Table Of Content

ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION edited by DANIEL TYLER UniversityofCambridge Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108427517 doi:10.1017/9781108614931 ©CambridgeUniversityPress2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. isbn978-1-108-42751-7Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION edited by DANIEL TYLER UniversityofCambridge Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108427517 doi:10.1017/9781108614931 ©CambridgeUniversityPress2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. isbn978-1-108-42751-7Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931

ebook img

On Style in Victorian Fiction PDF

336 Pages·2022·3.791 MB·English
by  Daniel Tyler
#
Save to my drive
Quick download
Download
Upgrade Premium
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview On Style in Victorian Fiction

ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION edited by DANIEL TYLER UniversityofCambridge Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108427517 doi:10.1017/9781108614931 ©CambridgeUniversityPress2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. isbn978-1-108-42751-7Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION edited by DANIEL TYLER UniversityofCambridge Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 103PenangRoad,#05–06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108427517 doi:10.1017/9781108614931 ©CambridgeUniversityPress2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. isbn978-1-108-42751-7Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 ON STYLE IN VICTORIAN FICTION Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itselforthatanabsenceofstylemayinitselfrepresentthenineteenth- centuryideal.Thiscollectionprovidesamajorassessmentofstylein Victorian fiction and demonstrates that style – the language, tech- niques,andartistryofprose–isinseparablefrommeaningandthatit is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present anengagingassessmentofmajorVictoriannovelists,illustratinghow productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century and propose that the fiction of this era demands we think about what styledoes,asmuchaswhatstyleis. daniel tyler is Vice-Master, Fellow and Director of Studies in English at Trinity Hall, Cambridge. He has edited collections of essays including Dickens’s Style (2013) and Poetry in the Making: CreativityandCompositioninVictorianPoeticDrafts(2021). Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931 Downloaded from https://www.cambridge.org/core. Universitaetsbibliothek Leipzig, on 14 Jan 2022 at 16:18:33, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614931

See more

The list of books you might like

Upgrade Premium
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.
DMCA & Copyright: Dear all, most of the website is community built, users are uploading hundred of books everyday, which makes really hard for us to identify copyrighted material, please contact us if you want any material removed.
Copyright @ PDFdrive.to, 2022 | We love our users