Table Of Content

Index: Numbers 81-84 (Summer 1997-Spring 1998) Homeboy Cosmopolitan: Manthia Diawara interviewed by Silvia Kolbowski, 83 (Winter 1998), pp. 51-70. October Portfolio Two, A benefit portfolio of works by Sol LeWitt, Robert Rauschenberg, Gerhard Richter, and Paul Ruscha, 83 (Winter 1998), pp. 131-39. Adams, Parveen, Bruce Nauman and the Object of Anxiety, 83 (Winter 1998), pp. 97-113. Arvatov, Boris, Everyday Life and the Culture of the Thing, translated by Christina Kiaer, 81 (Summer 1997), pp. 119-28. Baker, George and Christian Philipp Muller, A Balancing Act, 82 (Fall 1997), pp. 95-118. Bersani, Leo and Ulysse Dutoit, Beauty's Light, 82 (Fall 1997), pp. 17-29. Boehmer, Konrad, Chance as Ideology, translated by Ian Pepper, 82 (Fall 1997), pp. 62-76. Bois, Yve-Alain, Cézanne: Words and Deeds, translated by Rosalind Krauss, 84 (Spring 1998), pp. 31-43. Comolli, Jean-Louis, Mechanical Bodies, Ever More Heavenly, translated by Annette Michelson, 83 (Winter 1998), pp. 19-24. Cooper, Harry, Mondnan, Hegel, Boogie, 84 (Spring 1998), pp. 119-42. Culbert, John, Slow Progress: Jean Paulhan and Madagascar, 83 (Winter 1998), pp. 71-95. Dean, Tim, Hal Foster, and Kaja Silverman, A Conversation with Leo Bersani, 82 (Fall 1997), pp. 3-16. Doherty, Brigid, Figures oft he Pseudorevolution, 84 (Spring 1998), pp. 65-89. Foster, Hal, Denis Hollier, Silvia Kolbowski, and Rosalind Krauss, The MOMA Expansion: A Conversation with Terence Riley, 84 (Spring 1998), pp. 3-30. Gough, Maria, In the Laboratory of Constructivism: Karl Ioganson’s Cold Structures, 84 (Spring 1998), pp. 91-117. Helms, Hans G., John Cage, translated by Ian Pepper, 82 (Fall 1997), pp. 77-93. Joseph, Branden W., Robert Morris and John Cage: Reconstructing a Dialogue, 81 (Summer 1997), pp. 59-69. , John Cage and the Architecture of Silence, 81 (Summer 1997), pp. 81-104. Kiaer, Christina, Boris Arvatov’s Socialist Objects, 81 (Summer 1997), pp. 105-18. Krauss, Rosalind, “... And Then Turn Away?” An Essay on James Coleman, 81 (Summer 1997), pp. 5-33. Metzger, Heinz-Klaus, John Cage, or Liberated Music, translated by lan Pepper, 82 (Fall 1997), pp. 49-61. Michelson, Annette, Gnosis and Iconoclasm: A Case Study of Cinephilia, 83 (Winter 1998), pp. 3-18. Miller, D. A., Viswal Pleasure in 1959, 81 (Summer 1997), pp. 35-58. Moiris, Robert, Letters to John Cage, 81 (Summer 1997), pp. 70-79. Nixon, Mignon, After Images, 83 (Winter 1998), pp. 115-30. Pepper, Ian, From the “Aesthetics of Indifference” to “Negative Aesthetics”: John Cage and Germany 1958-1972, 82 (Fall 1997), pp. 31-47. OCTOBER Turvey, Malcolm, Jean Epstein’s Cinema of Immanence: The Rehabilitation of the Corporeal Eye, 83 (Winter 1998), pp. 25-50. Wright, Alastair, Arche-tectures: Matisse and the End of (Art) History, 84 (Spring 1998), pp. 45-63.