Of Microbes and Art Of Microbes and Art The Role of Microbial Communities in the Degradation and Protection of Cultural Heritage Edited by Orio Ciferri University of Pavia Pa via, Italy Piero Tiano C.N.R.-C.S. "Opere d'Arte" Florence, Italy and Giorgio Mastromei University of Florence Florence, Italy Springer Science+Business Media, LLC Library of Congress Cataloging-in-Publication Data Of microbes and art: the role of microbial communities in the degradation and protection of cultural heritage/edited by Orio Ciferri, Piero Tiano, and Giorgio Mastromei p. cm. Proceedings of an International Conference on Microbiology and Conservation (ICMC) held June 17-19 in Florence, Italy. Includes bibliographical references and index. ISBN 978-1-4613-6904-2 ISBN 978-1-4615-4239-1 (eBook) DOI 10.1007/978-1-4615-4239-1 1. Biodegradation-Congresses. 2. Art objects-Conservation and restoration-Congresses. 3. Materials-Biodeterioration-Congresses. 1. Ciferri, Orio, 1928- II. Tiano, Piero, 1947- III. Mastromei, Giorgio, 1951- IV. International Conference on Microbiology (Florence, Italy) QR135 .036 2000 701' .8'8-dc21 00-023508 ISBN 978-1-4613-6904-2 Proceedings of an International Conference on Microbiology and Conservation (ICMC) entitled Of Microbes and Art: The Role of Microbial Communities on the Degradation and Protection of Cultural Heritage, held 17-19 June, 1999, in Florence, Italy. ©2000 Springer Science+Business Media New York Originally published by Kluwer AcademiclPlenum Publishers in 2000 Softcover reprint of the hardcover 1s t edition 2000 AII rights reserved No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form Of by any means, electronic, mechanical, photocopying, microfilming, recording, or otherwise, without written permission from the Publisher. International Scientific Committee O. Ciferri, Universita di Pavia (IT) G. Mastromei, Universita di Firenze (IT) E. May, Portsmouth Polytechnic (UK) M.P. Nugari, ICR, Roma (IT) C. Saiz-limenez, CSIC, Sevilla (ES) O. Salvadori, Laboratorio Scient. Sopr., Venezia (IT) C. Sorlini, Universita di Milano (IT) P. Tiano, CNR Opere Arte, Firenze (IT) C. Urzi, Universita di Messina (IT) T. Warscheid, Inst. Material Science, Bremen (D) Contributors Abbruscato Pamela. Department ofF ood and Microbiological Sciences and Technologies, University ofM ilan, Italy. Abdulla Hesham. Department ofB otany, Suez Canal University, Isamailia, Egypt. Biagiotti Lucia. Department ofA nimal Biology and Genetics "Leo Pardi ", University ofF lorence and Center for Scientific Conservation ofA rt Works, CNR, Florence, Italy. Borin Sara. Department ofF ood and Microbiological Sciences and Technologies, University ofM ilan, Italy. Bracci Susanna. Center for Scientific Conservation ofA rt Works, CNR, Florence, Italy. Castanier Sabine. Laboratory ofB iogeology and Microbiogeology, University ofN antes, France. Ciferri Orio. Department ofG enetics and Microbiology "A. Buzzati Traverso ", University ofP avia, Italy. Daffonchio Daniele. Department ofF ood and Microbiological Sciences and Technologies, University ofM ilan, Italy. Daly Simona. Department ofA nimal Biology and Genetics "Leo Pardi ", University ofF lorence, Italy. De Hoog Sybren. Centraalbureau voor Schimmelcultures, Baarn, The Netherlands. De Leo Filomena. Institute ofM icrobiology, University ofM essina, Italy. Dewedar Ahmed. Department ofB otany, Suez Canal University, Ismailia, Egypt. Dornieden Thomas. ICBM, University "Carl von Ossietzky", Oldenburg, Germany. vii Vlll Contributors Florian Mary-Lou Esther. Royal British Columbia Museum, Victoria, Canada. Galizzi Alessandro. Department ofG enetics and Microbiology "A. Buzzati Traverso ", University ofP avia, Italy. Gorbushina Anna A. ICBM, University "Carl von Ossietzky ", Oldenburg, Germany. Gurtner Claudia. Institute ofM icrobiology and Genetics, University of Vienna, Austria. Hermosin Bernardo Instituto de Recursos Naturales y Agrobiologia, e.SI.e., Seville, Spain. Koestler Robert J. Sherman Fairchild Center for Objects Conservation, The Metropolitan Museum ofA rt, New York, USA. Krumbein Wolfgang E. Geomicrobiology, ICBM, University "Carl von Ossietzky ", Oldenburg, Germany. Laiz Leonilla Instituto de Recursos Naturales y Agrobiologia, C.SI.e., Seville, Spain. Lamenti Gioia. Center for Study ofA utotrophic Microorganisms, CNR, Florence, Italy. Le Metayer-Levrel Gaele. Laboratory ofB iogeology and Microbiogeology, University ofN antes, France. Loubiere Jean-FranfYois. CALCITE SA., Levallois-Perret, France. Lubitz Werner. Institute ofM icrobiology and