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National Advisory Committee on Creative and Cultural Education PDF

243 Pages·1999·1.29 MB·English
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National Advisory Committee on Creative and Cultural Education All Our Futures: Creativity, Culture and Education Report to the Secretary of State for Education and Employment the Secretary of State for Culture, Media and Sport May 1999 Contents Terms of Reference 2 Membership of the Committee 3 Introduction and Summary 5 Part One: Facing the Future 1. The Challenge for Education 17 2. Creative Education 28 3. Cultural Education 44 4. Meeting the Challenge 61 Part Two: A New Balance 5. Developing the Curriculum 72 6. Teaching and Learning 101 7. Raising Standards 124 Part Three: Beyond the School 8. Developing Partnerships 138 9. Funding and Resources 160 10. Training People 174 Part Four: A National Strategy Looking Ahead 190 Detailed Recommendations 192 Appendices A. Patterns of Provision 205 B. Abbreviations, Notes and References 221 C. Acknowledgements 228 D. Research and Consultations 229 Contents NACCCE report 1 Terms of Reference The National Advisory Committee on Creative and Cultural Education was established in February 1998 by the Secretary of State for Education and Employment, the Rt. Hon David Blunkett MP and the Secretary of State for Culture, Media and Sport, the Rt. Hon Chris Smith MP. Our terms of reference are: To make recommendations to the Secretaries of State on the creative and cultural development of young people through formal and informal education: to take stock of current provision and to make proposals for principles, policies and practice. This report makes recommendations for provision in formal and informal education for young people to the age of 16: that is, to the end of compulsory education. Our inquiry coincides with the Government(cid:213)s planned review of the National Curriculum. This report includes specific recommendations on the National Curriculum. It also includes recommendations for a wider national strategy for creative and cultural education. Terms of Reference NACCCE report 2 Membership of the Committee Professor Ken Robinson (Chairman), University of Warwick Professor Lewis Minkin (Vice-chair), Sheffield Hallam University Professor Eric Bolton CB, Formerly Senior Chief Inspector Dawn French, Actor/Comedian Lindsey Fryer, Vice-chair, Engage The National Association of Gallery Education Professor Susan Greenfield, University of Oxford Valerie Hannon, Chief Education Officer, Derbyshire Lenny Henry CBE, Actor/Comedian Dawn Holgate, Director of Education, Phoenix Dance Company Dame Tamsyn Imison, Head, Hampstead School, London Clive Jones, Chief Executive, Carlton Television Judith Kelly OBE, Artistic Director, West Yorkshire Playhouse Professor Sir Harold Kroto Kt., FRS, University of Sussex Sir Claus Moser KCB, CBE, FBA, Chairman, Basic Skills Agency Sir Simon Rattle Kt., CBE, Conductor Lord Stone of Blackheath, Managing Director, Marks & Spencer plc Professor Helen Storey, Fashion Designer Carol Traynor, Head, St Boniface RC Primary School, Salford Research Officer Mathilda Joubert Administrative Officer Lynn Green Membership of the Committee NACCCE report 3 Observers John Connolly, DfEE (from August 1998) Julian Critchley, DfEE Janet Dawson, DfEE Theresa Downing, DfEE (toAugust 1998) Tony Dyer, DCMS (from December 1998) Patrick Fallon, DCMS (to November 1998) David Fawcett, DCMS (to November 1998) Allan Ferries, DCMS (from December 1998) Peter Jones HMI, OFSTED Tony Knight, QCA Angela Walsh, TTA Membership of the Committee NACCCE report 4 Introduction and Summary The Purpose of this Report i. In 1997, the Government published its White Paper Excellence Our aim must be to create a nation in Schools. It described education as a vital investment in where the creative talents of all the people are used to build a true (cid:212)human capital(cid:213) for the twenty-first century. It argued that one enterprise economy for the twenty- of the problems in education is the low expectations of young first century (cid:209) where we compete on people(cid:213)s abilities and that it is essential to raise morale, brains, not brawn. motivation and self esteem in schools. The main focus of the The Prime Minister, the Rt. Hon White Paper was on raising standards in literacy and numeracy. Tony Blair MP But this will not be enough to meet the challenges that face education, and the White Paper recognised this. It also said: If we are to prepare successfully for the twenty-first ...we cannot rely on a small (cid:142)lite, no century we will have to do more than just improve matter how highly educated or highly paid. Instead we need the creativity, literacy and numeracy skills. We need a broad, enterprise and scholarship of all our flexible and motivating education that recognises people. the different talents of all children and delivers Rt. Hon David Blunkett MP, excellence for everyone. Secretary of State for Education and Employment It emphasised the urgent need to unlock the potential of every young person and argued that Britain(cid:213)s economic prosperity and social cohesion depend on this. ii. This report argues that a national strategy for creative and We must change the concept of cultural education is essential to that process. We put the case creativity from being something that is (cid:212)added on(cid:213) to education, skills, for developing creative and cultural education; we consider training and management and make what is involved; we look at current provision and assess the sure it becomes intrinsic to all of opportunities and obstacles; and we set out a national strategy. these. By creative education we mean forms of education that Rt. Hon Chris Smith MP, Secretary develop young people(cid:213)s capacities for original ideas and action: of State for Culture, Media and by cultural education we mean forms of education that enable Sport them to engage positively with the growing complexity and diversity of social values and ways of life. We argue that there are important relationships between creative and cultural education, and significant implications for methods of teaching and assessment, the balance of the school curriculum and for partnerships between schools and the wider world. What is this Report About? iii. Our report develops five main themes: The Challenge for Education Education faces challenges that are without precedent. Meeting these challenges calls for new priorities in education, Introduction and Summary NACCCE report 5 including a much stronger emphasis on creative and cultural education and a new balance in teaching and in the curriculum. Creative Potential Creativity is possible in all areas of human activity, including the arts, sciences, at work at play and in all other areas of daily life. All people have creative abilities and we all have them differently. When individuals find their creative strengths, it can have an enormous impact on self-esteem and on overall achievement. Freedom and Control Creativity is not simply a matter of letting go. Serious creative achievement relies on knowledge, control of materials and command of ideas. Creative