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The Roots of Tantra SUNY Series in Tantric Studies Paul E. Muller-Ortega and Douglas Renfew Brooks, editors The Roots of Tantra Edited by Katherine Anne Harper and Robert L. Brown State University of New York Press Published by State University of New York Press, Albany  2002 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Dana Foote Marketing by Patrick Durocher Library of Congress Cataloging-in-Publication Data The roots of Tantra / edited by Katherine Anne Harper and Robert L. Brown. p. cm.—(SUNY series in tantric studies) Includes bibliographical references and index. ISBN 0-7914-5305-7 (alk. paper)—ISBN 0-7914-5306-5 (pbk. : alk. paper) 1. Tantrism—History. I. Harper, Katherine Anne. II. Brown, Robert L., 1944 Oct. 6– III. Series. BL1283.83 .R66 2002 294.5′514—dc21 2001054184 10 9 8 7 6 5 4 3 2 1 CONTENTS List of Illustrations vii Preface by Katherine Anne Harper ix Introduction by Robert L. Brown 1 P I OVERVIEWS 1. What Do We Mean by Tantrism? 17 Andr´e Padoux 2. Early Evidence for Tantric Religion 25 David N. Lorenzen P II THE HISTORY AND DEVELOPMENT OF TANTRA 3. Historical and Iconographic Aspects of S´a¯kta Tantrism 39 M. C. Joshi 4. Auspicious Fragments and Uncertain Wisdom: The Roots of S´r¯ıvidya S´a¯kta Tantrism in South India 57 Douglas Renfrew Brooks 5. The Structural Interplay of Tantra, Veda¯nta, and Bhakti: Nondualist Commentary on the Goddess 77 Thomas B. Coburn P III THE ART HISTORY AND ARCHAEOLOGY OF TANTRA 6. The Spinal Serpent 93 Thomas McEvilley v vi Contents 7. The Warring S´aktis: A Paradigm for Gupta Conquests 115 Katherine Anne Harper 8. Early Evidence of the Pa¯n˜cara¯tra A¯gama 133 Dennis Hudson P IV THE VEDAS AND TANTRA 9. Imagery of the Self from Veda to Tantra 171 Teun Goudriaan 10. Tongues of Flame: Homologies in the Tantric Homa 193 Richard K. Payne P V THE TEXTS AND TANTRA 11. Becoming Bhairava: Meditative Vision in Abhinavagupta’s Para¯tr¯ı´sika¯-laghuvr¸tti 213 Paul E. Muller-Ortega 12. Tantric Incantation in the Dev¯ı Pura¯n¸a: The Padama¯la¯ Mantra Vidya¯ 231 Lina Gupta List of Contributors 251 Glossary 255 Index 257 ILLUSTRATIONS Cover: A. P. Gajjar, Yoniand Lingam, 1975. (Private collection) 1. Buddha flanked by skull tappers. Gandhara, Pakistan. Ca. first- second century .. (Courtesy of The Russek Collection) 12 2. Stone disk with Mother Goddesses. Patna, Bihar. Third century ... (Courtesy of the Archaeological Survey of India) 43 3. Ring Stone with relief of a Mother Goddess. Ropar, Punjab. Third century ... (Courtesy of the Archaeological Survey of India) 44 4. Steatite stone tablet. Rajgir, Punjab. Third century ... (Courtesy of the Archaeological Survey of India) 45 5. Anantasayin Vis¸n¸u in yoganidra. Bhitargaon. Fifth to sixth century .. (Courtesy of the Archaeological Survey of India) 49 6. S´r¯ıyantra 51 7. Ka¯l¯ıyantra 54 8. Indus Valley seal impression Mohenjo-Daro, showing motif of symmetrically flanking goats with feet on central tree and mountain. (Courtesy of the Archaeological Survey of India) 100 9. Summerian cylinder seal showing symmetrically flanking goats with hooves on tree and/or mountain. Uruk Period. (Line drawing courtesy of Joyce Burstein) 100 10. Indus Valley seal impression showing dompteur motif. Mohenjo- Daro. (Courtesy of the Archaeological Survey of India) 101 11. Achaemenian seal showing Sumerian dompteur motif with central male figure flanked by griffenlike composite monsters. (Courtesy of The Morgan Library) 101 12. Indus Valley painted potsherd showing lion attacking bull. Mohenjo-Daro. (Courtesy of Arthur Probsthain Publisher) 102 vii viii Illustrations 13. Sumerian cylinder seal impression showing lion attacking bull from