0IS£/UT’6 Magazine tor Schools VOL. 35, NO. 2, 2005 GuestEditor: Kari Dehli on behalf of AML CMCE + Association forMediaLiteracyand CentreforMedia andCulturein Education OISEUT www.orbitmagazine.ca TABLE OF CONTENTS OISE/UT’sMagazineforSchools VOLUME35,NUMBER2,2005 Editorial SECTION3 MEDIAEDUCATION 1 KariDehli ENGAGINGSECONDARYSTUDENTS GuestEditor: KariDehli SECTION1 21 ConsumingYouth Orbitpublishesthemeissuesontopics STATEOFTHEARTINMEDIAEDUCATION TrevorNorris ofconcernandrelevanceforteachers aannddsacdhmoionilsstryasttoermss,wofrrkoimngjuinniosrchools 2 Media Literacy: 22 CultivatingSweetThings:An kindergartentotheendofhighschool. EssentialSurvivalSkillsforthe Interviewwith CultureJammer NewMillennium CarlyStasko EDITOR BarryDuncan TrevorNorris HeatherBerkeley ACTINGASSISTANTEDITOR 5 What’s“New” in NewMedia? 27 CriticalMedia Literarcyand DawnMartin NeilAndersen DemocracyinTimesofWar EDITORIALBOARD MeganBoler BDaarvbiadraBoBootdhk,inP,roCfoenstsionruiEnmgerEidutcuastiOoInS,EO/IUSTE/UT 6 TheStoryofMedia Education/ KimGordon,TheBishopStrachanSchool Media Literacyin Canada: 28 Degrassi:Two Decadesof LindaGrant,UniversityofOntarioInstitute An Interviewwith BarryDuncan AdolescentExperiences CloafyTLeacflhenuorl,oSgiymcoeCountyDistrict IanEsquivel MicheleByers SchoolBoard PKeirtkerMaLrikp,maTnorontoCatholicDistrict Media Education inAustralia: 31 TheApprentice:ACriticalApproach SchoolBoard An Interviewwith BarryMcMahon toMedia Portrayal ofthe Business TPaaittriLcuisateG,oldPbelealttD,isOtrnitcatriSochCooollleBgeoaorfdTeachers BarryDuncan World inthe Classroom DouglasMcDougall,Curriculum,Teachingand LauraPinto JoLhenarMnyienrgs,,OCIuSrEri/cUuTlum,Teachingand SECTION2 Learning,OISE/UT ROADBLOCKSINELEMENTARYEDUCATION SECTION4 PDaatvtiidPRaopkpears,,AMccaGdremaiwcHTilelchRnyoelrosgoyn,OISE/UT YOUTHMAKINGMEDIA CarolRolheiser,AssociateDean,OISE/UT TeachingMedia Literacyinthe PaBuloaVradnderhelm,HaltonDistrictSchool DEloenmeJnotneasryClassroom 34 GPlroobdaulctMiuolntiicnulSteucraolndVairdyeoSchools ORBITEDITORIALOFFICE HowardLam OISE/UT The Influence ofPopularCulture 252BloorStreetWest Toronto,Ontario M5S1V6 on Children’sLiteraryPreferences 37 SocialJustice EducationThrough Phone:416-923-6641,ext.2533 DedeSinclair aSchool-CommunityPartnership Fax:416-975-1925 E-mail:[email protected] in MediaArts Website:www.orbitmagazine.ca —Videogamesand Digital Game Play AndreaFatona layoutTracyChoy,BTTCommunications I / The NewField ofEducational COVERPHOTO:HowardLam GameStudies 40 YouthVideomakingin Classroom SuzannedeCastellandJennifer and CommunitySettings PBRTITNTCEDomAmNuDnBiOcUaNtDioINnCsANADA Jenson IsabelleKim — OORIBSIET/SUATLESANDCIRCULATION NFB Mediatheque ACentrefor 42 ObservationsaboutCopyrightfor 252BloorSt.West Media Education Canadian Media Educators TPohroonnet:o,4O1n6t-a9r2io3-6M654S1,1Vex6t.2077 PeggyFothergill MarkLipton Fax:416-975-1925 E-mail:[email protected] SpecialthankstoVtapeandTelestreetforallowingus PULLOUT SecondClassMail tousetheirimagesthroughtoutthisissue,andto Media Education Resources RIeSgNiNstr0a0ti3o0n-4N4u3m3ber4511 TorontoteacherlanEquivelandOrbitboardmember CanadianPublicationsMailProduct PattiPappasforplayingtheroleofCriticalFriend. AgreementNo.638528 GST#R108162 thasbecomeaclichetosaythatwelive amongothersinanEnglishorlanguagestudiescourse.Atthesame Iinamedia-saturatedworld.Weare time,manyteachersdonothaveaccesstoprofessional surroundedbyscreens,images,sounds, developmentandschoolboardsareunable(orunwilling?)to cellphones,andelectronictechnology. directresourcestomediaeducationastheykeepabreastofmajor Mediathatwererareandinaccessible curriculumchangesandorganizational“restructuring,”ofteninthe onlyadecadeagoarebecomingordinary contextofmajorbudgetcuts.Thus,itisnotsurprisingthat featuresofdailyliving,workingand resourcestosupportclassroomactivitiesinmediaeducationare learning.Howshouldeducatorsrespond?Onthe scarce,particularlyinaclimatewherepublicaccountabilityseems onehand,educationpoliciesacknowledgethatknowinghowto focusedontesting“thebasics.” use,navigate,interpret,andmanagethesemediaandtechnologies Yet,accesstoresourcesremainsaformidableobstacle, isessentialtoindividualsuccessandtonationaleconomic particularlyintheimportantareaofmediaproduction,where competitiveness.Medialiteracyisintegraltoliteracy,andcritical youngpeoplecanlearnhowtoquestiontheworldfromtheirown mediaskillsarecrucialforworkandactivecitizenship.Onthe perspectivesandtotelltheirstories.Canadahasavibrantnetwork otherhand,policymakers,educators,andparents,aswellasmany ofindependentandalternativemediawherevoicesandviews mediaprofessionalsthemselves,warnthatchildrenandyouthare outsidetheso-calledmainstreamareheard,wheremorecomplex