Table Of Content

INDEX FOR VOLUME XVIII (1994-95) Altenburg, Detlef—Franz Liszt Miner, Margaret—Phantoms of Genius: and the Legacy of the Classical Era 46 Women and the Fantastic in Bergeron, Katherine—The Echo, the Cry, the Opera-House Mystery the Death of Lovers 136 Painter, Karen—The Sensuality of Timbre: Brown, Marshall see Reviews 290 Responses to Mahler and Modernity Cherlin, Michael see Reviews 174 at the Fin de siécle Pederson, Sanna—A. B. Marx, Berlin Concert Comment & Chronicle 83, 186, 304 Life, and German National Identity Reeve, Katherine Kolb—Primal Scenes: Danuser, Hermann—Musical Manifestations Smithson, Pleyel, and Liszt in the of the End in Wagner and in Post- Eyes of Berlioz Wagnerian Weltanschauungsmusik Démling, Wolfgang—Reuniting the Arts: Reviews Notes on the History of an Idea Darcy, Warren, Wagner’s Das Rheingold (McCreless} Huebner, Steven see Reviews Daverio, John, Nineteenth-Century Music Johnson, Julian—The Status of the Subject and the German Romantic Ideology (Brown) in Mahler’s Ninth Symphony Frisch, Walter, The Early Works of Arnold Knitiel, K.M .—“Ein hypermoderner Schoenberg: 1893-1908 (Cherlin) Gerhard, Anselm, Die Verstédterung der Oper: Dirigent”: Mahler and Anti-Semitism Paris und das Musiktheater des in Fin-de-siécle Vienna 19. Jahrhunderts (Huebner) Krummacher, Friedhelm—Reception and Analysis: On the Brahms Quartets, Schubert, Giselher—Themes and Double Op. 51, Nos. 1 and 2 Themes: The Problem of the Symphonic Lester, Joel—Robert Schumann and in Brahms Sonata Forms Whitesell, Lloyd—Men with a Past: McCreless, Patrick see Reviews Music and the “Anxiety of Influence” INDEX FOR VOLUME XVIII (1994-95) Altenburg, Detlef—Franz Liszt Miner, Margaret—Phantoms of Genius: and the Legacy of the Classical Era 46 Women and the Fantastic in Bergeron, Katherine—The Echo, the Cry, the Opera-House Mystery the Death of Lovers 136 Painter, Karen—The Sensuality of Timbre: Brown, Marshall see Reviews 290 Responses to Mahler and Modernity Cherlin, Michael see Reviews 174 at the Fin de siécle Pederson, Sanna—A. B. Marx, Berlin Concert Comment & Chronicle 83, 186, 304 Life, and German National Identity Reeve, Katherine Kolb—Primal Scenes: Danuser, Hermann—Musical Manifestations Smithson, Pleyel, and Liszt in the of the End in Wagner and in Post- Eyes of Berlioz Wagnerian Weltanschauungsmusik Démling, Wolfgang—Reuniting the Arts: Reviews Notes on the History of an Idea Darcy, Warren, Wagner’s Das Rheingold (McCreless} Huebner, Steven see Reviews Daverio, John, Nineteenth-Century Music Johnson, Julian—The Status of the Subject and the German Romantic Ideology (Brown) in Mahler’s Ninth Symphony Frisch, Walter, The Early Works of Arnold Knitiel, K.M .—“Ein hypermoderner Schoenberg: 1893-1908 (Cherlin) Gerhard, Anselm, Die Verstédterung der Oper: Dirigent”: Mahler and Anti-Semitism Paris und das Musiktheater des in Fin-de-siécle Vienna 19. Jahrhunderts (Huebner) Krummacher, Friedhelm—Reception and Analysis: On the Brahms Quartets, Schubert, Giselher—Themes and Double Op. 51, Nos. 1 and 2 Themes: The Problem of the Symphonic Lester, Joel—Robert Schumann and in Brahms Sonata Forms Whitesell, Lloyd—Men with a Past: McCreless, Patrick see Reviews Music and the “Anxiety of Influence”