behind. Uruk period, ca. 3000 ... (Line drawing courtesy of Joyce Burstein) 102 14. Indus Valley seal impression showing a goddess in a tree with a bull god and seven vegetation spirits. Mohenjo-Daro. (Courtesy of the Archaeological Survey of India) 103 15. Sumerian cylinder seal impression showing a goddess in a tree with a horned god. Third millennium ... (Line drawing courtesy of Joyce Burstein) 103 16. Babylonian seal showing entwined serpent pair homologized to human body. ca. 2000 ... (Courtesy of Princeton University Press) 105 17. Indus Valley seal impression. (Courtesy of the Archaeological Survey of India) 106 18. Mu¯la¯bandha¯sana. (Digital art courtesy of Joyce Burstein) 107 19. Yoga¯sana Vignana demonstrated by Shirendra Brahmachari. (Courtesy of Probashi Publishing Company) 108 20. Australian aboriginal ritual view. (Couretsy of International University Press) 109 21. Saptama¯tr¸ka¯ Panel. Exterior of Cave 4. Udayagiri, Bhopal. Early fifth century .. (Photograph by Katherine Anne Harper) 120 22. Detail of emblematic banners, Saptama¯tr¸ka¯ Panel. Exterior of Cave 4, Udayagiri, Bhopal. Early fifth century .. (Photgraph by Katherine Anne Harper) 120 23. Saptama¯tr¸ka¯ Panel. Exterior of Cave 6, Udayagiri, Bhopal. Early fifth century .. (Photography by Katherine Anne Harper) 121 24. Detail of emblematic banners, Saptama¯tr¸ka¯ Panel. Exterior of Cave 6, Udayagiri, Bhopal. Early fifth century .. (Photograph by Katherine Anne Harper) 121 25. Detail of emblematic banners, Saptama¯tr¸ka¯ Panel. Exterior of Cave 6, Udayagiri, Bhopal. Early fifth century .. (Photograph by Katherine Anne Harper) 122 PREFACE The study of Tantrism as a specialized academic field has been a relatively recent phenomenon, perhaps stretching over only the last three or four decades; and, in the last few years, specialized studies dedicated to this often misunderstood subject have been published and received with increasing enthusiasm. This book is an initial study addressing origins in that it attempts to seek out and understand some of the nascent forms and sources of Tantrism in ancient India. The volume grew out of two conferences held in the greater Los Angeles area in October 1989 and March 1995 that were devoted specifically to fleshing out the meager evidence on early Tantrism. It is a matter of great satisfaction that so many scholars have worked to address questions concerning the origins and have shaped careful and detailed responses, particularly given the paucity of material remnants, both ar- chaeological and textual, known at this time. The reader will encounter various approaches to the general topic concerning roots and origins; the diversity is the result of specific disciplines and backgrounds, each scholar bringing unique in- sights to the general topic. By no means does this volume attempt to be com- prehensive; the problems involved in uncovering inchoate elements giving rise to Tantrism and its early manifestations are far too broad to be bound in a single volume. What we hope to accomplish is to pose a body of new questions and stimulate new dialogue and research in the field of Tantric studies. The editors wish to thank the many participants for their excellent con- tributions and their great patience. In addition, we would like to thank the Society for Tantric Studies, Loyola Marymount University and the University of Califor- nia at Los Angeles for various forms of support along the way. —Katherine Anne Harper ix

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who belonged to the Aghori orders . He tested her through a Tantric ones. In a similar fashion ritual diagrams (man dalas, yantras, cakras) or.
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