watchingtoomuchTV,thattheinternetisfullofdangers,andthat analysesarepresented,andwhereawiderrangeofaestheticsand “themedia”ingeneralhaveanegativeinfluenceonanythingfrom formsofexpressionareused.Accesstomedia-makingistherefore children’sfitnessandliteracyratestoviolenceandmorality.With animportantaspectofmediaeducation,anditisamatterof evermoreconcentratedcorporateownershipandglobalreachof equity. media,childrenandyoutharetargetedasconsumers,notleastas WehopethatthearticlesinthisissueofOrbitwillstimulate consumersofmediaproductssuchasCDs,iPods,andcellphones. policymakerstomatchtheintentionsofpolicyandcurriculum WehopethatthisissueofOrbitwillhelpreadersnavigatesome documentswiththeresourcestorealizethem;thatfacultiesof ofthehype,whilealsodemonstratingtheneedformoreandbetter educationwillbeencouragedtorecognizethecentralityofmedia mediaeducationatalllevelsofeducation.Wearefortunatethat educationintheirprograms;thatschoolboardswillprovide Canadaisaworldleaderinthisfield.Someofthecontributorsto classroomresourcesandprofessionaldevelopmentforteachers; thisOrbitissuehavebeenatitformorethan25years.Peoplelike andthatteacherswillfindprovocativequestions,usefulideas,and BarryDuncanandNeilAndersenareinvitedtospeakandwrite practicalsuggestions. aboutmedialiteracyaroundtheworld.Theissuecametogether throughtheworkofeducators,researchers,activistsandgraduate Acknowledgements: students,membersoftheAssociationofMediaLiteracy(AML)and theCentreforMediaandCultureinEducationatOISE/UT(CMCE). TotheWorkingGroupoftheAssociationforMediaLiteracyand TheNationalFilmBoard(NFB)MediathequeinTorontowere theCentreforMediaandCultureinEducationwhoinitiatedthis involvedfromtheoutset,providinginput,aswellas,important projectandsupporteditthroughout;toReneeSgroiandIan staffsupportandmeetingspace.WebeganmeetinginNovember Esquivelwhohelpededitandcoordinate;toHowardLamwho 2003todiscussissuessuchastheplaceofmediaeducation/media tookthecoverphoto,toVtapewhichallowedustouseimages literacyonthemarginsofelementaryandsecondarycurriculum, fromtheircollection,andtoKikaThorne,theissue’simage theunevendistributionofresourcesandsupportformedia researcher.ThisOrbitissueisdedicatedtoBarryDuncan,who education,andthevirtualabsenceofmediaeducationcoursesin pioneeredmediaeducationinOntarioschoolsmorethantwo facultiesofeducationacrossthecountry.ThisissueofOrbit decadesago. attemptsto“spreadtheword”aboutmediaeducationtoteachers, students,andparents,aswellastopolicymakersand administrators. We WhileCanadaisintheforefrontofmediaeducation,the hope that this issue distancebetweenpolicyintentionsandclassroomresourcesand practiceisamajorconcern.Curriculumpoliciesacrossthecountry ofOrbitwillhelp readers haverecognizedtheimportanceofmediaandmedialiteracy, navigate some ofthe hype, particularlyasanintegralcomponentofEnglishandlanguagearts programs.Indeed,thenotionthatliteracyincludestheabilityto while also demonstrating read,interpret,understand,analyze,andproducearangeofmedia the need formore and textshasgainedwideacceptance,andthereisalsorecognition forthepotentialofintegratingmediastudiesinanumberof bettermedia educationat curriculumareas.Yet,therearemajorobstaclesinimplementing alllevels ofeducation.” thegoodintentionsofpolicy,letalonerealizingthefullpotential ofcriticalmediaeducationforCanadianstudents.Thus,inthe -Kari Dehli, GuestEditor&AssociateProfessor, areasofteachereducationandprofessionaldevelopment,onlya DepartmentofSociologyandEquityStudiesinEducation, whhainldefusloomfefaocfufletrioesneo-fofefdumcoadtuiloenso—ffetrremaetdiingameedduicaataison“tceoxutsr”ses, OISE/UT,andFoundingDirectoroftheCCeunlttruerfeoirnMEedduicaatainodn MEDIAEDUCATION — Media Literacy: Essential Survival Sk Is for the New Millennium Barry Duncan W Media Literacy Defined e live inamediatedworld, a “global village,” as MarshallMcLuhan famously In1989,theOntarioAssociationforMediaLiteracy(AML)offered thisdefinitionfortheMinistryofEducation’sMediaLiteracy describedit. Events such as 9/11, thewarin ResourceGuide: Iraq, teenpop idol Britney Spears’ 24-hour “Medialiteracyisconcernedwithdevelopinganinformedand marriage,JanetJackson’s “wardrobe criticalunderstandingofthenatureofthemassmedia,the malfunction” at the 2004 Superbowl, and the itseecdhunciaqtuieosnutsheadtbayimtshetmo,inacnrdeatsheesitmupdeanctts’ofutnhdeesresttaencdhininqguaesn.dIt latest “reality” television allblendinto a enjoymentofhowthemediawork,howtheyproducemeaning, strange mediabrew. In this article, Barry hliotewratchyeaylasroeaoirmgsantoizperdo,viadnedshtoudwentthseywictonhstthreucatbirleiatlyittyo.cMreedaitea Duncan outlines the place ofmedia education mediaproducts.” andmedia literacyin the