Table Of Content

19TH CENTURY MUSIC INDEX FOR VOLUME XXvV (2001-02) Comment & Chronicle 87, 347 Kramer, Lawrence—Contesting Wagner: The Lohengrin Prelude Darcy, Warren—Rotational Form, and Anti-anti-Semitism Teleological Genesis, and Fantasy- Muxfeldt, Kristina—Frauenliebe und Leben Projection in the Slow Movement of Now and Then Mahler’s Sixth Symphony Pesic, Peter—The Child and the Daemon: Everist, Mark—Enshrining Mozart: Mozart and Deep Play Don Giovanni and the Viardot Circle Puri, Michael—The Ecstasy and the Agony: Fillion, Michelle—Edwardian Perspectives Exploring the Nexus of Music on Nineteenth-Century Music in and Message in the Act III Prelude E. M. Forster’s A Room with a View to Die Meistersinger von Nuiirnberg Fishman, Lisa—“To Tear the Fetter of Every Other Art”: Early Romantic Viewpoint Criticism and the Fantasy Berlioz, Lately ot Emancipation (Holoman) Frisch, Walter—Reger’s Bach and Historicist Modernism Suschitzky, Anya—Fervaal, Parsifal, Hepokoski, James—Back and Forth from and French National Identity Egmont: Beethoven, Mozart, and the Wattenbarger, Richard—A “Very Nonresolving Recapitulation German Process”: The Contexts Holoman, D. Kern see Viewpoint 33/7 of Adorno’s Strauss Critique Kallberg, Jeffrey—Chopin’s March, Webster, James—Between Enlightenment Chopin’s Death and Romanticism in Music History: Kerman, Joseph—Beethoven’s Opus 131 “First Viennese Modernism” and the Uncanny and the Delayed Nineteenth Century 19TH CENTURY MUSIC INDEX FOR VOLUME XXvV (2001-02) Comment & Chronicle 87, 347 Kramer, Lawrence—Contesting Wagner: The Lohengrin Prelude Darcy, Warren—Rotational Form, and Anti-anti-Semitism Teleological Genesis, and Fantasy- Muxfeldt, Kristina—Frauenliebe und Leben Projection in the Slow Movement of Now and Then Mahler’s Sixth Symphony Pesic, Peter—The Child and the Daemon: Everist, Mark—Enshrining Mozart: Mozart and Deep Play Don Giovanni and the Viardot Circle Puri, Michael—The Ecstasy and the Agony: Fillion, Michelle—Edwardian Perspectives Exploring the Nexus of Music on Nineteenth-Century Music in and Message in the Act III Prelude E. M. Forster’s A Room with a View to Die Meistersinger von Nuiirnberg Fishman, Lisa—“To Tear the Fetter of Every Other Art”: Early Romantic Viewpoint Criticism and the Fantasy Berlioz, Lately ot Emancipation (Holoman) Frisch, Walter—Reger’s Bach and Historicist Modernism Suschitzky, Anya—Fervaal, Parsifal, Hepokoski, James—Back and Forth from and French National Identity Egmont: Beethoven, Mozart, and the Wattenbarger, Richard—A “Very Nonresolving Recapitulation German Process”: The Contexts Holoman, D. Kern see Viewpoint 33/7 of Adorno’s Strauss Critique Kallberg, Jeffrey—Chopin’s March, Webster, James—Between Enlightenment Chopin’s Death and Romanticism in Music History: Kerman, Joseph—Beethoven’s Opus 131 “First Viennese Modernism” and the Uncanny and the Delayed Nineteenth Century Seaaeer es