Genetics, University of Vienna, Austria. Maifreni Tullia. Stazione Sperimentale per la Seta, Milan, Italy. Mastromei Giorgio. Department ofA nimal Biology and Genetics "Leo Pardi ", University ofF lorence, Italy. Matteini Mauro. Opijicio Pietre Dure, Florence, Italy. May Eric. School ofB iological Sciences, University ofP ortsmouth, UK. Orial Genevieve. Laboratoire de Recherche des Monuments Historiques, Champs sur Marne, France. Papida Sophia. School ofB iological Sciences, University ofP ortsmouth, UK. Perito Brunella. Department ofA nimal Biology and Genetics "Leo Pardi ", University ofF lorence, Italy. Perthuisot Jean-Pierre. Laboratory ofB iogeology and Microbiogeology, University ofN antes, France. Pinar Guadalupe. Institute ofM icrobiology and Genetics, University of Vienna, Austria. Ranalli Giancarlo. Department ofF ood and Microbiological Sciences and Technologies, University ofM olise, Campobasso, Italy. Realini Marco Gino Bozza Center, CNR, Milan, Italy. Recio Delfina Instituto de Recursos Naturales y Agrobiologia, e.S.I.e., Seville, Spain. Contributors ix Rolleke Sabine. Institute ofM icrobiology and Genetics, University of Vienna, Austria. Romano Maria. Stazione Sperimentale per la Seta, Milan, Italy. Saiz-limenez Cesareo. Instituto de Recursos Naturales y Agrobiologia, C.S.Ie., Seville, Spain. Salvadori Omelia. Soprintendenza per i Beni Artistici e Storici di Venezia, Venice, Italy. Scicolone Giovanna. Scuola Regionale per la Conservazione dei Beni Culturali, Botticino Sera (BS), Italy. Seves Alberto. Stazione Sperimentale per la Cellulosa, Carta e Fibre Tessili Vegetali ed Artificiali, Milan, Italy. Seves AnnaMaria. Department ofG enetics and Microbiology "A. Buzzati Traverso ", University ofP avia, Italy. Sora Silvio. Department ofG enetics and Microbiology "A. Buzzati Traverso ", University ofP avia, Italy. Sorlini Claudia. Department ofF ood and Microbiological Sciences and Technologies, University ofM ilan, Italy. Sterflinger Katja. Geomicrobiology, ICBM, University "Carl von Ossietzky ", Oldenburg, Germany. Tayler Sally. School ofB iological Sciences, University ofP ortsmouth, UK. Tiano Piero. Center for Scientific Conservation ofA rt Works, CNR, Florence, Italy. Tomaselli Luisa. Center for Study ofA utotrophic Microorganisms, CNR, Florence, Italy. Tosini Isetta. Opificio Pietre Dure, Florence, Italy. Urzi Clara. Institute ofM icrobiology, University ofM essina, Italy. Warscheid Thomas. Institute for Material Science, Bremen, Germany. Zanardini Elisabetta. Department ofF ood and Microbiological Sciences and Technologies, University ofM ilan, Italy. Preface Cultural heritage, the term now utilized to cover the immensely diverse mass of documents of all types upon which our societies confer a particular artistic, historic or ethnologic value, provides an extremely wide range of ecological niches and chemical compounds which may be exploited by an equally wide range of microorganisms. As a consequence, microorganisms colonize all types of cultural artifacts (from archaeological sites to miniatures, from illuminated parchment to stone monuments) often causing extensive and irreversible aesthetic and structural damages. Further, biodeterioration induced by microorganisms is a global problem since microorganisms are present in all habitats, including the most extreme ones, and possess an amazingly diversified metabolic versatility. Therefore, microbial defacement and degradation of cultural artifacts, the traces of human civilisation, is a worldwide problem: all countries are affected regardless of their history, geographical localization, socio-economic conditions, etc. There is an allegedly Italian saying that sums this up by stating "Blessed were the ancients, for they had no antiquities". Already in the thirties reports linking defacement of cultural heritage to colonization by microorganisms appeared and attempts were made to control such "infestations" by mechanical, chemical or physical methods. However, only in the fifties did special sessions devoted to the role that microbial colonization could play in the defacement and degradation of cultural heritage began to be organized in the framework of more general meetings dedicated to the studies on conservation. This led to the realization that biodeterioration could also be caused by the interactions of microbes with "cultural substrates", the term substrate meaning the surfaces on which a microorganism may settle and grow as well as the sources of energy and Xl xii Preface chemicals necessary for its growth. This book is the