Of Black Study “This magnificent book is the best recent treatment we have of the great Black Radical Tradition! Joshua Myers’s powerful and profound examination of his towering figures lays bare the silences and evasions of contemporary Black academic studies. His vision of an alternative world grounded in the practices of Black everyday people is a clarion call for Black intellectual creativity and courage—just like the best of our Black musicians!” —Cornel West “Joshua Myers continues to perform the deep scholarly exploration into Black Studies and its intellectual foundation. His book is a blueprint manual that helps to elevate the Black imagination so that a new architecture can create a better world. His reference to the work of Sylvia Wynter, June Jordan and Toni Cade Bambara gives visibility to Black women as thinkers and not individuals standing in the shadows of men. This is long overdue.” —E. Ethelbert Miller, writer and literary activist “In a sustained flash of deep, critical devotion, Joshua Myers has become one of our most important intellectual historians and the preeminent theorist of Black Study. His engagement with ‘knowledge otherwise’ in Of Black Study is beautifully indispensable.” —Fred Moten, cultural theorist, poet and scholar, New York University “For those who are, or wish to become, engaged in this work of radical re-think- ings, Myers’s Of Black Study is a necessary consideration.” —Lucius T. Outlaw (Jr.), Professor of Philosophy, Vanderbilt University “Joshua Myers has blown the abeng. Through a beautifully woven, ethically attuned communion with Du Bois, Wynter, Carruthers, Robinson, Jordan, and Bambara, Myers charts a habit of thought that for more than a century has produced a body of knowledge robust enough to elaborate the fullness of Black life. Let us answer the call Of Black Study.” —Minkah Makalani, Director, Center for Africana Studies Black Critique Series editors: Anthony Bogues and Bedour Alagraa We live in a troubled world. The rise of authoritarianism marks the dominant current political order. The end of colonial empires did not inaugurate a more humane world; rather, the old order reasserted itself. In opposition, throughout the twentieth century and until today, anti-racist, radical decolonization struggles attempted to create new forms of thought. Figures from Ida B. Wells to W.E.B. Du Bois and Steve Biko, from Claudia Jones to Walter Rodney and Amílcar Cabral produced work which drew from the historical experiences of Africa and the African diaspora. They drew inspiration from the Haitian revolution, radical Black abolitionist thought and practice, and other currents that marked the contours of a Black radical intellectual and political tradition. The Black Critique series operates squarely within this tradition of ideas and political struggles. It includes books which foreground this rich and complex history. At a time when there is a deep desire for change, Black radicalism is one of the most underexplored traditions that can drive emancipatory change today. This series highlights these critical ideas from anywhere in the Black world, creating a new history of radical thought for our times. Also available: Moving Against the System: The 1968 Cedric J. Robinson: On Racial Congress of Black Writers and the Capitalism, Black Internationalism, Making of Global Consciousness and Cultures of Resistance Edited and with an Introduction by Edited by H.L.T. Quan David Austin Black Minded: The Political Philosophy Anarchism and the Black Revolution: of Malcolm X The Definitive Edition Michael Sawyer Lorenzo Kom’boa Ervin Red International and Black Caribbean After the Postcolonial Caribbean: Communists in New York City, Mexico Memory, Imagination, Hope and the West Indies, 1919–1939 Brian Meeks Margaret Stevens A Certain Amount of Madness: The The Point Is to Change the World: Life, Politics and Legacies of Thomas Selected Writings of Andaiye Sankara Edited by Alissa Trotz Edited by Amber Murrey Of Black Study Joshua Myers First published 2023 by Pluto Press New Wing, Somerset House, Strand, London WC2R 1LA and Pluto Press Inc. 1930 Village Center Circle, 3-834, Las Vegas, NV 89134 www.plutobooks.com Copyright © Joshua Myers 2023 The right of Joshua Myers to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 4412 6 Paperback ISBN 978 0 7453 4416 4 PDF ISBN 978 0 7453 4414 0 EPUB Typeset by Stanford DTP Services, Northampton, England For all past, present, and future members of the Kwame Ture Society for Africana Studies and their students and children Contents Introduction: Living—June Jordan 1 1. Of Hesitance—W.E.B. Du Bois 14 2. Of Human—Sylvia Wynter 52 3. Of Speech—Jacob H. Carruthers Jr. 100 4. Of Order—Cedric J. Robinson 140 Conclusion: Dreams—Toni Cade Bambara 183 Acknowledgments 192 Notes 196 Index 258 Introduction: Living June Jordan “Black Studies. The