Nineteenth Century Music 2005 - 2006: Vol 29 Index

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INDEX FOR VOLUME XXIX (2005-06)
Adorno, Theodor W.—“Schubert,” trans. with Form, and Dramatic Meaning
intro. by Beate Perrey and Jonathan Dunsby Knapp, Raymond—“Selbst dann bin ich
Agawu, Kofi—What Adorno Makes Possible die Welt”: On the Subjective-Musical
for Music Analysis Basis of Wagner’s Gesamtkunstwelt
Auner, Joseph—Composing on Stage: Knittel, K.M —“Polemik im Concertsaal”:
Schoenberg and the Creative Process as Mahler, Beethoven, and the Viennese
Public Performance Critics
Brittan, Francesca—Berlioz and the Leppert, Richard—On Reading Adorno
Pathological Fantastic: Melancholy, Hearing Schubert
Monomania, and Romantic Autobiography Mikusi, Balazs—Mendelssohn’s “Scottish”
Buch, Esteban—Adorno’s “Schubert”: Tonality?
From the Critique of the Garden Gnome Minor, Ryan—Occasions and Nations in
to the Defense of Atonalism Brahms’s Fest- und Gedenkspriiche
Burnham, Scott—Landscape as Music, Perrey, Beate—Exposed: Adorno and
Landscape as Truth: Schubert and the Schubert in 1928
Burden of Repetition 31
Review
Comment & Chronicle 94, 208, 322
Cook, Nicholas and Pople, Anthony (eds.), The
Dunsby, Jonathan—Adorno’s Image of Cambridge History of Twentieth-Century Music
Schubert’s Wanderer Fantasy Multiplied {Taruskin)
by Ten Samson, Jim (ed.), The Cambridge History of
Kahan, Sylvia—“ Rien de la tonalité usuelle”: Nineteenth-Century Music |Taruskin)
Edmond de Polignac and the Octatonic
Scale in Nineteenth-Century France Rothfarb, Lee A—August Halm on Body
Kinderman, William—The Third-Act and Spirit in Music
Prelude of Wagner's Parsifal: Genesis, Taruskin, Richard—see Review