classroom. Theseproductsinclude:writingdetailedTVscripts,creatingsatiric collages,oreditingcomplexvideomaterial. Weusemediaforavarietyofpurposesandcontextsinthe W classroom.Itisimportanttodistinguishbetween“teachingabout” ehavetoreckonwithnewandevolving communication and“teachingthrough”themedia.Manyteachersusemediaas technologies:fromcellphonestodigitalcameras,from audio-visualaidstosupportsubjectcontent—teachingthrough internetchatroomstothemind-bogglinginformationresources whileteachingaboutmediapresupposesacriticalapproach, availableontheWorldWideWeb.Theexpandedcommunication wheremediatextsthemselvesareexploredintermsoftheirform, territoryandtheblurringofboundariesbetweenentertainment, strategies,organization,referents,pointsofview,andsoon. popularculture,consumption,andcommunicationsuggestthatwe However,thereisnoreasonwhybothapproachescan’tco-existto includewithinourunderstandingofmediasuchsitesasshopping generateamorethoughtful,culturallyrelevantcurriculum. malls,popiconslikeBarbiedollsandPokemon,andthebuzz Watchingamedialiteracyclassinwhichstudents,armedwith aboutbrand-drivenfashions.AccordingtoCanadianculturecritic digitalcameras,telltheirstoriesisanexhilaratingeducational NaomiKlein,“brandsaretoday’snewrockstars.”Massmediaand experience.Messyattimesandseeminglychaotic,creativemedia popularculturerepresentmulti-billiondollaropportunitiesfor projectsdemonstratethattheoryandpracticemustsupporteach globalmarketerspeddlingthelatestgoodiesforteensand’tweens, other. andamajorconcernforparentsandcaregivers.Itshouldbeno surprisethatmedialiteracyhasfinallyenteredourschools.While itsreceptionhasbeengrudgingattimes,medialiteracyisno Without goingon acrusade ofmedia longerseenasasuperficialfrill,butasanessentialcomponentof bashing fuelledbymoral panics, the media thecurriculum. classroom deserves openness, intellectual rigor, loads ofenthusiasm, andawillingness to take risks. orbit,\lol 35, No 2, 2005 Call 416 923-6641, ext. 2077 to order Orbitor visit www.orbitmagazine.ca SECTION STATEOFTHEARTIN MEDIAEDUCATION MediaEducation theprocessandteaching soundandspecialeffects.Furtherinvestigationsincodesand ofandlearningaboutmedia” conventionsmightaddresstheuseoftheTVnewsanchor’sdesk asasymbolofauthorityortheimagesofdeathandsatanic MediaLiteracy"...theoutcome,the destructioninCDcoversofheavymetalmusic. knowledgeandskillslearnersacquire” MediaStudies thecoursesteachersteach” VALUESANDIDEOLOGYINMEDIA -D.Buckingham Weallhaveasetofbeliefsabouttheworldwhichshapesourfears andaspirations,fromtherolesofschooling,attitudestosamesex Origins marriagetotheroleofpolice.Typicalquestionswhenanalyzinga Thefirstwaveofmediaeducationemergedinthe1960s,catalyzed mDeoedsiathteextteoxtreixmcalgue:deWahnoygisrionupaspoosfipteioonploefoprowtheeri?rbWehlioefiss?not? bytheU.S.civilrightsmovement,influencedbyfeminismandthe questioningofmediacoverageoftheVietnamWar.InCanada, MEDIAANDINDUSTRY culturalnationalismsandtheemergenceofaCanadianfilmand Thecommercialorganizationandimplicationsofthemassmedia televisionindustryshapedearlymediaeducationefforts.Alarming needtoberecognized;otherwise,weareculturallynaiveand TVviewingstatisticsofyoungpeoplehelpedmotivateteachers sociallyirresponsibleaboutthebasisofoursystemsof andparents.Untilrecently,whenInternetusagesurgedahead,the communication.Mostofourentertainmentandcommunication averageteenhadlogged15,000hoursoftelevisionbytheendof technologiesareownedbyasmallnumberofglobalcorporations, GraIndietia1l2l,yian“cmonotvreasmtenwitt”hosfpeenntdhiunsigas1t1i,c00c0lahsosurrosoimnttehaechcelrass,sritoowma.s eo.fg.o,wTniemreshWiaprnaenrd,cDoinstnreoyl,aalnsdoVaipapcloymt.oImsesruegsedarmoeudnidaccoonrcpeonrtartaitoinosn notuntilthe1990s,largelyduetotheproliferationofdigitalmedia, inCanada,suchasBell/GlobeMediaandCanwest/Global.Does thatCanadianmediaeducationbegantobetakenseriouslyby thislevelofcontrolinfluencewhatstoriesgettoldandhow,and educationpolicymakers. howdifferentgroupsarerepresented?Lestthetopicseemtoo In1986,OntariowasthefirstjurisdictioninNorthAmericato abstract,considerrecentdocumentariesonCocaCola,McDonald’s, makemedialiteracyamandatorypartofthecurriculum,fromKto andNike.Helpstudentsinvestigatemonopolies,theextentof Grade12.Followingthatdecision,thewidelyrecognizedMedia corporateresourcesforadvertising,andtheincrediblypowerful LiteracyResourceGuidewaspublishedin1989bytheAssociation roleofpublicrelations’initiatives.Criticalmarketinghasbecome ofMediaLiteracy.By1997,therestofCanadahadfollowedand medialiteracywasembeddedinprovincialpolicyguidelinesfor allEnglish/languageartsprograms. Typically,medialiteracyisestablishedasa“strand”assuming 25%oftheexpectationssetoutinprovincialguidelinesforthe English/languageartscurriculum.Whilesometeachersmaypay