Table Of Content

Féral, Josette, ‘“ The Artwork Judges Them”: Author Index to Vol. XVI the Theatre Critic ina Changing Landscape’, NTQ 64 (November 2000), p. 307 [an ever- contradictory role made more complex by Aston, Elaine, ‘Transforming Women’s Lives: media challenges]. Bobby Baker’s Performances of Daily Life’, NTQ 61 (February 2000), p. 17 [the translation Gale, Maggie, ed., ‘NTQ Book Reviews’, NTQ 61 (February 2000), p. 100. of a ‘language of food’ into live performance]. Babbage, Frances, ‘The Past in the Present? A Gale, Maggie, ed., ‘NTQ Book Reviews’ /NTQ 62 Response to Stan’s Cafe’s Revival of The (May 2000), p. 195. Carrier Frequency’, NTQ 61 (February 2000), Gale, Maggie, ed., ‘NTQ Book Reviews’, NTQ 63 p. 97 [myth-making, re-creation, and the (August 2000), p. 298. problems of documentation]. Gale, Maggie, ed., ‘NTQ Book Reviews’, NTQ 64 Barba, Eugenio, ‘Tacit Knowledge: Heritage and (November 2000), p. 391. Waste’, NTQ 63 (August 2000), p. 263 feastern and western traditions of actor training Gargano, Cara, ‘Bodies, Rest, and Motion: from contrasted]. Cosmic Dance to Biodance’, NTQ 63 (August 2000), p. 211 [shared perceptions of dance Brown, Ian, Robert Brannen, and Douglas Brown, from ancient myth to modern science]. ‘The Arts Council Touring Franchise and English Political Theatre after 1986’, NTQ 64 Institorisova, Dagmar, and Daniela Bacova, (November 2000), p. 379 [beneficiaries of ‘Across Two Eras: Slovak Theatre from funding changes — and a new kind of political Communism to Independence’, NTQ 62 (May theatre]. 2000), p. 163 [older and younger generations Carver, Gavin, ‘The Effervescent Carnival: confront the challenges of ‘freedom’]. Performance, Context, and Mediation at Jackson, Russell, ‘Staging and Storytelling, Notting Hill’, NTQ 61 (February 2000), p. 34 Theatre and Film: Richard III at Stratford, [carnival theory and commercial practice in 1910’, NTQ 62 (May 2000), p. 107 [rare footage Europe’s largest street festival]. illuminates stage practice and filmic Cochrane, Claire, ‘Theatre and Urban Space: the development]. Case of Birmingham Rep’, NTO 62 (May Kershaw, Baz, ‘The Theatrical Biosphere and 2000), p. 137 [the shifting relationship between Ecologies of Performance’, NTQ 62 (May a theatre and a city]. 2000), p. 122 [a biological microcosm and the Cohen-Cruz, Jan, ‘A Hyphenated Field: ‘theatre of the world’. Community-Based Theatre in the USA’, King, Barnaby, ‘Landscapes of Fact and Fiction: NTQ 64 (November 2000), p. 364 [a new Asian Theatre Arts in Britain’, NTQ 61 radicalism in a rapidly developing movement]. (February 2000), p. 26 [Arts Council thinking Davis, David, and Carmel O'Sullivan, ‘Boal and and the actuality of intra-cultural the Shifting Sands: the Un-Political Master performance]. Swimmer’, NTQ 63 (August 2000), p. 288 King, Barnaby, ‘The Afro-Caribbean Identity and [critique of the Marxist methodology that the English Stage’, NTQ 62 (May 2000), p. 131 never was]. [intercultural prejudice, artistic practice — and Deeney, John F., ‘Censoring the Uncensored: the cultural bureaucracy]. Case of Children in Uniform’, NTQ 63 (August 2000), p. 219 [issues of nationalism Klaver, Elizabeth, ‘Autopsy and the Savage Eye: and lesbianism in a ‘thirties West End Some Dramatic Practices’, NTQ 64 (November success]. 