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Nothing Abstract: Investigations in the American Literary Imagination PDF

247 Pages·2001·1.1 MB·English
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Nothing Abstract: Investigations in the American Literary Imagination TOM QUIRK University of Missouri Press Nothing Abstract This page intentionally left blank Nothing Abstract INVESTIGATIONS IN THE AMERICAN LITERARY IMAGINATION F T O M Q U I R K University of Missouri Press Columbia and London Copyright © 2001 by The Curators of the University of Missouri University of Missouri Press, Columbia, Missouri 65201 Printed and bound in the United States of America All rights reserved 5 4 3 2 1 05 04 03 02 01 Library of Congress Cataloging-in-Publication Data Quirk, Tom, 1946– Nothing abstract : investigations in the American literary imagination / Tom Quirk. p. cm. Includes bibliographical references and index. ISBN 0-8262-1364-2 (alk. paper) 1. American literature—History and criticism. 2. Imagination. I. Title. PS121 .Q57 2001 810.9´384—dc21 2001041581 V∞™This paper meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48, 1984. Designer: Stephanie Foley Typesetter: The Composing Room of Michigan, Inc. Printer and binder: The Maple-Vail Book Manufacturing Group Typefaces: Sabon and Gill Sans Light For credits for previously published material, see p.ix. FOR MY CHILDREN Laura, 23 Ann, 13 James, 5 A GENERATION This page intentionally left blank C O N T E N T S Acknowledgments ix I. Introduction 1 The Proof II. Sources,Influences,and Intertexts 13 III. Authors,Intentions,and Texts 32 The Pudding IV. What If Poe’s Humorous Tales Were Funny? Poe’s “X-ing a Paragrab”and Twain’s “Journalism in Tennessee” 53 V. Hawthorne’s Last Tales and “The Custom-House” 64 VI. The Judge Dragged to the Bar:Melville,Shaw,and the Webster Murder Trial 81 VII. Mark Twain in His Short Works 97 VIII. The Short Stories of Ambrose Bierce 115 IX. Realism,the “Real,”and the Poet of Reality:Some Reflections on American Realists and the Poetry of Wallace Stevens 134 X. In the Shallow Light of the Present:The Moral Geography of Death Comes for the Archbishop 156 XI. Fitzgerald and Cather:The Great Gatsby 176 vii viii Nothing Abstract XII. A Source for “Where Are You Going,Where Have You Been?” 191 XIII. Justice on the Reservation:Tony Hillerman’s Novels and the Conflict between Federal and Tribal Jurisdiction 199 A Postscript XIV. The Trying Out of Genetic Inquiry 213 A Checklist of Publications 221 Index 227 A C K N O W L E D G M E N T S Most of these essays have been published previously. I wish to thank the following journals and publishers for permission to reprint these pieces. “Authors, Intentions, and Texts,” Essays in Arts and Sciences28 (October 1999): 1–15. Grateful acknowledgment is made to the American Humor Studies Association for permission to reprint, in slightly modified form, “What If Poe’s Humorous Tales Were Funny?: Poe’s ‘X-ing a Paragrab’ and Twain’s ‘Journalism in Tennessee,’” Studies in American Humor n.s. 3, no. 2 (1995): 36–48. “Sources, Influences, and Intertexts,” Resources for American Literary Study 21, no. 2 (1995): 65–82. “‘In the Shallow Light of the Present’: The Moral Geography of Death Comes for the Archbish- op,” Essays in Arts and Sciences 24 (October 1995): 1–20. “The Judge Dragged to the Bar: Lemuel Shaw, Herman Melville, and the Webster Mur- der Case,” Melville Society Extracts no. 84 (February 1991): 1–8. “Real- ism, the ‘Real,’ and the Poet of Reality: Some Reflections on American Re- alists and the Poetry of Wallace Stevens,” American Literary Realism 21, no. 2 (winter 1989): 34–53. “Justice on the Reservation: Hillerman’s Nov- els and the Conflict Between Federal and Tribal Jurisdiction,” The Arm- Chair Detective 18, no. 4 (fall 1985): 364–70. “Hawthorne’s Last Tales and ‘The Custom House,’” ESQ: A Journal of the American Renaissance 30, no. 4 (4th quarter, 1984): 183–94, (c) Board of Regents of Washington State University. “Cather and Fitzgerald: The Great Gatsby,” American Literature54, no. 4 (December 1982): 576–91. “A Source for ‘Where Are You Going? Where Have You Been?’” Studies in Short Fiction 18, no. 4 (fall 1981): 413–19. “The Short Stories of Ambrose Bierce,” introduction to Ambrose Bierce, Tales of Soldiers and Civilians and Other Stories, ed. Tom Quirk, New York: Penguin Publishers, 2000. “Mark Twain in His Short Works,” introduction to Mark Twain, Selected Tales, Essays, Speech- es, and Sketches of Mark Twain,ed. Tom Quirk, New York: Penguin Pub- lishers, 1994. ix

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Written by one of the leading scholars in the field, Nothing Abstract is a collection of essays gathered over the past twenty years--all of which, in some fashion, have to do with a genetic approach to literary study. In previous books, the author has traced the compositional histories of certain li
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