onlylipservicetotheserequirements,atleasttheyarecontainedin mandatedguidelines.Asmoreteachersreceivein-servicetraining, enrolinAdditionalQualificationcourses,orconducttheirown research,theywelcomemediaeducationintheirclassroom,notas Almostevery—weektherearemediaeventswhichstudentswish anadd-onbutasacreativeandculturallyrelevantopportunityfor totalkabout “teachablemediamoments.”Thedeathof learning.Inseveralprovinces,mediastudiesisofferedasa Diana,PrincessofWales,thewarinIraq,theOscars,the completestand-alonecredit,usuallyattheGrade11level. Superbowl,theimpactof9/11,arebutsomeexamples. Key Concepts Asafollow-uptoSeptember11,forexample,teachershad theirstudentsinvestigatesomeofthefollowing: Medialiteracyisdrawnfrommanyfields,includingsociology, • “Timehasceased,spacehasvanished.Weliveinaglobal psychology,politicaltheory,genderandracestudies,aswellas culturalstudies,art,andaesthetics.TheworkofMarshallMcLuhan village,asimultaneoushappening.”DiscussMcLuhan’s andothersincommunicationstudiesisalsoimportant.Thefieldis insightinlightofourexperiencesof9/11. dynamic,withdifferentapproaches,yetthereisconsiderable • Usekeyconceptsfromdiscourseanalysistoexplorethe internationalconsensusonimportantconceptsandareastobe representationsofpatriotism,grief,socialjustice,resistance, coveredinmediaanalysis. andprotest. • Whowasmarginalizedafter9/11andwhy? CODESANDCONVENTIONS • Compareandassessnetworknewscoveragewithalternative Considerhowdifferentmediacommunicatemessages.Inlearning newssourcesontheInternet. aboutfilm,forexample,welookatthetechnicalcodesofclose- ups,zooms,dissolves,pans,andtilts,andtheeffectscreatedby MEDIAEDUCATION 3 themostimportantaspectofmodernmedia.(ConsultNaomi tobetaughthowtodiscriminateandresist.Therearestillteachers Klein’sinvaluablebookNoLogo:TakingAimattheBrandBullies, whobelievethatsuchapproachesareappropriateandthat RandomHouse,2000.) studentsneedtobeculturallyinoculated.Morerecentmodels presumearicherandmorediversifiedvisionofsociety,where MEDIAANDAUDIENCE popularcultureplaysakeyroleinoureverydaylives.Suchmodels Audienceisusedintwodifferentways recognizethedynamicsofpower,theroleofpleasureandpolitics, a Howweasconsumersbecome“targetaudiences.” andconsidermediaasasignificantinfluenceonidentity a Howasactiveparticipantswemakesenseofthemedia. formation.Alongwiththeliberatingelementsimplicitinaudience theory,aswellasstudent-directedmediaproduction,suchmodels TargetAudiences: Ontelevisionandcommercialradio,themedia empowerstudentstomakeuptheirownmindsaboutchallenging servetodeliveraudiencestosponsors.Inahighlywatched ideasandclassroomdebates,fosteringconditionsforcritical spectaclesuchastheSuperbowl,a30-secondcommercialwillcost autonomy.Withoutgoingonacrusadeofmediabashingfuelledby atleastamilliondollars. moralpanics,themediaclassroomdeservesopenness,intellectual rigor,loadsofenthusiasm,andawillingnesstotakerisks. ActiveAudiences: Audiencetheorysuggeststhataudiencesare Teacherscanbeginbyacknowledgingtheirownproblematicand activeparticipants,andthatenjoyingormakingsenseofmediais contradictorypassionsandbybeingprepared,whenappropriate, acomplexprocess;moreover,eachpersonnegotiatesdifferent tosharethem.Playing“spotthestereotype”islimitedinitself.Why meanings,dependingonhis/hergender,race,class,andage. notencouragestudentstowritethoughtfulpapersontheirmedia pleasuresandencouragethemtousemedialogsforopen-ended Examples of Media Literacy in responses?Encouragemainstreamreadingsofpopulartelevision the Curriculum textsandthenmodelsomeoppositionalreadings.Encourage studentstotransferinsightsdevelopedinthemediaclassroominto — English adaptingashortstoryornovelintoafilm;creating otherareas:thepoliticsofschooling,theroleofauthorityinthe multime—diathematicunits;scriptwriting family,andtheworldofwork. m History detectingbiasinnewscoverageandso-called historicaltruth;pointsofviewindocumentaries;representing References a Chiisvtiocrsi—calinevveesnttisgaitninfgeaotpuproertfiulnmistiesfordemocraticaccessto Buckingham,D.(2003).Mediaeducation:Literacy,learningandcontemporary culture.London:Polity. socialandpoliticalpower,aswellasaccesstothepublicspace Masterman,L.