2000), p. 324 [the corpse as performer, from Beckett to the trial of O. J. Simpson]. Diamond, Catherine, ‘Burmese Nights: the Pagoda Festival Pwe in the Age of the Lovell, Robb E., ‘Computer Intelligence in the Hollywood Titanic’, NTQ 63 (August 2000), p. Theatre’, NTQ 63 (August 2000), p. 255 227 [an oriental ‘variety’ show confronts [creating an ‘intelligent environment’ to assist contemporary pressures]. the creative professional]. Double, Oliver, ‘Characterization in Stand-up Margolies, Eleanor, ‘Ventriloquism: Kantor, Comedy: from Ted Ray to Billy Connolly, via Templeton, and the Voices of the Dead’, NTQ Bertolt Brecht’, NTQ 64 (November 2000), p. 63 (August 2000), p. 203 [how two artists have 315 [contrasting techniques and audience conveyed a sense of mortality to their relationships explored]. audiences]. Merlin, Bella, ‘Mamet’s Heresy and Common Invisible Cities’, NTQ 61 (February 2000), p. Sense: What’s True and False in True and 50 [a decade of ‘work in progress’ on False’, NTQ 63 (August 2000), p. 249 rediscovering the urban environment]. [conceptions and misconceptions of Saivetz, Deborah, ‘“Every Light Form Has a Stanislavsky’s system]. Shadow”: Acting in Invisible Cities’, NTQ 61 Miles, Patrick, ‘Cheshire Cats in the Theatre: a (February 2000), p. 65 [how the performers Translator and the Fringe Experience’, NTQ 64 inhabited their ‘cities’ in the Newark (November 2000), p. 359 [a personal production]. experience and a cultural paradigm]. Schneemann, Carolee, ‘Aphrodite Speaks: on Nicholson, Helen, ‘Henry Irving and the Staging the Recent Performance Art of Carolee of Spiritualism’, NTQ 63 (August 2000), p. 278 Schneemann’, NTQ 62 (May 2000), p. 155 [how the young actor mocked the vogue for [the performance artist, her thinking, and her mediumship]. work in the ‘nineties]. ‘NTQ Reports and Announcements’, NTQ 62 Ukala, Sam, ‘Impersonation in Some African (May 2000), p. 192 [assessment of NT 2000 -— Ritual and Festival Performance’, NTQ 61 and the Century Theatre sees out the (February 2000), p. 76 [generic analogies century]. between western ‘realism’ and African traditions]. ‘NTQ Reports and Announcements’, NTQ 64 (November 2000), p. 389. Varney, Denise, and Rachel Fensham, ‘More-and- Less-Than: Liveness, Video Recording, and Ostrowska, Joanna, ‘“My Future Plan? To Die”: the Future of Performance’, NTQ 61 (February Grotowski’s Last Visit to Wroclaw’, NTO 62 2000), p. 88 [live and mediatized performance, (May 2000), p. 186 [the final meeting between and the need for a theory of ‘videocy’]. a theatrical master and his compatriots]. Wallis, Mick, ‘Unlocking the Secret Soul: Mary Paget, Derek, ‘The Precariousness of Political Kelly, Pioneer of Village Theatre’, NTQ 64 Theatre’, NTQ 64 (November 2000), p. 388. (November 2000), p. 347 [drama and Roberts, Brian, ‘Whatever Happened to Gay pageantry related to the needs of rural Theatre?’, NTQ 62 (May 2000), p. 175 [politics communities]. and sexual politics, assimilation and Watson, Ian, ‘Ways of Understanding the assertion]. Culture: Re-examining the Performance Rohmer, Martin, ‘Form as Weapon: the Political Paradigm’, NTQ 64 (November 2000), p. 333 Function of Song in Urban Zimbabwean [Barba’s barters, Boal’s Invisible Theatre, and Theatre’, NTQ 62 (May 2000), p. 148 [how the rhetoric of Bill Clinton]. theatre utilizes and sometimes legitimizes Whybrow, Nicolas, ‘Animating Morecambe: political protest]. Forkbeard Fantasy Goes to the Ball’, NTQ 61 Saivetz, Deborah, ‘“What Counts is the (February 2000), p. 3 [creating a surreal event Landscape”: the Making of Pino DiBuduo’s for a seaside resort which has lost its way].