Table Of Content

INDEX FOR VOLUME XXIV (2000-2001) Avins, Styra—The Young Brahms: Micznik, Vera—Of Ways of Telling, Biographical Data Reexamined Intertextuality, and Historical Evidence in Berlioz’s Roméo et Juliette Beghin, Tom—tThree Builders, Two Pianos, One Pianist: The Told and Untold Story Paley, Elizabeth—“The Voice Which Was of Ignaz Moscheles’s Concert My Music”: Narrative and Nonnarrative on 15 December 1823 Discourse in Schumann’s Manfred Pekacz, Jolanta T.—Deconstructing Bellman, Jonathan—Chopin and His Imitators: Notated Emulations a “National Composer”: Chopin and Polish Exiles in Paris, 1831-49 of the “True Style” of Performance Poriss, Hilary—Making Their Way Comment & Chronicie through the World: Italian One-Hit Wonders Edgecombe, Rodney Stenning—On the Limits of Genre: Some Strasser, Michael—The Société Nationale Nineteenth-Century Barcaroles and Its Adversaries: The Musical Politics of L’Invasion germanique Gooley, Dana—Warhorses: Liszt, in the 1870s Weber’s Konzertstiick, and the Cult of Napoléon Swafford, Jan—Did the Young Brahms Play Piano in Waterfront Bars? Kirkman, Andrew—” Under Such Heavy Chains”: The Discovery Tanner, Mark—The Power of Performance and Evaluation of Late Medieval as an Alternative Analytical Discourse: Music Before Ambros *The Liszt Sonata in B Minor INDEX FOR VOLUME XXIV (2000-2001) Avins, Styra—The Young Brahms: Micznik, Vera—Of Ways of Telling, Biographical Data Reexamined Intertextuality, and Historical Evidence in Berlioz’s Roméo et Juliette Beghin, Tom—tThree Builders, Two Pianos, One Pianist: The Told and Untold Story Paley, Elizabeth—“The Voice Which Was of Ignaz Moscheles’s Concert My Music”: Narrative and Nonnarrative on 15 December 1823 Discourse in Schumann’s Manfred Pekacz, Jolanta T.—Deconstructing Bellman, Jonathan—Chopin and His Imitators: Notated Emulations a “National Composer”: Chopin and Polish Exiles in Paris, 1831-49 of the “True Style” of Performance Poriss, Hilary—Making Their Way Comment & Chronicie through the World: Italian One-Hit Wonders Edgecombe, Rodney Stenning—On the Limits of Genre: Some Strasser, Michael—The Société Nationale Nineteenth-Century Barcaroles and Its Adversaries: The Musical Politics of L’Invasion germanique Gooley, Dana—Warhorses: Liszt, in the 1870s Weber’s Konzertstiick, and the Cult of Napoléon Swafford, Jan—Did the Young Brahms Play Piano in Waterfront Bars? Kirkman, Andrew—” Under Such Heavy Chains”: The Discovery Tanner, Mark—The Power of Performance and Evaluation of Late Medieval as an Alternative Analytical Discourse: Music Before Ambros *The Liszt Sonata in B Minor