(1989).Teachingthemedia.London:Routledge. ofmediarepresentation — h Geography assessingtheformandimpactofimagesofthe ThirdWorld — HealthEducation critiquinggenderrepresentation,especially thepervasiveultra-slimmodelsandactorswhoglamourizeteen BARRYDUNCANisanaward-winningteacher, anorexia author,consultant,andpastpresidentofthe AssociationforMediaLiteracy(Ontario).Heis Forelementaryschoolteacherswhoinevitablycrosssubject co-authorofMassMediaandPopularCulture borders,medialiteracyapproachescanshapeandunifyseveral (HarcourtCanada,1996)andhaspresented curriculumstrands.ArticleselsewhereinthisissueofOrbitwillbe workshopsandkeynoteaddressestoteachersinCanada, ofgreathelp(seeespeciallySection2). theUnitedStates,Japan,Brazil,China,Spain,andEngland. In the Media Classroom Inthemediaclassroom,wewanttopursuethoughtfulmedia Vtapecredits analysisinwhichitisunderstoodthatclassdiscussionsand reflectionarethebasisforconstructingnewknowledge.Inthis context,theclassroomisa“siteofstruggle”inwhichmeaningsare negotiated.U.K.educatorLenMastermaninsiststhatmediastudies sihmopuolsdebaesipencqiufiircy-sceetnotfrevda,luceos-)i,navensdtieggaatliivtear(iitando(etseacnhoetrsseaenkdto CShheeryDlonD'tunFyaede WUrristuilnagBDieesmiraenn CIasntvtasninK,anAtmoern,!Monty JRueddeBNuofrfrailsoSkydive studentssharemediaexperiences,butmayhavedifferent 199123:00English 200025:00 BlackFlag 20003:30English interpretations). B&W English/Spanish 19989:00English colour Earlymodelsofmediaeducationdenigratedyoungpeople’s colour colour/B&W popularculture.Themediawereseenasbadandstudentsneeded orbit,\lol 35, No 2, 2005 Call 416 923-6641, ext. 2077 to order Orbitor visit www.orbitmagazine.ca 4 — NeilAndersen Defining New Media Differentmedia require Theword“new”innewmediaisnotausefullabel.Newwhen? different readingstrategies 1990?2000?Now?Whosays?Historians?Scholars?Newmedia and readers need to users? Itiseasiertodescribenewmediaacrossacontinuumthanto understand form aswell as drawalinearoundit. Ifweweretochoose“computer-dependent” content.” asacriterion,whichmediumisNOTnewmedia?Itmightbeuseful touse“screen-delivered”asacriterion,butagreatdealofscreen —NeilAndersen, Teacher,Author,Consultant contentistheprintedword,consideredtobeoneoftheoldest media.Itismosteffective,therefore,todescribenewmediausinga combinationofcriteriasuchas“interactive,”“electronic,”and “digital.”Itisalsousefultodefinenewmediaintermsofthe “mentalenvironments”theyevoke.Agreatbenefitofnewmediais discoverandanticipatethenewmediaforms.Thismightmean thattheirvarietyofformsandlanguageshavehelpedusrealize fast-scanningthroughvideoorrapidlyscrollingawebpage.Once asMc—Luhandiddecadesagoaboutmediathatwere“new”inhis theformisinvestigated,readerscanidentifythemosteffective time thatformisneitherinvisiblenorirrelevant,butasignificant info-capturingstrategies. partofthemessage. During-readingstrategiesincludenotingomissions,making Newmediaformsincludeemail,chat,websit—es,streaming predictions,andformulatingquestions.Readerscanpauseand audio/video,textmessaging,iPods,andgaming oftenin reflect,andre-readforclarificationorelaboration. combination.Theyinvolvemostcommunicationthatoccursvia After-readingstrategiesinvolveintegratingnewknowledge screen,andaremostoftenmulti-media:combinationsbeyond withpriorknowledge,andincludereflecting,summarizing/ imageandword.Theirelectronicnaturemakesthemethereal: paraphrasing,andverifyingsources/information.Unansweredor messagesareshort-lived,soourmemoryisoftenchallenged.The newquestionsmightbepursuedinanewreadingactivity,andthe multi-mediaexperiencemayalsobeamulti-sourceexperience. processrepeats. Thatis,wecanconsultthewebwhendiscussing,reading,or Becauseofthemulti-channelandetherealnatureofnewmedia viewing. messages,readersmustbeactive,strategic,awareoftheirmental environments,andprescient/forecasting.Theymustbeableto Reading New Media captureandrememberkeyideaseffectivelyandefficiently. Newmediacreatorsmustbeawareoftheenvironmental Researchersofreadingknowthatitisanactive,strategicprocessof characteristicsofeachmediumsotheycanchooseandusethe meaning-makingthatinvolvesaninteractionbetweenthetext mosteffectivemediaformsandmodes.Theymustalsoknowhow beingread,thepriorknowledgeandskillsofthereader,andthe tocombineformandcontentintoeffectivemessages:messages conditionsofreading.Thisisalsotruefornewmediareading. wheretheformcomplementsandre-enforcestheintended However,theleveland/ornatureofinteractivityisanimportant meanings. distinguishingcharacteristicofreadingnewmedia.Different mediarequiredifferentreadingstrategiesandreadersneedto understandformaswellascontent.Newmediamessagesare polysemous(ambiguous),partlyasaresultoftheirmulti-channel cssoocumennmdeutnriinaccaakt,sitcoornaysm,escreaaaryca,hngisulesi,tinbogercaaaduciosfmefbeoirfennattthieloaannc?gt)iu.nagg,eefdiotrimng(,iflwigehtfinign,da NEmIDieLsdtAriiNactDaESncRdhSocEoolNmmBiousanaridCc.uartHrieiocinusslaultmseocChaonnosslpuoelgatyka.enrtHiwasinmtdhosctothnerseuTcloetrnaotnntwtooinrks NeRweamdeedrisamruesatdecrosnsciadnerefafnecdtirveealdynuseewmmoeddiifaiesdtrparteignitc-arlleya.ding giuncilduedfeosrtthheeCaownasrudm-weirnAndivnegrtSicsainngniWnogrTkebloevoiks,iotnh,eatnedacshteurdsy’ strategies. guidesforSpace,Bravo!andMuchMusic’sCableinthe