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On the Aesthetics of "Beowulf" and Other Old English Poems PDF

312 Pages·2010·1.34 MB·English
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ON THE AESTHETICS OF BEOWULF AND OTHER OLD ENGLISH POEMS This page intentionally left blank EDITED BY JOHN M. HILL On the Aesthetics of Beowulf and Other Old English Poems UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press Incorporated 2010 Toronto Buffalo London www.utppublishing.com Printed in Canada ISBN 978-0-8020-9944-0 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication On the aesthetics of Beowulf and other Old English poems / edited by John M. Hill. (Toronto Anglo-Saxon series) Includes bibliographical references and index. ISBN 978-0-8020-9944-0 1. English poetry – Old English, ca. 450–1100 – History and criticism. 2. Beowulf. 3. Art and literature – England – History – To 1500. 4. Literature – Aesthetics. I. Hill, John M. II. Series: Toronto Anglo-Saxon series PR203.05 2010 829'.1009 C2009-907359-5 University of Toronto Press gratefully acknowledges the financial assistance of the Centre for Medieval Studies, University of Toronto, in the publication of this book. Publication of this book has been aided by a grant from the U.S. Naval Academy. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. University of Toronto Press acknowledges the financial support for its publishing activities of the Government of Canada through the Book Publishing Industry Development Program (BPIDP). Contents Acknowledgments vii On Aesthetics and Quality: An Introduction 3 john m. hill 1 Poetic Exuberance in the Old English Judith 24 howell d. chickering 2 Bind and Loose: Aesthetics and the Word in Old English Law, Charm, and Riddle 43 tiffany beechy 3 Aesthetic Criteria in Old English Heroic Style 64 geoffrey russom 4 Beowulf and the Strange Necessity of Beauty 81 peggy a. knapp 5 ‘Worship the Lord in the Beauty of Holiness’: Latin Prayer and Old English Liturgical Poetry 101 sarah larratt keefer 6 Survival of the Most Pleasing: A Meme-Based Approach to Aesthetic Selection 114 michael d.c. drout vi Contents 7 Hunting the Anglo-Saxon Aesthetic in Large Forms: A Möbian Quest 135 robert d. stevick 8 Structural and Affective Relations in The Dream of the Rood: Harmonic Proportion and a Fibonacci-Type Commodulation 161 john m. hill 9 Beowulf and Boethius on Beauty and Truth 176 thomas e. hart 10 The Subject of Language: A Psychoanalytic Approach to the Aesthetics of Old English Poetry 209 janet thormann 11 The Aesthetics of Beowulf: Structure, Perception, and Desire 227 yvette kisor 12 ‘The Fall of King Hæðcyn’: Or, Mimesis 4a, the Chapter Auerbach Never Wrote 247 tom shippey Contributors 267 Works Cited 269 Index 291 Acknowledgments I am grateful to the organizers of the Medieval Association of the Pacific and the International Congress on Medieval Studies for opportunities to organize sessions on aesthetics and Old English literature. In small ways they were the forerunners of what has become this volume’s gathering of provocative essays. I am grateful for the participation in those sessions of Robert D. Stevick and Janet Thormann, as well as for the spirited audi- ences who joined with us in lively discussion. The anonymous readers for University of Toronto Press were comprehensive and quite helpful in their review of each essay and of the overall edition. Much credit goes also to the editors at University of Toronto Press, especially Suzanne Rancourt, who early on saw merit in this project, and to Barb Porter for her always timely managing skills. Charles Stuart deserves a fine facsimile of his fa- vourite Gospels carpet page for excellent copy editing. Finally, On the Aesthetics of Beowulf and Other Old English Poems would not have been as strong a volume without Howell D. Chickering’s ‘Poetic Exuberance in the Old English Judith,’ with permission to republish from Studies in Philology 106 (2009): 119-36. This page intentionally left blank

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What makes one Anglo-Saxon poem better than another? Why does "Beowulf" still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to
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