Patrons, Curators, Inventors and Thieves: The Storytelling Contest of the Cultural Industries in the Digital Age PDF
Preview Patrons, Curators, Inventors and Thieves: The Storytelling Contest of the Cultural Industries in the Digital Age
Patrons, Curators, Inventors and Thieves the storytelling contest of the cultural industries in the digital age jonathan wheeldon Patrons, Curators, Inventors and Thieves Patrons, Curators, Inventors and Thieves The Storytelling Contest of the Cultural Industries in the Digital Age Jonathan Wheeldon ©JonathanWheeldon2014 Softcover reprint of the hardcover 1st edition 2013 978-0-230-24943-1 Allrightsreserved.Noreproduction,copyortransmissionofthis publicationmaybemadewithoutwrittenpermission. Noportionofthispublicationmaybereproduced,copiedortransmitted savewithwrittenpermissionorinaccordancewiththeprovisionsofthe Copyright,DesignsandPatentsAct1988,orunderthetermsofanylicence permittinglimitedcopyingissuedbytheCopyrightLicensingAgency, SaffronHouse,6–10KirbyStreet,LondonEC1N8TS. Anypersonwhodoesanyunauthorizedactinrelationtothispublication maybeliabletocriminalprosecutionandcivilclaimsfordamages. Theauthorhasassertedhisrighttobeidentifiedastheauthorofthiswork inaccordancewiththeCopyright,DesignsandPatentsAct1988. Firstpublished2014by PALGRAVEMACMILLAN PalgraveMacmillanintheUKisanimprintofMacmillanPublishersLimited, registeredinEngland,companynumber785998,ofHoundmills,Basingstoke, HampshireRG216XS. PalgraveMacmillanintheUSisadivisionofStMartin’sPressLLC, 175FifthAvenue,NewYork,NY10010. PalgraveMacmillanistheglobalacademicimprintoftheabovecompanies andhascompaniesandrepresentativesthroughouttheworld. Palgrave®andMacmillan®areregisteredtrademarksintheUnitedStates, theUnitedKingdom,Europeandothercountries. ISBN 978-1-349-32077-6 ISBN 978-0-230-30667-7 (eBook) DOI 10.1057/9780230306677 AcataloguerecordforthisbookisavailablefromtheBritishLibrary. AcatalogrecordforthisbookisavailablefromtheLibraryofCongress. Transferred to Digital Printing in 2014 To Fiona, for making everything worthwhile Contents ListofFigures ix Introduction:AChangingMaster-Narrativeof CulturalProduction 1 Part I MyVersionofEvents 21 1 APersonalPerspective 23 2 InnovationorBust:AShortHistory ofRecordedMusic 29 Part II StakeholderVoices 59 3 ValueShift 63 4 CustodialTensions 91 5 HindsightandStrategicSense-Making 112 Part III AStorytellingContest 121 6 TheAnalysisofDiscourse 123 7 StrategyasStorytelling 131 8 IdentificationofKeyConstructs 139 9 ANarrativeWorld 148 10 TheInventor’sTale 157 11 PowerandIdeology 178 Part IV ThePirate’sTale:TheReformofCopyright andtheFuture 185 12 Pirates,PropertyandPrivatization 187 vii viii Contents 13 EnclosingtheCommonsoftheMind 202 14 The300-YearWarofCopyright 213 15 MyVersionofEvents:TheFuture 234 Notes 245 References 254 Index 259 Figures 3.1 Thevaluechainofrecordedmusic 63 3.2 ‘Parasitevaluechains’ 65 3.3 Technologydisruptiontothevaluechain 66 4.1 Custodialtensions 91 8.1 Objectconstructs 139 9.1 Astorytellingcontest 153 9.2 Taleusage 155 10.1 Technologicaldevelopment 158 10.2 Theinventor’stale(variations) 160 14.1 Thecontestednarrativeofcopyright 215 ix
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