Before-readingstrategiesincludeactivatingpriorknowledgeof Classroombroadcastsoforiginalmedialiteracy formandcontent.Knowingthenatureofthemediumpreparesa programming. reader’smentalenvironment.Readerscanskimandscanto MEDIAEDUCATION 5 0 SECTION STATEOFTHEART INMEDIA EDUCATION The Story of Media Education/Media Literacy in Canada: An Interview with Barry Duncan On the occasion ofthe ORBIT Whenyoufirstbecameinuoluedinmediaeducation,what 25thAnniversary ofthe weretheissuesyouwantedtodealwith? Association forMedia DUNCAN Iguesswe’retalkingabout1978,sooneofthefirstthings Literacy (Ontario), Toronto youhavetorealizeiswhatthetechnologywaslikeandwhat teacher Ian Esquivel peoplewerefocusingonintheirclassrooms.Mostmedia educationwasfilmoriented...wedidn’tevenhaveVCRs...so interviewed Barry Duncan, BarryDuncan filmtendedtobethebigthing.Ifyoushowedreallygoodfilms,like foundingmemberand FelliniandTruffaultandEisenstein,you’dbeableto“save”kidsfor “highculture.”Whateverstuffyoucouldn’tstandwassortofput untiringpromoterofmedia education outthedoor....AndtheNationalFilmBoardfilmsplayedabig in Canadian schools. role.Theyweretheonesyouusedfordiscussionpurposes.In manycasesyouwereteachingthroughandnotaboutthemedia, althoughyoudidalittlebitofeach. ORBIT Whatu?asthereactionofstudents?Didtheybuyintoitor ORBITAtwhatpointdidyoufeeltherewasaneedtogobeyond justthinkitwasweirdnottobereadingbooksoressays? teachingfilmaestheticsandtheory? DUNCAN Ithinktherewasapositivereaction.Mindyou,yourarely DUNCAN Weknewthekidswerewatchingtelevision,alotof hadapuremedialiteracystrain,ifthereissuchathing.Media tteeexllaeemvviiissniieoondn.tiBonucttohInedsocinld’aetsrstrihtoiaonsmk.aenAnnoidnutgethghreaorlfeupwasarwtseoprfoewphwuaaltatcrshmhiuonsugilced.nboYeouughhad ttisaelgnkodaoebddoutfootrhidta.ivAsecnuadsstiiifeoy-nio,nu”wsciootuhFlradidndaoiyvsecaluf.stsOerrh,nooywoonuitymwoiuag’shdtmstahhdioenwk,,at“hfWeiellumls,aetnohdfis allthosebeautifullyricsfrompeoplelikeSimonandGarfunkel.... sound,ofcameraangles,thenyoucouldgivethestudentssome Thehostsubject,English,wasidealforincorporatingsuchmedia insightsintotheconstructionoffilm. textsintowhatweusedtocallmulti-mediaunits.You’dtakea tnohveemle,slhiokertcostuorraigese,oarnpdreajfuidlimceo,ramnadyyboeu’sdonegxpllyroirces.itthrougha cOoRnBcIepTtsT.o"dHaoywmeddiidatheadtucaraitsieo?nuseswhatistermedthe“key ORBIT Whowaseagertodomedialiteracy?Wasthereany DUNCAN ThatcamewhenweweredoingtheMediaLiteracy resistance? ResourceGuidebackin1986.Itwasclearth—atifweweregoingto addressallthedifferentmediaandge—nres film,newspapers, tDhUeNGCrAadNeI1t3weaxstearnyaolunegxearmstemaecahenrtptohpatultahteioEnn.glTihsheperliomgirnaamtiaotnloeafst cpreirtiiocadlictaolosl,s.mAusnidc,thtaetl’esviwshioenn,cmoemdiicas—litwereachyabdectoadmeevaelcoopmbsionmaetion wenacsonuortagderidvaenwiblylitnhgonseessextoamesx.peItrigmaevnety.oTuheaylowtemroerreeafllleyxigbioloitdyand oefndMecdLuuhpanw,itfhilkmegyrcaomnmcaerp,tsidaebooluotgyhowallmetdhaitakcionndstorfutchteorreyal.itSyoawned times.Therewasalsomoney.Sobetweenmoney,youth,and havesocialandpoliticalimplications,andsoon. cwuhroridciudlnu’mt,wiatnwtastoagveetriynpvooslivteidvejuasttmwoesnpthetroet.heAnsiddetlhienetse.acBhuetrmsy ORBIT Underpinningshif—tsinmediaeducationthroughtheeighties senseisthatthemajoritywereopen. wasthevideorevolution MuchMusic,MTV,allthose.Thatmust havehadagreatimpact. orbit,)lol 35, No 2, 2005 Call 416 923-6641, ext. 2077 to order Orbitor visit www.orbitmagazine.ca — & SECTION STATEOFTHEARTIN MEDIAEDUCATION DUNCAN Oh,absolutely.That’swheretheexplorationofpopular we shouldneverneglect Marshall culturestartedtotakeholdand,inmyowncase,evengoingto McLuhan. He became aninspiration for shoppingmallsandhavingwalk-aboutsdowntownbecame significantbecauseyouwereabletolookatthecultureof a lot ofpeople.” everydaylife.Youwereabletoseethatit’snotjustfilmand television,it’severythingthatsurroundsus.FromBarbiedollstoGl Jdoees,earllvetdhaatsstmuuffcbhedciasmcuessrieocnogansizaeqduaalsitpyopshcourlttfuirlem,icleotnsalaonndetahey mediaeducationhasincreased.Sowhatwasfine15yearsagois featurefilm.Sowhenyoustartedtohaveabroaderdefinitionof notfine—now.Informationliteracy,visualliteracy,computer wuhpaatlmotedofiadoloirtserafcoyrwtahse,maenddiaoftewahcahterc.uAltnudreIwtahsin,ktthheant’istwohpaetned sltituedriaecsy,haavlleocfotnhtorsiebuttheidngtsotthhaetccroedmiebitloittyhoeffmoerdeigaroluintderaicny.media facilitatedamajorparadigmshift. ORBIT Howisamedialiteracycoursedifferentfroman ORBIT Atsomepoint,youmusthaverealizedthatperhapsyou informationtechnologycourse? ynoeuedaedddrteoslsotohkata?tthetheoreticalaspectsofthesepursuits.Hou)did DUNCAN Informationtechnologytendstobetaughtorfa—cilitated bythosetrainedaslibrariansorlibraryresourceteachers how HDeUNbCecAaNmeFiarsntionfsaplil,rawteionshfoourladlnotevoefrpenoepgllee.ctHMearwsahsalilntMhceLunheawns. dinooyroduercltaossliofcyatteheormaptlearciealasbyoooukhianvteh,ewchoaltleactrieont,hehsokwilldsoyoyuouneuseed continually;hewasalwaysgivinghispronouncementsonthelatest thisCDorfilmorwebsiteasaresource?Itdoeslookathowatext thing,liketheBeatlesorTwiggyorwhatever.Andthatwasgood isproducedbut,unlikemedialiteracy,ittendstobeapoliticaland becausepeoplestartedtosay,“Lookatthewaykidsarewatching itdoesn’treallylookattheindustryorideologicalimplications. television,thewaywe’rebeingaffectedbyit.”