education involves a balance between teaching knowledge and skills, and encouraging innovation. In these ways, creative development is directly related to cultural education. Cultural Understanding Young people are living in times of rapid cultural change and of increasing cultural diversity. Education must enable them to understand and respect different cultural values and traditions and the processes of cultural change and development. The engine of cultural change is the human capacity for creative thought and action. A Systemic Approach Creative and cultural education are not subjects in the curriculum, they are general functions of education. Promoting them effectively calls for a systemic strategy: one that addresses the balance of the school curriculum, teaching methods and assessment, how schools connect with other people and resources and the training and development of teachers and others. Who is this Report for? iv. Formally, our report is addressed to the Secretaries of State, and many of our recommendations do call for Government action at various levels. But education concerns everybody: children and young people, parents, employers, those in Introduction and Summary NACCCE report 6 work, out of work or in retirement. Consequently, our report is also written for a wider audience: • for parents, who want education to offer the best opportunities for their children; • for teachers and headteachers who see the potential range and vitality of young people(cid:213)s abilities; • for school governors, who want their schools to be alive with energy and achievement; • for other organisations who see themselves as partners in the education of young people and who want to find better ways of engaging with them; • for business and union leaders who recognise the need for new approaches to preparing young people for the changing nature of work. Above all, our aim is to urge the need for a national strategy which engages the energies of all of these to provide the kind of education, in substance and in style, that all young people need now, and to enable them to face an uncertain and demanding future. Why Now? v. There are great opportunities now to promote young people(cid:213)s creative and cultural education: • The Government is committed to promoting the creative abilities and cultural understanding of all young people through education. At the same time, it is introducing new patterns of funding to support extended curricula, specialist facilities and innovation. • The business community wants education to give a much higher priority to promoting young people(cid:213)s creative abilities; to developing teamwork, social skills and powers of communication. • Many professional and other organisations are keen to develop innovative partnerships with education, through visits, residencies and liaison schemes. • New technologies are providing unprecedented access to ideas, information, people and Introduction and Summary NACCCE report 7 organisations throughout the world, as well as to new modes of creativity, personal expression, cultural exchange and understanding. The opportunities are considerable: and so are the difficulties. vi. Issues of creativity and of cultural development concern the whole of education. They are influenced by much more than the shape and content of the formal school curriculum. These influences include methods of teaching; the ethos of schools, including the relationships between teachers and learners; and the national priorities that underpin the education service. Our consultations suggest some tensions in current provision. • Many of those who have contributed to our inquiry believe that current priorities and pressures in education inhibit the creative abilities of young people and of those who teach them. There is a particular concern about the place and status of the arts and humanities. There is also concern that science education is losing its vitality under current pressures. • Many schools are doing exciting and demanding work but often they see themselves doing this in spite, not because, of the existing climate. This may be more a problem of perception than of fact. There is no comprehensive evidence available either way to us nor to the Government. Nevertheless, the fact of this perception, and how widespread it is, is evidence of a problem in itself. • Outside organisations (cid:209) museums, theatres, galleries, orchestras and others (cid:209) have a great deal to offer the formal education sector. Many already have education and outreach programmes. There is a compelling argument for closer working partnerships and we have found considerable enthusiasm for them. Many say they are poorly funded for educational programmes and that such work still has low priority. • There are concerns about the supply of teachers and the extent to which current training takes account of the importance of creative and cultural education. Introduction and Summary NACCCE report 8 vii. The key message of this report is the need for a new balance in education: in setting national priorities; in the structure and organisation of the school curriculum; in methods of teaching and assessment; in relationships between schools and other agencies. Over a number of years, the balance of education, in our view, has been lost. There has been a tendency for the national debate on education to be expressed as a series of exclusive alternatives, even dichotomies: for example, as a choice between the arts or the sciences; the core curriculum or the broad curriculum; between academic standards or creativity; freedom or authority in teaching methods. We argue that these dichotomies are unhelpful. Realising the potential of young people, and raising standards of achievement and motivation includes all of these elements. Creating the right synergy and achieving the right balance in education is an urgent and complex task, from national policy making to classroom teaching. Structure of the Report viii. The report is in four parts. In Part One, we set out our definitions and framework for creative and cultural education. In Part Two, we look at the implications for the school curriculum, for teaching and for assessment. In Part Three, we argue for a broad base of partnerships between schools and other agencies and consider issues of resources and training. In Part Four we present a series of detailed recommendations as a framework for a national strategy. The arguments of the report are as follows: Part One: Facing the Future 1. The Challenge for Education Education throughout the world faces unprecedented challenges: economic, technological, social, and personal. Policy-makers everywhere emphasise the urgent need to develop (cid:212)human resources(cid:213), and in particular to promote creativity, adaptability and better powers of communication. We argue that this means reviewing some of the basic assumptions of our education system. New approaches are needed based on broader conceptions of young people(cid:213)s abilities, of how to promote their motivation and self-esteem, and of the skills and aptitudes they need. Creative and Introduction and Summary NACCCE report 9

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