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235 Pages·2013·1.16 MB·English
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O NE M A ARI RDEN "One" Copyright © 2013 by Melinda Yang Cover design by Regina Wamba at MaeIDesign and Photography, L.L.C Editing: Becky from Hot Tree Editing All rights reserved. No part of this book may be used or reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written permission of the author, except in the case of brief quotations embodied in critical articles and reviews. This book is a work of fiction. Any references to historical events or real people are used fictitiously. Other names, characters and incidents are products of the author's imagination, and any resemblance to actual events or persons, living or dead, is entirely coincidental. T C ABLE OF ONTENTS Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Flame Excerpt from "Flame" Dedications About the Author O M A THER BOOKS BY ARI RDEN Young Adult The Fireborn series Flame (book one) Blaze (book two) coming soon New Adult One To anyone who ever thought they couldn't. You can. P R O L O G U E I follow him. The dark shadow is hard to see because he blends in so easily like a natural predator. If I squint my eyes, I can make out the sharp outline. I imagine seeing the dark rectangular spectacles resting on the bridge of his nose. I imagine his lips curled in a gentle smile that doesn't quite reach his eyes. I watch as he slips into the house like the phantom he is. The house doesn't look menacing. It looks normal. A rural colonial home. Beautiful, grandiose-but something stirs inside. The curtains are closed, but I imagine there are lights on. I imagine there are people moving, silent as he is. I need to get in. It goes against every instinct inside me. Grandma says I'm a survivor, and she's right. I've survived when all I've wanted to do was crumble. I've stayed when I desperately wanted to run. I've closed my eyes, and gritted my teeth through it all because I'm a survivor. Tonight, it ends. Not letting myself think too much longer, I move. I've never been so grateful to be small. I easily hide my body in the bushes, inching my way closer to the back. A house this size should have many entrances, I reason. My rational brain is trying to think of a plan. My eyes scan the home, trying to notice darker, shadowed places, and an entryway someone would take pains to hide. Eventually, I conclude I'm too far away. I need to get closer. My heart is racing wildly, picking up speed with each step, but I don't give in. I fight for every step. I swallow my instincts to run, to just accept what my life has become. I push those urges aside, shoving them to the back of my brain as I mentally chant, find a way inside, find a way inside… I'm less than ten feet away behind a parked tractor. I'm so close I can smell the smoke from a recently extinguished cigarette bud mixed with something husky. Sweat, maybe. I put a hand to my chest, trying to steady the erratic rhythm. I don't dare breathe too loud in case they hear me. I know what they do to people they hear. Breathing in through my nose, I look up, making sure that only my forehead and eyes are showing. Much better. I have a good view of the side and the back. There's a back door, but a large man stands in front of it, leaning his broad back against one of the columns. My eyes continue to search. I know these men well enough to know there are many ways in. Green vines circle the massive home, shrouding it like a cloaked secret. In the daytime the house is beautiful, sparkling almost. The plants surrounding the home give it an unearthly glow, as if the people who reside inside are not quite human. I noticed earlier the curtains are closed, and I suspect windows are probably sealed shut too even though it's ungodly humid. My eyes roam past the columns in the front of the building, and past the long rectangular windows to the polished back porch, gleaming underneath a full moon. My eyebrows meet in the middle as I focus on a protruding floorboard at a diagonal angle from the ground. It's been colored to match the porch, and I might have passed it if it weren't for the shaft of light reflected from the moon being cut at an odd angle. It must lead to a basement, I reason. It has to. Doubt quivers, but I plunge ahead anyway. I try to imagine I'm a panther, stalking a prey. The image makes me feel stronger, a little less cowardly. I've learned that sometimes survivors have to be cowards. Sometimes they have to stay small. I lift the floorboard up and slip inside, stealth as a cat. I land on my feet in a dark hallway. I hear voices, low murmers I can't decipher. I take a single step forward and that's when I smell it: something rotting. Something burning. The smell is so strong, assailing my senses so heavily that my stomach revolts. I cover my mouth with my hands, gagging into my palms. The sounds are muffled, but I'm terrified someone might have heard it. Briskly, I move, positioning my back to the wall, making myself as invisible as possible. I stay in the shadows. With each step, I take the smell becomes stronger, creating waves of nausea that roll inside me like a storm. I reach a door. My stomach gurgles. Move, I command my legs. Walk. My feet don't cooperate. They want to stay glued to the wooden floor. Maybe they're reacting to what a part of me already knows. There's something bad on the other side. I look at my hands, willing them to touch the knob, to turn it so I can sneak in. I need to know what's inside this house. Open the door, open the door, open the door… As if by magic, the knob starts to turn. I can't move. I can't breathe. He steps inside, the shadow in my nightmare. He looks surprised for a moment, but then it fades as fast as it comes. "Hello, Julianna," he greets me pleasantly. He closes the door, but not before I see what's inside, not before I see everything. I gasp, and my legs won't stay standing anymore. I crumble like a pile of ashes, falling to the floor without a sound. "What have you done?" I whisper. His face is impassive, unmoving. "This is none of your concern, Julianna." He says the words as if we're talking about the weather, about the food inside Max's Diner. He's talking as if he's a god, and the problems of the mortals don't matter. "You shouldn't be here." No, I shouldn't. No one should. I shake my head slowly, the movement almost painful to make because my body is frozen with dread. "What have you done?" I repeat again. "I'm sorry it has come to this," he sighs, and it almost sounds believable. Almost. "You were always such a good girl. Always so obedient. I'm sorry you won't be able to leave tonight." He walks toward me. Braidon's face flashes inside my head. Survival kicks in. "Please," I squeak. I lower my eyes in a submissive pose, flickering over his body. "Julianna." His voice is deceptively gentle. "We can't remain ghosts if someone sees us, now, can we?" He crouches, and his fingers are tight around my arms as he forces me up. I keep looking down. I am small. I am small. I am small. "Look at me, Julianna." I flinch, but I lock my gaze with his. "I am sorry, chica, I really am." There's a glimmer in his eyes. It isn't sorrow. He reaches to his side to grab the gun attached there. His hands touch an empty holster. The weapon is cool against my palm. My hands are shaking as I aim it into his stomach. He freezes when he feels the point of the gun. "Move back," I command. My voice wavers. It doesn't sound strong. I'm not strong. I'm desperate. He looks surprised at what I've managed to do, but he does as I instruct, holding his hands up in a non-threatening gesture. He cocks an eyebrow. "Very smooth. You belong with us-" "Don't," I break in angrily. Don't you dare.

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.