Table Of Content

INDEX FOR VOLUME XVI (1992-93) Beckerman, Michael—Dvorak’s “New World” Olin, Elinor—The Concerts de l’Opéra Largo and The Song of Hiawatha 1895-97: New Music at the Bohlman, Philip V.—On the Unremarkable Monument Garnier in Music (Viewpoint) 203 Parakilas, James — Political Botstein, Leon—Listening through Reading: Representation and the Chorus Musical Literacy and the Concert Audience 129 in Nineteenth-Century Opera Burnham, Scott—The Criticism of Analysis Rabinowitz, Peter J.—“With Our Own and the Analysis of Criticism Dominant Passions”: Gottschalk, (Counterpoint) (with Lawrence Kramer) 70 Gender, and the Power of Listening Caballero, Carlo see Reviews 85 Rehearings (Gilliam, Lewin) Comment & Chronicle 100, 224, 303 Reviews Counterpoint (Burnham, Kramer) 70, 76 Dahlhaus, Carl, Ludwig van Beethoven: Approaches to His Music, trans. Mary Fulcher, Jane F.—Charpentier’s Whittall (Lockwood) Operatic “Roman Musical” as Read Hinton, Stephen, The Idea of Gebrauchsmusik: in the Wake of the Dreyfus Affair A Study of Musical Aesthetics (Taruskin) Gilliam, Bryan—The Two Versions of Leppert, Richard and Susan McClary, eds., Music Bruckner’s Eighth Symphony (Rehearings) and Society: The Politics of Composition, Performance and Reception (Meyersohn) Grey, Thomas, see Reviews Messing, Scott, Neoclassicism in Music: From Groos, Arthur— Constructing Nuremberg: the Genesis of the Concept through the Typological and Proleptic Communities Schoenberg/Stravinsky Polemic (Taruskin) in Die Meistersinger Nectoux, Jean-Michel, Gabriel Fauré: Kramer, Lawrence —Criticizing Criticism, A Musical Life (Caballero) Analyzing Analysis (Counterpoint) Osthoff, Wolfgang and Reinhard Wiesend, eds., (with Scott Burnham) Colloquium Klassizitaét, Klassizismus, ——Haydn’s Chaos, Schenker’s Order; Klassik in der Musik 1920-1950 (Taruskin) or Hermeneutics and Musical Analysis: Said, Edward W., Musical Elaborations Can They Mix? Subotnik, Rose Rosengard, Developing Leppert, Richard—Sexual Identity, Variations: Style and Ideology in Western Music (Meyersohn) Death, and the Family Piano Tusa, Michael C., “Euryanthe” and Carl Lewin, David—Some Notes on Analyzing Maria von Weber’s Dramaturgy of German Wagner: The Ring and Parsifal (Rehearings) Opera (Grey) Lockwood, Lewis see Reviews Smith, Catherine Par—s “Soomnetshin g Macdonald, Hugh —Berlioz’s of Good for the Future”: The People’s Messe solennelle Orchestra of Los Angeles Marston, Nicholas—“Im Legendenton”: Schumann’s “Unsung Voice” Taruskin, Richard see Reviews Meyersohn, Rolf see Reviews Viewpoint (Bohlman) 306