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Nonhuman voices in Anglo-​Saxon literature and material culture PDF

250 Pages·2017·18.7 MB·English
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i NONHUMAN VOICES IN ANGLO- SAXON LITERATURE AND MATERIAL CULTURE ii Series editors: Anke Bernau and David Matthews Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Nicola McDonald, Andrew James Johnston, Sarah Salih, Larry Scanlon and Stephanie Trigg The Manchester Medieval Literature and Culture series publishes new research, informed by current critical methodologies, on the literary cultures of medieval Britain (including Anglo- Norman, Anglo- Latin and Celtic writings), including post- medieval engagements with and representations of the Middle Ages (medievalism). ‘Literature’ is viewed in a broad and inclusive sense, embracing imaginative, historical, political, scientific, dramatic and religious writings. The series offers monographs and essay collections, as well as editions and translations of texts. Titles Available in the Series The Parlement of Foulys (by Geoffrey Chaucer) D. S. Brewer (ed.) Language and imagination in the Gawain- poems J. J. Anderson Water and fire:The myth of the Flood in Anglo- Saxon England Daniel Anlezark Greenery: Ecocritical readings of late medieval English literature Gillian Rudd Sanctity and pornography in medieval culture:On the verge Bill Burgwinkle and Cary Howie In strange countries: Middle English literature and its afterlife: Essays in Memory of J. J. Anderson David Matthews (ed.) A knight’s legacy: Mandeville and Mandevillian lore in early modern England Ladan Niayesh (ed.) Rethinking the South English legendaries Heather Blurton and Jocelyn Wogan- Browne (eds) Between earth and heaven: Liminality and the Ascension of Christ in Anglo-S axon literature Johanna Kramer Transporting Chaucer Helen Barr Sanctity as literature in late medieval Britain Eva von Contzen and Anke Bernau (eds) Reading Robin Hood: Content, form and reception in the outlaw myth Stephen Knight Annotated Chaucer bibliography: 1997– 2010 Mark Allen and Stephanie Amsel Roadworks: Medieval Britain, medieval roads Valerie Allen and Ruth Evans (eds) Love, history and emotion in Chaucer and Shakespeare: Troilus and Criseyde and Troilus and Cressida Andrew James Johnston, Russell West- Pavlov and Elisabeth Kempf (eds) Gesta Romanorum: A new translation Christopher Stace The Scottish Legendary: Towards a poetics of hagiographic narration Eva von Contzen iii Nonhuman voices in Anglo- Saxon literature and material culture JAMES PAZ Manchester University Press iv Copyright © James Paz 2017 The right of James Paz to be identifi ed as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing- in- Publication Data A catalogue record for this book is available from the British Library ISBN 978 1 5261 0110 5 hardback ISBN 978 1 5261 1599 7 Open Access First published 2017 This electronic version has been made freely available under a Creative Commons (CC-BY- NC-ND) licence, thanks to Open Access funding from The University of Manchester. A copy of the licence can be viewed at https://creativecommons. org/licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third- party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Typeset by Out of House Publishing v For my parents vi vii Contents List of figures viii Acknowledgements ix Introduction: On Anglo- Saxon things 1 1 Æschere’s head, Grendel’s mother and the sword that isn’t a sword: Unreadable things in Beowulf 34 2 The ‘thingness’ of time in the Old English riddles of the Exeter Book and Aldhelm’s Latin enigmata 59 3 The riddles of the Franks Casket: Enigmas, agency and assemblage 98 4 Assembling and reshaping Christianity in the Lives of St Cuthbert and Lindisfarne Gospels 139 5 The Dream of the Rood and the Ruthwell monument: Fragility, brokenness and failure 175 Afterword: Old things with new things to say 216 Bibliography 221 Index 233 viii Figures 1 Gold hilt plate from the Staffordshire Hoard (© Birmingham Museums Trust) 51 2 Franks Casket, front panel (© The Trustees of the British Museum) 99 3 Franks Casket, right panel (© The Trustees of the British Museum) 111 4 Franks Casket, left panel (© The Trustees of the British Museum) 115 5 The Ruthwell monument, north (now east) side, upper and lower stones: vine scroll and runic inscription (© Corpus of Anglo- Saxon Stone Sculpture, photographer T. Middlemass) 199 6 The Ruthwell monument, north (now east) side, lower stone: vine scroll and runic inscription (© Corpus of Anglo- Saxon Stone Sculpture, photographer T. Middlemass) 200 The author and publishers are grateful to all of the institutions and individuals listed above for permission to reproduce the images for which they hold the copyright.

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Language and imagination in the Gawain- poems. J. J. Anderson . mitment to high scholarly standards, have played no small part in the successes of . nonhuman things have across Anglo- Saxon literature and material culture.
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