outcome of a meeting, held in Florence in 1999, dedicated exclusively to the relationships existing between microorganisms and cultural heritage. It seemed to the organizers that, although enough data is now available demonstrating a direct link between colonization by microbes and defacement of cultural artifacts, a frustrating ignorance concerning the mechanisms of such interactions continues to exist. The meeting was intended to address these issues but also to gaze at the future developments in these areas. Personally, I have found extremely gratifying that almost one hundred scientists, many from overseas, attended the Florence conference and that the greatest majority (over sixty percent) of the registered participants came from outside Italy. It was even more gratifying to realize that many were young scientists (postdoctorate fellows, graduate students and the like) indicating that, perhaps, there is a younger generation who is concerned by the biodegradation of cultural heritage and considers the possibility of working in these areas, conjugating laboratory research and conservation, scientific quest and practical applications. I also received the impression that this meeting has represented an important step in the study of the relations between microbiology and conservation. It seemed to me that many of the communications presented at the conference witnessed the coming of age of microbiological research in the fields of conservation. Just to cite a few examples, the utilization of more sophisticated and more sensitive analytical techniques such as peR amplification and molecular fmgerprinting for the identification of the microbial flora present on cultural artifacts, the elaboration of laboratory models that allow to study microbially-induced biodegradation under controlled conditions and in much shorter periods of time, the possibility of a sort of microbial bioremediation of stone artifacts, the demonstration that microbial colonization is almost always accomplished through the formation of biofilms on the surface of the cultural objects. It emerged also from the meeting that a lot of work remains to be done. If we have made a quantum leap in the techniques for identifying the microbial taxa present on cultural heritage (I look with amazement and, at the same time, with awe at the lengthening of the lists of microorganisms encountered on art objects), we know very little about, for instance, the species responsible for the degradation process, how the flora has evolved, the interactions among the different members of the microbial biodegradative communities, or the mechanisms underlying the chemical and mechanical transformations brought about by the action of microorganisms. Borrowing from the terminology of medical microbiology, one could say that very often the causative agent has not been identified and little is known concerning the microbe-host interactions. The study of microbial colonization of cultural heritage is difficult, as it deals with complex systems and their interrelationships: the materials composing the object, the environment in which the object is Preface xiii localized, the microbial flora surrounding and colonizing the object. Further, with few exceptions, colonization is due to a community of different microorganisms interacting with the substrate but also among themselves. Another message I received at the Florence meeting is the need for a closer collaboration between experimental scientists on one hand and conservators on the other. It is possible that two distinct cultures exist here too. On one side the laboratory scientist, whose main interest is to ascertain how a given artifact has changed over the time, which organisms are present on it and how these organisms have contributed to the variations in the physico-chemical properties of the artifact. On the other side, there is the conservator whose main purpose is not so much to understand what has happened and why, but what to do in order to arrest or prevent further injuries to the object. This gap may be bridged only if the two communities get closer and learn to communicate one another. Better coordination and communication are the greatest challenges facing the two communities. My wish is that the future conferences on microbiology and conservation will see the bridging of this gap. Otherwise, there is the risk that, even for cultural heritage, Pasteur's admonition "Messieurs, c'est les microbes qui auront Ie dernier mot" may come true ..... Orio Ciferri Chairman of the Scientific Committee