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Out of Joint: A Private and Public Story of Arthritis (American Lives) PDF

238 Pages·2005·1.49 MB·English
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Preview Out of Joint: A Private and Public Story of Arthritis (American Lives)

1 2 3 4 Out of Joint 5 6 7 8 9 10 11 [First Page] 12 [-1], (1) 13 14 15 Lines: 0 to 16 17 ——— * 427.26001pt 18 ——— 19 Normal Page 20 * PgEnds: PageBreak 21 22 23 [-1], (1) 24 25 26 27 28 29 30 31 32 33 34 35 36 37 1 American Lives 2 3 Series editor: Tobias Wolff 4 5 6 7 8 9 10 11 12 [-2], (2) 13 14 15 Lines: 16 17 ——— * 442.0pt 18 ——— 19 Normal 20 * PgEnds: 21 22 23 [-2], (2) 24 25 26 27 28 29 30 31 32 33 34 35 36 37 1 2 3 4 Out of Joint 5 6 A Private & Public 7 Story of Arthritis 8 9 10 Mary Felstiner 11 12 13 [-3], (3) 14 15 Lines: 37 to 16 17 ——— 18 12.78201pt ——— 19 Normal Page 20 * PgEnds: PageBreak 21 22 23 [-3], (3) 24 25 26 27 28 29 30 31 32 33 34 35 university of nebraska press 36 lincoln • london 37 1 “Casing My Joints: A Public and Private Story of Arthritis,” reprinted from 2 Feminist Studies 26, no. 2 3 (Summer 2000): 273–85. Used with permission of the publisher, 4 Feminist Studies, Inc. 5 6 The lines from 7 “Contradictions: Tracking Poems,” 8 copyright 2002, 1986, by Adrienne Rich, from The Fact of a Doorframe: 9 Selected Poems 1950–2001 10 by Adrienne Rich. Used by permission of the author and 11 W. W. Norton & Company, Inc. 12 [-4], (4) 13 ©2005 by Mary Felstiner All rights reserved 14 Manufactured in the 15 United States of America Lines: 16 䡬⬁ 17 ——— 18 Library of Congress Cataloging-in-Publication Data * 287.0pt Felstiner, Mary Lowenthal, 1941– ——— 19 Out of joint : a private and public story Normal 20 of arthritis / Mary Felstiner. p. cm.—(American lives) * PgEnds: 21 Includes bibliographical references. 22 isbn-13: 978-0-8032-2030-0 (cloth : alk. paper) isbn-10: 0-8032-2030-8 (cloth : alk. paper) 23 [-4], (4) 1. Felstiner, Mary Lowenthal, 1941—Health. 24 2. Rheumatoid arthritis—Patients—Biography. I. Title. II. Series. 25 rc933.f45 2005 26 362.196'7227'0092—dc22 27 2005008093 28 29 30 Set in Quadraat and Quadraat Sans by Kim Essman. Designed by R. W. Boeche. 31 Printed by Maple-Vail. 32 33 Disclaimer: Some text in the printed version of this 34 book is not available for inclusion in the eBook. 35 36 37 1 2 3 4 for John and for Ruth 5 from the heart 6 7 8 9 10 11 12 [-5], (5) 13 14 15 Lines: 213 16 17 ——— * 413.8pt 18 ——— 19 Normal Page 20 * PgEnds: PageBreak 21 22 23 [-5], (5) 24 25 26 27 28 29 30 31 32 33 34 35 36 37 1 2 3 4 I am poured out like water, 5 and all my bones are out of joint. 6 Psalm 22:15 7 8 9 The time is out of joint. 10 Hamlet 1.5.206 11 12 [-6], (6) 13 14 15 Lines: 16 17 ——— * 348.69pt 18 ——— 19 Normal 20 * PgEnds: 21 22 23 [-6], (6) 24 25 26 27 28 29 30 31 32 33 34 35 36 37 1 2 3 4 Contents 5 6 Acknowledgments ix 7 Preview xi 8 9 Part I. Getting Hurt 10 Shock, 1969 3 11 Tops, 1959–69 12 12 Fatigue, 1971–74 20 [-7], (7) 13 Promises, 1975–76 27 14 Alternatives, 1979 33 15 Lines: 287 16 Part II. Getting Wise 17 Inflammation, 1980–84 41 ——— * 36.73001pt 18 Immunity, 1985 47 ——— 19 Shame, 1986 52 Normal Page 20 Stiffness, 1987 56 * PgEnds: