NEW Uncover the skills you need to master drawing from life ANATOMY Step-by-step tutorials Essential lessons from artists to improve your life drawings 1O3VE0R PP ee rr ff ee cc tt ii nn gg pp oo ss tt uu rr ee PAGES OF EAXDPVEICRET L Lddeeyyaannrraannmm ttooiicc ccssaa ooppfftt ttuuhhrreeee bbtthhooeedd yy ln a o t i it g i d i D E Understand proportion Realistic hands Historical masterpieces N HIRDDITIO Our experts guide you on how to Find out how to sketch the Discover the Old Masters’ most TE accurately depict anatomy trickiest part of the human body celebrated portrayals of the figure Welcom e to ANATOMY The human body is beautiful, complex and utterly unique, with no single figure the same as another. This individuality is what makes drawing the human form so tricky – there are very few certainties or rules when it comes to drawing people. However, bringing the figure to life involves more than just re-creating what you see in front of you; it’s essential to understand the body and what lies beneath it. In Paint & Draw: Anatomy, find out how to draw from life successfully, from simple warm-ups to get your creative juices flowing, to in-depth tutorials on different areas of the human body. Discover how to realistically sketch some of the most complicated parts of the figure, including the head and the hands, and learn how to bring it all together to illustrate the entire figure. ANATOMY Future PLC Quay House, The Ambury, Bath, BA1 1UA Bookazine Editorial Editor Philippa Grafton Designer Steve Dacombe Compiled by April Madden Senior Art Editor Andy Downes Head of Art & Design Greg Whitaker Editorial Director Jon White Cover images Wikipedia, Thinkstock, Lancelot Richardson, Jake Spicer Photography All copyrights and trademarks are recognised and respected Advertising Media packs are available on request Commercial Director Clare Dove International Head of Print Licensing Rachel Shaw [email protected] www.futurecontenthub.com Circulation Head of Newstrade Tim Mathers Production Head of Production Mark Constance Production Project Manager Matthew Eglinton Advertising Production Manager Joanne Crosby Digital Editions Controller Jason Hudson Production Managers Keely Miller, Nola Cokely, Vivienne Calvert, Fran Twentyman Printed in the UK Distributed by Marketforce, 5 Churchill Place, Canary Wharf, London, E14 5HU www.marketforce.co.uk Tel: 0203 787 9001 Paint & Draw Anatomy Second Edition (CTB4499) © 2022 Future Publishing Limited We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this bookazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The paper holds full FSC or PEFC certification and accreditation. All contents © 2022 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. 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Future plc is a public Chief executive Zillah Byng-Thorne company quoted on the Non-executive chairman Richard Huntingford London Stock Exchange Chief financial officer Penny Ladkin-Brand (symbol: FUTR) www.futureplc.com Tel +44 (0)1225 442 244 CONTENTS Essen tials 10 10 T he rebirth of anatomical art 18 U nderstanding the human form 24 D raw what you see 28 Get started with pencil drawing 34 Warm-up 34 Anatomy masterclass 40 Draw a figure in under 3 minutes 46 Introduction to shading a figure 52 Master working with negative space “Sketching quick poses provides a great warm-up for artists of all abilities” 6 Contents 58 66 Tutorials 112 58 The head 66 Neck and shoulders 74 The torso 82 Hips, bottom and gentials 90 The arms 96 The hands 104 The legs 112 The feet 120 The whole figure “Try to work from big, important ideas down to the smaller, less essential ones” 7 Essen tials 10 T he rebirth of anatomical art 18 Understanding the human form 24 D raw what you see 28 G et started with pencil drawing 18 8 The essentials 10 99 The essentials ecRMxleaiacnsmhaseiipsclasaleanl aongrfce thel ot oes’swcc Duh tlnhapivetqiu druer eeidss i asinc sfotluvueenrnnyci noegdf © Jörg Bittner Unna license CC BY 3.0 10