Non-Conventional Copyright: Do New and Atypical Works Deserve Protection? PDF
Preview Non-Conventional Copyright: Do New and Atypical Works Deserve Protection?
Non-Conventional Copyright M4596-BONADIO_9781786434067_t.indd 1 14/09/2018 11:27 M4596-BONADIO_9781786434067_t.indd 2 14/09/2018 11:27 Non-Conventional Copyright Do New and Atypical Works Deserve Protection? Edited by Enrico Bonadio Senior Lecturer in Intellectual Property Law, City, University of London, UK Nicola Lucchi Associate Professor of Law, Jönköping International Business School, Sweden Cheltenham, UK • Northampton, MA, USA M4596-BONADIO_9781786434067_t.indd 3 14/09/2018 11:27 © The Editors and Contributing Authors Severally 2018 Cover image: ‘Holding Hands’ by Stik and LA2. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2018944733 This book is available electronically in the Law subject collection DOI 10.4337/9781786434074 ISBN 978 1 78643 406 7 (cased) ISBN 978 1 78643 407 4 (eBook) Typeset by Servis Filmsetting Ltd, Stockport, Cheshire 2 0 M4596-BONADIO_9781786434067_t.indd 4 14/09/2018 11:27 Contents List of figures viii List of contributors ix Foreword xi Introduction: setting the scene for non-conventional copyright 1 Enrico Bonadio and Nicola Lucchi PART I ART 1 Copyright in the expanded field: on land art and other new mediums 23 Xiyin Tang 2 Copyright and conceptual art 44 Shane Burke 3 Copyright in bio art 62 Jani McCutcheon 4 Street art, graffiti and copyright 83 Enrico Bonadio 5 Copyright protection of tattoos 111 Yolanda M. King 6 Copyright in culinary presentations 128 Cathay Y. N. Smith PART II MUSIC AND CULTURE 7 Protecting traditional music under copyright (and choosing not to enforce it) 151 Luke McDonagh 8 Music improvisation and copyright 174 Giuseppe Mazziotti v M4596-BONADIO_9781786434067_t.indd 5 14/09/2018 11:27 vi Non-conventional copyright 9 Original compilations of musical works: can DJ sets be protected by copyright? 201 Tom Iverson 10 Copyright protection for modern comedic material 219 Trevor M. Gates 11 Now you own it, now you don’t – or do you? Copyright and related rights in magic productions and performances 237 F. Jay Dougherty 12 Copyright protection of sport moves 271 Péter Mezei PART III INDUSTRY AND SCIENCE 13 Copyright and typefaces 299 Arul George Scaria and Mathews P. George 14 The press publishers’ right in the European Union: an overreaching proposal and the future of news online 316 Stavroula Karapapa 15 Law and odor: elusive copyright and other IP protection for fragrances 340 Charles Cronin 16 Subsistence of copyright over CAD files in 3D printing: the Canadian, the U.S. and European outlook 355 Teshager Dagne 17 Copyrightability of engineered DNA sequences 367 Nicola Lucchi 18 Artificial Intelligence, computer generated works and copyright 382 Massimo Maggiore PART IV ILLEGALITY AND IMMORALITY 19 Copyright protection of illegal works 401 Eldar Haber 20 Copyright and pornography 418 Enrico Bonadio and Nicola Lucchi M4596-BONADIO_9781786434067_t.indd 6 14/09/2018 11:27 Contents vii 21 On how to deal with Pandora’s box – copyright in works of Nazi leaders 432 Marc Mimler ECONOMIC EPILOGUE 22 Non-conventional copyright: an economic perspective 455 Tim W. Dornis Index 481 M4596-BONADIO_9781786434067_t.indd 7 14/09/2018 11:27 Figures 4.1 Tag by Serk (New York City, 2003) 88 4.2 Throw-up by Serk (New York City, 2005) 89 6.1 Twitter post photo of original cake and inauguration cake 129 12.1 The empty frame of reference of sport moves 281 12.2 The results of the research 282 15.1 Orgue à parfums 344 22.1 Formal protection–creativity model 462 22.2 Market realities of protection–creativity mechanics 465 22.3 Over-/under-protection across different products and marketplaces 469 viii M4596-BONADIO_9781786434067_t.indd 8 14/09/2018 11:27 Contributors Enrico Bonadio, Senior Lecturer in Intellectual Property Law, The City Law School, City, University of London, UK. Shane Burke, Lecturer in Law, Cardiff University, Law School, UK. Charles Cronin, Lecturer, University of Southern California, Law School, Adjunct Professor, Keck Graduate Institute, Claremont Colleges, US. Teshager Dagne, Associate Professor, Faculty of Law, Thompson Rivers University, Canada. Tim W. Dornis, Professor of Law, Leuphana Law School, Germany. F. Jay Dougherty, Professor of Law, Loyola Law School, Los Angeles, US. Trevor M. Gates, Attorney, K&L Gates LLP, Seattle, Washington, US. Mathews P. George, IP lawyer and blogger. He practises in the High Court of Kerala and other forums, India. Eldar Haber, Senior Lecturer, Faculty of Law, University of Haifa; Haifa Center for Law and Technology, Faculty of Law, University of Haifa, Israel. Tom Iverson, Partner, Media and Entertainment/Defamation and Privacy Disputes Lawyer at Simkins LLP, UK. Stavroula Karapapa, Professor of Law, School of Law, University of Reading, UK. Yolanda M. King, Interim Assistant Dean for Student Affairs and Associate Professor of Law, Northern Illinois University College of Law, US. Nicola Lucchi, Associate Professor of Law, Jönköping International Business School, Sweden. Massimo Maggiore, Founding Partner of Maschietto Maggiore Beseghini law-firm; Adjunct Professor of Marketing Law at Bocconi University of Milan, Italy. ix M4596-BONADIO_9781786434067_t.indd 9 14/09/2018 11:27
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