...Whathappened Whatitleavesoutcanbe,attimes,moreimportant,inmyview, wasyougotamoredetachedviewofwhatwashappening.And thanwhatitincludes. tBheact’asuswehewre’erIetthailnkkintghaeobroyutcathmeentaotuplraey.ofAtnhdeMmceLduihuamniwtsaeslf,ideal. ORBIT Itsoundstomelikemedialiteracyalmostbelongsin whetheritwasfilm,television,ornewspapers,anditsimpacton sociologyandyetit’sintheEnglishcurriculumforhighschools,and oursenses,theparticulargrammarofthemedium,whatthingsit inlanguageartsforelementary.Howdoyoufeelaboutthat? foregroundedandwhatitdidn’t.Thatgaveitanairofexcitement. TheriskwasthatifyoujustsimplytaughtMcLuhanandmedia,it DUNCAN It’sablessingandacurse.Ablessingtotheextentthe becametoonarrow.SoIthink,atleastaboutthemid-80s,Chomsky peoplewhoaremostaccommodatingtendtobetheEnglishor camein,andJohnFiske,andofcourse,LenMasterman’sTeaching languageartsteachers.So,it’sunderstandable.Andit’sthesamein theMediacam—eoutin1985.Hewasabletoputinalotofthe theU.K.andbyandlargeinAustralia,althoughinsomeoftheU.S. politicalstuff he—wasverywellversedinPaoloFreire’sPedagogy it’swithinthearts.Andinoneortwoplaces,it’swithinthesocial oftheOppressed thatyouneedtohave:reflection,analysis,and sciences.Inessence,itdoesn’tnecessarilybelonginEnglishbutthe thenaction.Mastermanpoliticizedmediamuchmorethanwehad. fitisthemostcomfortable.Thecurseisthatmediacanbecomejust Beforewewereveryapolitical.AndIthinkthepoliticaldimension anothertextthatyouteachthrough,likeanovel,whichhasmajor madeadifference. limitations,pedagogically.Youneedtoteachaboutthemediaas — — wellasthrough,andthere’snoreasontherecan’tbeaco-existence ORBIT Now,despitethefactthatwe mediaeducators seemto betweenthetwo...[or]betweenEnglishorlanguageartsand hauearrivedonsomelevel,therehasbeenpressuretoeliminate media.There’snoreasonforhostilitybetweenthem...Onecan thestand-alonecreditinmediastudies.And,infact,itdidvanishin usemanyofthesametoolsforanalysis,andthenonecanadd thefirstdraftofthelatestOntariocurriculumreform,onlytobe othertoolsthatarespecificallyusedinmediastudies—.Whatyou reinstatedbecauseofgrassrootspressure.Whatdoesthatsuggest getisanenlargedconceptofwhatEnglishconsistsof andpeople aboutmediaeducation? mightsay,well,thenyou’returningitintoculturalstudies.Inmany ways,Ithinkthat’strue.Englishisalreadyaformofculturalstudies, DUNCAN Thefactthatthecredittoteachacompletecoursewasin largelybecauseofthewiderangeandtypeoftextsused,andmore jeopardyshowshowfragilethemovementis.Eventhoughwe’ve sowiththeuseofmediaastexts.Andwhenmediaareinserted hadcurriculumguidelines,createdresources,beeninthenews effectively,theycanraisecrucialculturalquestions. eventhoughwehavehadcriticalrecognitionofthevalueofmedia literacy,allittakesisaconservativegovernmenttosay,“Weneed ORBIT—It’sinterestingthatint—herecentpushtoincreasebasic togetbacktothebasics.”SothatisaconcernthatIthinkweall literacy readingandwriting theapproachhasbeentonot have.Thegoodthingisthateverydecadetherationaleorneedfor locateitinEnglishorlanguagestudyspecifically,buttospreadit medialiteracyhasescalated.Withthearrivalofthehome acrossthevarioussubjectdisciplines.Shouldthatbehappening computerandthelaptop,anddigitalmedia,therealneedfor withmedialiteracy? MEDIAEDUCATION DUNCAN Ideally,IseenoreasonwhyEnglishteachersshouldhave issuesofsex,violence—allthatfearmongering—butallowsno amonopolyonit,an—dinfact,thereisplentyofopportunityinthe otherinterpretation.Itassumesthattheirmindsarecorrupted, othersubjectareas history,geog—raphy,health,physicaleducation, theirinnocencebreached,etc.There’sanabsurditygoingonthere, music,science,socialstudies,etc. allthosecoursesprovideentry andthere’sverylittlesolidevidencethatthesemediahavethat pointsforreallysolidmedialiteracy.Andifyoutakethekey destructiveimpact.Medialiteracyisn’taboutnarrowingthebeam concepts,andyoutakeanyofthosesubjects,wecanfindwaysin somuchthatyoucan’tseethewholepicture,butaboutshedding whichthemediahaveconstructedakindofreality.Soforexample, morelight.Ourperspective,andittendstobeaveryCanadianone, inabiologycourse,anatureprogramintheveinofAnimalPlanetor