PageBreak 21 Distrust, 1987–88 61 22 Morbidity, 1988 66 23 Mortality, 1989 71 [-7], (7) 24 25 Part III. Getting Back 26 Access, 1993 81 27 Despair, 1993 85 28 Moves, 1994–95 89 29 Truths, 1996 100 30 Pieces, 1996–97 106 31 Wonder, 1941–49 110 32 Falsehood, 1950–59 120 33 Pain, 1960–68 128 34 Stress, 1997 132 35 36 37 1 Part IV. Getting Help 2 Family, 1997 139 3 Partners, 1998 145 4 Time, 1998 149 5 Revolution, 1999 159 6 Rights, 1999 169 7 Hands, 1999 174 8 9 Part V. Getting Past 10 Healing 183 11 Retrospect 202 12 [-8], (8) 13 Notes 205 14 Resources 217 15 Lines: 16 Illustrations 17 1. A normal joint and a joint ——— * 36.79001pt 18 affected by rheumatoid arthritis ——— 19 6 Normal 20 2. L I F E magazine, 1963 14 * PgEnds: 21 3. John and Sarah in Sonoma, 1971 22 22 23 4. Mary and Ruth, 1996 105 [-8], (8) 24 5. Kite-flying, 1997 140 25 6. Leonor Fini, L’Ange d’Anatomie, 26 1949 176 27 7. Charcoal drawing of Renoir by 28 Albert André, 1914 178 29 8. Mary and Sarah at Mount 30 Rainer, Washington, 2004 31 188 32 9. Henry Moore drawing of 33 Dorothy Hodgkin’s hands, 1978 34 191 35 36 37 1 2 3 4 Acknowledgments 5 6 7 8 9 If this were a standard autobiography, it would fill up with family and 10 spill over with friends. But following a life through arthritis shows 11 only a portion of it and doesn’t do justice to those most essential to 12 me, especially my in-laws, Susan and Didier Thomas, Celia Lowenthal, [-9], (9) 13 Scobie Puchtler, and my comadre, Cathy Short; my nieces and nephew, 14 Lia Lowenthal, Katherine Denham, and Daniel Thomas; our aunt Ruth 15 Bendor and the Bendor family; and my friends of the heart, Emily Lines: 467 16 Abel, Guiguite and Joe Frank, Estelle Freedman, Margo Horn, Marion 17 ——— Hunt, Penny Janeway, Toni Kestenbaum, Si Lazarus, Toni Lester, Mary 13.0pt PgV 18 Newmann, Ruth Rosen, Mary Rothschild, Adele Simmons, Nina Jo ——— 19 Smith, Myra Strober, Joan Weimer, Marilyn and Irv Yalom. For their Normal Page 20 encouragement and affection I feel the deepest gratitude. PgEnds: T E 21 Full credit goes to the Nits, a writers’ group that started me off and 22 kept me at it: Whitney Chadwick, Carol Field, Diana Ketcham, Diana 23 [-9], (9) O’Hehir, Cyra McFadden, Jean McMann, Carol Monpere, BK Moran, 24 Annegret Ogden, and Alison Owings. Among those, Alison, Carol, 25 Carol, Diana O., and Whitney committed brave acts of editing. To my 26 other primary readers, the ones digging deeply into the manuscript, 27 giving generous and thought-provoking help—Emily Abel, Elizabeth 28 Benedict, Alek Felstiner, Sarah Felstiner, Adam Hochschild, Penny 29 Janeway, Gerda Lerner, Olga Seham, Melanie Thernstrom—I offer all 30 31 my appreciation, and it will never be half enough. Ruth Rosen, Joan 32 Weimer, and John Felstiner deserve lifelong thanks for their splendid 33 editing and loving-kindness, as well as major tax deductions for the 34 many days they took from their own work to see this project through. 35 Every body and spirit ought to have the outstanding physicians 36 I’ve relied on, Melvin Britton and Nan Link; the generous assistance 37 of Shana Bernstein, Alison Field, and Camille George; and the fine

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