6 Techniques 10 Watercolor Washes with Desarae Lee 14 Flower Girl 20 Forest Scene 28 A Curious Octopus 34 Happy Penguin 42 Flora & Fauna 48 Stippling with M. Ramos 62 A Portrait of a Woman 68 Still Life 74 Feline Fun 82 In Locomotion 90 Ballpoint Realism with Samuel Silva 98 Portrait 110 Snow Leopard 122 Inspiration Gallery 128 Mixed Media with Loui Jover 136 11 of of oo rr PP SSFFAA11..IInntteerriioorr..rr55..iinndddd 33 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 33 Introduction Ian Thomas Miller Pen and ink is one of the most celebrated, unique, and versatile mediums available to artists today. Used by old masters and contemporary artists alike, pen and ink is not limited to one style. Regardless of your aesthetic and artistic preferences, this book will teach you important and essential knowledge about the techniques, materials, and tools necessary to create beautiful and unique pen-and-ink works of all styles. History Early development and use of ink date back to 2,500 BCE. Around this time, a number of cultures independently discovered and developed their own versions and varieties of ink. Early inks were made from a ground-up plant, animal, or mineral base, which was then combined with water and applied with a brush. Other known processes involved combining carbon black and hide glue to produce a dry mixture to which water was added to form a usable consistency. One of the most successful and innovative methods of ink production came from China around the 23rd century BCE. This particular type of ink was coined “india ink” because the materials used to produce the ink were imported and sourced from India. India ink was made through a process that combined soot, also known as “lamp black” (referring to the soot collected from the bottom of oil lamps), with water. 11 of of oo rr PP 4 • Pen & Ink SSFFAA11..IInntteerriioorr..rr55..iinndddd 44 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 44 Ian Thomas Miller Countless other tools have been developed and used by artists too. Early tools were often made from bamboo or reed straws. However, with the rise in popularity of parchment paper, Europeans developed the quill pen, which they found better for writing. Quill pens, which are made from molted bird feathers, became the primary writing tool. This led to the invention of the reservoir pen, an early version of what we now call the fountain pen. With the 1930s came the creation of the ballpoint pen, which eventually led to the development of felt-tip, rollerball, and even ring pens. Although the tools have experienced a number of changes through the ages, pen and ink is, at its core, a relatively unchanged medium. It is still embraced and used by countless artists working in a variety of styles. From fine arts to comics, many artists have a soft spot for pen and ink. Its versatility and stylistically bold appearance are unparalleled and unmatched. Modern scribes and calligraphers still use the quill pen today. C 2 11 of of oo rr Pen & Ink • 5 PP SSFFAA11..IInntteerriioorr..rr55..iinndddd 55 2298/7/7/1/166 1 41::1127 pamm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 55 Tools & Materials Myriad tools can be used with pen and ink; however, we’ll focus on some of the most popular, versatile, and practical drawing tools and mediums. Reading about these now will help you perfect your own art style later. Pens & Inks Each brand and type of pen and ink has distinct qualities and presents different advantages and disadvantages. Here are some of the most popular and effective types. Quill pen: These pens can be tricky to master, but they are fun to experiment with and render an extremely sharp, accurate stroke. Dip pen: Also known as a “nib pen,” the dip pen has advantages over modern fountain pens, including its ability to use waterproof pigmented inks such as india and acrylic inks, which would clog or corrode a fountain pen. These pens use nibs, which come in different sizes and shapes, allowing for a variety of marks and a high level of control. Fountain pen: This type of pen uses water-based ink, often in refillable cartridges. It is the modernized, slightly more user-friendly but less versatile version of the dip pen. Ballpoint pen: Sold in a variety of styles and prices, ballpoint pens’ ink dries almost instantaneously, they are portable, and they can be used like pencils. (For Samuel Silva’s ballpoint-pen art, see page 98.) Rollerball pen: Also known as gel pens, these come in a variety of colors and are more or less a hybrid of the ballpoint pen and the fountain pen. 11 of of oo rr PP 6 • Pen & Ink SSFFAA11..IInntteerriioorr..rr55..iinndddd 66 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 66 Felt-tip pen: Felt-tip pens, or markers, come in a variety of sizes and have porous and fibrous tips. These are frequently used for bolder, more graphic styles. Brush pen: Great for creating a traditional brush-and-ink style but without the mess, the brush pen may take a bit of practice. Artists can achieve a high level of control and produce a wide variety of line widths and mark-making styles. Technical pen: These are sold in a variety of designs, sizes, and brands. Originally intended for use by engineers and architects in drafting, technical pens are great for pattern work, small details, and straight lines. E The ink sold at art-supply stores works nicely with a dip/nib pen. India ink is recommended because it dries quickly, it’s versatile, and it leaves a nice satin finish. 11 of of oo rr Pen & Ink • 7 PP SSFFAA11..IInntteerriioorr..rr55..iinndddd 77 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 77 Other Tools Surfaces & Papers As with almost any medium, some additional tools can help make creating art a bit easier, more efficient, Almost any surface works with pen and ink but, as is the case with most mediums, some work better and most importantly, more enjoyable. Here are just some of the other tools used by pen-and-ink artists. than others. Paper is the most widely used surface for pen and ink. There are lots of different kinds, and artists often experiment with various brands and types. Cork-backed ruler: The cork helps prevent slippage and smearing, especially when working with fountain and nib pens. Compass: A compass is helpful for sketching an initial image, especially when working with patterns and circular or round objects. Dust brush: A dust brush works well for cleaning off dust and eraser residue. 11 of of oo rr PP 8 • Pen & Ink SSFFAA11..IInntteerriioorr..rr55..iinndddd 88 2288//77//1166 34::5172 ppmm JJoobb:: 1111557766 TTiittllee:: SSFFAA11 AArrttiissttrryy PPeenn && IInnkk ((PPrroovviissiioonn)) Text ((NNHHYY))PPaaggee:: 88