engineer, the chemist, the teacher, the lawyer, the architect, if he is Black, he cannot honorably engage career except as Black engineer, Black architect. Of course, he must master the compe- tence, the perspectives of physics, chemistry, economics, and so forth. But he cannot honorably, or realistically, forsake the origins of his possible person. Or she cannot. Nor can he escape the tyranny of ignorance except as he displaces ignorance with study: study of the impersonal, the amorality of the sciences anchored by Black Studies. The urgency of his heart, his breath, demands the knowing of the truth about himself: the truth of Black experience. And so, Black students, looking for the truth, demand teachers least likely to lie, least likely to perpetuate the traditions of lying: lies that deface the father from the memory of the child. We request Black teachers of Black studies. It is not that we believe only Black people can understand the Black experience. It is, rather, that we acknowledge the difference between reality and criti- cism as the difference between the Host and Parasite.” June Jordan, “Black Studies: Bringing Back the Person”1 We are surrounded. We who are in the academy, looking for commu- nity, like June Jordan and her students in 1969, are still surrounded. We have also made it inside the gate, but we are now cornered. This place, the university, is the destination, they said. We were told that we had to be inside or else. And now that we are here, they lie to us. Just as they lied to Jordan’s students. Just as they lied to the Black professors they hired when they demanded teachers less likely to lie. Just as they lied to the Black teachers who went to college in order to teach those Black professors long before 1969. They lied about us. About why we are here, how we got here, and what it means to be here. Although they would eventually again shut the gates, some of us made it through and have been here for a long time now. Which means we have listened to these lies for a long time now. The lies have changed. But they are still lies. Every now and then, there is a slip, an exposure, a seam opens. We seize on those moments because the lie that sustains what Jordan called 2 . of black study this system’s “exploitation of human life, for material gain” cannot exist forever. 2 We say, we believe. We enter a tradition of recognizing that this place and its knowledges are all “a logical bundling of lies that mutilate and kill.”3 That knowledge we call “normative,” “objective,” and therefore “universal” is not only or simply a fiction or construct; it is a mechanism of power, a force that imposes a particular kind of regime of truth on those who they lie about, who are said to have no knowledge to counter the lie. As we have queried the meaning of these lies, we have come up with many answers. Even as there are deeper questions we know we should ask. But sometimes it feels like there are too few of us. Left alone, left with questions unanswered, some of us feel we have to participate in the lies in order to make do. The excuses mount. We turn our contempt inward. We call ourselves impostors. We rationalize other kinds of harms, perhaps believing that in the end, the academy’s rewards will suit us just fine. When we have been inside the gates for so long, there is a tendency to adjust. But even this self-criticism has its limits. For it is the gates that surround us. It is not us—it is them. It is the gates that suffocate the life out of us. It is the gates that suppress our desires, assaults our capacities to evacuate the lies out of us. We are not the problem, though we have been told this over and over. And we have suffered for so long as their conception of the problem. The gates have enforced the logics of coloniality and state power. It is the settler and the police that guard these gates. Who then teach us their knowledges. Only they call themselves scholars. Yet their ideas manifest harm. For it is their job. In the face of such duress, such pervasive hardship, such overwhelm- ing trauma, we must build spaces to re-member that we Black folk have a tradition of recognizing that it is all a lie. Of Black Study is a re-membering of that tradition through the lens and lives of four Black intellectuals who questioned the lie at its most fundamental core: the very meaning of knowledge.4 They came to the university with questions. Questions that were not simply driven by why Black folk caught hell, not simply why poverty existed, not simply why there were disparities, lack, deprivation, deviance—not simply if we were in fact surrounded. They asked questions like how the nature of knowl- edge and knowing itself became the structure that housed the lies. How the architecture of the lie was not inherent in the lie itself. How it must have come from some logic that preceded it. So it was not enough to