istotakeapositioninthemiddlewherewedon’tignorethe anyanimaldocumentarycouldbelookedatwithacriticaleyeas possiblenegativeinfluencebutwedon’ttakeitasthemotorthat muchasonemightlookatafilminanEnglishclassroom,usingbasic runsthewholecar. medialiteracyconcepts.Thatis,onewouldteachthroughitby ex—aminingtheinformationorcontentitprovides,butalsoabout ORBIT Ratherthannothavesomethingseen,you’dratheritu?as it howthefilmorshowconstructsaparticularrealitythroughthe viewedthroughamedialiteracyframe?It’sstillaframe,butit's useofcertaincodesandconventions,cameraangles,music,andso evidentanduseful,andafairlybroadframe? on,andwhatvaluesitcontains.Teacher—sarealreadyusingmediaas teachingaidsindifferentsubjectareas butthat’sthroughnot DUNCAN It’sawayofseeing,yes.Medialiteracycanbean aebnohuatnctehethmeedsitau.deVnitsd’eounisdebresitnagnudsiendgoinf,lsaayn,dausgee,obgurtapnhoyocnleasissto alternativetocensorship.Ithinkthat’sagoodpartofitsmessage. askingwhomadethevideo,forwhatpurpose,usingwhat ORBIT Sometimesmediaeducatorsarelabelledas“anti- tofecthhnaotliosgwya,iattinwghafotrctohste,tienatcehnedrinwghiotfcoarnwghoomb,eyaonnddsjousotnt.h.e..bAalslics cthoartpodroatqeu,e”setsipoencioaulrlycownhseunmethrecyuhletaurrteilaynedmtbhrearcoeleceorftcaionrpwoorraktsions opfrotvheiidressutbhjeecctriatincdalltooooklsattothheelbp.roaderissues.Medialiteracy withinit.Whatdoyousaytothatcharge? DUNCAN There’sagoodnewsstoryandabadnewsstoryhere. ORBIT Ciuenthatelementaryteachersdon’t,asarule,justteach Somecorporationsaregoodcorporatecitizens,foranumberof oofneadsauyb,jeicttseliekmesEntgolmisehtthoatthaeicrrsotsusd-ceunrtrsicbuultarsetuooelr,alorovseetrotfhetocolosu,rse trheeasmoensd.iaAnbdustihneeyssgegnleobraaltley,gboeocdaubusseitnheesrsefarroemrbeaelilnygotnhlaytfwiavye.In likemedialiteracy,isalogicalfit.Eventheterm“languagearts” mediaconglomeratesthatprovide90%oftheinformationandown suggestsamoreencompassingapproach. themajorityofthemediaoutletsthatpeoplehaveaccessto,the ownershipandcontrolissuesbecomeproblematicandcrucial.Even DUNCAN Yes,andIthinktheinterdisciplinaryopportunitiesare thoughtherearemorechoices,therearefewervoices.AndCanada immense.Andwhatwillbethebondingagentforthosedifferent isnodifferentinthatsensefromtheU.S.Wearethemostcabled subjectswillbetheuseofthekeyconceptsthatcanbeappliedto nationintheworld;andwe’vegotownershipofnewspapersand variousmediaconstructions.Theconceptsprovideanexcellent televisionstationsthatisalmostasconcentratedastheAmerican meanstosharpenourinterpretiveskillsacrossallboundaries situation,whichishorrendous.Ifwe’reanti-corporate,we’reonly anddisciplinesinschools,butalsotoheightenourcritical anti-corporatebecausethisconsolidationmeansthatdecisions understandingoftheworldaroundusingeneral. madepushoutindependentmedia,knockthesmallertelevision producersorfilmmakersout,usethebottomlinetoundermine ORBIT Therehasbeensomecriticismthateducatorsaresomehow diversepointsofview,andstifledebateanddiscussion. readingintothemedia,thattheyarebeingalarmist.Howdoyou Agoodcorporatecitizensupportsandispartofthecommunity; respondtothatcriticism? theydon’tsetitbackortrytodictatethewayitthinksby controllingitsaccessthroughandtomedia.Icouldnameone DUNCAN Well,to“readin”canbepositiveornegative.Itcanbe stationinTorontothatisveryresponsibleandsupportiveofthe positivetotheextentthatifyoudon’ttake—anangleonwhateveris community,andinparticularofmediaeducators,andasksnothing happeningandhowit’sbeingrepresente—d itcouldbeamusic fromus,likeendorsements,butstillprovidesresources,andworks video,afilm,anewsstory,acomicbook ifyoudon’ttryto withustohelpustobetterunderstandtheindustry.Thestation conceptualizeitandinterpretit,thenwhatistheroleofeducation? hasprovidedmoneytofundworkshopsandsummerinstitutes, It’sridiculoustonotreadintosomething;it’showweprocessour helpedwiththetrainingofteachers,providedvenuesforevents, understandingofthings,notjustofmedia.Whereitbecomesbadis madeanumberofitsprogramsavailablefreetoeducators,and wherewetakethe“readinginto”asbeingthefinaltruth,which participatedinthewritingofcurriculummaterials.Wesensealso leadstotheprotectionistpositionthatassumesthatsomething,like thatthecompanywantstounderstandeducatorsandstudents, avideogame,isinherentlyharmful,thatwehavenowayto andnotjustasamarketoraudiencebutasacommunityaswell. overcometheharm,andthattheuseofthese“harmful”media So,anymedialiteracyaroundcorporationshastobegivena becomesanaddiction,thattheuserisconsumedbyit.Thattypeof context.Whoisinthedriver’sseat,Iguess,istheissue,the reading,especiallyasitisappliedtoyoungpeople,oftenbringsin corporationorusascitizens? orbit,\lol 35, No 2, 2005 Call 416 923-6641, ext. 2077 to order Orbitor visit www.orbitmagazine.ca